Tesis sobre el tema "Dostoevsky"
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Horst, Stephen Scott. "Dostoevsky as apologist". Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.
Texto completoTaylor, Eric J. "Dostoevsky and his kingdom vision". Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Texto completoWoodson, Lisa Elaine. "Dostoevsky as theologian in The idiot". Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Texto completoBerry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood". Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.
Texto completoBurgess, David Fred. "Narrative fits : Freud's essay on Dostoevsky /". Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6659.
Texto completoFung, Kai Yeung. "Dostoevsky and the epileptic mode of being". Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/dostoevsky-and-the-epileptic-mode-of-being(cc8d3ece-3ac8-48bd-93d2-a706b78407e4).html.
Texto completoLary, Nikita M. "Dostoevsky and Dickens : a study of literary influence /". London : Routledge, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780415482516.
Texto completoPrown, Katherine Hemple. "Flannery O'Connor, Fyodor Dostoevsky and the Antimodernist Tradition". W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625432.
Texto completoYee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot". Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.
Texto completo余善翔 y Sin-cheung Yee. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31579541.
Texto completoMcCoubrey, Sam. "Suffering and Redemption in the Works of Fyodor Dostoevsky". Thesis, Boston College, 2004. http://hdl.handle.net/2345/449.
Texto completoIn The Brothers Karamazov, Ivan Karamazov was convinced it is not right that there is so much suffering in the world, and was convinced nothing could make it right. As a result he was left with no choice but to reject the ticket for this world, or to be indignant toward the world, which means he was indignant toward life in it. If we listen closely to what Fyodor Dostoevksy had to say in five of his works, The Brothers Karamazov, Crime and Punishment, The Idiot, The Insulted and Injured, and Notes from the Underground, we will find a way in which we can accept the ticket, which is to say that we will find a way to love life
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Philosophy
Discipline: College Honors Program
Banta, Bonnie L. "Melville and Dostoevsky a comparision [sic] of their writings /". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.
Texto completoSource: Masters Abstracts International, Volume: 45-06, page: 2822. Typescript. Abstract precedes thesis as preliminary leaves I-V. Includes bibliographical references (leaves 104-106).
Woodford, Maria Vladimirovna. "Dreams in Dostoevsky's early works". Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369338.
Texto completoBarron, Antony Howard. "A secret sharing : a comparative study of Conrad and Dostoevsky". Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432829.
Texto completoKaplan, Richard Edward. "Dostoevsky, Melville and the conventions of the novel fictional alliances /". Diss., Restricted to subscribing institutions, 1993. http://proquest.umi.com/pqdweb?did=746557821&sid=5&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completoRewinski, Zachary D. "Dostoevsky and Tolstoy's Oblique Responses to the Epidemic of Chernyshevskian Philosophy". Oberlin College Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1277852390.
Texto completoChristmas, Simon. "Ideal motives : self-perfection and self-knowledge in the work of Dostoevsky". Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/265428.
Texto completoPaine, Jonathan. "Buying the story : transaction and narrative value in Balzac, Dostoevsky and Zola". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:90b4d56d-ee10-463e-96fc-0cf2fe927ea4.
Texto completoBreidenbach, Birgit. "Stimmung and modernity : the aesthetic philosophy of mood in Dostoevsky, Beckett and Bernhard". Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/95560/.
Texto completoHudspith, Sarah. "Dostoevsky and the idea of Russianness : a new perspective on unity and brotherwood /". New York : RoutledgeCurzon, 2004. http://catalogue.bnf.fr/ark:/12148/cb39268768p.
Texto completoMacleod, N. J. "Fictions of authenticity : Dostoevsky's Notes from Underground, Rilke's Notebooks of Malte Laurids Brigge, and Sartre's Nausea". Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233571.
Texto completoBloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.
Texto completoAntoniacci, Aliandra. "The crisis of the Russian family in the works of Dostoevsky, Tolstoy and Chekhov". Thesis, University of Canterbury. Department of Global, Cultural and Language Studies, 2015. http://hdl.handle.net/10092/10858.
Texto completoCenedese, Marta Laura. "Russian Suite : the influence of Tolstoy, Dostoevsky and Chekhov on the work of Irène Némirovsky". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648159.
