Literatura académica sobre el tema "Déesse (Devī)"
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Artículos de revistas sobre el tema "Déesse (Devī)":
Obeegadoo, Nikhita. "Le rire des déesses par Ananda Devi". French Review 96, n.º 1 (octubre de 2022): 240. http://dx.doi.org/10.1353/tfr.2022.0161.
Padoux, André. "A propos de la Déesse hindoue (Notes critiques) [Sur les ouvrages suivants : C. Mackenzie Brown, The Triumph of the Goddess. The canonical Models and Theological Visions of the Devi-Bhagavata Purana. Albany, State University of New York Press, 1990, XVI + 327 p. Thomas B. Coburn, Encountering the Goddess. A Translation of the Devi-Mahatmya and a Study of its Interpretation, Albany, State University of New Press, 1991, X + 255 p.]". Revue de l'histoire des religions 210, n.º 2 (1993): 207–14. http://dx.doi.org/10.3406/rhr.1993.1438.
Tesis sobre el tema "Déesse (Devī)":
Margnac, Geraldine. "Devī : figure(s) du féminin dans la poétique du Bharata-nāṭyam contemporain : étude de pièces de répertoire au Tamil Nadu de 2000 à 2020". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080045.
This PhD thesis is devoted to "Devī: figure(s) of the feminine in the poetics of contemporary Bharata-nāṭyam". The artists of Bharata-nāṭyam (a major art form in India) are increasingly interested in female figures such as nāyikā (heroines) and Devī (a generic term for female deities). Subject to multiple controversies as figures of the feminine, they had not yet been studied on the bharata-nāṭyam stage. Does not the richness of plays featuring gentle goddesses like Lakṣmī, Sarasvatī or Pārvatī, powerful goddesses like Durgā or Kālī or the divine androgynous, Ardhanārīśvara, question the aesthetic principles of the stage? A contemporary approach to repertory plays from 2000 to 2020 in Tamil Nadu will allow to study the process of creation. Since they involve different points of view, these figures seem relevant to the aesthetic study of a living art, its liveliness and the process of updating meaning at work. Does not the plurality of interpretative hypotheses reflect the poetic function of Bharata-nāṭyam ? This style gives a text to be heard in two ways: by singing and by the play of the artist who interprets it through gestural and emotional expression. The score, the ornaments, the body and the expression of emotions contribute to provoke a "flavor", an "aesthetic emotion" or rasa in Sanskrit. Our problematics will question to what extent the forms and representations of Devī participate in the process of elaborating the rasa in the poetics of contemporary Bharata-nāṭyam
Libros sobre el tema "Déesse (Devī)":
1941-, Hawley John Stratton y Wulff Donna Marie 1943-, eds. Devī: Goddesses of India. Berkeley: University of California Press, 1996.
Hawley, John Stratton y Donna Marie Wulff. Devi: Goddesses of India (Comparative Studies in Religion and Society, 7). University of California Press, 1996.
Mukhopadhyay, Anway. Goddess in Hindu-Tantric Traditions: Devi As Corpse. Taylor & Francis Group, 2018.
Mukhopadhyay, Anway. Goddess in Hindu-Tantric Traditions: Devi As Corpse. Taylor & Francis Group, 2018.
Mukhopadhyay, Anway. Goddess in Hindu-Tantric Traditions: Devi As Corpse. Taylor & Francis Group, 2018.
Mukhopadhyay, Anway. Goddess in Hindu-Tantric Traditions: Devi As Corpse. Taylor & Francis Group, 2018.
Hawley, John Stratton y Donna Marie Wulff. Devi: Goddesses of India (Comparative Studies in Religion and Society). University of California Press, 1996.