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Wa, Chi U. y 華梓如. "Culture that is good to eat: the almond cake as an intangible cultural heritage of Macau". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716384.
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Lankau, Matthias Verfasser], Kilian [Akademischer Betreuer] [Bizer, Diaz Marcela Akademischer Betreuer] Ibañez y Regina [Akademischer Betreuer] [Bendix. "Institutional Designs of Public Goods in the Context of Cultural Property / Matthias Lankau. Gutachter: Kilian Bizer ; Marcela, Ibañez Diaz ; Regina Bendix. Betreuer: Kilian Bizer". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1047706881/34.
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North, MacLaren. "Protecting the past for the public good archaeology and Australian heritage law /". Connect to full text, 2007. http://hdl.handle.net/2123/1602.
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Thesis (Ph. D.)--University of Sydney, 2007.Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Archaeology, Faculty of Arts. Degree awarded 2007; thesis originally submitted 2006, corrected version submitted 2007. Includes bibliographical references. Also available in print form.
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Carlsten, Susanna. "Svenska folkets egendom - Utförselregleringens historiska grund och förändring i förhållande till dagens kulturpolitiska mål". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-242633.
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Denna uppsats rör sig inom fältet kritiska kulturarvsstudier och fokuserar på svensk utförselreglering av kulturhistoriska föremål genom tiderna. Utgångspunkten ligger i 2014 års omformulering av kulturmiljölagens portalparagraf, vilken numera inkluderar mångfaldsmål. Kulturmiljölagens utförselreglering (reglerad i 5:e kapitlet), som inte uppdaterades samtidigt, är tänkt att läsas mot bakgrund av de inledande bestämmelserna. Eftersom den sedan tidigare uppfattats vila på ålderdomliga nationalistiska värdegrunder, uppstod frågan ifall det fanns en diskrepans i förhållande till de nya målen. För att hitta svar söker sig uppsatsen tillbaka till utförselregleringens formativa moment samt förändring från 1920-talet och framåt och sätter detta i relation till nuvarande kulturpolitiska mål och kulturvård i dagens samhälle. Motiv till utförselreglering men också vilka föremålstyper som skyddats genom tiderna har studerats, analyserats och jämförts kvalitativt. Källmaterialet utgörs framförallt av lagtexter, statliga offentliga utredningar och propositioner. Undersökningen visar att lagen från att ha skyddat ett fåtal föremåltyper succesivt har utökats och detaljerats både vad gäller föremålstyp, ålder, värde och ursprung. Med den högre graden särskiljning och utpekande följer problematik kring vad som räknas in och inte. Vissa traditionellt högt värderade föremålstyper och perioder har skyddats hela tiden medan andra mindre värderade konsekvent har uteslutits, trots långt gånga diskussioner om en mer inkluderande lagstiftning redan i tidiga förarbeten. Den breddade synen kring vad som är bevarandevärt, vilken kan skönjas i museers nutida insamlingspolicys, återspeglas inte i lagtexten. Istället har tydliga ekonomiska, kulturella, etniska och åldersmässiga hierarkier skapats. Flytt från en ursprunglig historisk miljö till en annan plats i Sverige kan orsaka skador på kulturarvet som är större än de skador som kan uppstå om ett föremål som redan flyttats från sin ursprungliga miljö istället flyttas utomlands, något som ignoreras i lagtexten. Lagen utgår ifrån att vissa föremål är svenska folkets egendom och att nationen Sverige är en trygg, ursprunglig och naturlig miljö för dem trots att motsatsen ofta har bevisats. En paradox skönjas i det faktum att vanskötsel och förvanskning av värdefulla och utförselskyddade kulturföremål inte är olagligt, så länge föremålet stannar innanför landsgränsen. De kulturpolitiska målen har alltsedan 1970-talets slut påverkat de uttalade motiven till utförsellagstiftningen. Eftersom ålderdomliga värdegrunder och normer, däribland en hel del nationalistiska sådana, där svensk kultur ses som tydlig avgränsad, högtstående och suverän, fortfarande lyser igenom i utförsellagstiftningen, tydliggörs tendensen till en retorisk men inte grundläggande förändring inom kulturarvssektorn. Hypotesen om att kapitel 5 fortfarande står på en grund av nationalistiska värderingar, nationell protektionism och nationellt identitetsskapande kan därmed sägas stämma.This paper is located in the field of critical heritage studies and focusses on Swedish cultural heritage law and the export control of moveable heritage objects. The starting point for the research lies in the 2014 redrafting of the opening section of the cultural heritage law, which for the first time includes objectives relating to pluralism and diversity. Export control (which is regulated in the 5th chapter of the cultural heritage law), was not updated at the same time, but it is nevertheless intended to be read in the light of the preliminary provisions. Since chapter 5 previously was perceived to rest on outdated nationalistic values, the question arise as to whether there is a discrepancy in relation to the new objectives that were formulated in 2014. In order to address the question the study looks back at the formative moments and change of the export control regulations from the 1920s onwards and relates this to current cultural policy objectives and goals of conservation. The motives for export control and the type of objects protected through the ages are analysed and compared qualitatively. The source material primarily consists of legal documents, state government investigations and government bills. The study shows that the law gradually changed from protecting a few object types to become more expansive and detailed in terms of the type of artifact and it´s age, value, and origin. This increased degree of segregation and designation leads to concerns relating to what is included and what is not. Some traditionally highly valued object types and periods have continued to be protected whilst others are consistently less valued and excluded, despite ongoing discussions about the need for a more inclusive legislation since the early preparatory work. The broadened idea about what is worth preserving, which can be seen in the contemporary collection policies of museums, is not reflected in the legislation. Instead evident economic, cultural, ethnic and age hierarchies have been created. The law ignores the fact that moving an artifact from its original historical setting to another location in Sweden can cause greater harm than moving an object that has already been moved from its original location overseas. Instead the law assumes that certain objects are the property of the Swedish people and that the nation of Sweden is a safe, original and “natural” environment for them, despite the fact that the opposite often proves to be the case. A paradox is evident in the fact that the mismanagement and distortion of valuable artifacts that are protected against export is not illegal, as long as the object stays inside the borders of Sweden. Cultural policy objectives have, since the late 1970s, influenced the stated rationale for cultural heritage law and export legislation. Since outdated values and standards, including numerous nationalistic ones, where Swedish culture is seen as being distinct, high-cult and sovereign, still shines through in the export legislation, it is clear that there is a tendency to a rhetorical but not a fundamental change in parts of the cultural heritage sector, including the legislative context. The hypothesis that chapter 5 is still underpinned and characterised by nationalistic values, national protectionism and the creation of national identity can thus be said to be proven.