Texto completoOrr, Meital. "God and the Devil in the Human Heart: The Dialogic Vision of Abramovitch and Dostoevsky". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10091.
Texto completoNear Eastern Languages and Civilizations
Katz, Elena M. "Representations of 'the Jew' in the writings of Nikolai Gogol, Fyodor Dostoevsky and Ivan Turgenev". Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50605/.
Texto completoGarske, Kevin T. "Society and Suffering: City as Character in 19th Century Realism". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1219.
Texto completoPark, Ji Hyun. "An existential reading of Camus and Dostoevsky focusing on Camus's notion of the absurd and Sartrean authencity". Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/5015.
Texto completoSimitopol, Anca Eliza. "Ideas of Community in the Thought of Pierre Leroux and of Feodor Dostoevsky: Agape, Philia and Eros". Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23280.
Texto completoBrazier, Paul Henry. "'Die Freiheit in der Gefangenschaft Gottes' : the nature and content of the influence of Dostoevsky on the Swiss theologian Karl Barth 1915 to 1922 : a study of the influence of the Russian novelist Fydor Mikhailovich Dostoevsky on the Swiss theologian Ka". Thesis, King's College London (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420880.
Texto completoChadwick, Philip. "The ethics of the novel in the life of the town : provincial communities in the works of Fyodor Dostoevsky and George Eliot". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:22c60742-d0e1-4570-9360-b6b90e1abeaa.
Texto completoKirkman, Mackenzie Raine. ""Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House"". Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229.
Texto completoCritchley, Lucinda Caroline. "The Russian woman is not a human being': female subjectivity in the works of F. M. Dostoevsky, 1846-1864". Thesis, University of Bristol, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687272.
Texto completoO'Neill, Victoria Ruth Woodgate. "The role of the feminine in masculine cycles of death, rebirth and new life : Dostoevsky, Tolstoy, Babel, Bulgakov and Pasternak". Thesis, Keele University, 2015. http://eprints.keele.ac.uk/2352/.
Texto completoLevai, Ruth [Verfasser]. "The concept of truth. Four Works by Annette von Droste Hülshoff, Harriet Beecher Stowe, Fyodor Dostoevsky and Georges Bernanos / Ruth Levai". München : GRIN Verlag, 2021. http://d-nb.info/1228537305/34.
Texto completoBall, Jonathan. "Themes of Self-Laceration Towards a Modicum of Control in Nineteenth Century Russia as Expressed by Dostoevsky in The Brothers Karamazov". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2516.
Texto completoCanto, Flavio Ricardo Vassoler do. "Dialética do labirinto: a polifonia amordaçada de Fiódor Dostoiévski". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-23112010-121337/.
Texto completoThis dissertation seeks to analyze Feodor Dostoevskys The Dream of a Ridiculous Man (1877) fundamentally by a critical approach in relation to Mikhail Bakhtins polyphonic theory in Problems of Dostoevskys Poetics. The Russian theorist searched to unveil Dostoevskys poetics not by a partial synthesis in terms of the ideological speech of the writer or one of his characters traditional expedient of partisan critic, according to Boris Schnaiderman and Paulo Bezerra , but through the way by which dialog would leave its contingent form to assume an essential structural role. Characters identity would not be erected in itself and by itself, once the I, from his primordial expression, would arise shaped, formed and deformed by the inflection of the other. Alterity and altercation, immiscible and equipollent voices grounding polyphony. However, Bakhtin could not demonstrate the way by which it would be possible to apprehend Dostoevskys work as an integral polyphonic totality. Would there be a north toward which the relational and contradictory voices would be structured? Would it be possible to apprehend Dostoevskys poetics by the traditional, monologic and systemic background? The contribution from the critical theory by Marx, Lukacs, Horkheimer, Adorno and Benjamin trod the labyrinthic galleries of Dostoevskys underground allowing the reconstitution of Bakhtins critic to dialectical approach. From this point on polyphony becomes a dialectical moment to constitute Dostoevskys poetics. Prostrated totality, gagged polyphony, dialectic without a synthesis, dialectic in the labyrinth, dialectic of labyrinth. Labyrinth of dialectic: I dialog with some authors of North American slavistics specially Joseph Frank, Michael Holquist and Gerald Sabo and with the Ridiculous Man, the equivocal and unequivocal narrator of the fantastic story which, according to Bakhtin, is almost an encyclopedia of the Russian authors work. Therefore the present work seeks to erect a new model which tenses the vocal cords of integral polyphony in order to reconstitute its apories and tread another way which restitutes contradiction as an essential category for the apprehension of Dostoevskys work.
