Bibliografías temáticas / Death in art

Literatura académica sobre el tema "Death in art"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 30 de julio de 2024

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Artículos de revistas sobre el tema "Death in art"

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Dunne, John, Maurice Leitch y Michael Carson. "Death Imitates Art". Books Ireland, n.º 212 (1998): 92. http://dx.doi.org/10.2307/20623588.

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Malpede, Karen y Elizabeth Prelinger. "Death-Defying Art". Women's Review of Books 10, n.º 3 (diciembre de 1992): 5. http://dx.doi.org/10.2307/4021475.

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Martin, Colin. "Death becomes art". Lancet 385, n.º 9983 (mayo de 2015): 2142. http://dx.doi.org/10.1016/s0140-6736(15)61011-x.

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Tam, Thomas. "The Death of Art". Graduate Faculty Philosophy Journal 26, n.º 1 (2005): 161–72. http://dx.doi.org/10.5840/gfpj20052617.

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Hanson, Clare y Janet Todd. "Gender, Art and Death". Modern Language Review 90, n.º 2 (abril de 1995): 401. http://dx.doi.org/10.2307/3734553.

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Srn, Avis Halt. "The art of death". Nursing Standard 6, n.º 24 (10 de marzo de 1992): 22–23. http://dx.doi.org/10.7748/ns.6.24.22.s37.

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Levinson, Nan. "The death of Art". Index on Censorship 21, n.º 7 (julio de 1992): 14–15. http://dx.doi.org/10.1080/03064229208535376.

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Irving, Andrew. "Ethnography, art, and death". Journal of the Royal Anthropological Institute 13, n.º 1 (marzo de 2007): 185–208. http://dx.doi.org/10.1111/j.1467-9655.2007.00420.x.

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Wadeson, Harriet. "Art, Death, and Transfiguration". Art Therapy 18, n.º 1 (enero de 2001): 56–60. http://dx.doi.org/10.1080/07421656.2001.10129448.

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Cossins, Daniel. "The art of death". New Scientist 233, n.º 3118 (marzo de 2017): 26–27. http://dx.doi.org/10.1016/s0262-4079(17)30575-4.

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Tesis sobre el tema "Death in art"

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Evans, Stephen W. "Art unto death". Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5750.

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As people living in 2017, what, if anything, have we come to know about art as a whole? What can we say about the artistic impulse? What is art for, and what does it stand to show us about ourselves today? In this paper, I try to address these questions, from the standpoint of both an artist and a human being. Examining art as ancient as the prehistoric cave paintings, as well as art of the present day, I discuss certain ontological traits that art-making has both lost and maintained over the years. Through Heidegger’s philosophy of Being, Tillich’s theology of New Being, and Stephen King’s depictions of the uncanny, I explore the idea that all creative acts ultimately point us back to our own mortality and finitude.
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Margolis, Emily S. "Art After Death: A Heuristic Study of Death and Tradition". Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/90.

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This heuristic research examines the personal and therapeutic importance of exploring ones cultural interpretations of death and dying. The research began at a Día de los Muertos celebration in Los Angeles, CA and my observations of that event were used as an inspiration to create meaningful art. Through analysis and examination of the artwork I addressed my individual and clinical struggles regarding death. The knowledge I gained exploring my own questions concerning death and dying can be used to avoid encumbrances to my provision of effective therapy in the future.
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Vülser, Ingrid. "The theme of death in Italian art : the triumph of death". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33944.