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Petrou, Jessica. "L'évolution du droit d'auteur à l'heure du livre numérique : les conditions de développement d'un nouveau marché". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E015/document.
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Après les secteurs de la musique et de l’audiovisuel, c’est au tour du monde de l’édition de connaître sa révolution numérique. Le bon fonctionnement des industries culturelles repose notamment sur une législation ancienne en matière de propriété intellectuelle : le droit d’auteur. Celui-ci est appréhendé en économie comme le garant d’un équilibre subtil entre le maintien de l’incitation à la création des auteurs et la bonne diffusion de leurs œuvres. L’irruption du numérique bouleverse l’environnement économique dans lequel s’applique le droit d’auteur et en modifie donc les effets traditionnels. Cette thèse de doctorat en économie vise ainsi à saisir ces nouvelles conséquences sur le marché du livre afin d’évaluer la pertinence du droit d’auteur dans sa forme actuelle ainsi que celle de son éventuelle réforme. L’analyse des deux versants du droit d’auteur montre qu’il ne génère pas les mêmes effets dans l’univers du livre numérique que dans celui du papier : malgré l’abaissement des contraintes économiques, subsiste la rigidité du cadre juridique qui ne permet ni l’assurance du maintien de la rémunération des auteurs ni le saisissement des opportunités de diffusion du numérique. C’est pourquoi nous nous interrogeons sur l’avenir du droit d’auteur en proposant à la fois quelques principes généraux pour la forme future d’un droit d’auteur efficace et un exemple de disposition de droit d’auteur renouvelé qui permettrait de se saisir des opportunités ouvertesAfter the music and the audiovisual industries, it is the turn of the publishing world to start its digital revolution. The proper functioning of the cultural industries is based on a specific and old intellectual property law: the copyright. Economics usually identifies it as the guarantor of a subtle balance between the incentive for the creation of authors and good dissemination of their works. The emergence of digital technology modifies the economic environment in which copyright applies and therefore alters its traditional effects. This doctoral thesis in economics aims at seizing such new consequences on the book market in order to assess the relevance of copyright in its current form and its possible revision. The analysis of the two aspects of copyright shows that it does not produce the same effects in the market of digital books than in the traditional one: despite the decrease of economic constraints, the current legal framework remains rigid and challenges both the stability of author’s remuneration and the sound management of the dissemination opportunities on the digital book market. That is why we discuss some general principles applicable to an effective copyright and suggest some guidelines for the renewal of the copyright regulation allowing to seize opportunities offered by the digital technology both in terms of encouraging the creation and distribution of books
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Gueydier, Pierre. "HADOPI comme expérimentation : récit d'une instrumentation de l'action publique". Thesis, Paris, ENMP, 2014. http://www.theses.fr/2014ENMP0072/document.
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La Haute Autorité pour la Diffusion des Œuvres et la Protection des Droits sur internet (HADOPI) a reçu du législateur en 2009 la mission de discipliner les actes de contrefaçon de biens culturels sur internet. L'objectif central de la thèse est de produire un récit empirique de la genèse de cet instrument d'action publique comme expérience de gouvernement d'internet et des internautes. Bien que modeste et circonscrit, le problème posé par le téléchargement illicite va générer un débordement d'ampleur des cadrages de l'action publique, historiquement traduits par le droit de propriété littéraire et artistique. L'effet politique du numérique, conséquence déterritorialisée de la globalisation, du libéralisme et de la technologie, est de réinterroger le rapport entre souveraineté et discipline. Entre l'impasse des Mesures Techniques de Protection, les normes supra-nationales, les détournements des usagers/amateurs, la force collective des ayants droit, l'inaltérabilité du droit de propriété et les militants de la liberté d'accès à la culture, les pouvoirs publics ont dû inventer et innover pour organiser, à la manière d'un laboratoire, une action collective de fabrication d'un instrument d'action publique dont l'un des buts est d'étendre une valeur forte de l'État-nation français : la défense de l'exception culturelle. Les internautes sont-ils des hommes gouvernables ? En construisant une représentation de l'usager d'internet, en prônant l'obéissance, en modifiant les comportements par le biais de divers leviers progressifs d'incitation (de l'information à la sanction pénale) et en produisant autant de comportement de contournements et de résistance, la HADOPI produit le résultat politique d'inaugurer une tentative inédite, fragile, peu compacte mais pionnière de gouverner internet et les internautesThe High Authority for Transmission of Creative Works and Copyright Protection on the Internet (HADOPI) was adopted in 2009 with the mission to discipline acts of intellectual property infringement on the internet. The main purpose of this thesis is to produce an empirical account of the creation of this new law (an instrument of public action as an experience of internet governance and internauts). While it is a somewhat minor public issue, illegal downloading creates a myriad of issues across the framework of public action, historically recognised as literary and artistic property rights. The political effects of the digital age, deterritorialised consequences of globalisation, liberalism and technology necessitate a rethinking of the relationship between sovereignty and discipline. The gridlock between DRM; supranational norms; the hijacking of content by users; the collective power of rights holders; the unalterable nature of intellectual property and the militants for free access to culture; the public authorities had to invent and innovate an instrument of public action. The goal of which is to extend an added value of the French nation state: the defense of the cultural exception. Are internauts governable? In constructing a representation of the internet user, through promoting obedience, and by modifying behaviour through incremental incitation (from being informed to being penalised) and by producing as much unwanted behaviour, the HADOPI has effected the political result of inaugurating the first ever attempt (albeit fragile, yet pioneering) to govern the internet and internauts
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Frot, Emmanuel. "Cultural transmission, public goods, and institutions". Thesis, London School of Economics and Political Science (University of London), 2007. http://etheses.lse.ac.uk/1975/.