Randall, Samuel. "Stellvertretung as vicarious suffering in Dietrich Bonhoeffer". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/287466.
Texto completoVieira, Carolina Detoni Marques. "Eros e Ágape: o desejo e o amor cristão em Dostoiévski". Universidade Federal de Juiz de Fora (UFJF), 2010. https://repositorio.ufjf.br/jspui/handle/ufjf/3833.
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Este trabalho tem por objetivo abordar as duas faces do amor em Dostoiévski: ágape, o amor altruísta, pela humanidade, regido pela religiosidade cristã; e eros, o amor erótico, regido pelo desejo meramente humano. Ou seja, propõe-se tratar do amor como a representação máxima do sobrenatural ou a própria degradação no excesso de natureza humana e, de uma face a outra, percorrer não só a sua trajetória na obra dostoievskiana, como também os temas com os quais ele se articula. O Idiota apresenta-se, neste estudo, em lugar de destaque por sua relevância para o tema, especialmente, devido à própria divisão de seu protagonista, o Príncipe Mychkin, percebido, aqui, como a representação da tensão trágica entre o humano e o divino, vivenciada através do amor. Além desta obra, outros grandes romances de Dostoiévski também participam da discussão.
This work aims to broach the two faces of love in Dostoevsky: agape, the altruist love, the love for humanity, which is conducted by Christian religiosity; and eros, the erotic love, which is leaded by the simply human desire. In other words, it intends to deal with the love as the greatest performance of divine or as the typical degradation in the excess of human nature and, from one face to the other, to search not only throug its course on Dostoevsky’s work but also the subjects which it is connected with. In this study, The Idiot presents itself in a highlighted position because of its importance to the subject mainly due to the selfsame division of its protagonist, Prince Mychkin, who is understood here as a performance of a tragic tension between human and divine, that is lived throughout love. Beyond this work, other great romances of Dostoevsky, also take part in the discussion.
Fernandes, Arlene Aparecida. "O solo sagrado: crítica da modernidade em Dostoiévski". Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6755.
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A obra de Dostoiévski entrou no ocidente europeu como uma crítica perversa que lançava nova luz aos movimentos intelectuais que dominavam o contexto de então. A dissertação, portanto, busca analisar as críticas do romancista russo às ideologias ocidentais, bem como em que sentido essa concepção é elaborada enquanto uma crítica da modernidade, porém nos termos de um discurso moderno. O escritor foi condenado por conspiração revolucionária contra o czar e a experiência do cárcere deixou marcas profundas em sua trajetória literária. A fim de compreender o impacto dessa influência, o presente trabalho investiga a vida e a obra do romancista, no período entre 1845 e 1864. Dostoiévski ancorou sua literatura em um vocabulário religioso adquirido nesse contato com os camponeses russos, enquanto esteve preso. A interpretação do autor acerca do cristianismo do povo russo será determinante na composição de suas obras futuras e redefinirá suas posições artísticas, políticas e religiosas. Partindo de uma defesa do solo russo, enquanto único espaço capaz de articular uma oposição às teorias racionalista e romântica, o romancista estabelece sua crítica da modernidade. Por fim, o trabalho buscará mostrar que, em vez de uma resposta, Dostoiévski termina sua obra questionando se há um fundamento, religioso ou secular, sobre o qual o homem pode justificar a virtude.
The Dostoevsky’s works were received in Western Europe as a perverse criticism that casted new light into the dominant intelectual movements of the period. Therefore, this thesis seeks to analyze the Russian novelist’s criticism of Western ideologies, and how that critical conception is designed as a critique of modernity, but formulated in the terms of a modern discourse. The writer was convicted for taking part in a revolutionary conspiracy against the czar, and this experience as a prisoner left deep marks in his literary trajectory. Aiming to understand the impact of these dramatic and difficult years in the author’s creations, the present research investigates his life and works between 1845 and 1864. Dostoevsky anchored his literary production in a religious vocabulary aquired through the contact with the Russian peasents while imprisoned. Thus, the writer’s interpreation regarding the christianity of the Russian people will be vital to the composition of his future works and will redefine his artistic, political and religious positions. Starting from the defense of the Russian soil, considering it the only space able to articulate an oposition to the rationalist and romantic theories, the novelist will establish his critique of modernity. Lastly, this study proposes to demonstrate that, instead of an answer, Dostoevsky finishes his work questioning the possibility of a foundation, religious or secular, upon which man can justify virtue.