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This paper focuses on the evolution of the theme the Triumph of Death, the representation of the personification of death and the dead in the late Middle Ages. The first part of this thesis represents different points of view of art historians and historians concerning the death and the afterlife. There follows a short description and analysis of the cultural environment especially regarding literature which closely relates to the visual art and the representation of death. The last part describes three themes of death and the most important representations in frescoes, panels, bas-reliefs of the Triumph of Death evincing the main idea and the underlying structure and composition. Two different ways of representation can be distinguished: the Triumph of Death in the shape of the apocalyptic rider as appearing in the Revelation of Saint John the Evangelist and the Triumph of Death based on Petrarch's poem the Trionfi.
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AZEVEDO, DANRLEI DE FREITAS. "DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13916@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
O problema da morte da arte atravessa praticamente toda a história artística moderna. As preleções sobre estética de Hegel, realizadas não muito tempo depois da fundamentação kantiana de um juízo de gosto autônomo, já apresentam a idéia da dissolução da arte- a qual teria, nas palavras do filósofo, se tornado coisa do passado. Este trabalho pretende investigar a estreita e intrigante conexão entre uma arte que finalmente obteve sua autonomia na época moderna e a sombra constante de sua própria morte. Seja nos discursos estéticos que, desde os primórdios da modernidade, assinalam uma obsolescência da arte, seja no ímpeto crítico-revolucionário das vanguardas, que ensaiaram uma autodestruição da esfera artística, seja numa contemporaneidade em que parecem se apagar quaisquer distinções palpáveis entre a obra de arte e os demais produtos, entre valor estético e valor de troca, a questão da morte da arte, de um modo ou de outro, confirma sua presença. Indagar o sentido dessa longa vigência, assim como averiguar sua persistência no horizonte artístico contemporâneo, é, em resumo, a proposta da tese.
The problem of the death of the art crosses practically all modern artistic history. The Hegel’s lectures Aesthetics, delivered not much later of the Kantian validation of an autonomous judgment of taste, already present the idea of the dissolution of the art- that would have, in the words of the philosopher, become thing of the past. This work intends to investigate the narrow and intriguing connection between an art that finally reached autonomy at the modern times and the constant shade of its proper death. Either in the aesthetic discourses that, since the beginning of modernity, indicate an obsolescence of the art, either in the critical-revolutionary impulse of the avant-gardes, that had fomented a selfdestruction of the artistic sphere, either in our present time, where any concrete distinctions between the work of art and other things, that is, between aesthetic value and exchange value, seems to disappear, the question of the death of the art, in one way or another, confirms its presence. To inquire the meaning of this long validity, as well as verifying its persistence in the contemporary time, is, in short, the proposal of this work.
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Gross, Bernard O. "Sex, death, and the landscape /". Online version of thesis, 1992. http://hdl.handle.net/1850/11898.

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Andreopoulos, Andreas. "The death of art : the transformation of art from a religious perspective". Thesis, Durham University, 1998. http://etheses.dur.ac.uk/4089/.

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The hypothesis put forth in this dissertation is twofold. The first part is based on a view (supported by writers such as Hans Belting) that maintains that art lost its sacred character in the late Middle Ages, when art was emancipated from religion and the artist was recognized as an original Creator. The two first chapters examine this issue: The first chapter (A Religious View of the History of the Arts) discusses theories of religious art from the ancient Jewish drama and the Greek tragedy to the late Middle Ages. Psychological material, mostly drawn from Lacan and Jung, is used to explore the connection between art and religion in the East and the West. The second chapter {Anti-Leonardo) focuses on some important changes in the Renaissance which can be observed mostly in art, that have affected religious and social consciousness to date. The second part of the hypothesis is that contemporary philosophy and art, having witnessed the death of the author as it has been presented by writers such as Michel Foucault and Roland Barthes, are now registering the withdrawal of the work of art as an independent object, and the reversal of the Renaissance art paradigm. The withdrawal or "death" of the work of art and of art as a process are discussed in the third chapter {The Death of Art), which explores these issues in contemporary philosophy, and argues that contemporary art, popular and classical, is withdrawing as a distinct activity, giving its place to a growing religious awareness. The fourth chapter {The Religious Artist) examines the art and the views of some contemporary artists whose art expresses the return of the sacred. Particular emphasis is given to the art of the New Simplicity, an artistic trend that epitomizes the vanguard of art while expressing spiritual and religious contemporary concerns.
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Crawford, Joanne Simone. "Figuring death : the phantom of presence in art". Thesis, University of Leeds, 2001. http://etheses.whiterose.ac.uk/2614/.

