Literatura académica sobre el tema "Dorothy Miller"
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Artículos de revistas sobre el tema "Dorothy Miller"
Buchanan, Averill. "Dorothy Miller Richardson: A Bibliography 1900 to 1999". Journal of Modern Literature 24, n.º 1 (2000): 135–60. http://dx.doi.org/10.1353/jml.2000.0021.
Texto completoGoldberg, Gertrude Schaffner. "Women and Social Welfare: A Feminist Analysis. Dorothy C. Miller". Social Service Review 66, n.º 1 (marzo de 1992): 162–67. http://dx.doi.org/10.1086/603903.
Texto completoBøggild, Jacob. "Fiktion som restriktion? Eller som indirekte meddelelse?: En diskussion med Dorothy Hale om en etisk vending i nyere litteraturteori". K&K - Kultur og Klasse 36, n.º 106 (22 de marzo de 2009): 34–55. http://dx.doi.org/10.7146/kok.v36i106.22023.
Texto completoDrake, Christine. "Citation for Dorothy Drummond 2010 Recipient of the George J. Miller Award for Distinguished Service". Journal of Geography 110, n.º 1 (28 de enero de 2011): 3–5. http://dx.doi.org/10.1080/00221341.2011.536674.
Texto completoMurphy, Brenda. "Essays on Modern American Drama: Williams, Miller, Albee, and Shepard, ed. by Dorothy Parker, and: Arthur Miller by June Schlueter, James K. Flanagan". Comparative Drama 22, n.º 3 (1988): 274–76. http://dx.doi.org/10.1353/cdr.1988.0020.
Texto completoNika Wirawan, I. Gede. "The Syntax Analysis in Relative Clause Found in the Novel “The Wonderful Wizard of OZ”". e-Journal of Linguistics 17, n.º 1 (2 de diciembre de 2022): 29. http://dx.doi.org/10.24843/e-jl.2023.v17.i01.p04.
Texto completoOlshen, Barry N. "Essays on Modern American Drama: Williams, Miller, Albee, and Shepard ed. by Dorothy Parker (review)". Modern Drama 31, n.º 1 (1988): 127–30. http://dx.doi.org/10.1353/mdr.1988.0004.
Texto completoAvalos, Lisa R. "Abortion in the Web of Relationship: Negotiating the Abortion Decision Through a Lens of Care". International Journal of Human Caring 7, n.º 2 (marzo de 2003): 48–55. http://dx.doi.org/10.20467/1091-5710.7.2.48.
Texto completoPérez Valero, Luis. "El sonido de la voz femenina en las primeras producciones discográficas (1933-1940) de Xavier Cugat. Una multimodalidad de lo tropical". Contrapulso - Revista latinoamericana de estudios en música popular 3, n.º 2 (5 de agosto de 2021): 6–23. http://dx.doi.org/10.53689/cp.v3i2.104.
Texto completoWithorn, Ann. "Book Reviews : Women and Social Welfare: A Feminist Analysis. By Dorothy C. Miller. New York: Praeger, 1990,181 pp., $38.95 (hardbound". Affilia 6, n.º 4 (diciembre de 1991): 113–14. http://dx.doi.org/10.1177/088610999100600408.
Texto completoTesis sobre el tema "Dorothy Miller"
Joubert, Claire. "Lire le féminin : Dorothy Richardson, Katherine Mansfield, Jean Rhys /". Paris : Éd. Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36187766k.
Texto completoTrajanoska, Ivana. "La Musique dans Pilgrimage de Dorothy Richardson". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30066/document.
Texto completoMusic plays an important role in Pilgrimage by Dorothy Richardson. On the one hand, music is a crucial element in the protagonist's search for identity. Reading Pilgrimage as a story of a quest and the formation of an artist shows that the quest of the protagonist Miriam Henderson is also that of a religious, national and feminine identity accompanied by music. Music provides the protagonist with the opportunity to (re)assess her relationship with various organized religions, redefine her Englishness, and build an authentic female identity. Music also reveals the “independent joy,” at “the center of being,” where a pre-existing identity can be found upon which the authentic identity that Miriam seeks rests. On the other hand, Richardson relies on music to break with the nineteenth-century writing conventions and express her distrust in the capacity of language to render “reality.” Her effort to integrate musical principles in the construction of the narrative emphasizes her desire to use music as a model for the semiotic functioning of the text, to influence how the text makes sense and communicates it refracting “reality” on an axis, both vertical and horizontal, thus presenting her concept of time which is outside the division into past, present and future. Furthermore, Richardson uses music to represent consciousness, the thinking process, and the inner world of the protagonist. Finally, the musical accompaniment generates the cooperation of the reader's creative consciousness securing his collaboration in the construction of the “reality” that the novel is trying to represent
Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Texto completoJoubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939". Paris 3, 1993. http://www.theses.fr/1994PA030015.