Hebbeler, Michael H. "The Sister Karamazov: Dorothy Day's Encounter with Dostoevsky's Novel". Dayton, Ohio : University of Dayton, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1250126537.
Texto completoBarros, Douglas Rodrigues [UNIFESP]. "O jovem Lukàcs e Dostoiévski". Universidade Federal de São Paulo (UNIFESP), 2015. http://repositorio.unifesp.br/handle/11600/39236.
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O presente estudo pretende analisar as categorias expostas por Lukács na teoria do romance. Nela, procuraremos esmiuçar seus conceitos, para facilitar o entendimento sobre os gêneros e as formas da literatura para o jovem filósofo. Feito esse caminho, passaremos para uma análise das fragmentadas Anotações sobre Dostoiévski, buscando compreender o perturbante final d’A teoria em que o autor afirma que: “Dostoiévski não escreveu romance algum”. Tem-se com isso, o objetivo de desnudar em que medida a estética e a ética estão imbricadas no pensamento do Lukács da juventude. Além disso, busca-se também examinar as conjecturas expostas nas duas obras com o intuito de captar os momentos de viragens das formas do romance que, para Lukács, irá culminar na obra dostoievskiana. Obra essa, que, ao que tudo indica, o permite antever as mudanças profundas ocorridas no século XX. Com efeito, a obra de Dostoiévski – Os irmãos Karamázov – será aqui considerada, a partir dos conceitos expostos por Lukács tanto na teoria, quanto nas anotações. Tentaremos compreender, portanto, como Lukács via, na obra do escritor russo, uma nova forma que ademais indicava que algo no mundo real e concreto estava mudando radicalmente.
This study aims to analyze the categories set out by Lukács in The theory of the novel. In it, try to control their concepts to facilitate understanding of the genres and literary forms for the young philosopher. Done this way, move on to an analysis of fragmented Notes on Dostoevsky, trying to understand the disturbing end of the theory in which the author states: "Dostoevsky doesn’t wrote a romance at all." It has been with this, in order to lay bare the extent to which aesthetics and ethics are embedded in the thinking of youth Lukács. In addition, we seek to also examine the conjecture exposed in the two works in order to capture the moments of color changes of the novel ways that, for Lukács, will culminate in Dostoevsky's work. This work, which, it seems, the foresee ability the profound changes that have occurred in the twentieth century. Indeed, the work of Dostoevsky - The Brothers Karamazov - will be considered here, based on the concepts exposed by Lukács both in The theory, the in the notes. Try to understand, therefore, as Lukács saw in the work of the Russian writer, a new way that in addition indicated that something in the real world and concrete was changing radically.
Abdulmassih, Fabio Brazolin. "Aulas de literatura russa - F.M. Dostoiévski por N. Nabókov: por que tirar Doistoiévski do pedestal?" Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-29092010-112244/.
Texto completoThis research is composed of the annotated translation of the original text in English Fyodor Dostoevski (1821 - 1881), which is part of the lectures on Russian literature that the Russian author Vladimir Nabokov gave in American universities from 1941 to 1959, as well as by a biobibliographical and critical introduction about the author, in a general way, and a critical essay about his opinions concerning the major works of Fyodor Dostoevski, in particular. To accomplish this task, Nabokovs opinions about the novels Crime and Punishment, Memories from the Underground, The Possessed, The Idiot and The Brothers Karamazov have been studied in the light of Mikhail Bakhtin, Leonid Grossman, Joseph Frank, among others.
Almeida, Giuliana Teixeira de. "Pelo prisma biográfico: Joseph Frank e Dostoiévski". Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-25062013-095450/.