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This thesis discusses the consequences of different institutional forms in various settings, with a particular focus on the interactions between institutions, cultural transmission, and public goods. Chapter 1 introduces the main ideas, motivation, and results of the subsequent chapters. It provides a detailed summary of the thesis. Chapter 2 considers how institutions that modify behaviors affect the transmission of cultural traits. It argues that they create an environment that crowds out the behavior they were trying to promote. When applied to a model of public good provisions it illustrates how institutions that reduce free riding may decrease the level of public good in the long run. Chapter 3 extends this framework to make institutions endogenous. Individuals vote for their preferred institutional arrangement and the outcome is determined by majority voting. The crowding out of behaviors imply that agents have an incentive to affect strategically the transmission of preferences through collective socialization. Institutions can induce the formation of additional institutions such as schools in order to guarantee their sustainability. Chapter 4 considers that children acquire preferences through the choice of friends in the population, and that parents try to influence this choice. It shows how this creates a game between parents where their efforts to socialize their children to a particular cultural trait constitutes a public good. It studies the consequences for cultural groups of being intolerant and how they can survive cultural transmission. Chapter 5 uses the important example of commons as an institutional failure. It examines the case for privatization in an environment with different resources that may not be all privatized. It shows that labor reallocation reduces the gains of privatization, potentially to the point of reducing welfare. First best institutions may fail in a second best environment.
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Tarlet, Fanny. "Les biens publics mobiliers". Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30068.
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Les biens publics mobiliers s’entendent comme l’ensemble des biens mobiliers placés dans une relation juridique patrimoniale avec les personnes publiques. Certes, ils se caractérisent par leur mobilité (comme les biens privés mobiliers), c’est-à-dire une aptitude à la circulation, physique et juridique, vectrice de souplesse et de fragilité, favorable à la dissociation de leurs utilités ; mais la question ici centrale est celle de savoir si la propriété publique est toujours un instrument pertinent pour appréhender cette mobilité. Il s’avère que la propriété publique, lorsqu’elle est sollicitée, exerce potentiellement une force d’attraction efficace sur tous les biens publics mobiliers ; elle permet ainsi de freiner leur circulation. En revanche, une fois le bien capté, la propriété publique ne suffit plus à maîtriser l’intégrité des biens publics mobiliers. Elle n’endigue pas leur délitement et leur évaporation naturels. Elle est même concurrencée par d’autres rapports de droit qui, par des dissociations des utilités des biens, par la déliaison entre propriété et utilisation, conduisent à interroger sa pertinenceMovable public property shall be understood as the set of personal property placed in a patrimonial legal relationship with public entities. These goods are characterized by their mobility (such as movable private property), that is to say an ability to circulate, physically and legally, a flexibility and fragility medium, favouring the dissociation of their utilities. But the central question remains whether public ownership is still a relevant instrument for understanding this mobility. It turns out that public ownership, when called upon, potentially exerts an effective force of attraction on all movable public property; thus it allows slowing down their circulation. However, once the good’s ownership has been claimed, public property law is not sufficient to monitor the integrity of movable public property. It doesn’t stem their natural crumbling and evaporation. It is even challenged by other legal relationships which, by dissociation of goods’ utilities, and by unbinding ownership and use, lead to question its relevance
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Bekkali, Mukhtar Askaruli. "The economics of protection of cultural goods". [Ames, Iowa : Iowa State University], 2006.
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Russell, James Edward. "Cultural property and heritage in Japan". Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14043/.
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Li, Sok-ching. "Building sustainable cities : a comparative analysis of heritage conservation in Hong Kong and Macau /". View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B35080711.
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Affleck, Janice. "Memory capsules discursive interpretation of cultural heritage through digital media /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38587373.
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Wu, Ho-kei Maggie. "Partnership in heritage conservation what can Hong Kong learn from London? /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41680522.
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Deng, Minqu Michael. "The city as cultural milieu". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950290.
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Siegfried, Felix Heinz. "Internationaler Kulturgüterschutz in der Schweiz : das Bundesgesetz über den internationalen Kulturgütertransfer (Kulturgütertransfergesetz, KGTG) /". Frankfurt am Main : Lang, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/516151622.pdf.
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Breske, Ashleigh M. L. "Politics of Repatriation: Formalizing Indigenous Cultural Property Rights". Diss., Virginia Tech, 2018. http://hdl.handle.net/10919/96766.
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This project will be an empirical study into repatriation as a political practice. This theoretically-oriented project investigates how institutions and cultural values mediate changes in the governance of repatriation policy, specifically its formalization and rescaling in the United States. I propose a critical approach to understanding repatriation; specifically, I will draw together issues surrounding museums, repatriation claims, and indigenous communities throughout the development of the Native American Graves Protection and Repatriation Act (NAGPRA) in 1990 and current repatriation policy. The interdisciplinary academic narrative I build will explore practices of repatriation and how it relates to the subject of indigenous cultural rights.
Using the University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia, PA and the Field Museum of Natural History in Chicago, IL as models for the repatriation process, I will show the historic political tensions and later attempts to repatriate culturally significant objects and human remains in the United States. By examining entrenched discourses prior to NAGPRA and what changed to allow a new dominant discourse in the debates over repatriation claims, I will show that culturally-structured views on repatriation and narratives surrounding indigenous cultural property were transformed.
By examining ownership paradigms and analyzing discourses and institutional power structures, it is possible to understand the ramifications of formalizing repatriation. The current binary of cultural property nationalism/cultural property internationalism in relation to cultural property ownership claims does not represent the full scope of the conflict for indigenous people. Inclusion of a cultural property indigenism component into the established ownership paradigm will more fully represent indigenous concerns for cultural property. Looking at the rules, norms and strategies of national and international laws and museum institutions, I will also argue that there are consequences to repatriation claims that go beyond possession of property and a formalized process (or a semi- formalized international approach) can aid in addressing indigenous rights.
I will also ask the question, does this change in discourse develop in other countries with similar settler colonial pasts and indigenous communities, i.e. in Canada, New Zealand, Australia? My work will demonstrate that it does. Essentially, the repatriation conversation does not immediately change in one country and then domino to others. Instead, it is a change that is happening concurrently, comparative to other civil rights movements and national dialogues. The cultural and institutional shifts demanding change appear to have some universal momentum. The literatures to which this research will contribute include: museum studies, institutional practices, material cultural and public humanities, and indigenous right.PHD
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Nicolson, Kenneth N. "Conserving Hong Kong's heritage cultural landscapes". Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32045219.
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Chung, Wing-hang Joan. "Development of cultural and natural trails in Tai O". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951439.
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Carstens, Anne-Marie. "The affirmative protection of cultural property during armed conflict". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617097.
