Literatura académica sobre el tema "Digital audio effects"
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Artículos de revistas sobre el tema "Digital audio effects"
Zölzer, Udo y Julius O. Smith III. "DAFX—Digital Audio Effects". Journal of the Acoustical Society of America 114, n.º 5 (2003): 2527. http://dx.doi.org/10.1121/1.1616923.
Texto completoVälimäki, Vesa y Federico Fontana. "Special Issue on Digital Audio Effects". Applied Sciences 10, n.º 7 (3 de abril de 2020): 2449. http://dx.doi.org/10.3390/app10072449.
Texto completoArfib, Daniel. "Musical Implications of Digital Audio Effects". Journal of New Music Research 31, n.º 2 (1 de junio de 2002): 85–86. http://dx.doi.org/10.1076/jnmr.31.2.85.8095.
Texto completoBernardini, Nicola y J�ran Rudi. "Compositional Use of Digital Audio Effects". Journal of New Music Research 31, n.º 2 (1 de junio de 2002): 87–91. http://dx.doi.org/10.1076/jnmr.31.2.87.8094.
Texto completoRocchesso, Davide y Jøran Rudi. "Digital Audio Effects 1998, Barcelona, Spain". Computer Music Journal 23, n.º 2 (junio de 1999): 86–87. http://dx.doi.org/10.1162/comj.1999.23.2.86.
Texto completoRisset, Jean-Claude. "Examples of the Musical Use of Digital Audio Effects". Journal of New Music Research 31, n.º 2 (1 de junio de 2002): 93–97. http://dx.doi.org/10.1076/jnmr.31.2.93.8092.
Texto completoKhatavkar, Karan. "Enhancing Speech Signal Quality through Noise Reduction for Improved Communication". International Journal for Research in Applied Science and Engineering Technology 11, n.º 9 (30 de septiembre de 2023): 1761–68. http://dx.doi.org/10.22214/ijraset.2023.55925.
Texto completoVerfaille, Vincent, Marcelo M. Wanderley y Philippe Depalle. "Mapping strategies for gestural and adaptive control of digital audio effects". Journal of New Music Research 35, n.º 1 (marzo de 2006): 71–93. http://dx.doi.org/10.1080/09298210600696881.
Texto completoMartínez Ramírez, Marco A., Emmanouil Benetos y Joshua D. Reiss. "Deep Learning for Black-Box Modeling of Audio Effects". Applied Sciences 10, n.º 2 (16 de enero de 2020): 638. http://dx.doi.org/10.3390/app10020638.
Texto completoYang, Yutong. "Analysis Of Different Types of Digital Audio Workstations". Highlights in Science, Engineering and Technology 85 (13 de marzo de 2024): 563–69. http://dx.doi.org/10.54097/6vvy8z41.
Texto completoTesis sobre el tema "Digital audio effects"
Janiszewski, Marcin Józef. "Audio effects unit". Master's thesis, Universidade de Aveiro, 2011. http://hdl.handle.net/10773/6237.
Texto completoO objectivo principal da presente tese de mestrado centrou-se no desenho e construção de uma unidade de efeitos de áudio (Audio Effects Unit -AEU), cuja função consiste em processar sinais áudio em tempo real. O propósito central foi desenvolver uma unidade de processamento áudio genérica, cuja função de processamento, implementada no domínio digital, pode ser facilmente especificada pelo utilizador via uma aplicação de software implementada num computador. A primeira etapa deste projecto consistiu na implementação completa do hardware que constitui o AEU. É importante acrescentar que esta concepção teve em conta a inclusão desse hardware numa caixa apropriada. Este método de projecto e implementação constituiu uma experiência muito interessante e útil. A próxima etapa consistiu no desenvolvimento de algoritmos matemáticos a ser implementados no microcontrolador do AEU e que geram os efeitos sonoros desejados por processamento dos sinais áudio originais. Estes algoritmos foram inicialmente testados através do Matlab. Para controlar os efeitos sonoros produzidos foi ainda criada uma aplicação de computador que permite a intervenção, de forma muito simples, do utilizador. A referida aplicação assegura a comunicação entre o microcontrolador do AEU e o computador através de uma ligação USB. O dispositivo, na sua versão final, foi testado em laboratório e através do Matlab. Cada bloco do dispositivo, e o dispositivo completo, foi testado individualmente. Com base nessa avaliação foram desenhadas as respectivas características na frequência e analisada a qualidade do dispositivo de áudio. Para além da experiência adquirida em concepção de hardware, este projecto permitiu-me alargar o meu conhecimento em programação de microcontroladores e na optimização de código, um requisito do processamento de sinal em tempo real. Também me deu a oportunidade de utilizar a ferramenta comercial MPLAB para programação de microcontroladores.
