Bibliografías temáticas / Datascape

Literatura académica sobre el tema "Datascape"

Autor: Grafiati
Publicado: 14 de marzo de 2023

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Artículos de revistas sobre el tema "Datascape"

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Montalvo Gallego, Blanca. "DataScape: Cartógrafos aficionados y comunidades digitales". AUSART 4, n.º 1 (12 de julio de 2016): 143–54. http://dx.doi.org/10.1387/ausart.16692.

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Los mapas nos fascinan porque cuentan historias. Las corrientes bottom up facilitan la multiplicidad de narradores, y la creación de comunidades que fomentan el intercambio y reafirman la autoridad de los esfuerzos individuales al margen de la institución y las grandes compañías. Frente a los mapas que han definido el mundo durante décadas, ahora cada uno somos el centro de nuestros paisajes cartográficos: todas las distancias se miden desde el punto en el que nos encontramos, y a partir de ahí el todo se reorganiza y cambia de escala. Esta situación promueve un nuevo paisaje tecnológico, en ocasiones mediante la reivindicación de territorios o la visualización de datos, que hablan más del que mira que del objeto contemplado.Palabras clave: PAISAJE; LUGAR; MAPAS; ARTE; CARTOGRAFÍA Datascape: Amateur cartographers and digital communitiesAbstractThe maps tells us stories that fascinate us. The bottom up currents facilitate the existance of multiple narrators, and the creation of communities that foster exchanges and reaffirm the authority of individual efforts outside the institution and large companies. The maps have defined the world for decades, but now each of us are the center of our cartographic landscape: the distances are measured from the point where we are, and from there the whole reorganizes and changes of scale. This situation promotes a new technological landscap, sometimes by reclaiming territories or data visualization, speaking more of the beholder that the object contemplated.Keywords: LANDSCAPE; PLACE; MAPS; ART; CARTOGRAPHY
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Kabisch, Eric. "Datascape: A Synthesis of Digital and Embodied Worlds". Space and Culture 11, n.º 3 (agosto de 2008): 222–38. http://dx.doi.org/10.1177/1206331208319147.

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Chandesris, Maguelonne, Sylvie Humbert y Superbien. "Datascape : un voyage au cœur des données SNCF". Sciences du Design 9, n.º 1 (2019): 11. http://dx.doi.org/10.3917/sdd.009.0011.

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Snickars, Pelle. "If Content is King, Context is its Crown". Making Sense of Digital Sources 1, n.º 1 (21 de febrero de 2012): 34. http://dx.doi.org/10.18146/2213-0969.2012.jethc006.

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The future of television—if former Google CEO Eric Schmidt has his way—will use computational modes to attract viewers, structure results, contextual queries and/or evolving viewing patterns within an emerging televisual datascape. Departing from Schmidt's recent MacTaggart lecture this article tries to track the coded consequences of TV as data, not the least from an audiovisual heritage perspective.
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Leclercq, Christophe, Paul Girard y Daniele Guido. "The E.A.T. Datascape: An Experiment in Digital Social History of Art". Život umjetnosti, n.º 105 (31 de diciembre de 2019): 110–37. http://dx.doi.org/10.31664/zu.2019.105.05.

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Experiments in Art and Technology (E.A.T.) is an organization co-founded in 1966 by artists Robert Rauschenberg and Robert Whitman, and engineers Billy Klüver and Fred Waldhauer, in order to support collaboration between artists and engineers. The E.A.T. datascape is a digital instrument for analyzing the digitized traces left by its members via many available resources. Its aim is to study as closely as possible the complexity of collaborative interdisciplinary works. The E.A.T. datascape methodology makes it possible, by means of an anthropological action-centred approach, to go beyond the distinction between art history and art sociology and to renew the social history of art by challenging the notion of authorship and by describing the work as constituted by the intersection between heterogeneous trajectories, rather than an object within a context that would influence it, or constitute its environment. In other words, it allows us to reflect on what digital design does, in turn, to the social history of art, and to put forward hypotheses about what a digital social history of art might be or could offer to the study of complex, interdisciplinary projects that are multiplying in the contemporary art world.
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Lippert, Ingmar. "Environment as datascape: Enacting emission realities in corporate carbon accounting". Geoforum 66 (noviembre de 2015): 126–35. http://dx.doi.org/10.1016/j.geoforum.2014.09.009.