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This thesis clarifies the nature, scope, and sources of rules governing the affirmative protection of cultural property during armed conflict. These rules include obligations to identify qualifying cultural property, 10 provide material protection to cultural property that is endangered or damaged by military operations, and to safeguard cultural property against destruction and misappropriation. These rules have emerged to supplement the well-entrenched rules of restraint that bar the unnecessary destruction and misappropriation of cultural property during armed conflict. This study traces the development of these rules in the law of armed conflict from the 1899 & 1907 Hague Conventions governing land warfare through the early 21st century. The historical analysis documents the emergence and progression of both conventional and customary rules. It additionally examines the continued validity of critical distinctions on which rules protecting cultural property rested a century ago: between actors from the State where the cultural property is located and actors on another's territory; between hostilities and occupation; and between international and non-international conflicts. Woven within this inquiry, the thesis explores transformative events and policy shifts that have motivated the evolution of rules la protect tangible representations of cultural identity. It considers the impact of developments in the means and modes of warfare, compares the development of protection of cultural property with the development of civilian protection, and examines the influence of the increasing emphasis on the 'cultural value' of protected property over the last century. The thesis concludes by identifying the principal factors that have shaped or com,1rained the development of rules of affirmative protection. It also provides a specific analysis of each of the duties of identification, material protection, and safeguarding. The conclusion details the rules of affirmative protection that exist in the contemporary law of armed conflict and identifies the trajectory of their likely future development.
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Stoffle, Richard W., Vlack Kathleen Van y Nathaniel O'Mara. "Water Bottle Canyon Traditional Cultural Property Study Photograph Collection". Bureau of Applied Research in Anthropology University of Arizona, 2013. http://hdl.handle.net/10150/301169.
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Stoffle, Richard W., Vlack Kathleen Van y Richard Arnold. "Paa’oatsa Hunuvi: Water Bottle Canyon Traditional Cultural Property Study". Bureau of Applied Research in Anthropology, University of Arizona, 2006. http://hdl.handle.net/10150/272075.
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A government-to-government consultation between the Department of Energy, Nevada Operations Office (DOE/NV) and the Consolidated Group of Tribes and Organizations (CGTO) focused on the interpretation and determination of eligibility for nomination to the National Register of Water Bottle Canyon. The consultation entailed a systematic ethnographic study of the cultural resources found in the Water Bottle Canyon area. The main goal of this study was to gain a deeper understanding of the cultural significance of this unique area for contemporary Indian people and its role in Numic cultural landscapes. During the field visits Native American
consultants were interviewed with standardized survey instruments and they provided ethnographers with observations, comments, and recommendations regarding the various features found at Water Bottle Canyon.
The project involved 10 tribes and one organization. They represent the Indian people who have aboriginal and historic ties to the lands currently under use by the Nevada Test Site (NTS). The study was originally funded as rapid cultural assessment for an environmental assessment for the proposed construction of a rocket launch facility by the Kistler Aerospace Corporation. This present report builds upon first study and the studies that have followed. The four studies expanded upon previous work conducted on the NTS and will contribute to the DOE/NV’s further understanding of and continued efforts to manage and protect American
Indian cultural resources.
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Leung, Shun-cheung Xylem. "Wanchai Gap Road revitalization". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951452.
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Chan, Wai-kin Raymond. "Transfer of development rights saviour of Hong Kong's heritage buildings". Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31476867.
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Chan, Tin-kuen Anthony. "Parade for the queen safeguarding the intangible heritage of the Tin Hau Sea Ritual in Leung Shuen Wan, Sai Kung /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B42182694.
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Ko, Hiu-wah. "Feasibility study on heritage education platform (HEP) using Kaiping Diaolou as a pilot study to demonstrate the feasibility of using digital platform to provide an effective global-wide educational tool for heritage conservation /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42183546.
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Lai, Chung-hoo. "A teaching plan for the new senior secondary geography curriculum on urban heritage of Hong Kong /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42188829.
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Leung, Wai-kit Dicky. "Understanding the cultural identity of a place a teaching plan for the cultural heritage programme for Hong Kong secondary three students in the liberal studies subject /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42219644.
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Holloway, Isaac Robert. "Implications of barriers to trade for exports of cultural goods and services". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/41914.
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This dissertation contains three studies. Chapter 2 studies the effect of product quality on foreign entry using data on U.S. movie exports and direct and revealed measures of movie quality. In the model, fixed costs of entry mean only the more appealing movies will find it profitable to enter each country. Empirically, a one-standard-deviation increase in quality increases the probability of entry by 25-50%. Movies in culturally-laden genres are less likely to enter foreign markets and their probability of entry is more sensitive to quality. I exploit differences in the propensity to import different genre types to estimate a measure of cultural distance between countries. The cultural distance measure enters a gravity equation of merchandise trade significantly. Chapter 3 investigates the international diffusion of a new product. Products traditionally enter foreign markets sequentially. This paper proposes that part of the explanation is that firms want to learn about their products’ appeal before incurring the fixed costs of entry. Each successive release serves to update the firm’s expectations for future performance---and thus their decision to enter more markets. On a sample of U.S. movies, I find that a one-standard-deviation increase in the update, based on the previous round’s box-office "surprise", is associated with a 25% increase in the probability of entry to a typical potential destination in the current round. Chapter 4 investigates Canada's interprovincial and international trade in services. While modern technology has allowed for long-distance service provision, regulatory non-tariff barriers may constitute substantial hurdles for further trade liberalization. This chapter describes three exercises contributing to the analysis of Canadian service trade. Using a theoretically-motivated framework, I estimate provincial and national border effects, and track the effect over time that distance has had on international trade.
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Haw, Nicole. "Cultural heritage management within nature conservation areas : heritage manager's guide". Pretoria : [s. n.], 2006. http://upetd.up.ac.za/thesis/available/etd-05272008-144143/.
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Affleck, Janice. "Memory capsules: discursive interpretation ofcultural heritage through digital media". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38587373.
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Blakely, Megan Rae. "Intellectual property and intangible cultural heritage in Celtic-derived countries". Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30838/.