The main aim of this master thesis was to design and build an Audio Effects Unit (AEU), whose function is to process, a particular audio signal in real time. The objective was to develop a general purpose audio processing unit where the processing function, implemented in the digital domain, can be easily specified by the user by means of a software application running on a computer. The first stage of this project consisted on the full design and implementation of the hardware that constitutes the AEU. It is worth adding that such design also considered that the layout could be placed in an enclosure. Such way of designing was a great new experience. The next stage was to prepare the mathematical algorithms to be implemented in the AEU microcontroller which create the sound effects by processing the original audio signal. These algorithms were first tested in MatLab. To control the produced sound effects a computer program was created which allows the user intervention in a straightforward way. This program ensures communication between the AEU microcontroller and PC software using an USB connection. The completed device was tested in laboratory and with Matlab. The individual blocks of the AEU, and the whole device, were tested. On the basis of these tests frequency characteristics were drawn and the quality of the audio device was analyzed. Besides acquiring expertise in hardware design, this project has broadened my knowledge on microcontroller programming and code optimization, a requirement for real time signal processing. It also gave me the opportunity to use the commercial MPLAB programming environment.
Głównym celem tej pracy magisterskiej było zaprojektowanie i zbudowanie układu do generowania efektów dźwiękowych (Audio Effects Unit - AEU) służącego do przetwarzania sygnału dźwiękowego w czasie rzeczywistym. Zadaniem autora było skonstruowanie ogólnego zastosowania układu przetwarzającego sygnał dźwiękowy, w którym funkcja przetwarzania, zaimplementowana w sposób cyfrowy, może być łatwo określona przez użytkownika poprzez zastosowanie odpowiedniego oprogramowania komputerowego. Pierwszy etap projektu polegał na szczegółowym zaprojektowaniu i zbudowaniu warstwy sprzętowej tworzącej AEU. W projekcie przewidziano tez możliwość umieszczenia układu w obudowie, co było dla autora nowym doświadczeniem projektowym. Kolejnym etapem było opracowanie algorytmów matematycznych, zaimplementowanych w mikrokontrolerze AEU, które tworzą efekty dźwiękowe poprzez przetwarzanie oryginalnego sygnału dźwiękowego. Te algorytmy zostały najpierw przetestowane w programie MatLab. Do kontrolowania wytworzonych efektów dźwiękowych, został napisany program komputerowy, który pozwala na prostą interakcje z użytkownikiem. Ten program zapewnia komunikację między mikrokontrolerem AEU i oprogramowaniem komputerowym poprzez złącze USB. Gotowe urządzenie zostało zbadane w laboratorium oraz za pomocą programu Matlab. Poszczególne bloki AEU jak i całe urządzenie zostały przetestowane, co pozwoliło na wykreślenie charakterystyk częstotliwościowych i umożliwiło analizę jakości wykonanego urządzenia audio. Oprócz zdobywania doświadczenia w projektowaniu sprzętu, udział w projekcie poszerzył moją wiedzę o programowaniu mikrokontrolerów i optymalizacji kodu, potrzebną dla przetwarzania sygnału w czasie rzeczywistym. Ponadto miałem możliwość zapoznania się z komercyjnym środowiskiem programistycznym MPLAB.
Molina, Villota Daniel Hernán. "Vocal audio effects : tuning, vocoders, interaction". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUS166.