Texto completoMany biographies have been written about Fyodor Dostoevsky, a prominent 19th century Russian literature novelist. Among all these titles, Joseph Frank\'s Dostoevsky stands out as a great synthesis of the Russian writer\'s life and era. Written along three decades, Frank\'s work recreates the Russian cultural history in the second half of the 19th century and proposes an interpretation for Dostoevsky\'s literary works. After this biography, Frank has become one of the most important North American\'s experts in Russian literature and Dostoevsky. This research aims to analyze this monumental biography, to compare this work with other biographies written about the thrilling life of Dostoevsky and to investigate the theoretical and methodological problems of the biography genre. Finally, considering the repercussion of Dostoevsky for the intellectual community of United States of America, we will also analyze the reception and the critiques of Frank\'s biography and the situation of the last decades of Slavic studies in that country.
Fraga, José Donizete. "A ESTÉTICA DA DISSONÂNCIA EM FIÓDOR DOSTOIÉVSKI, OS IRMÃOS KARAMÁZOV". Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/3911.
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This dissertation aims at the study of dissonance as one of the characters forming the poetics of Fyodor Dostoevsky in the corpus The Brothers Karamazov. Its internal structure is based on the dialogue between the aesthetic definition of the literary work of art, its reception and aesthetic effect and the correlation with the Dostoevskian work. It proposes a hermeneutic and phenomenological approach, with the theoretical support of Edmund Husserl and assisted by Maurice Merleau-Ponty, Mikel Dufrenne and Hans- Georg Gadamer. An analysis of his poetics is also made in the light of aesthetic reception and effect, with the theoretical support of Hans Robert Jauss and other researchers of the reception aesthetics, Wolfgang Iser, Hans Ulrich Gumbrecht and Karlheinz Stierle. The dissonant bias is addressed in the thematic composition of the work, in the structure of the characters and in the internal economy of the narrative. There are several critical looks on the work, highlighting Mikhail Bakhtin, Joseph Frank, Luiz Felipe Pondé and Luigi Pareyson.
Esta dissertação tem como objetivo o estudo da dissonância como um dos caracteres formadores da poética de Fiódor Dostoiévski, na obra corpus Os Irmãos Karamázov. Sua estruturação interna baseia-se na dialogia entre a definição estética da obra de arte literária, sua recepção e efeito estéticos e a correlação com a obra dostoievskiana. Propõe-se uma abordagem hermenêutica e fenomenológica, com amparo teórico de Edmund Husserl e coadjuvado por Maurice Merleau-Ponty, Mikel Dufrenne e Hans- Georg Gadamer. Faz-se também uma análise de sua poética à luz da recepção e do efeito estéticos, com o suporte teórico de Hans Robert Jauss e demais pesquisadores da estética da recepção, Wolfgang Iser, Hans Ulrich Gumbrecht e Karlheinz Stierle. Aborda-se o viés dissonante na composição temática da obra, na estruturação dos personagens e na economia interna da narrativa. Expõem-se vários olhares críticos sobre a obra, destacando-se Mikhail Bakhtin, Joseph Frank, Luiz Felipe Pondé e Luigi Pareyson.
Marques, Priscila Nascimento. "Polifonia e emoções: um estudo sobre a construção da subjetividade em Crime e castigo de Dostoiévski". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-26082010-144511/.
Texto completoThis dissertation consists of an effort of bringing together literature and psychology, which tries to keep the integrity of both areas. The objective was to study Dostoevsky\'s novel Crime and Punishment, with an analysis of its main character, Rodion Raskolnikov. For a satisfying understanding of the construction of this character\'s subjectivity it was necessary to visualize him in his intersubjective relations. Thus, the analysis was structured in chapters, in which we underlined the dialogue between two \"voices\", the protagonist\'s and another character\'s, so that we could explicit the contradictions and implications of this dialogue in the selfconscience process of Raskolnikov. The relations of the protagonist with Marmeladov, Razumikhin, Luzhin, Porfiri, Svidrigailov and Sonia were analyzed. Besides, some notes were taken on the epilogue, considering its formal and functional particularities. The psychological goal rests in the attempt of reconstituting the novel\'s aesthetic effect through the understanding of its poetic structure, so that the protagonist is considered in his fictiousness and not as a patient in the psychological office, according to the theoretical-methodological presuppositions of Vygotsky\'s psychology of art. For an understanding of the formal organization of the text, we resorted to Bakhtin\'s polyphonic theory, as well as to other slavistic authors more or less congruent to this view. Finally, Portuguese translations of five texts from the American and British slavistics were presented and preceded by an introductory note on the texts and its authors.