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This dissertation examines the symbiotic relationship between intellectual property (“IP”) law and cultural heritage law, with an emphasis on intangible cultural heritage (“ICH”). These two fields of law have historically operated in relative isolation from each other, but the overlap of subject matter and practical effect of implementation is evident; the actual creative and traditional practices by individuals and communities are the subject matter of both fields. The central thrust of the research is to locate the effects of these two legal fields and to inform policy, research, and legislation when this previously under-considered effect and influence exists. This is accomplished through case studies of ICH and statutory intervention in three countries with diverse ICH: tartan in Scotland; cultural tourism and branding in Ireland, and the Welsh language and eisteddfodau in Wales. These countries were selected as they 1) are geographically proximate, 2) have shared cultural history, 3) are or were recently in a union legal structure with partially devolved governance powers, and 4) are ‘knowledge-based’ economies with strong IP laws. This selection facilitates the dissertation’s original contributions to research, which include highlighting the influence of ICH on IP law and how IP shapes ICH. This interaction challenges the domestic and international differential legal treatment between developed, Global North countries as IP- and knowledge-producing and developing and Global South countries as ICH- and culture-producing. Theoretical patterns emerged from the case studies: namely, first- and second-wave adoption, which is complementary to Hobsbawm and Ranger’s invented traditions; and ‘tangification’, which identifies the process through which ICH becomes IP in a modern legal framework and highlights the risks to ICH integrity as well as the over-extension of IP law. Each of these contributions support the assertion that properly managing risk to and safeguarding ICH, which provides social and economic benefits, can also help to ensure that IP law is functioning in a manner reflecting its jurisprudential underpinnings, facilitating longevity and enforceability of the law.
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Kwan, Chun-wing Newton. "Stakeholder engagement in cultural heritage management in Hong Kong". Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43981793.
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Deng, Minqu Michael y 鄧旻衢. "The city as cultural milieu". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985725.
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Lee, Ka-yin Anna y 李家賢. "Urban governance and cultural heritage conservation in Guangzhou". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206346.
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The pursuit of cultural heritage conservation is particularly problematic in China as the country has been undergoing substantial changes in its governance processes in the post-reform era. As the regime becomes less authoritarian and more pluralized, a multitude of stakeholders (both state and non-state), are now involved in promoting, constructing, challenging and safeguarding a variety of meanings and values in heritage. This thesis incorporates an urban governance lens to examine the policy and practical problems in conserving urban built heritage in contemporary China. This approach offers a new perspective in understanding the distribution of authority and power between the state and society as well as its effect on the management of public affairs. The reconfigurations of the role of the state, market and civil society have ushered in a new phase of urban politics that have enormous implications for built heritage conservation practices.
As a result of reforms, conventional stakeholders have assumed new roles in politics; meanwhile, an increasing variety and number of new stakeholders connected to the non-state sector have also emerged; and their relationships and interactions with the state have become increasingly complex. An urban governance perspective draws attention to the new arrangements embedded in these relationships, which have profoundly impacted the decision-making processes in conservation, re-shaped the interpretation of heritage values, re-defined the scope of heritage and re-thought the use of heritage in Guangzhou.
By employing a case-study approach, this thesis provides a detailed analysis of the conservation efforts undertaken by various stakeholder groups in Guangzhou in the post-reform era. Guangzhou is one of the country’s designated historic cities; it is also the provincial capital of Guangdong and has experienced rapid marketization over the past three decades. Three district-specific cases are selected to provide an in-depth analysis on the changing relationships among concerned stakeholders. The case of Shamian Island demonstrates the rigidity and constraints of central-local relation; while the case of Xinhepu discloses the evolving state-market relation. Finally, the case of Enning Road examines the rise of non-state stakeholders and their power struggle against the state. These cases were selected because each of them covers a particular heritage aspect that is directly related to the three-pronged national conservation hierarchical framework. The findings in the three cases respectively reveal the intricacies of conservation politics: the bureaucratic politics in the management and conservation of designated heritage; the struggle between state and society over what legitimate type of history is considered as “national” history and the maintenance of its local significance; and the operation-cum-conservation of heritage assets by market forces in China’s transitional economy.
The findings of this thesis contribute to a broadened understanding of the changing roles and functions of the state, market and civil society in China’s transitional period; thus revealing the major deficiencies in the existing institutional and managerial frameworks for built heritage conservation in Guangzhou. This thesis also documents the impacts and outcomes of the actions of various state and non-state stakeholders on the prospect of built heritage conservation at an urban scale in China.published_or_final_version
Geography
Doctoral
Doctor of Philosophy
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Ip, Pan-wai. "The role of heritage conservation in enhancing tourism development in Stanley". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39558678.
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Jokilehto, Jukka. "A history of architectural conservation the contribution of English, French, German and Italian thought towards an international approach to the conservation of cultural property /". Connect to PDF file, 2005. http://www.iccrom.org/pdf/ICCROM_05_HistoryofConservation00_en.pdf.
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Thesis (D. Phil.)--University of York, England, 1986.Title from PDF title page (viewed on Jun. 16, 2008). "September 1986 (recomposed in PDF format, February 2005)". Includes bibliographical references (p. 431-453).
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Sawdy, Alison Mary. "The kinetics of salt weathering of porous materials : stone monuments and wall paintings". Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271674.
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The aim of this research is to improve ways of reducing the damage caused by salts to cultural property. A specific focus of attention is the use of environmental control as a passive measure. Environmental control attempts to specify optimum ranges of relative humidity (RH) and temperature (T), to control salt phase transitions. To undertake environmental control a range of suitable climatic conditions are selected on the basis of thermodynamic calculations. These calculations are used to determine a range of RH and T in which salt phase transitions are minimised, and require very accurate analytical data of the salt content of the object. Unfortunately, in practice it is rarely possible to maintain this close range of RH and T. It therefore becomes necessary to know the speed of salt deterioration at levels of RH and T outside the optimum range, and establish the time it takes for damage to occur. Consequently, for environmental stabilisation measures to be successful, there are two critical areas where further research is mandatory. Environmental control is dependent on reliable information of the object's salt content, and better methods for determining this are needed. Moreover, an understanding of the rate of salt phase transitions is essential, so that the degree of control achieved is sufficient to limit the damage. These two issues are addressed by the present research. The work comprised both ex situ and in situ investigations. A key feature throughout was the use of statistical methods for the design of each component of the project. This approach provided a means of unravelling complex multi factor interactions, and gave clear unequivocal results. Laboratory experiments were undertaken to assess the rate of water vapour sorption by salt-contaminated stone and limeplaster. Experimental design and analysis of variance techniques were used to determine the relative significance of the following kinetic factors: RH, T, airspeed, salt mixture composition, salt concentration, and support type. In situ investigations were carried out at Cleeve Abbey, Somerset, to study the Cl3th wall paintings in the Sacristy over one year. The work included documentation, sampling and analysis of the paintings, and environmental monitoring. The results were subjected to statistical analysis to assess changes in the salt distribution, spatially and over time, in relation to the environmental conditions. The outcome of the ex situ and in situ investigations collectively provide important new information about the kinetics and mechanisms of salt damage, and reveal better practical methods for assessing and ameliorating these problems
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Jokilehto, Jukka. "A history of architectural conservation /". Click here to access, 1986. http://www.iccrom.org/eng/e-docs/ICCROM_05HistoryofConservation.pdf.
