Literatura académica sobre el tema "Draperies in art"
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Artículos de revistas sobre el tema "Draperies in art"
Posèq, Avigdor W. G. "Aspects of Italian Baroque Art: I. Bernini’s Non-Figural Draperies as “Simbolic Forms”; II. Directional Reading in Caravaggio". Acta Historiae Artium 51, n.º 1 (1 de diciembre de 2010): 111–38. http://dx.doi.org/10.1556/ahista.51.2010.1.6.
Texto completoТарасенко, О. А. y А. А. Тарасенко. "Світобудова Михайла Гуйди". Art and Design, n.º 2 (11 de agosto de 2021): 152–63. http://dx.doi.org/10.30857/2617-0272.2021.2.14.
Texto completoEspinosa Pesqueira, Manuel E. y Elsa Arroyo Lemus. "The Use of Smalt in Simon Pereyns Panel Paintings: Intentional Use and Color Changes". MRS Proceedings 1618 (2014): 131–39. http://dx.doi.org/10.1557/opl.2014.462.
Texto completoMorozova, Anna V. y Aysan Daroudi. "Written and Pictorial Sources on the Architecture of Persia and Central Asia during the Era of Timur’s and Timurids’ Rule". Vestnik of Saint Petersburg University. Arts 12, n.º 4 (2022): 724–43. http://dx.doi.org/10.21638/spbu15.2022.409.
Texto completoRoch, Jean-Louis. "Innovations et résistances dans la draperie : exemples normands". Médiévales 19, n.º 39 (2000): 46–56. http://dx.doi.org/10.3406/medi.2000.1493.
Texto completoLong, Beverly Whitaker. "Performing against time: Reading Ruth Draper's monologues". Text and Performance Quarterly 12, n.º 1 (enero de 1992): 68–74. http://dx.doi.org/10.1080/10462939209359635.
Texto completoMcNeil, Lynda. "Bridal Cloths, Cover-UPS, and Kharis: The ‘Carpet Scene’ in Aeschylus’ Agamemnon". Greece and Rome 52, n.º 1 (abril de 2005): 1–17. http://dx.doi.org/10.1093/gromej/cxi009.
Texto completoBackscheider, Paula R. "Behind City Walls: Restoration Actors in the Drapers' Company". Theatre Survey 45, n.º 1 (mayo de 2004): 75–87. http://dx.doi.org/10.1017/s0040557404000067.
Texto completoGuidotti, Tee L. "Occupational Medicine and the Construction of “Difficult Reputations”". NEW SOLUTIONS: A Journal of Environmental and Occupational Health Policy 18, n.º 3 (30 de septiembre de 2008): 285–98. http://dx.doi.org/10.2190/ns.18.3.b.
Texto completoGerrard, James. "WELLS AND BELIEF SYSTEMS AT THE END OF ROMAN BRITAIN: A CASE STUDY FROM ROMAN LONDON". Late Antique Archaeology 7, n.º 1 (2011): 551–72. http://dx.doi.org/10.1163/22134522-90000167.
Texto completoTesis sobre el tema "Draperies in art"
Robins, Amanda School of Arts UNSW. "Slow art : meditative process in painting and drawing". Awarded by:University of New South Wales. School of Arts, 2006. http://handle.unsw.edu.au/1959.4/31214.
Texto completoBecchia, Alain. "La draperie d'Elbeuf, des origines à 1870 /". Rouen : Publ. de l'Université de Rouen, 2000. http://catalogue.bnf.fr/ark:/12148/cb377040653.
Texto completoRagnestam, Maria. "Drapering av en illusion : En komparativ studie med utgångspunkt i fotografierna av Leila Khaled och Shirin Neshat". Thesis, Södertörn University College, The School of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1033.
Texto completoThe aim of this paper is to perform a comparative study between the photography’s of Leila Khaled and Shirin Neshat in order to observe if the woman are able to recede from an conventional formation to become the bearer of the veil and not only reduced to that which
needs to be concealed. From a feministic perspective I have observed how the symbolic of the veil moulds the woman and how the woman in her context moulds the veil.
In the description of the news photography of Khaled and the art photography produced by Neshat the mechanisms that lies as a foundation for the modelling of the portraits becomes
the essays primary entrance. Mechanisms that evolve around the creation of the woman as aconcept, a subject shaped for being looked at and the woman’s self-image through others.
The textual discourse is visually enhanced through a comparative picture material visually enhanced and explained through photographs by the contemporary artist photographers Cindy Sherman, Catherine Opie, Laurie Simmons, Robert Mapplethorpe and Elin Berge. The visual comparative material also interacts with the essays primary picture material and further expresses the oppression of the woman that occurs irrespective of culture through a patriarch cal gender system.
Libros sobre el tema "Draperies in art"
Françoise, Viatte, Leonardo da Vinci 1452-1519 y Musée du Louvre, eds. Léonard de Vinci: Les études de draperies. Paris: Herscher, 1989.
Buscar texto completoClifton-Mogg, Caroline. The art and technique of decorating with fabric. New York: Prentice Hall Press, 1988.
Buscar texto completoPerigot, Alexandre. Les pieds dans le rideau: Curtain boulevard. Paris: Manucius, 2015.
Buscar texto completoeditor, Lecoq-Ramond Sylvie y Musée des beaux-arts (Lyon, France), eds. Drapé: Degas, Christo, Michel-Ange, Rodin, Man Ray, Dürer ... Lyon]: Musée des beaux-arts de Lyon, 2019.
Buscar texto completoMasuda, Tadashi. The design heritage of noren: Traditional Japanese storefront art. [Tokyo, Japan: Graphic-sha Pub. Co., 1989.
Buscar texto completoLe rideau, ou, La fêlure du monde. Paris: A. Biro, 1997.
Buscar texto completoKemp, Wolfgang. Rembrandt: Die Heilige Familie mit dem Vorhang. Kassel: Staatliche Museen Kassel, 2003.
Buscar texto completoInternational, Creative Publishing, ed. The complete photo guide to window treatments: Do-it-yourself draperies, curtains, valances, swags, and shades. Chanhassen, MInn: Creative Pub. International, 2007.
Buscar texto completoVerhüllen und Offenbaren: Der Verhüllte Reichstag von Christo und Jeanne-Claude und seine Parallelen in der Tradition der Kirche. Regensburg: Schnell + Steiner, 2006.
Buscar texto completoKemp, Wolfgang. Rembrandt, die Heilige Familie, oder, Die Kunst, einen Vorhang zu lüften. Frankfurt am Main: Fischer Taschenbuch Verlag, 1986.
Buscar texto completoCapítulos de libros sobre el tema "Draperies in art"
"Prominent Themes in International Andragogy Around the Globe". En Facilitating Adult and Organizational Learning Through Andragogy, 207–24. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3937-8.ch010.
Texto completoAnderson, Raymond A. "Credit—A Microhistory". En Credit Intelligence & Modelling, 201–42. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844194.003.0006.
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