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Tarantino, Matteo. "Navigating a datascape: challenges in automating environmental data disclosure in China". Journal of Environmental Planning and Management 63, n.º 1 (4 de octubre de 2019): 67–86. http://dx.doi.org/10.1080/09640568.2019.1659132.

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Irene, Christabelle Graciella y Tony Winata. "SENEN SHOPPERTAINTMENT: PENGEMBALIAN IDENTITAS DAN POPULARITAS SENEN SEBAGAI PUSAT PERDAGANGAN JAKARTA". Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, n.º 2 (23 de enero de 2023): 781–92. http://dx.doi.org/10.24912/stupa.v4i2.21713.

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Senen has been degraded as a trading center, where Senen in the 80s was a trading center in Jakarta which was very developed, crowded, famous, and a destination for many people to shop for because of the completeness and diversity of its merchandise now decreased in popularity, became a slum area and lost its identity. Seeing these issues, the desain project aims to restore the identity and popularity of Senen as a trading center in Jakarta by using urban acupuncture and datascape, where the desain is planned through scientific data and research related to Senen, and current trends/phenomena by creating Senen Shoppertaintment, which is a combination of entertainment and shopping based on the current trade trend, namely live shopping, where digitally Senen, shops, and products can be marketed and sold, which is useful for attracting visitors to come to Senen with something new and interesting and liven back Senen as Jakarta's trading center. Keywords: Senen; Shoppertaintment; Trading Center; Urban Acupuncture Abstrak Kawasan Senen mengalami degradasi sebagai pusat perdagangan, dimana Senen pada tahun 80-an pernah menjadi pusat perdagangan di Jakarta yang sangat maju, ramai, terkenal dan dituju banyak orang untuk berbelanja karena kelengkapan dan keberagaman barang dagangannya. Namun demikian, saat ini kawasan Pasar Senen mengalami penurunan popularitas dan menjadi kawasan yang kumuh serta kehilangan identitasnya. Melihat isu tersebut, proyek perancangan bertujuan untuk mengembalikan identitas dan popularitas Senen sebagai pusat perdagangan Jakarta dengan menggunakan urban acupuncture dan datascape, dimana perancangan direncanakan melalui data dan penelitian ilmiah terkait kawasan Senen, dan tren/ fenomena saat ini dengan membuat sebuah proyek Senen Shoppertaintment yang merupakan gabungan antara hiburan dan shopping ditinjau dari tren dagang saat ini yaitu live shopping, dimana secara digital Senen, toko, dan produk bisa dipasarkan dan dijual, yang berguna untuk menarik pengunjung untuk datang ke Senen dengan sesuatu yang baru dan menarik serta menghidupkan kawasan Senen sebagai pusat perdagangan Jakarta kembali.
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Georgescu Paquin, Alexandra. "Public data art’s potential for digital placemaking". Tourism and Heritage Journal 1 (27 de junio de 2019): 32–48. http://dx.doi.org/10.1344/thj.2019.1.3.

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Data-based public art is an innovating new form of digital art which presence is increasing in the cities datascape. Data as a medium provides a special relationship with time and space by connecting the context of data mining to the one of its exhibition. The virtual component of data art opens an augmented space, where the different dimensions of data are mediated. This essay analyses how this new artform can contribute to a creative and digital placemaking of a city by offering a special sensory experience as well as renewing the storytelling of its space. Three case studies support the analysis. “Living connections”, projected on an emblematic bridge in Montreal, contributes to a spectacular placemaking. “Interconnected”, a data sculpture in Charlotte airport, relates to infrastructure placemaking. Finally, “Herald / Harbinger” connects the industrialized society with nature in a global connection. The results participate to the reflection on the nature and specificity of data art as well as enhancing its potential of transforming public space by engaging a specific relation with time, place and people.
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Pezzani, Lorenzo y Charles Heller. "AIS Politics: The Contested Use of Vessel Tracking at the EU’s Maritime Frontier". Science, Technology, & Human Values 44, n.º 5 (30 de mayo de 2019): 881–99. http://dx.doi.org/10.1177/0162243919852672.