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Lai, Chi-pong. "Fish and man understanding the cultural heritage of the Hong Kong fisherfolk through the history and community of the fishery industry /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42183583.
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Nielsen, Beatrice Helena Date. "War on Culture: The Destruction of Cultural Property During Civil Wars". Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579303.
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Acts of violence against civilians during conflict is a topic that has been examined increasingly in the literature on civil war. However, a systematic study on the destruction of cultural and religious sites as a strategic means to achieve territorial control has not yet been explored. I examine this aspect of civilian targeting in this project, and I argue that in many cases, combatants use cultural property as a tool to gain territory, coerce civilians, public perception, and degrade the social fabric of a given religion or population. In preliminary research, I have observed that destruction of a population‘s cultural property indicates and precurses a willingness to destroy human lives. Through a cross-national empirical analysis of civil wars in Iraq and Syria after 1990, I anticipate that the destruction of culturally significant objects and sites is not collateral damage during civil war, but rather intentional actions through which combatants achieve and exert power.
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CASI, LAURA. "ESSAYS ON CULTURAL DIVERSITY AND ECONOMICS". Doctoral thesis, Università degli Studi di Milano, 2013. http://hdl.handle.net/2434/215879.
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The idea that culture is a determinant of economic outcomes has regained in recent economic literature its full recognition. In this perspective, this analysis aims at discussing the impact of cultural diversity on economic outcomes and disentangling the mechanisms through which economic forces of globalization (trade, migration and capital flows) interplay with local cultural identities. Note that the analysis has a specific geographical focus, i.e.: European countries. The choice of Europe as target of the analysis depends on two main considerations: cultural issues are particularly important for the socio-economic success of European Union and cultural diversity is a funding element of Europe. Culture and cultural diversity are thus two important elements of European societies, but why should they matter in an economic perspective? The analysis that follows gives three main answers to this question. First of all, some of our economic choices and actions as consumers can have important fallouts on cultural diversity and on the possibility of cohabitation of different cultures. Secondly, some economic phenomena can have a cultural content, such as trade in cultural goods. For this reason they can become a vehicle for intercultural exchange, fostering tolerance towards immigrants and easing the success of multicultural societies. Finally, different local cultural identities can act as a filter for economic phenomena such as foreign investments, magnifying or destroying the growth enhancing effect of economic globalization. These three explanations are discussed and analyzed in the three chapters of the thesis.
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Matter, Scott Evan. "Struggles over belonging: insecurity, inequality, and the cultural politics of property at Enoosupukia, Kenya". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=96724.
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In the formerly forested highlands overlooking Kenya's Rift Valley from the boundary of Narok District, rights in land are highly contested. Disputes revolve around a central question: who belongs at Enoosupukia and to whom does Enoosupukia belong? For a core community who call this place their ancestral home, uncertainty about the answer translates to a pervasive sense of insecurity and hardship; faced with a diverse array of competing claims from a constellation of actors, including non-local members of several ethnic and sub-ethnic collectivities as well as local and central branches of the Kenyan state, residents of Enoosupukia seek to alleviate their problems by negotiating recognition of their claims to belonging. In so doing, they deploy a variety of strategies, from lobbying for the completion of land registration and titling to forging and maintaining connections with appointed and elected officials who can act as patrons and protect them from unfavourable interventions. While these strategies have resulted in limited success thus far and locals currently enjoy the ability to occupy and make use of the land they claim as their own, though not necessarily in all the ways they would like to, their continued presence in the highlands is tenuous, subject to frequent challenges, and contingent upon constant negotiation. This thesis is organized around a modified version of the intensely political central question of belonging at Enoosupukia; rather than evaluating claims and claimants to determine who belongs and to whom the place belongs, I ask how belonging is negotiated and contested, through what practices and according to which principles. Further, I ask whether and how recognition and legitimacy of particular claims, if only fleeting, are established. Taking neither insecurity nor inequality to be inherent, I examine how they have been historically produced and continue to be socially reproduced via conflict and compromise. Moreover, I explore the ways in which insecurity and inequality converge in the cultural politics of property when not only specific claims and practices with respect to the occupation, use, and ownership of land but also the cultural and political logics underpinning those claims and practices are contested. Given that struggles over belonging are ongoing, I do not identify ultimate winners and losers in this thesis; however, I do point to the ways in which uncertainty perpetuates advantage and disadvantage for different actors, reproducing insecurity and hardship for some while directing benefits, even if not permanent ones, to others.Dans les hautes terres du Kenya donnant sur la Vallée du Rift à la frontière du District de Narok, les droits à la terre sont fortement contestés. Les disputes tournent autour d'une question centrale: qui appartient à Enoosupukia et à qui appartient Enoosupukia? Pour le noyau communautaire qui le considère son chez-soi, l'incertitude face à ces questions génère un sentiment d'insécurité. Confrontés à des revendications concurrentes de divers acteurs, incluant des membres « non-locaux » de collectivités ethniques et sous-ethniques, ainsi que les branches locales et centrales de l'État kényan, les résidents d'Enoosupukia cherchent à négocier la reconnaissance de leur appartenance. Ce faisant, ils déploient une variété de stratégies, incluant du lobbying pour l'engregistrement des titres fonciers, et l'établissement de liens avec les fonctionnaires ou les élus qui peuvent les protéger contre des interventions défavorables. Bien que ces stratégies eurent un succès limité et que les habitants continuent d'occuper et d'exploiter « leur » terre, leur présence continuelle reste précaire, soumise à de fréquents défis, et dépendante de négociations constantes.Cette thèse s'articule autour d'une version modifiée de la question politique concernant l'appartenance à Enoosupukia. Au lieu d'évaluer les requêtes et les requérants pour déterminer qui appartient et à qui appartient ces terres, je demande comment l'appartenance est négociée et contestée, à travers quelles pratiques et selon quels principes? Est-ce que la reconnaissance et la légitimité des revendications, mêmes temporaires, sont établies et comment le sont-elles? J'examine comment l'insécurité et l'inégalité sont historiquement produites et comment elles sont socialement reproduites par l'entremise du conflit et du compromis. J'explore comment l'insécurité et l'inégalité qui se retrouvent dans les politiques culturelles de la propriété sont contestées, que ce soit concernant l'occupation, l'usage et la possession de la terre, ou les logiques culturelle et politique sous-jacentes à ces revendications. Les grands gagnants ou perdants ne sont pas identifiés dans cette thèse étant donné que les luttes d'appartenance sont toujours en cours; par contre, j'indique les manières dont l'incertitude perpétue les avantages et les désavantages pour une variété d'acteurs, perpétuant l'insécurité et les difficultés pour certains alors que d'autres en tirent des bénéfices temporaires.