Golin, Luana Martins. "O Evangelho segundo Dostoiévski: uma abordagem intertextual da imagem de Cristo no ro-mance “O Idiota”". Universidade Metodista de Sao Paulo, 2015. http://tede.metodista.br/jspui/handle/tede/1687.
Texto completoMade available in DSpace on 2017-10-24T19:02:56Z (GMT). No. of bitstreams: 1 LuanaGolin.pdf: 1810450 bytes, checksum: 7a19811664efc3cef82740c8bae4fa40 (MD5) Previous issue date: 2015-09-29
Dostoevsky creates in his novel The Idiot with Prince Myshkin a character with Christ's attributes. The author always had the Bible by his side, specially the New Testament, from childhood to his death. A theoretical framework is dedicated in the first chapter of this study, which deals with the universe of language. Literary text and biblical literature come from the myth, so that reli-gion and literature stay closer and meet each other. The second chapter shows how Christ and the Gospels are recurring subjects, motives, and images in Dostoevsky works. Biblical literature is in the several major works (to varying extents) of the Russian writer and not only in The Idiot. The third chapter hypothesizes, by means of the novel analysis that Dostoevsky creates a Christ and a Gospel with The Idiot. The thesis is that Dostoevsky build a literary gospel with Myshkin: a mixture of a Russian Christ, divine and human at the same time, but also stupid and quixotic. Literature and the sacred are revealed as a divine presence in the intertextual dynamics between the biblical gospels and The Idiot. Christ manifests Himself in Myshkin actions, showing up his light and beauty by the scenes and structure of the plot that com-pounds the novel, but also in the tragedy of a displaced and antinomian trajectory. The love and compassion take shape and life in the prince presence, in his own emptiness, servant of everyone.
No romance O Idiota, Dostoiévski cria, por meio do príncipe Míchkin, uma personagem com as características do Cristo. Sabe-se que a Bíblia, principalmente o Novo Testamento, acompanhou o escritor desde sua infância até o momento de sua morte. O primeiro capítulo, dedicado ao referencial teórico da pesquisa, lida com o universo da linguagem. Tanto o texto literário quanto a literatura bíblica procedem do mito. Neste sen-tido, religião e literatura se tocam e se aproximam. O segundo capítulo foi escrito na intenção de mostrar como o Cristo e os Evangelhos são temas, motivos e imagens recorrentes na obra de Dostoiévski. A literatura bíblica está presente, com mais ou menos intensidade, em diversas das principais obras do escritor russo e não somente em O Idiota. A hipótese de que Dostoiévski cria um Cristo e um Evangelho por meio de O Idiota é demonstrada na análise do romance, no terceiro capítulo. A tese proposta é: Dostoiévski desenvolve um evangelho literário, por meio de Míchkin, misto de um Cristo russo, ao mesmo tempo divino e humano, mas também idiota e quixotesco. Na dinâmica intertextual entre os Evangelhos bíblicos e O Idiota, entre Cristo e Míchkin, a literatura e o sagrado se revelam, como uma presença divina. Nas cenas e na estruturação do enredo que compõe o romance, Cristo se manifesta nas ações de Míchkin, na luz, na beleza, mas também na tragicidade de uma trajetória deslocada e antinômica. O amor e a compaixão ganham forma e vida na presen-ça do príncipe, vazio de si, servo de todos.
VISINONI, Alessandra Elisa (ORCID:0000-0003-2826-1934). "L’“Impero” di Stavrogin: motivi tacitiani nel romanzo I demòni di F.M. Dostoevskij". Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30717.
Texto completoPranger, Diana. "Dostoevsky and Joyce write the transcendent soul, the artist forging anew in his workshop out of the sluggish matter of the earth a new souring impalpable imperishable being, Portrait 169". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57680.pdf.
Texto completoPranger, Diana (Diana Joanne) 1976 Carleton University Dissertation Comparative Literature. "Dostoevsky and Joyce Write the transcendent soul; "the artist forging anew in his workshop out of the sluggish matter of the earth a new souring impalpable imperishabel being"(Portrait 169)". Ottawa, 2000.
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