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Automatic identification system (AIS) is a vessel tracking system, which since 2004 has become a global tool for the detection and analysis of seagoing traffic. In this article, we look at how this technology, initially designed as a collision avoidance system, has recently become involved in debates concerning migration across the Mediterranean Sea. In particular, after having briefly discussed its emergence and characteristics, we examine how through different practices of (re)appropriation AIS, and the data it generate, have been seized upon, both to contest and to sustain the exclusionary nature of borders, and the mass dying of migrants at sea to which it leads. We do so by referring to forms of data activism we have contributed to in the frame of our Forensic Oceanography project as well as to situations in which AIS has been mobilized by xenophobic groups to demand even stronger exclusionary measures. At the same time, we point to the multiplicity of actors who participate in the politics of migration through AIS in unexpected ways. We conclude by highlighting the irreducible ambivalence of practices of appropriation and call for persistent attention to one’s own positioning within the global datascape constituted by AIS and other data.
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Tesis sobre el tema "Datascape"

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PENSA, STEFANO. "InViTo - GeoVisualizzazione Interattiva a Supporto dei Processi di Decisione Territoriale". Doctoral thesis, Politecnico di Torino, 2013. http://hdl.handle.net/11583/2507460.

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La tesi si inserisce in un filone della cartografia noto come “geovisualizzazione”, che studia la visualizzazione interattiva dei dati territoriali come sistema di supporto per la pianificazione (PSS) e la decisione a tema territoriale (SDSS) (MacEachren, 2004; Andrienko et al., 2007). L’obbiettivo di questa tesi è la realizzazione di un metodo che sfrutti le capacità comunicative della visualizzazione per facilitare la costruzione di una conoscenza, alle diverse scale, del territorio attraverso la condivisione delle informazioni e l’interazione con le informazioni. La ricerca fin qui condotta ha portato alla strutturazione di un metodo denominato Interactive Visualization Tool (InViTo) che, tramite mappe dinamiche ed interattive, ambisce a supportare decisori e pianificatori nella comprensione e conoscenza delle relazioni di causa ed effetto che regolano le trasformazioni del territorio. InViTo è un metodo di elaborazione visiva dei dati che intende superare il concetto di “modello urbano” in favore di uno strumento che funzioni come semplice estensione delle capacità di calcolo del professionista. Esso è costruito con strumenti di uso comune tra i pianificatori e progettisti, quali Microsoft Excel, McNeel Rhinoceros e Grasshopper, Google Earth, e propone un sistema di supporto adattabile all’intero processo di decisione territoriale, basato su una struttura visiva, interattiva, flessibile, trasparente e con ridotti costi economici. InViTo è stato applicato in diversi casi studio, caratterizzati da diverse finalità, molteplici collaborazioni e differenti scale territoriali, passando da quella architettonica alla urbana e regionale fino alla transnazionale. In particolare, lo studio di InViTo è stato in gran parte realizzato presso SiTI, Istituto Superiore sui Sistemi Territoriali per l’Innovazione di Torino, ma è anche il frutto di una ricerca che ha visto la collaborazione a livello nazionale di ITHACA, Information Technology for Humanitarian Assistance, Cooperation and Action di Torino, Comune di Asti, Università di Roma “Tor Vergata”, Politecnico di Milano, UnionTrasporti di Milano; e a livello internazionale di ETH di Zurigo (CH), Facoltà di Architettura della “University Sts. Cyril and Methodius” in Skopje (MK), Institute of Architecture and new Media della Graz University of Technology (A), Universiteit van Amsterdam (NL), University of Utrecht (NL), Port of Rotterdam (NL), Faculty of Sciences and Technology, University of Coimbra (P), Planungsverband Ballungsraum Frankfurt/Rhein-Main (D), Verband Region Rhein-Neckar (D). L’applicazione di InViTo durante workshop con professionisti di diversa provenienza, ha evidenziato la sua flessibilità ad adattarsi a diversi obiettivi e la sua efficacia nel supportare la discussione e i ragionamenti a tema territoriale. Al momento, si ipotizzano, quali elementi potenziali di sviluppo, i seguenti: la costruzione di un’interfaccia utilizzabile da persone non esperte, l’introduzione della dimensione temporale, l’estensione delle modalità di partecipazione degli utenti verso periferiche per l’interazione individuale col modello e, in particolare, la migrazione verso una piattaforma web.
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Skowronska, Elwira Monika. "datascapes: Redefining the Sublime in Contemporary Art". Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20357.