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Chapter 1; The dissemination of the rhetorical subject(ivity) Through an analysis of Hegel’s master/slave dialectic and de Man’s notion of prosopopeia I demonstrate how modernist discourses construct a figure [face] of/for the artist and cover up [entomb] the recalcitrance of his or her corporeal body to be the [ontological] site of meaning. Through Derrida’s notions of klang and force I investigate the ways in which the disintegration of material objects interrupt the whole process of facing the art work in this way. Derrida’s notion of hauntology is also utilised to argue that the selfidentical subject(ivity) is in fact a semiotically induced spectre. Chapter 2: Rothko, Death and Prosopopeia Again de Man’s figure of prosopopeia is explored to demonstrate how the artist Rothko is discursively posited as overcoming his own death. I argue that Rothko’s paintings ‘act’ as self-portraits and ‘figure’ his [enduring] presence. Through Derrida’s notion of the paragon [the frame] I also investigate how the propensity of the material to disintegrate ruptures the circularity of the discourse on Rothko and thereby undermines the transcendental moment proffered by his paintings. However, I also show, through an analysis of Derrida’s notion of the pharmakon, how discursive strategies keep raising the spectre of the transcendental artist to keep the fallacy of the self-identical subject(ivity) ‘alive’. Chapter 3: Michaux’s insomnia: The plenitude of the void I argue that the Mescaline drawings, made by Michaux in the 1950s, cannot be interpreted through a ‘standard’ modernist framework. In trying to construct an alternative interpretation for Michaux’s work I demonstrate how his drawings can be viewed as an attempt to articulate the excessive nature of corporeality and the impossibility of transcendence. Blanchot’s notion of insomnia is used to go beyond the polarities of the negative and the positive to the neutral and excessive zone of indeterminancy. Deleuze and Guattari’s notions of the tonal and nagual, becoming-animal and Bergson’s notions of extensity and duration are also utilised to [theoretically] access this zone of indeterminacy, as that of the insomnious subject(ivity). Conclusion: Face to de-face Firstly I reiterate the claims made in chapter 2, that modernism, as a circular discourse, constantly offers the ‘presence’ of Rothko as proof of his enduring transcendentality. As a contrast I use Deleuze and Guattari’s notion of faciality to argue that Michaux tried to de-face his art, but failed. I will therefore indicate the impossibility of totally de-facing the subject(ivity) within any discursive system where the name acts as primary signifier.
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Higgins, Josephine. "Seeing death : portraiture in contemporary postmortem photography". Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/14152.

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This thesis focuses on the aesthetics of the photographic representation of the actual dead body in Elizabeth Heyert's The Travelers (2004), Pieter Hugo's The Bereaved (2005) and Walter Schels and Beate Lakotta's Life Before Death: Portraits of the Dying (2004). The use of portraiture in each of these artist's series is crucial as it suggests an interest in the 'subjectness' of the corpse. Katarzyna Majak's (2011) theory of socialization as an attempt to lessen the scandal of the corpse through representation is central throughout this thesis. Majak argues that for the viewer the corpse is a scandal, because it discomfortingly presents the transformation of a body from subject to object. For Majak, socialization is essentially the taming of the dead body, achieved by re-presenting the corpse as an individual. Socialization emphasizes the subject-ness of the deceased individual, rather than the object-ness of the corpse, of pure unadulterated matter. The use of portraiture in each of the above series socializes the corpse by presenting the individual identity of the deceased as a subject, in varying degrees. Death is approached through the recognizable conventions of portraiture itself, thereby to some extent taming or domesticating the corpse. This thesis expands on Majak's valuable theory by establishing a continuum of socialization from subject-ness to object-ness. Importantly, this continuum reveals varying degrees of socialization within the three series. Socialization is used here as an analytical tool with which to explore the photographs, drawing out similarities and differences. I argue that through various aesthetic techniques, these three series encourage the viewer to look at these different images of the corpse with varying degrees of comfort.
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Davies, Fiona Hilary. "Cast a cold eye on life, on death: the Remake: Medicalised Death in ICU". Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21232.

