Bibliografías temáticas / Dancing body

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Literatura académica sobre el tema "Dancing body"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Dancing body"

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Flanderová, Veronika. "For the dancing body." Kontradikce 4, no. 2 (2020): 198–204. http://dx.doi.org/10.46957/con.2020.2.19.

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Ericksen, Julia A. "Dancing the Body Beautiful." Contexts 11, no. 2 (2012): 48–53. http://dx.doi.org/10.1177/1536504212446460.

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Bergonzoni, Carolina. "We Are Travellers: The Body as a Compass." Journal of the Canadian Association for Curriculum Studies 18, no. 2 (2021): 192–98. http://dx.doi.org/10.25071/1916-4467.40590.

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This article introduces the practice of walking-as-dancing. In this article, the terms walk and walking are often considered as synonymous with wandering since the practice of walking-as-dancing that I will describe does not have a set goal. When walking-as-dancing, I explore the improvisational nature of a wandering movement that allows me to let go of certainty and attune to the not-yet-known. I define the body as a compass that guides us through the path of the curriculum-as-lived (Aoki, 1993) and the curriculum itself. Through the analysis of the practice of walking-as-dancing, I will show
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Born, Caroline. "Life Dancing: Birthing the Body." Self & Society 21, no. 1 (1993): 18–20. http://dx.doi.org/10.1080/03060497.1993.11085303.

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Markula, Pirkko. "The Dancing Body without Organs." Qualitative Inquiry 12, no. 1 (2006): 3–27. http://dx.doi.org/10.1177/1077800405282793.

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Beaucé, Patrick. "Dancing, drawing, designing." Drawing: Research, Theory, Practice 8, no. 2 (2023): 281–93. http://dx.doi.org/10.1386/drtp_00121_1.

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This paper describes and analyses a drawing practice in a research project on corporeality and gesture, with a view to designing objects and spaces. This research, carried out at the École nationale supérieure d’art et de design de Nancy (France), questions our presence with things and others, the sharing of space and the world, by questioning the gestures that underpin them. Drawing is one of these gestures. Its pedagogical aims are pragmatic and practical: to question our physicality in artistic training and to provide prescriptive elements, i.e. methods and techniques of looking, reading, w
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Summers-Bremner, Eluned. "Reading Irigaray, Dancing." Hypatia 15, no. 1 (2000): 90–124. http://dx.doi.org/10.1111/j.1527-2001.2000.tb01081.x.

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My essay incorporates Irigaray's notion of the sensible transcendental, a dynamic attempt to reconstitute the body/mind dualism which founds Western thought, into a reading of the practice of European concert dance. I contend that Irigaray's efforts toward articulating a language of the body as active agent have much to offer (feminist) analyses of dance practice, and develop this claim through a reading which reflects philosophically on the changing nature of my own dance activity.
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Franko, Mark. "The Dancing Body in Renaissance Choreography." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 199. http://dx.doi.org/10.2307/431845.

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Jisun Lee and MalborgKim. "Dancing Body in Digital Image Era." Korean Journal of Dance Studies 37, no. 37 (2012): 63–84. http://dx.doi.org/10.16877/kjds.37.37.201207.63.

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Foster, Susan Leigh, and Mark Franko. "The Dancing Body in Renaissance Choreography." Theatre Journal 40, no. 3 (1988): 429. http://dx.doi.org/10.2307/3208343.

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Tesis sobre el tema "Dancing body"

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Khudaverdian, Clara. "The dancing body." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39453.pdf.

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Davidson, Julia Rose. "Listening to the Dancing Body| Understanding the Dancing Body as Performative Agent within the Choreographic Process." Thesis, Mills College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096902.

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<p> The performativity of dance relies on the the power that different dance practices and choreographies have to shape culture, &ldquo;making and unmaking&rdquo; identities by &ldquo;molding&rdquo; the moving body (Franko, 2012). While theorists have connected dance technique and instruction to the perpetuation of larger cultural and historical ideologies, few methods yet have attempted a critical study of how performative impact is connected to a dancer&rsquo;s own embodied experience. </p><p> Working from an understanding of embodied experience as central to the performative impact of da
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Shrubsall, Gina M., University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The dancing body makes sense of place." THESIS_CAESS_CAR_Shrubsall_G.xml, 2002. http://handle.uws.edu.au:8081/1959.7/805.

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The grounded theory of this dissertation is that 'the dancing body makes sense of place'. This theory is investigated through hermeneutic praxis based on the theoretical perspective of phenomenology. In exploring how the dancing body experiences place, it is the processes that underlie and give form to dance that capture my attention. 'The dancing body makes sense of place' is a phrase that liberates the description and consideration of the non-verbal processes that underlie the dance/place interface. The phrase offers the possibility of communicating coexisting processes. Interpreted as 'the
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Shrubsall, Gina M. "The dancing body makes sense of place." Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/805.