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Despite the recent resurgence of the sublime as a key theme in contemporary art and its profound art historical lineage, the concept largely remains defined in terms of its 18th century formulation by German philosopher Immanuel Kant. He conceived of the sublime as an aesthetic space where the human observer is overwhelmed by the massive scale of a pictorial object, triggering the perception of awe and dread. However, recent developments in art, philosophy and technology provide the foundation for reformulating the sublime: firstly, as emerging from minute rather than massive scale objects, and secondly, as the result of the material and virtual relationships between these objects. Through a creative body of work, the thesis experimentally tests the contemporary hypotheses of Claire Colebrook, that ‘sublimity allows all infinities to unfold from insignificant minutiae’, and Wojciech Kałaga, that the sublime is a relation between physical and virtual objects. It does so by exploring how a comprehensive analogue and digital approach can provide a portal into a new practice and understanding of the sublime by expanding Kant’s two notions of the sublime. Firstly, while Kant conceives the sublime as a function of vast scale, the research investigates the sublime as emerging from minute scale. Drawing on the work of Roman Opałka and Ryoji Ikeda as starting points, the creative works integrate the hand painting and digital notation of minutiae to trace a sublime that occupies a minute scale of infinity. Secondly, while Kant argues that the sublime is the property of human perception triggered by natural objects, the studio research explores how a reimagined sublime is the property of the infinite virtual and material relations between objects. Theoretically, the thesis explores this new, expanded concept of the sublime by evaluating its theoretical legacy alongside its artistic expression in the work of selected artists and the creative work undertaken as part of the doctoral project. In particular, it unpacks the tension in Kant's division of the sublime into the dynamical and the mathematical sublime. In the former, Kant offers the sublime as a formless infinity of massive objects that can be mastered through imagination, in which its unbounded nature is aesthetically sublimated to be rendered awe-inspiring. In the latter, he formulates the sublime as an absolute infinity that presents an un-representable limit to the imagination that can only be mastered conceptually through mathematical thinking. In response, the thesis conceptualises the sublime in terms of objects, rather than the imaginative limitations of human perception, arguing these objects occupy a spectrum from the actual to the virtual and at a scale from the minute to the cosmological. By focusing on the relations between objects at minute scale and using a methodology that integrates analogue and digital techniques, this thesis experimentally explores a new way of imagining and conceptualising the sublime beyond the limitations of Kantian imagination and thought.
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Pfeiffer, Jessica. "Datascapes: Envisioning a New Kind of Data Center". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin158399900447231.

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Hieb, Sara. "Rural Datascapes: A Data Farm Network for Rural North Dakota". Thesis, 2012. http://hdl.handle.net/1911/64605.

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This thesis attempts to render architectural agency and aesthetics within the typological discussion of the data center in the rural American landscape. The disciplinary question of the role of architecture and aesthetics in data center design is related to earlier examples of factories and warehouses during modernity. The data center alters the traditional representative role of architecture; they are massive, horizontal buildings that are only conceivable from an aerial perspective, driven by logistics and efficiency. This thesis engages these issues by focusing on the point at which the architectural and programmatic problems of the data center converge, the building form and envelope. This thesis engages the building envelope as an expanded surface that considers not only logistical and environmental issues, but also engages the social and political architectural questions related to the identity of the data center in the rural landscape.
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Libros sobre el tema "Datascape"

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Fontcuberta, Joan. Datascapes: Orogenesis/Googlegrams. Sevilla, Spain: Photovision, 2007.

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Datascape Guide to Commercial Nomenclature-1995 Edition. Amer Nurseryman, 1995.

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Datascape Guide to Commercial Nomenclature: 1996-1997. 3a ed. Amer Nurseryman, 1996.

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Datascape Plant Wholesale Price Analysis: Northern Illinois Region - 1995. Amer Nurseryman, 1995.

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Guide to Commercial Nomenclature 1995 (Datascrape). Amer Nurseryman, 1995.

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Hubbard, Richard F. y Jeffrey L. Rodengen. Innovation is the Best Medicine: The Extraordinary Story of Datascope. Write Stuff Enterprises, Inc., 2004.

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Ltd, ICON Group. DATASCOPE CORP.: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series). 2a ed. Icon Group International, 2000.

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Ltd, ICON Group. DATASCOPE CORP.: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2a ed. Icon Group International, 2000.

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Capítulos de libros sobre el tema "Datascape"

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Shilina, Marina. "Data Turn and Datascape in Russia". En Internet in Russia, 171–95. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33016-3_9.

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Okada, Takashi. "Datascape Survey Using the Cascade Model". En Discovery Science, 233–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-36182-0_21.