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Nicolson, Kenneth N. "Cemetery gardens the historical cultural landscape of Hong Kong's colonial cemetery /". Thesis, Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B31475747.
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Sowazi, Siyanga David. "Making cultural links : the case of an art gallery". Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11272008-154318.
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Subramani, Surendra. "Cultural preservation measures adopted in the higher education system of Malaysia /". view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9986763.
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Thesis (Ph. D.)--University of Oregon, 2000.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 312-325). Also available for download via the World Wide Web; free to University of Oregon users.
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Smith, Amanda Jane y n/a. "Making cultural heritage policy in New Zealand". University of Otago. Department of Political Studies, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070530.152110.
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This thesis examines how cultural heritage policies are developed in New Zealand. Cultural heritage symbolises the development of a society, illustrating past events and changing customs and values. Because of its significance, the government has accepted responsibility for protecting cultural heritage, and has developed a number of institutions and a variety of policies to address this responsibility. It is important to understand how the goverment uses these mechanisms to protect cultural heritage, and the subsequent relationships that have developed between actors in the cultural heritage area. These will have an impact on the effectiveness of the policy which is developed.
Cultural heritage is treasured by society for a number of reasons, but as social attitudes change, so does the treatment of cultural heritage. It is re-defined, re-interpreted and used to promote a sense of pride in the commmunity. This manipulation extends to policy making. Since the 1980s, the government has influenced, and been influenced by, two major social changes. There has been an introduction of free market principles such as rationalisation, competition and fiscal responsibility into the New Zealand economy and political structure. These principles have been applied to cultural heritage and consequently cultural heritage is treated as a commodity. As the result of changing attitudes towards the treatment of the Maori and Maori resources, there has been a movement towards implementing biculturalism. This has meant a re-evaluation of how Maori taonga is treated, particularly of the ways Maori cultural heritage has been used to promote a sense of New Zealandness.
There are several major actors involved in cultural heritage policy making - government, policy units, cultural heritage organisations and local authorities. Central government is the dominant force in the political process, with control over the distribution of resources and the responsibilities assigned to other actors. Because the use of market principles and movement towards biculturalism have been embraced at the central government level, other actors in the policy making process are also expected to adopt them. Policy units develop options to fit with the government�s general economic and political agenda. The structures adopted for the public service are designed to encompass market principles, particularly the efficient use of resources and competitiveness. While cultural heritage organisations may influence the government�s agenda through lobbying and information-sharing, they are limited by issues such as funding and statutory requirements. Government has shifted many responsibilities to the regions, but while territorial authorities are influenced by the concerns of their communities, they are also subject to directions from the government.
The process and structures which have been outlined do not contribute to an effective policy making system. The use of market principles to direct cultural heritage protection tends to encourage uneven and inconsistent policies, both at national and local levels. The range of cultural heritage definitions used by government agencies also promotes inconsistency. Cultural heritage is encompassed in a large number of government departments and ministries, which makes the co-ordination funding by meeting required �outputs� and the government�s requirement of fiscal responsibility. This is not appropriate language for cultural heritage, which should not have to be rationalised as an economic good. Although the government has devolved a number of responsibilities and territorial authorities have a variety of mechanisms available to protect cultural heritage, there is no nation-wide criteria for territorial involvement. Because of regional differences there is an uneven treatment of cultural heritage. Those policies developed by territorial authorities will also be influenced by the government�s economic direction. Organisations supported by the Dunedin City Council, for example, must also provide budgets and strategic plans which fit with Council�s fiscal objectives.
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Spaolonzi, Maria Gabriella Pavlopoulos. "Tombamento e a justa composição para o patrimônio cultural". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21608.
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Maria Gabriella Pavlopoulos Spaolonzi.pdf: 1567221 bytes, checksum: d847125617fcbe89425f3addb6ccea72 (MD5)Made available in DSpace on 2018-11-21T09:01:17Z (GMT). No. of bitstreams: 1 Maria Gabriella Pavlopoulos Spaolonzi.pdf: 1567221 bytes, checksum: d847125617fcbe89425f3addb6ccea72 (MD5) Previous issue date: 2018-09-27
The aim of this study is the balanced protection of the rights reached by state intervention in the ownership of urban real estate in the form of tipping. To achieve this aim, in the first part, we discuss the concepts elevated to the constitutional guarantee. More precisely, on the elements that make up the concept of cultural heritage as well as the right to property. From the valorization of the right to culture, which is also constitutionalised, a new meaning of the social function of property is focused in order to conclude that property has lost its absolute character over the years. This research then visited the various forms of state intervention in private property to devote greater attention to tipping - the most important instrument of our legal system for the protection of cultural heritage. A special chapter was dedicated to the indemnification aspect of tipping to conclude that the aforementioned form of state intervention, often responsible for serious damage to the holder of the domain, accommodates itself in social resilience. From this conclusion, the study dealt with the right of indemnification of the individual and some forms of its concretization. The second part of the study devoted attention to the Vila Operária Maria Zéliae, located in the neighborhood of Belém, in São Paulo. This village was established more than one hundred years ago. This Villa suffers from the effects of the tipping since the 1980s. This state intervention has in many cases configured the total misconfiguration of the property with total damage to the cultural patrimony. For what possible solutions can concrete case await? The conclusion of the study highlights the need to apply instruments aimed at provoking the responsibility of the parties affected by the tipping. As for the particular, the need for it to be called to respond for the effective maintenance of the good even in the form of its provocation in the hypotheses in which it does not have the financial resources for such purpose. In relation to the Public Power, to respond for the damages caused not only to the particular but to the cultural patrimony in the situations in which it remains inert even when the hype and lack of knowledge of the owner of the domain was a known fact even before the concretization of his intervention in his property .