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The grounded theory of this dissertation is that 'the dancing body makes sense of place'. This theory is investigated through hermeneutic praxis based on the theoretical perspective of phenomenology. In exploring how the dancing body experiences place, it is the processes that underlie and give form to dance that capture my attention. 'The dancing body makes sense of place' is a phrase that liberates the description and consideration of the non-verbal processes that underlie the dance/place interface. The phrase offers the possibility of communicating coexisting processes. Interpreted as 'the
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Shrubsall, Gina M. "The dancing body makes sense of place /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030929.102832/index.html.

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Thesis (M. A.) (Hons.) -- University of Western Sydney, 2002.<br>A dissertation submitted in partial fulfillmemt of the degree of Master of Arts, UWS Nepean, School of Contemporary Arts : Dance, July 2002. Bibliography : leaves 81-84.
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Acker, Shaun Albert. "Writing the aerial dancing body a preliminary choreological investigation of the aesthetics and kinetics of the aerial dancing body." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002361.

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This mini-thesis investigates some of the nineteenth century socio-cultural ideals that have structured a connection between virtuosic aerial skill and bodily aesthetics. It views the emergence of a style of aerial kineticism that is structured from the gender ideologies of the period. It investigates the continual recurrence of this nineteenth century style amongst contemporary aerial dance works and outlines the possible frictions between this Victorian style of kineticism and contemporary aerial explorations. From this observation, a possible catalyst may be observed with which to relocate
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Pienaar, Samantha. "Boyzie Cekwana the South African dancing body in transition." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002376.

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Boyzie Cekwana is one of many black male dancers and choreographers that is currently receiving widespread support and recognition for his contribution to the field of contemporary dance in South Africa. Why certain images of the dancing body - as presented by this individual dance practitioner - are currently being promoted as artistically more viable than others by dance critics and the media is the central concern of this thesis. An analysis of the dancing body in contemporary South Africa must take into account the current post-apartheid condition, a condition of transformation and reconst
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Samuel, Gerard M. "Dancing the Other in South Africa." Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22781.

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At the centre of discourse of Dance in South Africa is the notion of Other. The form and approach in Contemporary Dance in South Africa in the 21st century has been shaped by cultural forces such as apartheid and colonialism. This thesis sets out a phenomenological study of Othering in Dance in South Africa through a hermeneutical unpacking of 'Older dancing'. Its critical question grapples with the notion of age as a new marker of alterity in Dance and asks: How does dancing the Other bring new ways of seeing bodies? The lived experiences of four categories in Older dancing: dancers, choreogr
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Ramphal, Vena Radha. "A word on movement : thinking approaches to the dancing body." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420643.

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Kissell, Kristin. "Dancing Theology - A Construction of a Pneumatology of The Body." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/941.

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Dance is the language of the soul. Dance, as a theological source, can remind us of who we are in and with the living perichoresis of the Trinity. Dance, as embodied art, can provide us with a new way of viewing and discussing pneumatology and that we too, in our incarnate reality, participate in perichoresis. Within this work I seek to answer the questions of how dance is a source of theology, why a pneumatology of the body is significant, and how dance provides a framework for a pneumatology of the body. The creation of a pneumatology of the body is a rooting or re-membering of the Spirit an
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Libros sobre el tema "Dancing body"

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Munsi, Urmimala Sarkar, and Aishika Chakraborty. The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059.

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Gottschild, Brenda Dixon. The Black Dancing Body. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-03900-2.

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Duchamp, L. Timmel. Love's body, dancing in time. Aqueduct Press, 2004.

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King, Jamie. Rock your body: The ultimate hip-hop inspired workout to slim, shape, and strengthen your body. Rodale, 2007.

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Copyright Paperback Collection (Library of Congress), ed. Body lines. Aladdin Paperbacks, 1998.

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Rykwert, Joseph. The dancing column: On order in architecture. MIT Press, 1996.

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Peyer, Katia de. Dancing with myself: Sensuous exercises for body, mind, and spirit. Nucleus Publications, 1991.

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Ajayi, Omofolabo S. Yoruba dance: The semiotics of movement and body attitude in a Nigerian culture. Africa World Press, 1998.

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Wang, Yunsheng. Min zu jian shen wu: Shape your body develop you [i.e. your] taste. Fujian Sheng Chang long ying shi gong si, 2004.

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Maletic, Vera. Body, space, expression: The development of Rudolf Laban's movement and dance concepts. Mouton de Gruyter, 1987.

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Capítulos de libros sobre el tema "Dancing body"

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Sweeney, Bernadette. "The Dancing Body: Dancing at Lughnasa." In Performing the Body in Irish Theatre. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582057_5.

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Sarkar Munsi, Urmimala. "Becoming a body." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-1.

