Tesis sobre el tema "Dorothy Richardson"
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Trajanoska, Ivana. "La Musique dans Pilgrimage de Dorothy Richardson". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30066/document.
Texto completoMusic plays an important role in Pilgrimage by Dorothy Richardson. On the one hand, music is a crucial element in the protagonist's search for identity. Reading Pilgrimage as a story of a quest and the formation of an artist shows that the quest of the protagonist Miriam Henderson is also that of a religious, national and feminine identity accompanied by music. Music provides the protagonist with the opportunity to (re)assess her relationship with various organized religions, redefine her Englishness, and build an authentic female identity. Music also reveals the “independent joy,” at “the center of being,” where a pre-existing identity can be found upon which the authentic identity that Miriam seeks rests. On the other hand, Richardson relies on music to break with the nineteenth-century writing conventions and express her distrust in the capacity of language to render “reality.” Her effort to integrate musical principles in the construction of the narrative emphasizes her desire to use music as a model for the semiotic functioning of the text, to influence how the text makes sense and communicates it refracting “reality” on an axis, both vertical and horizontal, thus presenting her concept of time which is outside the division into past, present and future. Furthermore, Richardson uses music to represent consciousness, the thinking process, and the inner world of the protagonist. Finally, the musical accompaniment generates the cooperation of the reader's creative consciousness securing his collaboration in the construction of the “reality” that the novel is trying to represent
Worlton-Pulham, Kathryn. "Dorothy Richardson and the cinematic writing of temporal perception". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553121.
Texto completoJoubert, Claire. "Lire le féminin : Dorothy Richardson, Katherine Mansfield, Jean Rhys /". Paris : Éd. Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36187766k.
Texto completoRauve, Rebecca Suzanne. "Immanent fiction : self-present consciousness in the novels of Dorothy Richardson /". Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/9498.
Texto completoWestbury, Louisa Minna. "'The strife of words' : violence in the writing of Dorothy Richardson". Thesis, University College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367894.
Texto completoFox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Texto completoLaw, Sarah Astrid Jacqueline. "Ecriture spirituelle : the mysticism of Evelyn Underhill, May Sinclair and Dorothy Richardson". Thesis, Queen Mary, University of London, 1997. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25545.
Texto completoVanacker, Sabine Anne. "The presence of women : modernist autobiography by Dorothy Richardson, Gertrude Stein and H.D". Thesis, University of Hull, 1994. http://hydra.hull.ac.uk/resources/hull:3480.
Texto completoPooler, Mhairi Catriona. ""The history of a poet's mind" : the autobiographical writing of Henry James, Siegried Sassoon and Dorothy Richardson". Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=174676.
Texto completoDackombe, Amanda Marie. "Making thought visible : colour in the writings of Virginia Woolf, Dorothy Richardson, Samuel Beckett and T.S. Eliot". Thesis, Queen Mary, University of London, 2003. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28586.
Texto completoHorrocks, Deniz M. "Dorothy Richardson to Miriam Henderson : le nom du pere to le nom de la mere, reconstructing femine self-identity". Thesis, University of York, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284136.
Texto completoDrewery, Claire. "Liminal entities : transition and the 'space between' in the short fiction of Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf". Thesis, University of Hull, 2006. http://hydra.hull.ac.uk/resources/hull:5672.
Texto completoPulis, Anne Elizabeth. "The vanishing inquiry : modernists in pursuit of spirit /". free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974673.
Texto completoSaeed, Alan Ali. "'Liberties and licences' : gender, stream of consciousness and the philosophy of Henri Bergson and William James in selected female modernist fiction 1914-1929". Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/13582.
Texto completoJoubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939". Paris 3, 1993. http://www.theses.fr/1994PA030015.
Texto completoThis study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
Maddison, Isobel Judith. "The geography of gender : an analysis of female literary space with particular reference to the work of Elizabeth von Arnim, Katherine Mansfield and Dorothy M. Richardson". Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620535.
Texto completoBanks, Gemma. "Impressions of an analyst : reassessing Sigmund Freud's literary style through a comparative study of the principles and fiction of Ford Madox Ford, Henry James, Virginia Woolf & Dorothy Richardson". Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8368/.
Texto completoRawlinson, Alison. "Linguistic style in Dorothy Richardson's Pilgrimage". Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/23163.
Texto completoMullholland, Terri Anne. "The literature of the boarding house : female transient space in the 1930s". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f465b620-5d86-4634-83c7-69ea9b9d1054.
Texto completoWinning, Joanne Louise. "Dorothy Richardson's Pilgrimage as archive of the self". Thesis, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286212.
Texto completoPritchett, Elizabeth Reed Jackson. "Vital texts : democratic intertextuality in Dorothy Richardson's 'Pilgrimage'". Thesis, Keele University, 2017. http://eprints.keele.ac.uk/3868/.
Texto completoFinn, Howard John. "Romantic subject/modernist object : Dorothy Richardson's 'Pilgrimage' and modernist individualism". Thesis, Queen Mary, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325063.
Texto completoBowler, Rebecca. "Dorothy Richardson's ways of seeing : perception and representation in Pilgrimage". Thesis, University of Sheffield, 2012. http://etheses.whiterose.ac.uk/3341/.
Texto completoWong, Yong Yi. "Journeys through architecture : the body, spaces, and arts in Dorothy Richardson's 'Pilgrimage'". Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12173/.
Texto completoElliott, Gemma Louise. "'Once more she was part of a novel' : Dorothy Richardson's doubly autobiographical Pilgrimage". Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30742/.
Texto completoBarratt, St-Jacques Kelly M. ""But who was there to describe her?": The manuscripts of Dorothy M. Richardson's "Pilgrimage"". Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7717.
