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Libros sobre el tema "Documentary and fiction"

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Publicado: 22 de junio de 2024

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1

Beattie, Keith. Documentary screens: Non-fiction film and television. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.

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2

Barnouw, Erik. Documentary: A history of the non-fiction film. 2a ed. New York: Oxford University Press, 1993.

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3

Vasilikos, Vasilēs. The coroner's assistant: A fictional documentary. New York: Pella Pub. Co., 1990.

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4

Binh, N. T., José Moure y Solveig Anspach. Documentaire et fiction: Allers-retours. Bruxelles]: Les Impressions nouvelles, 2015.

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5

Garga, B. D. From Raj to Swaraj: The non-fiction film in India. New Delhi: Viking, 2007.

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6

Sauerberg, Lars Ole. Fact into fiction: Documentary realism in the contemporary novel. New York: St. Martin's Press, 1991.

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7

Sauerberg, Lars Ole. Fact into fiction: Documentary realism in the contemporary novel. London: Macmillan, 1991.

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8

Stone, Jim. Stranger than fiction. Syracuse, N.Y: Light Work, 1993.

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9

Haddu, Miriam y Joanna Page, eds. Visual Synergies in Fiction and Documentary Film from Latin America. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622159.

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10

Foley, Barbara. Telling the truth: The theory and practice of documentary fiction. Ithaca: Cornell University Press, 1986.

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11

Stecher-Hansen, Marianne. History revisited: Fact and fiction in Thorkild Hansen's documentary works. Columbia, SC: Camden House, 1997.

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12

Formenti, Cristina. Il mockumentary: La fiction si maschera da documentario. Milano: Mimesis, 2013.

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13

Walsh, William. Without Wax: A documentary novel. Sacramento, CA: Casperian Books, 2008.

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14

Taube, Herman. My Baltimore landsmen: A documentary novel. Washington, D.C: Dryad Press, 1995.

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15

1961-, Keitz Ursula von, Hoffmann Kay y Berg Jan, eds. Die Einübung des dokumentarischen Blicks: Fiction film und non fiction film zwischen Wahrheitsanspruch und expressiver Sachlichkeit, 1895-1945. Marburg: Schüren, 2001.

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16

Chappel, Bernice M. Reap the whirlwind: A documentary of early Michigan. Fowlerville, Mich: Wilderness Adventure Books, 1987.

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17

Schlesak, Dieter. The druggist of Auschwitz: A documentary novel. New York: Farrar, Straus and Giroux, 2011.

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18

Štoll, Martin. Hundred years of Czech documentary film, 1898-1998: A brief history of Czech non-fiction film. Praha: Malá Skála, 2000.

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19

Close, William T. Ebola: A documentary novel of its first explosion. New York: Ivy Books, 1995.

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20

Flis, Leonora. Factual fictions: Narrative truth and the contemporary American documentary novel. Newcastle upon Tyne: Cambridge Scholars, 2010.

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21

Avi. Nothing but the truth: A documentary novel. New York: Orchard Books, 2007.

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22

Rechy, John. The sexual outlaw: A documentary. New York: Grove Press, 1985.

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23

Urriola, José. Santiago se va. Caracas, Venezuela: Cerro Elberto Editores, 2015.

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24

Jirō, Nitta. Death march on Mount Hakkōda: A documentary novel. Berkeley, Calif: Stone Bridge Press, 1992.

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25

Porte, Michelle. Michelle Porte: Entre documentaire et fiction : un cinéma libre. Lormont: Bord de l'eau, 2010.

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26

Lev, Mikhail. Sobibor: A documentary novel of the Sobibor uprising. Jerusalem: Gefen, 2007.

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27

North, Sterling. The wolfling : a documentary novel of the eighteen-seventies. New York, N.Y., U.S.A: Puffin Books, 1992.

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28

Efimov, Igorʹ Markovich. Pelagiĭ Britanet͡s︡. Moskva: Terra, 1998.

