Literatura académica sobre el tema "Dramatic criticism – history"
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Artículos de revistas sobre el tema "Dramatic criticism – history"
EVANS, PETER W. "GOLDEN-AGE DRAMATIC CRITICISM NOW". Seventeenth Century 2, n.º 1 (enero de 1987): 49–53. http://dx.doi.org/10.1080/0268117x.1987.10555260.
Texto completoEllenzweig, Sarah. "Rhyme's Contrapuntal History in Early Dryden". ELH 91, n.º 2 (junio de 2024): 377–404. http://dx.doi.org/10.1353/elh.2024.a929153.
Texto completoShapoval, Mariana. "The intellectual's artistic biography in S. Rosovetskyi's dramatic". Synopsis: Text Context Media 26, n.º 1 (2020): 1–10. http://dx.doi.org/10.28925/2311-259x.2020.1.1.
Texto completoElam Jr., Harry J. "Making History". Theatre Survey 45, n.º 2 (noviembre de 2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
Texto completoKnowles, Richard Paul. "CTR and Canadian Theatre Criticism: Constructing the Discipline". Canadian Theatre Review 79-80 (junio de 1994): 10–13. http://dx.doi.org/10.3138/ctr.79-80.002.
Texto completoCatană, Elisabeta Simona. "History as Story and Parody in Julian Barnes’s the Noise of Time". Romanian Journal of English Studies 16, n.º 1 (1 de noviembre de 2019): 25–31. http://dx.doi.org/10.1515/rjes-2019-0004.
Texto completoÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n.º 2 (1 de septiembre de 2018): 196–204. http://dx.doi.org/10.3167/ej.2018.510226.
Texto completoÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n.º 2 (1 de septiembre de 2018): 196–204. http://dx.doi.org/10.3167/ej.2017.510226.
Texto completoBenson, Eugene y L. W. Conolly. "English-Canadian Theatre". Canadian Theatre Review 57 (diciembre de 1988): 90–91. http://dx.doi.org/10.3138/ctr.57.020.
Texto completoHarp, Gillis. "Hofstadter's The Age of Reform and the Crucible of the Fifties". Journal of the Gilded Age and Progressive Era 6, n.º 2 (abril de 2007): 139–48. http://dx.doi.org/10.1017/s1537781400001973.
Texto completoTesis sobre el tema "Dramatic criticism – history"
Li, Siu Leung y 李小良. "Toward a theory of dramatic adaptation: with special reference to Shakespearean and Ming Qing adaptations". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31207352.
Texto completoWright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Texto completoLaReau, Brandon. "Dramatic Themes: Active Learning and Thematic Teaching in the Theatre History Classroom". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5755.
Texto completoAllingham, Philip Victor. "Dramatic adaptations of the Christmas books of Charles Dickens, 1844-8 : texts and contexts". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28615.
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English, Department of
Graduate
Carson, Jo. "Teller Tales: Histories". Digital Commons @ East Tennessee State University, 2007. http://amzn.com/082141753.
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LAW, Ching. "高行健之戲劇 : 理論與實踐". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.
Texto completoWeiss, Katherine. "Haunted by the Blitz: History, Trauma and Noel Coward’s Blithe Spirit". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2257.
Texto completoChoate, Catie. "The Action to the Word, The Word to the Action: Teaching Shakespeare as Performance Litearture". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4234.
Texto completoBen-Shach, Jane Respitz. "The false Messiah in Yiddish literature : a comparison between two dramatic works". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59384.
Texto completoThe figure of the Messiah in Jewish religious imagination signifies the prophetic yearning for redemption at the end of days, but it also provoked hopes in a strong leader who will bring about social and political redemption. Based on historical models, literature from the twelfth to the twentieth century addressed these "false Messiahs" and in the modern period used them to define and illustrate contemporary catastrophe.
Shlomo Molcho by American Yiddish poet Aaron Glanz-Leyeles and Prince Reuveni by Soviet Yiddish author David Bergelson are two twentieth century poetic historic dramas based on two messianic figures of the sixteenth century. These two modern works are compared in relation to the respective authors' life and times, political and aesthetic outlook, and dramatic powers. The comparison shows the usefulness of the "false Messiah" in dramatizing and expressing difficult contemporary issues.
Yantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives". Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Texto completoThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Libros sobre el tema "Dramatic criticism – history"
Austin, Gayle. Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press, 1990.
Buscar texto completoCardullo, Bert. Dramatic considerations: Essays in criticism, 1977-1987. New York: P. Lang, 1991.
Buscar texto completoUniversity of Florida Department of Classics Comparative Drama Conference (1985). Within the dramatic spectrum. Lanham, Md: University Press of America, 1986.
Buscar texto completoHanbery, MacKay Carol, ed. Dramatic Dickens. Basingstoke: Macmillan, 1988.
Buscar texto completoDramatic monologue. London: Routledge, 2003.
Buscar texto completoHanbery, MacKay Carol, ed. Dramatic Dickens. New York: St. Martin's Press, 1989.
Buscar texto completoLynn, Hulse y Malone Society, eds. Dramatic works. Oxford: Published for the Malone Society by Oxford University Press, 1996.
Buscar texto completoNwabueze, Emeka. Studies in dramatic literature. Nigeria: ABIC Books, 2011.
Buscar texto completoEkstein, Nina C. Dramatic narrative: Racine's récits. New York: P. Lang, 1986.
Buscar texto completoJürgen, Wolter, ed. The Dawning of American drama: American dramatic criticism, 1746-1915. Westport, Conn: Greenwood Press, 1993.
Buscar texto completoCapítulos de libros sobre el tema "Dramatic criticism – history"
Cannan, Paul D. "Introduction: On Writing the History of Early English Criticism". En The Emergence of Dramatic Criticism in England, 1–17. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-03717-6_1.
Texto completoSaber, Fathieh Hussam. "Shellyseer: A Literary Evolution". En Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.
Texto completo"Criticism and Destiny: Kundera and Havel on the Legacy of 1968". En 1948 and 1968 – Dramatic Milestones in Czech and Slovak History, 193–212. Routledge, 2013. http://dx.doi.org/10.4324/9781315879413-13.
Texto completoMitchell-Boyask, Robin N. "Dramatic Scapegoating: On the Uses and Abuses of Girard and Shakespearean Criticism". En Tragedy and the Tragic, 426–37. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198149514.003.0028.
Texto completoGoldhill, Simon. "Representing Democracy: Women at the Great Dionysia". En Ritual, Finance, Politics, 347–69. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198149927.003.0022.
Texto completoGraziosi, Barbara. "Performing Epic and Reading Homer". En Epic Performances from the Middle Ages into the Twenty-First Century, 16–30. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0002.
Texto completoHershinow, David. "Coda". En Shakespeare and the Truth-Teller, 225–28. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439572.003.0007.
Texto completoJones, Polly. "Perestroika and Post-Soviet Afterlives". En Revolution Rekindled, 229–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804345.003.0006.
Texto completoDailey, Alice. "Dummies and Doppelgängers". En How to Do Things with Dead People, 77–104. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763656.003.0004.
Texto completoMilder, Robert. "The Broken Circle: Mardi and (Post-)Romanticism". En Exiled Royalties, 27–49. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0002.
Texto completoActas de conferencias sobre el tema "Dramatic criticism – history"
Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago". En Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.
Texto completoBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". En 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.56.
Texto completoBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". En 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.55.
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