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Polak, John. "The Changing Transport Datascape – Opportunities and Challenges". En Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 115. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-11284-3_12.

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Bartz-Beielstein, Thomas, Sowmya Chandrasekaran y Frederik Rehbach. "Case Study II: Tuning of Gradient Boosting (xgboost)". En Hyperparameter Tuning for Machine and Deep Learning with R, 221–34. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-5170-1_9.

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AbstractThis case study gives a hands-on description of Hyperparameter Tuning (HPT) methods discussed in this book. The Extreme Gradient Boosting (XGBoost) method and its implementation was chosen, because it is one of the most powerful methods in many Machine Learning (ML) tasks, especially when standard tabular data should be analyzed. This case study follows the same HPT pipeline as the first and third studies: after the data set is provided and pre-processed, the experimental design is set up. Next, the HPT experiments are performed. The R package is used as a “datascope” to analyze the results from the HPT runs from several perspectives: in addition to Classification and Regression Trees (CART), the analysis combines results from the surface, sensitivity, and parallel plots with a classical regression analysis. Severity is used to discuss the practical relevance of the results from an error-statistical point-of-view. The well-proven R package is used as a uniform interface from the methods of the packages and to the ML methods. The corresponding source code is explained in a comprehensible manner.
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Bartz-Beielstein, Thomas, Sowmya Chandrasekaran, Frederik Rehbach y Martin Zaefferer. "Case Study I: Tuning Random Forest (Ranger)". En Hyperparameter Tuning for Machine and Deep Learning with R, 187–220. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-5170-1_8.

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AbstractThis case study gives a hands-on description of Hyperparameter Tuning (HPT) methods discussed in this book. The Random Forest (RF) method and its implementation was chosen because it is the method of the first choice in many Machine Learning (ML) tasks. RF is easy to implement and robust. It can handle continuous as well as discrete input variables. This and the following two case studies follow the same HPT pipeline: after the data set is provided and pre-processed, the experimental design is set up. Next, the HPT experiments are performed. The R package is used as a “datascope” to analyze the results from the HPT runs from several perspectives: in addition to Classification and Regression Trees (CART), the analysis combines results from surface, sensitivity and parallel plots with a classical regression analysis. Severity is used to discuss the practical relevance of the results from an error-statistical point-of-view. The well proven R package is used as a uniform interface from the methods of the packages and to the ML methods. The corresponding source code is explained in a comprehensible manner.
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Mittner, Dunia. "Housing Datascape between European and African Urbanisation". En ReHab, 214–35. De Gruyter, 2022. http://dx.doi.org/10.1515/9783868597899-015.

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Leclercq, Christophe y Paul Girard. "The Experiments in Art and Technology Datascape". En Keys for architectural history research in the digital era. Publications de l’Institut national d’histoire de l’art, 2014. http://dx.doi.org/10.4000/books.inha.4926.

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"Datascapes and Landscapes:". En Museums Inside Out, 123–70. University of Minnesota Press, 2020. http://dx.doi.org/10.5749/j.ctvtv939d.8.

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"Datascapes: Maps and diagrams as landscape agents". En Representing Landscapes: Digital, 41–49. Routledge, 2015. http://dx.doi.org/10.4324/9781315731858-10.

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Actas de conferencias sobre el tema "Datascape"

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Wolff, Annika, Matthew Barker y Marian Petre. "Creating a Datascape". En C&T '17: Communities and Technologies 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3083671.3083686.

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Santiago, Albarracín. "Towards a new Datascape". En XX Congreso de la Sociedad Iberoamericana de Gráfica Digital. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-sigradi2016-601.

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Wolff, Annika y Paul Mulholland. "Navigation strategies in the cityscape/datascape". En the 2015 ACM International Joint Conference. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2800835.2800978.

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Gano, Shawn, Harold Kim y Don Brown. "Comparison of Three Surrogate Modeling Techniques: Datascape, Kriging, and Second Order Regression". En 11th AIAA/ISSMO Multidisciplinary Analysis and Optimization Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2006. http://dx.doi.org/10.2514/6.2006-7048.

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Blandino, Michael V. "ToxSampler: Locative Sound Art Exploration of the Toxic Release Inventory". En The 24th International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2018. http://dx.doi.org/10.21785/icad2018.018.