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A medicalised death in an intensive care unit (ICU), a particular event in a particular site, is the starting point for this thesis. This specific event and the associated site, materials, processes, and critical definitions will be examined using an auto-ethnographic methodology within a practice-led research process. Looking first at the definitions of death and the process of that death being medicalised, there are many ways to determine when it occurs and when it is irreversible. Death is traditionally called at a point in time. My proposition is that in a medicalised context death is a period, not a point. It is a process. The manner in which a specific death is medicalised, being constructed as a medical problem, reflects a level of intervention within the economic, social, cultural, and technological contexts of an ICU. In ICU, breathing, circulation of the blood in its closed system and renal performance are the basics of keeping the patient alive. By keeping the heart pumping, maintaining the blood pressure and stopping leaks, a complex process of medicalisation is introduced into the care of the patient at that tipping point between life and death. Surveillance or monitoring within an ICU is both observation of the body and collection of data and its visualisation. The economics and the market conditions behind the supply of blood, blood products, and body parts frame the experience of this situation. Creative Component Art-making as a practice is the force driving this research process and the exhibition of the artworks is the public presentation of that research. My art and exhibition-making combine object, sound, moving image, installation and performance to demonstrate and make perceptible to others the practice-led research into the emotional landscape of this specific event, in this specific site. The exhibition embodies the temporal nature of a medicalised death in ICU; the initial adrenaline rush and feeling of time speeding up in the shock and panic of entry to ICU, the boredom of the liminal spaces when you are excluded from the ICU and the slow slide to acceptance. A performative lecture within the exhibition further engages the viewer with these concepts.
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McKinnon, Ann Marie. "The death drive, Cronenberg, Ondaatje, Gould". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60325.pdf.

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Libros sobre el tema "Death in art"

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Todd, Janet. Gender, art and death. Cambridge: Polity, 1993.

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Stapley, Michèle. The death of art. Phoenix: Greenwood Street Pub., 2004.

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Golovanova, Olga. Group Art or Death. Moscow: State Museum of Contemporary art of the Russian Academy of Fine Arts, 2009.

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Biberman, Efrat y Shirley Sharon-Zisser. Art, Death and Lacanian Psychoanalysis. New York, NY : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315172668.

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Morand, Paul. L' art de mourir. Bordeaux-Le Bouscat: Lésprit du temps, 1992.

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Walsh, Roxy. Better After Death. [Leeds?]: Wild Pansy Press, 1997.

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Neukomm, Emmanuelle y Margaux Farron. Art cruel. Gent: Snoeck Ducaju & Zoon, 2022.

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Muntean, Markus. Muntean/Rosenblum: Make death listen. Zurich: JRP/Ringier, 2006.

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Franklin, Ariana. Mistress of the Art of Death. New York: Penguin Group USA, Inc., 2008.

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Museum, Victoria and Albert, ed. Death and art: Europe 1200-1530. London: V&A Pub., 2009.

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Capítulos de libros sobre el tema "Death in art"

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Schinaia, Cosimo. "Death". En Outsider Art and Psychoanalytic Psychiatry, 99–107. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003381723-11.

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Worley, Taylor. "Fearing death". En Memento Mori in Contemporary Art, 127–82. Abingdon, Oxon ; New York : Routledge, 2020. | Series: Routledge studies in theology, imagination and the arts: Routledge, 2019. http://dx.doi.org/10.4324/9780429019753-4.

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Dreifuss-Kattan, Esther, Howard Bass, Zizi Raymond y Esther Dreifuss-Kattan. "Art, death and mourning". En Cancer and Creativity, 147–68. Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781351206273-11.

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Rowe, M. W. "‘Aubade’: Death and the Thought of Death". En Philip Larkin: Art and Self, 167–204. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230302150_6.

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Berk, Lawrence. "Art of Dying". En Dying and Death in Oncology, 1–6. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41861-2_1.

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Coughter, Peter. "Death by Deck". En The Art of the Pitch, 131–49. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1007/978-1-137-51233-8_8.

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Worley, Taylor. "Love and death". En Memento Mori in Contemporary Art, 30–74. Abingdon, Oxon ; New York : Routledge, 2020. | Series: Routledge studies in theology, imagination and the arts: Routledge, 2019. http://dx.doi.org/10.4324/9780429019753-2.