O objeto de estudo deste é trabalho é a proteção equilibrada dos direitos atingidos pela intervenção estatal na propriedade de bens imóveis urbanos, na forma de tombamento. Com esse propósito, discorre-se, numa primeira parte, sobre conceitos elevados à garantia constitucional. Mais precisamente, sobre os elementos que compõem o conceito de patrimônio cultural bem como o direito de propriedade. A partir da valorização do direito à cultura, igualmente constitucionalizado, foca-se um novo significado da função social da propriedade para se concluir que a propriedade perdeu, ao longo dos anos, seu caráter absoluto. Em seguida, esta pesquisa visitou as diversas formas de intervenção do Estado na propriedade privada para dedicar maior atenção ao tombamento – instrumento mais importante do nosso ordenamento jurídico para proteção do patrimônio cultural. Dedicou-se um capítulo especial ao aspecto indenizatório do tombamento para se concluir que mencionada forma de intervenção estatal, muitas vezes responsável por prejuízos graves ao titular do domínio, acomoda-se na resiliência social. A partir desta conclusão, o estudo versou sobre o direito indenizatório do particular e algumas formas de sua concretização. A segunda parte do trabalho dedicou atenção ao caso Vila Operária Maria Zélia, situada no Bairro do Belém, no Município de São Paulo. Constituída há mais de um século, esta Vila padece com os efeitos do tombamento desde a década de 1980. Referida intervenção estatal configurou, em muitos casos, a total desconfiguração do bem com total prejuízo ao patrimônio cultural. Por quais soluções possíveis caso concreto por aguardar? A conclusão dos estudos coloca em evidência a necessidade de aplicação de instrumentos voltados à provocação da responsabilidade das partes atingidas pelo tombamento. Quanto ao particular, a necessidade de o mesmo ser chamado a responder pela efetiva manutenção do bem inclusive na forma de sua provocação nas hipóteses em que não dispõe de recursos 8 financeiros para tal finalidade. Em relação ao Poder Público, para responder pelos prejuízos causados não apenas ao particular, mas ao patrimônio cultural nas situações em que se mantém inerte mesmo quando a hipossuficiência e o desconhecimento do titular do domínio era fato sabido antes mesmo da concretização de sua intervenção em sua propriedade.
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Chung, yan-yi Eddy. "A review of cultural heritage tourism in Hong Kong". Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B4389513X.
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Llano, Fabián Andrés. "La superación del mito de la Atenas suramericana: los cafés como espacios de la producción cultural (Bogotá 1880-1930)". Doctoral thesis, Universitat de Girona, 2019. http://hdl.handle.net/10803/667757.
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The study of cafes as spaces of cultural exchange and places of literary modernity can bring with them stories of gatherings and literary encounters, including vanguards defined under cultural movements that defied tradition and imposed renewed forms of culture. In the encounters of regulars in these historic cafes, one can find these lost images of cultural production and the diverse tensions surrounding the construction of cultural identity, especially in the case of European cafes. In the case of cafes in Bogota, this cultural experience is much more diffuse, due in part to a series of economic, social, and cultural contradictions that allowed for a late emergence of cafes in Bogota’s social and urban spaces. This work insists that these material conditions, which are part of the same production conditions within the particular phenomenon of cafes, cannot be ignored.L'estudi dels cafès com a espais d'intercanvi cultural i com a llocs de la modernitat literària poden arrossegar amb si històries de tertúlies i trobades literàries, fins i tot, d'avantguardes definides sota moviments culturals que van desafiar la tradició i van imposar unes formes renovades de la cultura. En les trobades d'habituals en aquests cafès històrics, poden recollirse aquestes imatges perdudes de la producció cultural i les diverses tensions al voltant de la construcció de la identitat cultural, sobretot en el cas dels cafès europeus. En el cas dels cafès de Bogotà es fa molt més difusa aquesta experiència cultural, degut en part a una sèrie contradiccions econòmiques, socials i culturals que van permetre una emergència tardana dels cafès en l'espai social i urbà de Bogotà. En aquest treball s'insisteix que aquestes condicions materials, que fan part de les mateixes condicions de producció d'un fenomen tan particular com els cafès, no poden ser desconegudes.
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Siegel, Virginia Denise. "Traditional Cultural Properties and Casita Rincón Criollo". TopSCHOLAR®, 2015. http://digitalcommons.wku.edu/theses/1488.
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According to the 1990 bulletin issued by the National Park Service, traditional cultural properties (TCPs) derive their significance from cultural practices or beliefs of living communities. This thesis centers on a case study of the nomination of Casita Rincón Criollo to the National Register of Historic Places as a TCP. The nomination is a collaborative project of Place Matters in New York City and Western Kentucky University, initiated by the American Folklore Society Working Group in Folklore and Historic Preservation Policy. Casita Rincón Criollo has several issues that make nomination to the National Register tricky. Casitas are small “houses,” typically accompanied by gardens, which serve as community gathering places for the Puerto Rican community in New York City. Often built illegally on empty lots, casitas tend to be impermanent structures. Casita Rincón Criollo in the South Bronx is less than 50 years old and has been moved and reconstructed. However, such is the nature of casitas. Building, maintaining, and rallying to save and move the casita makes the Casita Rincón Criollo significant. Further, Casita Rincon Criollo has served as a key influence on traditional forms of Puerto Rican music in the United States. For this reason, the Casita is recognized on City Lore’s grassroots register, Place Matters, and it was also incorporated into the GreenThumb garden movement in NYC. Folklorists are uniquely poised to recognize cultural groups and communities that might otherwise be overlooked by the National Register of Historic Places. In this thesis, I will discuss methods of research employed in the documentation of Casita Rincón Criollo and examine how folkloristic methods can address gaps in representation. I will contextualize the project within a broader history of heritage designation programs in the United States and world. From ethnographic fieldwork, oral histories, and more, I will conclude that folklorists offer alternative documentation strategies to supplement those most commonly employed in National Register nominations, as well as a more inclusive definition of cultural groups and tradition.