Texto completoThis research focuses on the use of digital audio effects (DAFx) on vocal tracks in modern music, mainly pitch correction and vocoding. Despite its widespread use, there has not been enough discussion on how to improve autotune or what makes a pitch-modification more musically interesting. A taxonomic analysis of vocal effects has been conducted, demonstrating examples of how they can preserve or transform vocal identity and their musical use, particularly with pitch modification. Furthermore, a compendium of technical-musical terms has been developed to distinguish types of vocal tuning and cases of pitch correction. Additionally, a graphical correction method for vocal pitch correction is proposed. This method is validated with theoretical pitch curves (supported by audio) and compared with a reference method. Although the vocoder is essential for pitch correction, there is a lack of descriptive and comparative basis for vocoding techniques. Therefore, a sonic description of the vocoder is proposed, given its use for tuning, employing four different techniques: Antares, Retune, World, and Circe. Subsequently, a subjective psychoacoustic evaluation is conducted to compare the four systems in the following cases: original tone resynthesis, soft vocal correction, and extreme vocal correction. This psychoacoustic evaluation seeks to understand the coloring of each vocoder (preservation of vocal identity) and the role of melody in extreme vocal correction. Furthermore, a protocol for the subjective evaluation of pitch correction methods is proposed and implemented. This protocol compares our DPW pitch correction method with the ATA reference method. This study aims to determine if there are perceptual differences between the systems and in which cases they occur, which is useful for developing new melodic modification methods in the future. Finally, the interactive use of vocal effects has been explored, capturing hand movement with wireless sensors and mapping it to control effects that modify the perception of space and vocal melody
Patel, Dipankumar Dalubhai. "Subjective effects of cell loss and bit error on compressed audio-visual applications over ATM". Thesis, Imperial College London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314077.
Texto completoYang, Xiangui. "Effects of digital audio quality on students' performance in LAN delivered English listening comprehension tests". Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1236796324.
Texto completoStutzman, Krista. "The effects of digital audio files and online discussions on student proficiency in a foreign language". [Ames, Iowa : Iowa State University], 2007.
Buscar texto completoClark, Robin John. "Investigation into digital audio equaliser systems and the effects of arithmetic and transform errors on performance". Thesis, University of Plymouth, 2001. http://hdl.handle.net/10026.1/2685.
Texto completoDeming, Robert Livingston. "Digital audio : exploring the thinking, products, effects and impact of using sound on the elementary classroom computer /". Access Digital Full Text version, 1996. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11974564.
Texto completoTypescript; issued also on microfilm. Sponsor: A. Lin Goodwin. Dissertation Committee: Robert O. McClintock. Includes bibliographical references (leaves 246-257).
Savvateev, Anton. "Which compound-earcon's attributes may improve a player's performance in a search-oriented gameplay: rhythm vs timbre?" Thesis, Luleå tekniska universitet, Medier ljudteknik och upplevelseproduktion och teater, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-69003.
Texto completoFrenštátský, Petr. "Softwarový analyzátor zvukových efektů". Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2014. http://www.nusl.cz/ntk/nusl-220634.
Texto completoKarlström, Therése y Alexandra Kantonenko. "The effect of Digital Tools on Auditors' Professional Scepticism : A Quantitative Study of Professional Scepticism in the Swedish Audit Profession". Thesis, Internationella Handelshögskolan, Jönköping University, IHH, Företagsekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-48618.
Texto completoLibros sobre el tema "Digital audio effects"
Zölzer, Udo, ed. DAFX: Digital Audio Effects. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.
Texto completoUdo, Zölzer y Amatriain Xavier, eds. DAFX: Digital audio effects. Chichester: Wiley, 2002.
Buscar texto completoCOST-G6 Workshop on Digital Audio Effects (1st 1998 Barcelona). Proceedings 98 Digital Audio Effects Workshop: Barcelona, November 19-21, 1998. Barcelona: Audiovisual Institute, Pompeu Fabra University, 1998.
Buscar texto completoDylan, Jones. iPod, therefore I am: Thinking inside the white box. New York, NY: Bloomsbury, 2005.
Buscar texto completoDylan, Jones. iPod, therefore I am. London: Weidenfeld & Nicolson, 2005.
Buscar texto completoDave, Raybould, ed. The game audio tutorial: A practical guide to sound and music for interactive games. Amsterdam: Boston, 2011.
Buscar texto completoSteve, Albanese, ed. Pro Tools 7 power!: The comprehensive guide. 2a ed. Boston, MA: Thomson Course Technology, 2008.
Buscar texto completoOzer, Jan. Adobe digital video how-tos: 100 essential techniques with Adobe production studio. Berkeley, CA: Peachpit, 2007.