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Regulatory geographic datasets that inform citizen’s lives are, in general, responsive to engaged search and visual, attentive browsing, but are not designed for directly informing the lived context. The density of sensors and software interfaces present in mobile devices allows for integration of these resources with contextual applications. ToxSampler is an iOS application that modifies the immediate environmental audio scene with associated data from the Toxic Release Inventory (TRI) of the United States Environmental Protection Agency. The application applies digital signal processing (DSP) to the microphone signal based upon the location of the participant and associated TRI data releases. The system, as a result, affords an informed awareness of the datascape through an immediate augmentation of the sensed setting.
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Morais, Lívia Paula Zanelli de y David Moreno Sperling. "Datascapes: Diálogos entre Informação e Espaço". En XVII Conference of the Iberoamerican Society of Digital Graphics - SIGraDi: Knowledge-based Design. São Paulo: Editora Edgard Blücher, 2013. http://dx.doi.org/10.5151/despro-sigradi2013-0024.

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Iyer, Ganesh, Sapoonjyoti DuttaDuwarah y Ashish Sharma. "DataScope: Interactive visual exploratory dashboards for large multidimensional data". En 2017 IEEE Workshop on Visual Analytics in Healthcare (VAHC). IEEE, 2017. http://dx.doi.org/10.1109/vahc.2017.8387496.

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Kripa, Ersela y Stephen Mueller. "Inhabiting the Data Border". En 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.14.

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Just as borders mineralize jurisdictional boundaries, they also create gaps in the availability and interoperability of geospatial data, limiting the ability to forecast cross border transformations. The geography of border space is defined by fragmented, proprietary datasets. Differences in methods, measurements, protocols, and languages leave blindspots for researchers, planners, and designers seeking impacts across a range of fields. Additionally, changing political climates and research agendas affect the availability of comprehensive cross-border environmental data. We present Inhabiting the Data Border, an immersive installation and platform for reflection on working within and across fragmented datascapes, and outline emerging research and initi atives from POST (Project for Operative Spatial Technologies), where we are working to forge mutually-supportive communities and shared environmental, cultural, and geopolitical interests within this context.
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Grant, K. B. y A. Saigal. "Natural Frequency Response of Intraaortic Balloons". En ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11455.

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An Intraaortic Balloon (IAB) is a cardiac assist device that consists of a catheter (lumen) and a balloon at the catheter’s distal end. A balloon pump, or IABP, and a transducer are connected to the hub of the catheter that remains outside of the body. Connecting the inner lumen to the balloon pump through the hub of the catheter is typically used to monitor pressures within the human body and can be characterized as a catheter-transducer system. The three main components of this system and their functions are as follows: the IAB gives access to the blood pressure system through the inner lumen; a transducer converts a mechanical impulse of a pressure wave into an electrical signal; the IABP records the electrical signals for the pump operator’s and pump’s interpretation. The pump analyzes the incoming electrical signal and, in turn, triggers the appropriate IAB inflate and deflate times. Catheter-transducer systems can be modeled as underdamped, second-order dynamic systems. Each system has both a characteristic frequency and a damping coefficient, where damping refers to the accuracy of the monitoring set-up to reproduce pressure waveform characteristics. To achieve an accurate pressure reading, optimal damping must be achieved. If the system is underdamped, very little damping in the system, the pressure readings tend to overestimate the systolic blood pressure and underestimate the diastolic blood pressure, and vice versa. The ability for the pressure monitoring system to detect changes quickly is called the frequency response. Catheter-transducer systems are characterized as underdamped because the addition of damping causes the response of the system to decrease. In order to counteract this, the system must have a high natural or undamped frequency — the frequency that would occur in the absence of frictional forces or damping. A high natural frequency will reduce the effects of damping such that underdamped or overdamped waveforms are unlikely to appear. This study compares the natural frequency and damping coefficients of four different IABs: Datascope Fidelity, Arrow Nitinol, Arrow Stainless Steel and Arrow Polyimide. Each of these IABs had a natural frequency greater than the minimum specified value of 20 Hz. The Arrow Polymide inner lumen had the lowest natural frequency response. This is due to the flexibility of the Polyimide, which absorbs some of the pressure wave’s energy, and thus distorts the pressure wave output. Likewise, the Arrow Nitinol, with the stiffest inner lumen, had the highest natural frequency. The damping coefficients for these IABs varied from 0.16 to 0.38. None of the four IABs achieved an average damping coefficient near the optimal range of 0.60 to 0.75 and thus all of them can be characterized as underdamped systems.
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