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29

Gerstenkorn, Jacques y Martin Goutte. Cinémas en campagne: De la chronique électorale à la fiction politique. Lyon: Fage éditions, 2012.

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30

Mastrolilli, Paolo. The Italian brothers: A documentary novel of World War II. New York: Enigma Books, 2010.

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31

Lessing, Doris. In pursuit of the English: A documentary. New York: HarperCollins Publishers, 1996.

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32

Sigler, Carolyn. Lewis Carroll Beyond Wonderland: A Documentary Volume. Farmington Hills, Mich: Gale Cengage Learning, 2015.

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33

Mellom, Robin. The classroom: The epic documentary of a not-yet-epic kid. New York, NY: Scholastic, 2012.

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34

Barnouw, Erik. Documentary-History Non-Fiction Film. Oxford University Press, 1992.

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35

Powers, Thom. Stranger Than Fiction. Faber & Faber Ltd, 2004.

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36

Beattie, Keith. Documentary Screens: Non-Fiction Film and Television. Palgrave Macmillan, 2004.

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37

Pedri, Nancy. Factual matters: Visual evidence in documentary fiction. 2001.

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38

Friedlander, Jennifer. Documentary Real-ism. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190676124.003.0003.

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This chapter considers two recent films, Catfish (Ariel Schulman and Henry Joust) and This Is Not a Film (Jafar Panahi), with a view to arguing how the most prized indicators of filmic realism can function as signs of lapses in the realist edifice. It argues that such signs function as pointers to the elusive truth characteristic of what will be called “Real-ism” — that is, hints of the Real that emerge precisely when the symbolic framework governing reality becomes imperiled. In particular, these films exploit the realist conventions that lend credibility to the documentary form in a way that not only demonstrates the commonplace expectation that what is presented as truth might turn out to be a fiction but also shows the more radical possibility that fiction may pave the pathway for arriving at truth.
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39

Barnouw, Erik. Documentary: A History of the Non-Fiction Film. Oxford University Press, USA, 1992.

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40

Butler, Juan. Cabbagetown Diary: A Documentary. Wilfrid Laurier University Press, 2013.

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41

Butler, Juan y Tamas Dobozy. Cabbagetown Diary: A Documentary. Wilfrid Laurier University Press, 2012.

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42

Butler, Juan. Cabbagetown Diary: A Documentary. Wilfrid Laurier University Press, 2013.

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43

Williams, Tami. Fiction, Newsreels, and Social Documentary in the Sound Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038471.003.0005.

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This chapter traces Dulac's transition to nonfiction filmmaking in the early 1930s, in her work as founding director of one of the most important news reel companies of the period (France-Actualités-Gaumont, 1932–35). It examines the aesthetic and social dimensions of her conception of the newsreel and its capacity for objectivity, as well as its ability to reveal reality and inner meanings beyond that which is visible with the human eye. The chapter also considers Dulac's socially and politically engaged nonfiction films and projects of the Popular Front, particularly her unique newsreel-based, pacifist documentary feature, Le Cinéma au service de l'histoire (1935), which investigates cinema's role as an actor within history.
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44

Rosenthal, Alan. Documentary Diaries: Working Experiences of a Non-Fiction Filmmaker. Manchester University Press, 2016.

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45

Sauerberg, Lars Ole. Fact into Fiction: Documentary Realism in the Contemporary Novel. Palgrave Macmillan, 1991.

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46

Ouellette, Rick. Documentary 101: A Viewer's Guide to Non-Fiction Film. Booklocker.com, Inc., 2013.

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47

Sauerberg, Lars O. y Alvaro Cencini. Fact into Fiction: Documentary Realism in the Contemporary Novel. Palgrave Macmillan Limited, 1991.

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48

Rosenthal, Alan. Documentary Diaries: Working Experiences of a Non-Fiction Filmmaker. Manchester University Press, 2016.

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49

Ponech, Trevor. What Is Non-Fiction Cinema? Taylor & Francis Group, 2021.

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50

Stone, Jim. Stranger Than Fiction. Light Work Visual Studies, Incorporated, 1993.

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