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Libros sobre el tema "Documentary Producer"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 19 de febrero de 2023

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1

Stubbs, Liz. Documentary filmmakers speak. New York, N.Y: Allworth Press, 2002.

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2

Documentary filmmakers speak. New York: Allworth Press, 2002.

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3

John Grierson: Trailblazer of documentary films. Montréal: XYZ Pub., 2005.

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4

El-Telmissany, Abdel Kader. Egyptian documentary films in 75 years. [Cairo]: Ministry of Culture, Egypt, Foreign Cultural Relations, 2000.

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5

Documentary in the digital age. Oxford: Focal Press, 2006.

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6

Baker, Maxine. Documentary in the Digital Age. San Diego: Elsevier Science & Technology, 2010.

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7

1974-, Xiao Yaozhong, ed. Yi ge ren de dian shi shi: TV producer's growth--the story of Chen Hong. Beijing Shi: Zhongguo fa zhan chu ban she, 2012.

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8

Maya Angelou: Author and documentary filmmaker. Chicago, Ill: Ferguson Pub., 2000.

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9

The documentary film makers handbook. New York, NY: Continuum International Publishing Group Inc., 2007.

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10

Cunningham, Megan. The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. Berkeley, CA: New Riders, 2005.

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11

The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. Berkeley, CA: New Riders, 2005.

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12

Binggeli, Ursula. Ins Landesinnere und darüber hinaus: Perspektiven des Schweizer Dokumentarfilms : 14 Porträts. Zürich: Limmat Verlag, 2014.

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13

Wang, Weici. Ji lu yu tan suo: 1990-2000 da lu ji lu pian de fa zhan yu kou shu ji lu. Taibei Shi: Cai tuan fa ren guo jia dian ying zi liao guan, 2001.

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14

Ji lu yu tan suo: Yu da lu ji lu pian gong zuo zhe de shi ji dui hua. Taibei Shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2000.

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15

The boy from Lambata: Memoirs of a combat cameraman and documentary-maker. Nainital: Pahar Pothi, 2004.

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16

The Mad Hot adventures of an unlikely documentary filmmaker. New York, NY: Hyperion, 2007.

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17

Dumas, Mireille. Parole interdite. Paris: Edition⁰ 1, 1994.

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18

Ṣalāḥ al-Tuhāmī: ʻaṣr al-tafāʼul. [Cairo]: Ṣundūq al-Tanmiyah al-Thaqāfīyah, 1997.

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19

Eiga to watashi. Tōkyō: Shōbunsha, 2002.

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20

Ai hen qing chou ji lu pian: Taiwan zhong sheng dai ji lu pian dao yan fang tan lu. Taibei Shi: Tong xi wen hua chu ban gong zuo shi, 2009.

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21

El-Telmissany, Abdel Kader. al- Sīnimā al-tasjīlīyah al-Miṣrīyah fī 75 ʻāman. al-Jīzah: Wizārat al-Thaqāfah, al-ʻAlāqāt al-Thaqāfīyah al-Khārijīyah, al-Idārah al-ʻĀmmah lil-Iʻlām al-Khārijī, Maṭbūʻāt Birīzm, 2000.

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22

Université de Paris I: Panthéon-Sorbonne, Bibliothèque nationale de France, New York University in France, Société civile des auteurs multimédia y Institut ACTE (France), eds. Documentaire et fiction: Allers-retours. Bruxelles]: Les Impressions nouvelles, 2015.

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23

Webster, Nicholas. How to sleep on a camel: Adventures of a documentary film director. Jefferson, N.C: McFarland & Co., 1997.

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24

Hanyuan, Chen, ed. Yi pie yi na: Chen Hanyuan fang tan. Shanghai: Shanghai ren min chu ban she, 2008.

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25

Český film: Režiséři-dokumentaristé. Praha: Libri, 2009.

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26

Yaşamı ve belgeselleriyle Suha Arın. Konya [Turkey]: Tablet, 2006.

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27

1973-, Štoll Martin, ed. Okamžiky radosti. Praha: Malá Skála, 2002.

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28

Cine por Cineastas: Debates sobre documental y ficción. [Caseros?, Buenos Aires, Argentina]: EDUNTREF, Editorial de la Universidad Nacional de Tres de Febrero, 2013.

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29

Masolotti, Antonio. Doc Visions CH: Dokumentarfilmschaffende aus der Schweiz = cinéastes documentaires suisses = documentary filmmakers from Switzerland. Pieterlen: Edition Clandestin, 2001.

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30

Animated realism: A behind the scenes look at the animated documentary genre. Waltham, MA: Focal, 2012.

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31

Ramzī, Kamāl. Ṣalāḥ al-Tuhāmī: ʻaṣr al-tafāʾul. [Cairo]: Ṣundūq al-Tanmiyah al-Thaqāfīyah, 1997.

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32

Chanana, Opender. Challenge for change: Chronicling the life & times of a visionary, Vijay B. Chandra. Mumbai: Saptak Publications, 2006.

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33

Oginskaitė, Rūta. Nuo pradžios pasaulio: Apie dokumentininką Robertą Verbą. Vilnius: aidai, 2010.