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Mukherji, Parul Dave. "Artistic labour in dance and painting: revisiting the theory-practice debate via mimesis (Anukrti) and the abject body." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-2.

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Sarkar Munsi, Urmimala, and Aishika Chakraborty. "Introduction: The dancing body: labour, livelihood and leisure." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-101.

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Sharma, Shambhavee. "Choreographing the queer: Visual and textual stimuli in Mandeep Raikhy's dance-making process." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-8.

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Prakash, Brahma. "The erotic power of the dancer: labour of the erotic and the bodies of the sensory in the Arkestra of North India." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-5.

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Chakraborty, Aishika. "Calcutta cabaret: dance of pleasure or perversion?" In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-4.

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Tambe, Anagha. "Folk dance/vulgar dance: erotic lavani and the hereditary performance labour." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-3.

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Bhattacharya, Spandan. "Disco flamboyance, performative masculinities and dancer heroes of Bengali cinema." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-7.

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Chakravorty, Pallabi. "The body and the contagion: a symbiosis of yoga, dance, health and spirituality." In The Dancing Body. Routledge, 2024. http://dx.doi.org/10.4324/9781003484059-9.

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Actas de conferencias sobre el tema "Dancing body"

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Zari, Nurmalinda, and Juju Masunah. "Body Relationship with Dancing Skills." In Proceedings of the International Conference on Arts and Design Education (ICADE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icade-18.2019.49.

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Bergonzoni, Carolina. "Family (Hi)Story in My Dancing Body." In 2023 AERA Annual Meeting. AERA, 2023. http://dx.doi.org/10.3102/2002407.

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Liu, Xiaofang. "The Interactive Spatial Aesthetics between Holographic Display Technology and Dancing Body Language." In IS4SI 2021. MDPI, 2022. http://dx.doi.org/10.3390/proceedings2022081155.

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Kim, Eunhee, Taehwa Park, Jaeyoung Moon, Wonsang You, Taegwan Ha, and Kyung-Joong Kim. "DAncing body, Speaking Hands (DASH): Sign Dance Generation System with Deep Learning." In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2023. http://dx.doi.org/10.1145/3588028.3603687.

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Amie, Kandyce. "Hidden Curriculums of the Black Dancing Body: Teaching Within and Among Racialized Perceptions." In AERA 2022. AERA, 2022. http://dx.doi.org/10.3102/ip.22.1890666.

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Takaaki Shiratori, Shunsuke Kudoh, Shin'ichiro Nakaoka, and Katsushi Ikeuchi. "Temporal scaling of upper body motion for Sound feedback system of a dancing humanoid robot." In 2007 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2007. http://dx.doi.org/10.1109/iros.2007.4399102.

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TALPĂ, Svetlana. "The importance of noting dance on paper as a particular method of teaching-learning-evaluation of dance disciplines." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p155-159.

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This article discusses practitioners who have contributed to the development of the process of capturing dance or dance movements on paper, through: notation, photography and film. The reflections of these personalities, such as Ann Hutchinson, Rudolf Von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey, included the definition of direct research on how these three documentary media interact to describe a dancing in various choreographic genres. The aim of this research is to highlight the importance of noting and capturing the body in motion, to see if it i
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Zarubko, Elena, Victor Karandashev, Madgerie Jameson-Charles, Stephanie Hutcheson, and Jane Carter. "Sensory Experience in Interpersonal Physical Attraction: Cross-Cultural Comparison." In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2016. http://dx.doi.org/10.4087/wmtb3911.

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The purpose of the study is to explore the role of visual, auditory, tactile-kinesthetic, and olfactory factors in determining physical attraction to another person in romantic love. Participants from three regions (the USA, Russia, Caribbean countries) completed the survey evaluating the role, which senses play in their attraction to a romantic partner. The questions that were asked were about the importance of the impressions for physical attraction to a partner, rather than the specific physical characteristics, which make a person attractive. Factor analysis identified several factors, whi
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Ivy Huang, Lewen. "Investigating AI Model Limitations in Recognizing Faces and Bodies in Ballroom Dance Settings." In Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004599.

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The advancement in the face and body detection algorithms has sparked an interest in using them to assist physical education and sports training, where AI can analyze students' body postures and movements to offer corrective guidance and prevent injuries. However, ballroom dance settings are uniquely different from traditional settings often used for face and body detection. On the one hand, most traditional face and body detection algorithms detect individuals instead of a collaborative dyad. Moreover, specific dancing postures may pose additional challenges for AI algorithms to detect. In or
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Mu Yingjie, Zha Xianfeng, and Wang Wei. "Notice of Retraction A study on effects to body ingredient and blood lipoids for youth obese feminine by acrobatics dancing." In 2011 2nd IEEE International Conference on Emergency Management and Management Sciences (ICEMMS). IEEE, 2011. http://dx.doi.org/10.1109/icemms.2011.6015717.

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