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Worley, Taylor. "Life after death". En Memento Mori in Contemporary Art, 75–126. Abingdon, Oxon ; New York : Routledge, 2020. | Series: Routledge studies in theology, imagination and the arts: Routledge, 2019. http://dx.doi.org/10.4324/9780429019753-3.

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Worley, Taylor. "Laughing at death". En Memento Mori in Contemporary Art, 183–220. Abingdon, Oxon ; New York : Routledge, 2020. | Series: Routledge studies in theology, imagination and the arts: Routledge, 2019. http://dx.doi.org/10.4324/9780429019753-5.

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Valdrè, Rossella. "In Art". En Psychoanalytic Reflections on the Freudian Death Drive, 97–145. Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9780429424854-4.

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Actas de conferencias sobre el tema "Death in art"

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Lambert, Nick. "Generative AI: The death of computer art?" En Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.38.

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Jain, Anab y Alex S. Taylor. "Life and death of energy-autonomous devices". En ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400425.

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Markopoulos, Leigh. "The death of the object: perceiving non-physical art". En IS&T/SPIE Electronic Imaging, editado por Bernice E. Rogowitz y Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.845800.

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Chen, Huixian. "Death Aesthetics in Japanese Love Movies". En 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.064.

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Geng, Haoxu. "Should the Death Penalty be Discussed in Chinese Classrooms?" En 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.188.

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Grigorash, Alena. "The Garden of Death by Hugo Simberg". En Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.115.

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Kell, Stephen. "The inevitable death of VMs: a progress report". En 2018: 2nd International Conference on the Art, Science, and Engineering of Programming 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3191697.3191728.

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Nevlyutov, Marat. "George Simmel’s Ruin, Death and Immortality of Architecture". En Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.124.

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Lengelé, Christophe y Philippe-Aubert Gauthier. "Live 4 Life: A dream for a free and open spatial performance tool towards symbiosis or death?" En 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-70-full-lengele-et-al-live-4-life.

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This paper presents the motivations, evolution, and directions behind the spatial sound performance tool named Live 4 Life. It aims to simplify the creation and control in real time of masses of spatialised sound objects on various kinds of loudspeaker configurations (stereo and particularly quadriphonic or octophonic setups, as well as domes of 16, 24 or 32 loudspeakers). This spatial research, which questions ways of associating rhythmic and spatial parameters, is based on the concept of free and open works, both from the point of view of form (improvisation) and in the diffusion of the code. The tool, which was initiated in 2011 and distributed in open source in 2022, has been conceived as a long-term dream against capitalism and loneliness. Several scenarios between (technical, social) death or symbiosis of this tool (with other programs, people, works and the visual representation field) are presented.
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He, Siyu. "Death, What Gives Life Life in Ascent to Omai". En proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.386.

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Informes sobre el tema "Death in art"

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Day, Tim L. Network Centric Warfare - Death or Renaissance of the Operational Art and the Operational Level of War. Fort Belvoir, VA: Defense Technical Information Center, mayo de 2005. http://dx.doi.org/10.21236/ada463423.

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Zhou, Ruhua, Jingjing Xu, Jiaochen Luan, Weiyun Wang, Xinzhi Tang, Yanling Huang, Ziwen Su, Lei Yang y Zejuan Gu. The Predictive Role of C-Reactive Protein on Sudden Death: A meta-analysis of prospective studies. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, noviembre de 2021. http://dx.doi.org/10.37766/inplasy2021.11.0074.

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This study was a diagnostic research, so the content was decomposed according to PIRO : P: Patients diagnosed with sudden death; I: C-reactive protein; R: There is no gold standard for sudden death, and the definition of sudden death varies from literature to literature. The World Health Organization defines sudden death: "Patients who are normally healthy or seemingly healthy die suddenly due to natural diseases in an unexpectedly short period of time." In our study, sudden death is determined by the history, symptoms, physical examination and electrocardiogram results assesed by doctor. If death events were collected from the patients’ medical records, deaths coded using the International Classification of Diseases-9th Revision, codes 410 to 414 for non-SCD and 798.1 for SCD; or the International Classification of Diseases-10th Revision, codes I20 to I25 for non-SCD and I46 for SCD. All deaths registered as sudden deaths were confirmed in interviews with the patient’s physician or family members again. O: sudden death.
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Dickman, Martin B. y Oded Yarden. Genetic and chemical intervention in ROS signaling pathways affecting development and pathogenicity of Sclerotinia sclerotiorum. United States Department of Agriculture, julio de 2015. http://dx.doi.org/10.32747/2015.7699866.bard.