Buscar texto completoJenny, Bartlett, ed. Practical recording techniques: The step-by-step approach to professional audio recording. 4a ed. Burlington, Mass: Focal, 2005.
Buscar texto completoM, Rubin David. The audible Macintosh. San Francisco: SYBEX, 1992.
Buscar texto completoCapítulos de libros sobre el tema "Digital audio effects"
Uncini, Aurelio. "Digital Audio Effects". En Springer Topics in Signal Processing, 483–563. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14228-4_7.
Texto completoVerfaille, V., D. Arfib, F. Keiler, A. von dem Knesebeck y U. Zölzer. "Adaptive Digital Audio Effects". En DAFX: Digital Audio Effects, 321–91. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch9.
Texto completoPulkki, V., T. Lokki y D. Rocchesso. "Spatial Effects". En DAFX: Digital Audio Effects, 139–83. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch5.
Texto completoVälimäki, V., S. Bilbao, J. O. Smith, J. S. Abel, J. Pakarinen y D. Berners. "Virtual Analog Effects". En DAFX: Digital Audio Effects, 473–522. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch12.
Texto completoVerfaille, V., M. Holters y U. Zölzer. "Introduction". En DAFX: Digital Audio Effects, 1–46. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch1.
Texto completoBonada, J., X. Serra, X. Amatriain y A. Loscos. "Spectral Processing". En DAFX: Digital Audio Effects, 393–445. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch10.
Texto completoEvangelista, G. "Time and Frequency-Warping Musical Signals". En DAFX: Digital Audio Effects, 447–71. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch11.
Texto completoPerez-Gonzalez, E. y J. D. Reiss. "Automatic Mixing". En DAFX: Digital Audio Effects, 523–49. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch13.
Texto completoEvangelista, G., S. Marchand, M. D. Plumbley y E. Vincent. "Sound Source Separation". En DAFX: Digital Audio Effects, 551–88. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch14.
Texto completoDutilleux, P., M. Holters, S. Disch y U. Zölzer. "Filters and Delays". En DAFX: Digital Audio Effects, 47–81. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119991298.ch2.
Texto completoActas de conferencias sobre el tema "Digital audio effects"
Zolzer, Udo. "Pitch-based digital audio effects". En 2012 5th International Symposium on Communications, Control and Signal Processing (ISCCSP). IEEE, 2012. http://dx.doi.org/10.1109/isccsp.2012.6217840.
Texto completoRoma, Gerard, Pierre Alexandre Tremblay y Owen Green. "Graph-Based Audio Looping And Granulation". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768228.
Texto completoTurian, Joseph, Jordie Shier, George Tzanetakis, Kirk McNally y Max Henry. "One Billion Audio Sounds from GPU-Enabled Modular Synthesis". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768246.
Texto completoVerma, Prateek y Chris Chafe. "A Generative Model for Raw Audio Using Transformer Architectures". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768298.
Texto completoWang, Xianke, Wei Xu, Juanting Liu, Weiming Yang y Wenqing Cheng. "An Audio-Visual Fusion Piano Transcription Approach Based on Strategy". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768275.
Texto completoDucceschi, Michele, Stefan Bilbao y Craig J. Webb. "Non-Iterative Schemes for the Simulation of Nonlinear Audio Circuits". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768254.
Texto completoGermain, Francois G. "Practical Virtual Analog Modeling Using MÖbius Transforms". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768245.
Texto completoVaillant, Gwendal Le, Thierry Dutoit y Sebastien Dekeyser. "Improving Synthesizer Programming From Variational Autoencoders Latent Space". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768218.
Texto completoLa Pastina, Pier Paolo, Stefano D'Angelo y Leonardo Gabrielli. "Arbitrary-Order IIR Antiderivative Antialiasing". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768266.
Texto completoHahn, Nara, Frank Schultz y Sascha Spors. "Higher-Order Anti-Derivatives of Band Limited Step Functions for the Design of Radial Filters in Spherical Harmonics Expansions". En 2021 24th International Conference on Digital Audio Effects (DAFx). IEEE, 2021. http://dx.doi.org/10.23919/dafx51585.2021.9768233.
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