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34

Iversen, Gunnar. Naturen og eventyret: Dokumentarfilmskaperen Per Høst. Oslo: Novus forlag, 2014.

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35

Haruhiko, Daishima, ed. Mori Tatsuya no yoru no eiga gakkō. Tōkyō: Gendai Shokan, 2006.

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36

Zhamanakě ev pʻastě: Vremi︠a︡ i fakt : aknarkner hay kinovaveragroghneri u nrants filmeri masin. Erevan: Hayastan hratarakchʻutʻyun, 2013.

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37

Pío, Caro Baroja, ed. Recuerdos de un documentalista ; Historias de la vieja querida. Pamplona-Iruña: Pamiela, 2002.

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38

Chao, Shi-Yan. Queer Representations in Chinese-language Film and the Cultural Landscape. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033.

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Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao’s discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.
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39

Cinema Verite: Iran International Documentary Film Festival y Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī, eds. Ḥaqīqat dar qāb-i mustanad: Majmūʻah-i maqālāt darbārah-i sīnimā-yi mustanad. Tihrān: Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī, 2008.

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40

The blue planet [videorecording] / a production of WQED, Pittsburgh, in association with the National Academy of Sciences ; series producer, Gregory Andorfer ; written by Gregory Andorfer and Georgann Kane. New York: WQED, 1996.

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41

Gregory, Andorfer, Kiley Richard, Annenberg/CPB Project, National Academy of Sciences (U.S.), Unapix Entertainment Inc y WQED (Television station : Pittsburgh, Pa.), eds. The solar sea [videorecording] / a production of WQED, Pittsburgh, in association with the National Academy of Sciences ; series producer, Gregory Andorfer ; written by Gregory Andorfer and Georgann Kane. New York: WQED, 1996.

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42

Gregory, Andorfer, Kiley Richard, Annenberg/CPB Project, National Academy of Sciences (U.S.), Unapix Entertainment Inc y WQED (Television station : Pittsburgh, Pa.), eds. The climate puzzle [videorecording] / a production of WQED, Pittsburgh, in association with the National Academy of Sciences ; series producer, Gregory Andorfer ; written by Gregory Andorfer, Georgann Kane, Deane Rink. New York: WQED, 1996.

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43

Gregory, Andorfer, Kiley Richard, Annenberg/CPB Project, National Academy of Sciences (U.S.), Unapix Entertainment Inc y WQED (Television station : Pittsburgh, Pa.), eds. Fate of the Earth [videorecording] / a production of WQED, Pittsburgh, in association with the National Academy of Sciences ; series producer, Gregory Andorfer ; written by Robin Bates, Chip Walter. New York: WQED, 1996.

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44

Borum Chattoo, Caty. Story Movements. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190943417.001.0001.

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Social-issue documentaries are art for civic imagination and social critique. Today, audiences experience documentaries that interrogate topics like sexual assault in the military (The Invisible War), the opioid crisis (Heroin(e)), racial injustice (13th), government surveillance (Citizenfour), animal captivity (Blackfish), and more. Along a continuum of social change, these intimate nonfiction films have changed national conversations, set media agendas, mobilized communities and policymakers, and provided new portals into social problems and lived experiences—accessed by expanding audiences in a transforming dual marketplace that includes mainstream entertainment outlets and grassroots venues. Against the activism backdrop of the participatory networked culture, the contemporary function of social-issue documentaries in civic practice is embodied also in parallel community engagement—the active role of civil society, communities, and individuals—that has dynamically evolved over recent decades. Story Movements: How Documentaries Empower People and Inspire Social Change explores the functions and public influence of social-issue documentary storytelling in the networked era. At the book’s core is an argument about documentary’s vital role in storytelling culture and civic practice with an impulse toward justice and equity. Intimate documentaries illuminate complex realities and stories that disrupt dominant cultural narratives and contribute new ways for publics to contemplate and engage with social challenges. Written by a documentary producer, scholar, and director of the Center for Media & Social Impact, the book features original interviews with award-winning filmmakers and field leaders to reveal the motivations and influence of some of most lauded, eye-opening stories of the evolving documentary age.
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45

Bernard, Sheila Curran y Anthony Q. Artis. Documentary Film Producers' Bundle. Taylor & Francis Group, 2008.

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46

Documentary Superstars. New York: Allworth Press, 2010.

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47

1952-, Narwekar Sanjit y Mumbai International Film Festival for Documentary, Short & Animation Films., eds. A directory of Indian documentary. Mumbai: Mumbai International Film Festival for Documentary, Short & Animation Films, 1998.

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48

Eisenstein: A Documentary Portrait. Taylor & Francis Group, 2013.

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49

Swallow, Norman. Eisenstein: A Documentary Portrait. Taylor & Francis Group, 2016.

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50

1952-, Narwekar Sanjit, Khan Afridi, M. N. R., Prasad R. G. K y Mumbai International Film Festival for Documentary, Short & Animation Films., eds. A directory of Indian documentary filmmakers. Mumbai: Mumbai International Film Festival for Documentary, Short & Animation Films, 2004.

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