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Abstract: The long-term goals of our research are to understand the regulation of sclerotial development and pathogenicity in S. sclerotior11111. The focus in this project was on the elucidation of the signaling events and environmental cues involved in the regulation of these processes, utilizing and continuously developing tools our research groups have established and/or adapted for analysis of S. sclerotiorum, Our stated objectives: To take advantage of the recent conceptual (ROS/PPs signaling) and technical (amenability of S. sclerotiorumto manipulations coupled with chemical genomics and next generation sequencing) developments to address and extend our fundamental and potentially applicable knowledge of the following questions concerning the involvement of REDOX signaling and protein dephosphorylation in the regulation of hyphal/sclerotial development and pathogenicity of S. sclerotiorum: (i) How do defects in genes involved in ROS signaling affect S. sclerotiorumdevelopment and pathogenicity? (ii) In what manner do phosphotyrosinephosphatases affect S. sclerotiorumdevelopment and pathogenicity and how are they linked with ROS and other signaling pathways? And (iii) What is the nature of activity of newly identified compounds that affect S. sclerotiori,111 growth? What are the fungal targets and do they interfere with ROS signaling? We have met a significant portion of the specific goals set in our research project. Much of our work has been published. Briefly. we can summarize that: (a) Silencing of SsNox1(NADPHoxidase) expression indicated a central role for this enzyme in both virulence and pathogenic development, while inactivation of the SsNox2 gene resulted in limited sclerotial development, but the organism remained fully pathogenic. (b) A catalase gene (Scatl), whose expression was highly induced during host infection is involved in hyphal growth, branching, sclerotia formation and infection. (c) Protein tyrosine phosphatase l (ptpl) is required for sclerotial development and is involved in fungal infection. (d) Deletion of a superoxidedismutase gene (Sssodl) significantly reduced in virulence on both tomato and tobacco plants yet pathogenicity was mostly restored following supplementation with oxalate. (e) We have participated in comparative genome sequence analysis of S. sclerotiorumand B. cinerea. (f) S. sclerotiorumexhibits a potential switch between biotrophic and necrotrophic lifestyles (g) During plant­ microbe interactions cell death can occur in both resistant and susceptible events. Non­ pathogenic fungal mutants S. sclerotior111n also cause a cell death but with opposing results. We investigated PCD in more detail and showed that, although PCD occurs in both circumstances they exhibit distinctly different features. The mutants trigger a restricted cell death phenotype in the host that unexpectedly exhibits markers associated with the plant hypersensitive (resistant) response. Using electron and fluorescence microscopy, chemical effectors and reverse genetics, we have established that this restricted cell death is autophagic. Inhibition of autophagy rescued the non-pathogenic mutant phenotype. These findings indicate that autophagy is a defense response in this interaction Thus the control of cell death, dictated by the plant (autophagy) סr the fungus (apoptosis), is decisive to the outcome of certain plant­ microbe interactions. In addition to the time and efforts invested towards reaching the specific goals mentioned, both Pls have initiated utilizing (as stated as an objective in our proposal) state of the art RNA-seq tools in order to harness this technology for the study of S. sclerotiorum. The Pls have met twice (in Israel and in the US), in order to discuss .נחd coordinate the research efforts. This included a working visit at the US Pls laboratory for performing RNA-seq experiments and data analysis as well as working on a joint publication (now published). The work we have performed expands our understanding of the fundamental biology (developmental and pathogenic) of S. sclerotioז111וז. Furthermore, based on our results we have now reached the conclusion that this fungus is not a bona fide necrotroph, but can also display a biotrophic lifestyle at the early phases of infection. The data obtained can eventually serve .נ basis of rational intervention with the disease cycle of this pathogen.
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Sandeen, Peggy. Public Opinion and the Oregon Death with Dignity Act. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.1015.