Texto completoYates, Juliet Rose. "Hands-on modernism : representations of the hand in Dorothy Richardson's Pilgrimage and modernist literature 1914-1939". Thesis, Keele University, 2012. http://eprints.keele.ac.uk/1186/.
Texto completoBrüning, Jochen [Gutachter], Schüth [Gutachter] Dorothee y Richardson [Gutachter] Ken. "Induced Dirac-Schrödinger operators on $S^1$-semi-free quotients / Gutachter: Jochen Brüning, Schüth Dorothee, Richardson Ken". Berlin : Humboldt-Universität zu Berlin, 2017. http://d-nb.info/1189327856/34.
Texto completoLudtke, Laura Elizabeth. "The lightscape of literary London, 1880-1950". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:99e199bf-6a17-4635-bfbf-0f38a02c6319.
Texto completoOakshott, Stephen Craig School of Information Library & Archives Studies UNSW. "The Association of Libarians in colleges of advanced education and the committee of Australian university librarians: The evolution of two higher education library groups, 1958-1997". Awarded by:University of New South Wales. School of Information, Library and Archives Studies, 1998. http://handle.unsw.edu.au/1959.4/18238.
Texto completoSmith, Lenora Penna. "Revising the feminine self in the fiction of Dorothy Richardson and Virginia Woolf". Thesis, 1992. http://hdl.handle.net/1911/16554.
Texto completoWang, Han Sheng y 王瀚陞. "Narrating the mobile: The writings of Amy Levy, Dorothy Richardson, and Virginia Woolf". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/5vc9r7.
Texto completo國立政治大學
英國語文學研究所
97
This study has examined the numerous roles played by women entering the public spaces of London in the half century from the 1880s to the 1930s as workers, shoppers, diners, clubbers, cinema-goers, philanthropists, and tourists, a wide spectrum of active female social actors that until recently have not attracted enough attention from scholars of late-Victorian and Edwardian literature. The neglect of these newly pubic women in the fin de siècle period, who are distinct from their home-bound Victorian predecessors, is largely ascribed to an uncritical acceptance of or surrender to the long-held, dominant assumption of separate spheres in the nineteenth century. Through examining the writings of Amy Levy, Dorothy Richardson, and Virginia Woolf, who portray the multifarious pictures of women rambling the streets of modern London, this study has demonstrated that female public visibility and mobility have at least since the fin de siècle period been commonly practiced by a conglomerate of middle-class women. Mobility and spectatorship are thus two significant tropes applicable to women’s spatial and visual explorations of the fin de siècle city, the former underscoring their meandering footsteps threading through the increasingly egalitarian public space while the latter their roving eyes casting glances at those enticing urban spectacles which are already a phantasmagoria of commodity display, jostling crowd, and bustling streetscapes. Through writing about fin de siècle female streetwalking, the three women writers have demonstrated that those seemingly passive women of the middle-class may indeed be capable, through their public presence and their incessant footsteps, of pushing at the established boundaries.
"Journeys viewed, heard and read: literary impressionism, music and consonance in Dorothy Richardson's Pilgrimage". 2008. http://library.cuhk.edu.hk/record=b5893664.
Texto completoThesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 143-151).
Abstracts in English and Chinese.
Abstract --- p.i
摘要 --- p.iii
Contents --- p.iv
Introduction --- p.1
Chapter Chapter 1 --- Colours and Letter; Painting and Writing: Literary Impressionism in Pilgrimage --- p.32
Chapter Chapter 2 --- Notes and Words; Listening and Reading: Music and Reading in Pilgrimage --- p.79
Chapter Chapter 3 --- Consonance --- p.113
Conclusion Arts in a Chord --- p.132
Work Cited --- p.143
Yeh, Ya Ju y 葉雅茹. "Refiguring the working woman: body and public space in Henry James, Grant Allen, and Dorothy Richardson". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/76833196203524155136.
Texto completo國立政治大學
英國語文學研究所
98
This dissertation aims to explore how working women take advantage of urban public space and develop specific bodily experiences in Henry James, Grant Allen, and Dorothy Richardson’s novels. The booming public spaces of fin-de-siècle London, including galleries, clubs, restaurants, teashops, and department stores—all served as new spaces which gave urban women to access a public life. Working women, who entered those public places for employment, directly encountered the conventional masculine codes and discourses with regard to the real difficulties of independent lives in the city. However, their social and economic disadvantage, at a more profound level, reflects the complex social reality and bodily experiences as well as reinforces volatile urban space where working women are involved and perceived. This complicity and volatility is, in fact, characteristic of the late Victorian working heroine’s new participation in the labor market. Centering Grosz’s concept, this study is structured into three chapters: the first chapter analyzes the displaying body and the department store in Henry James’s The Princess Casamassima; the second chapter deals with the laboring body and the office in Grant Allen’ The Type-Writer Girl; the third chapter discusses the consuming body and the dining places in Dorothy Richardson’s Pilgrimage. By asserting a positive relationship between the body and the public space from the feminist perspective, this study proposes that, while social discourses, mostly permeated with dominant oppressive powers and ideologies, give strict constraints to the working women, their bodies still acquire certain agencies to transform public places into a place for their ways of experience and appropriation.
Gear, Nolan Thomas. "Spectatrices: Moviegoing and Women's Writing, 1925-1945". Thesis, 2021. https://doi.org/10.7916/d8-an6s-j049.
Texto completoThomson, Tara S. ""Behind the cotton wool": Everyday Life and the Gendered Experience of Modernity in Modernist Women's Fiction". Thesis, 2014. http://hdl.handle.net/1828/5388.
Texto completoGraduate
2015-04-16
0593
tarastar@gmail.com