Texto completoThis study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
"Journeys viewed, heard and read: literary impressionism, music and consonance in Dorothy Richardson's Pilgrimage". 2008. http://library.cuhk.edu.hk/record=b5893664.
Texto completoThesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 143-151).
Abstracts in English and Chinese.
Abstract --- p.i
摘要 --- p.iii
Contents --- p.iv
Introduction --- p.1
Chapter Chapter 1 --- Colours and Letter; Painting and Writing: Literary Impressionism in Pilgrimage --- p.32
Chapter Chapter 2 --- Notes and Words; Listening and Reading: Music and Reading in Pilgrimage --- p.79
Chapter Chapter 3 --- Consonance --- p.113
Conclusion Arts in a Chord --- p.132
Work Cited --- p.143
Gear, Nolan Thomas. "Spectatrices: Moviegoing and Women's Writing, 1925-1945". Thesis, 2021. https://doi.org/10.7916/d8-an6s-j049.
Texto completoSkovajsa, Ondřej. "Psaný hlas: Whitmanovy Listy trávy (1855) a Millerův Obratník Raka". Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342280.
Texto completoLibros sobre el tema "Dorothy Miller"
Radford, Jean. Dorothy Richardson. New York: Harvester Wheatsheaf, 1991.
Buscar texto completoRadford, Jean. Dorothy Richardson. Bloomington: Indiana University Press, 1991.
Buscar texto completoMiller, Dorothy Canning. Dorothy C. Miller: With an eye to American art : checklist : Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton, Mass: The Museum, 1985.
Buscar texto completoSmith College. Museum of Art, ed. Dorothy C. Miller: With an eye to American art : checklist [of the exhibition held at the] Smith College Museum of Art, Northampton, Massachusetts, April 19-June 16, 1985. Northampton: The Museum, 1985.
Buscar texto completoFelber, Lynette. Gender and genre in novels without end: The British roman-fleuve. Gainesville, Fla: University Press of Florida, 1996.
Buscar texto completoMeade, Marion. Bobbed hair and bathtub gin: Writers running wild in the Twenties. New York: Nan A. Talese/Doubleday, 2004.
Buscar texto completoMeade, Marion. Bobbed Hair and Bathtub Gin. New York: Knopf Doubleday Publishing Group, 2009.
Buscar texto completo1966-, Bernstein Sheri, Fort Ilene Susan y Los Angeles County Museum of Art, eds. Made in California: Art, image, and identity, 1900-2000. Los Angeles: Los Angeles County Museum of Art, 2000.
Buscar texto completoThe Dorothy C. Miller collection. New York: Christie's, 2003.
Buscar texto completoWatts, Carol. Dorothy Richardson. Hyperion Books, 1990.
Buscar texto completoCapítulos de libros sobre el tema "Dorothy Miller"
Zwernemann, Jens. "Richardson, Dorothy Miller". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16928-1.
Texto completoKilian, Eveline. "Richardson, Dorothy Miller". En Metzler Autorinnen Lexikon, 450–51. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_313.
Texto completoZwernemann, Jens. "Richardson, Dorothy Miller: Pilgrimage". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16929-1.
Texto completo"DOROTHY J. CHRISMAN (CHRIS) MILLER". En Capitol Women, 166–68. University of Texas Press, 2000. http://dx.doi.org/10.7560/740624-030.
Texto completoWordsworth, William. "W. W. to John Miller". En The Letters of William and Dorothy Wordsworth, Vol. 8: A Supplement of New Letters (Revised Edition), editado por Alan G. Hill. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00087523.
Texto completoWordsworth, William. "180. W. W. to John Miller". En The Letters of William and Dorothy Wordsworth, Vol. 2: The Middle Years: Part I: 1806–1811 (Second Revised Edition), editado por Ernest De Selincourt y Mary Moorman, 384. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00087038.
Texto completoWordsworth, William y Dorothy Wordsworth. "658. W. W. to Joseph Kirkham Miller". En The Letters of William and Dorothy Wordsworth, Vol. 5: The Later Years: Part II: 1829–1834 (Second Revised Edition), 464–65. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00083824.
Texto completoWhitehead, Kevin. "Young Men with Horns: The Jazz Biopic’s Golden Age 1950–1959". En Play the Way You Feel, 97–142. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.003.0004.
Texto completoKennerley, David. "Dorothea Solly’s Musical World". En Sounding Feminine, 120–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.003.0005.
Texto completoSlany, Katarzyna. "W krainie Kota Doroty Terakowskiej jako przykład herstorii uśpionej". En Imaginautka zaangażowana. Twórczość i biografia Doroty Terakowskiej z perspektywy XXI wieku, 234–55. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2021. http://dx.doi.org/10.24917/9788380847460.16.
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