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Fox, Sarah Jane. Road deaths are like a pandemic. Editado por Tasha Wibawa y Chris Bartlett. Monash University, diciembre de 2022. http://dx.doi.org/10.54377/8184-63af.

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Jäger, Simon y Jörg Heining. How Substitutable Are Workers? Evidence from Worker Deaths. Cambridge, MA: National Bureau of Economic Research, noviembre de 2022. http://dx.doi.org/10.3386/w30629.

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Shick, Robert A., Jack L. Koenig y Hatsuo Ishida. Depth Profiling of Stratified Layers using Variable Angle ATR. Fort Belvoir, VA: Defense Technical Information Center, enero de 1992. http://dx.doi.org/10.21236/ada245022.

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Nantung, Tommy E., Jusang Lee, John E. Haddock, M. Reza Pouranian, Dario Batioja Alvarez, Jongmyung Jeon, Boonam Shin y Peter J. Becker. Structural Evaluation of Full-Depth Flexible Pavement Using APT. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317319.

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The fundamentals of rutting behavior for thin full-depth flexible pavements (i.e., asphalt thickness less than 12 inches) are investigated in this study. The scope incorporates an experimental study using full-scale Accelerated Pavement Tests (APTs) to monitor the evolution of each pavement structural layer's transverse profiles. The findings were then employed to verify the local rutting model coefficients used in the current pavement design method, the Mechanistic-Empirical Pavement Design Guide (MEPDG). Four APT sections were constructed using two thin typical pavement structures (seven-and ten-inches thick) and two types of surface course material (dense-graded and SMA). A mid-depth rut monitoring and automated laser profile systems were designed to reconstruct the transverse profiles at each pavement layer interface throughout the process of accelerated pavement deterioration that is produced during the APT. The contributions of each pavement structural layer to rutting and the evolution of layer deformation were derived. This study found that the permanent deformation within full-depth asphalt concrete significantly depends upon the pavement thickness. However, once the pavement reaches sufficient thickness (more than 12.5 inches), increasing the thickness does not significantly affect the permanent deformation. Additionally, for thin full-depth asphalt pavements with a dense-graded Hot Mix Asphalt (HMA) surface course, most pavement rutting is caused by the deformation of the asphalt concrete, with about half the rutting amount observed within the top four inches of the pavement layers. However, for thin full-depth asphalt pavements with an SMA surface course, most pavement rutting comes from the closet sublayer to the surface, i.e., the intermediate layer. The accuracy of the MEPDG’s prediction models for thin full-depth asphalt pavement was evaluated using some statistical parameters, including bias, the sum of squared error, and the standard error of estimates between the predicted and actual measurements. Based on the statistical analysis (at the 95% confidence level), no significant difference was found between the version 2.3-predicted and measured rutting of total asphalt concrete layer and subgrade for thick and thin pavements.
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Spencer, Merianne, Jodi Cisewski, Margaret Warner y Matthew Garnett. Drug Overdose Deaths Involving Xylazine, United States, 2018–2021. National Center for Health Statistics (U.S.), junio de 2023. http://dx.doi.org/10.15620/cdc:129519.

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This study presents trends in drug overdose death rates involving xylazine from 2018 through 2021, overall and by sex. Rates of drug overdose deaths involving xylazine are also presented by age group and race and Hispanic origin from 2020 to 2021, and by the U.S. Department of Health and Human Services public health regions in 2021. Co-involvement for the most frequent drugs involved with xylazine is also reported.
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Kloss-Brandstatter, A., G. Erhart, H. Weissensteiner, G. Schafer, L. Forer, S. Schonherr, D. Pacher et al. Somatic mitochondrial DNA mutations are associated with progression, metastasis and death in oral squamous cell carcinoma. Cold Spring Harbor Laboratory, enero de 2014. http://dx.doi.org/10.1101/002055.

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