Bibliografías temáticas / Cultural property, cultural goods

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Literatura académica sobre el tema "Cultural property, cultural goods"

Autor: Grafiati
Publicado: 11 de marzo de 2023

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Artículos de revistas sobre el tema "Cultural property, cultural goods"

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Bicskei, Marianna, Kilian Bizer y Zulia Gubaydullina. "Protection of Cultural Goods— Economics of Identity". International Journal of Cultural Property 19, n.º 1 (febrero de 2012): 97–118. http://dx.doi.org/10.1017/s0940739112000070.

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AbstractThis article addresses the current international debate on the protection of cultural goods. Whereas some groups (such as indigenous peoples) are arguing for the creation of cultural property rights analogous to classic intellectual property rights such as patent and copyright, most industrialized countries advocate to keep cultural goods within the public domain. In this article, we develop an economic perspective based on identity and clarify the question of which cultural goods should be protected, regulated, or left in the public domain. We conclude that protection based on the concept of identity is required for a very limited scope of cultural goods.
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Čelić, Duško. "Restrictions on property rights on immovable cultural heritage". Zbornik radova Pravnog fakulteta, Novi Sad 55, n.º 4 (2021): 545–69. http://dx.doi.org/10.5937/zrpfns55-31525.

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The paper presents the specific legal nature of cultural goods and, from that aspect, the specific and numerous restrictions on property rights. As a special kind of object, which have special quality, functions and purpose in society, cultural goods are the object of a special property law arrangement. Such, especially property related regulation, in the case of cultural goods, is the result of the coexistence of individual ("private") and public (social) interest in preserving cultural heritage as a general good of society. Restrictions on property rights on immovable cultural heritage, represent a specific concretization of the social attachment of property rights. As the main source of cultural property rights in the Republic of Serbia, the Law on Cultural Heritage, passed more than a quarter of a century ago, regulates the area of property rights on cultural goods incompletely and imprecisely, even in conflict with later regulations, the Constitution and the Law on Public Property. Numerous provisions on the rights and obligations of the owners of immovable cultural property are incomplete and imprecise and guarantees of property rights are insufficient. The paper also raises the issue of cultural property rights and property restrictions on immovable cultural heritage, which are at the same time worship temples, whose owners and users are churches and religious organizations (res sacrae). It is necessary to adjust the property restrictions of the owners of these immovable cultural heritage, to the specific needs of churches and religious organizations, as well as to further limit the possibility of encroachment on the right of ownership by public authorities.
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Sitter-Liver, Beat. "Against the right of the stronger: ethical considerations concerning cultural property". European Review 3, n.º 3 (julio de 1995): 221–31. http://dx.doi.org/10.1017/s1062798700001526.

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The ethical justification, not the juridic legitimacy of trading in art and cultural property is explored. The reflection is limited to matters of principle, the major aim being to erect a normative basis providing criteria and arguments for the debate concerning our dealing with cultural property. The terms of cultural property or cultural witness are explained. Cultural goods are considered expressions of human dignity. Accordingly, their use as a mere means contradicts the ethical responsibility of rational beings, whereas preservation and exchange of cultural goods become an ethical obligation. The traditional distinction between persons and things appears not appropriate for deciding the particular status of cultural goods, cultural property being an indispensable precondition of dignified human existence. It ought to be handed down to future generations. Restitution of cultural property is a further, though not absolute obligation. Ownership rights and the freedom to conduct trade and business do not automatically outweigh it. The buyer's claim to good faith will not necessarily protect him against the demand of restitution. With all this, the normative frame of the 1970 UNESCO Convention for preventing illicit trading in cultural property can be reconstructed: The ultimate goal of respectfully dealing with cultural property is the individual in his or her dignity as a human being, and his or her responsibility to society. Since the collective is a precondition of individual existence, it must be allowed to maintain and strengthen its identity. Cultural property is essential to that end. The respect of human dignity is thus the source of the obligation to respect cultural property.
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Dietrich, Reinhard. "Cultural Property on the Move — Legally, Illegally". International Journal of Cultural Property 11, n.º 2 (enero de 2002): 294–304. http://dx.doi.org/10.1017/s0940739102771440.

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In 1999 a load of about sixty kilograms of ancient coins, looted from illegal excavations in Bulgaria and falsely declared, were stopped by German customs at the Frankfurt Airport, on its way to the United States. Notwithstanding any rights of ownership or administrative rights to confiscate the smuggled goods, in the end the coins were returned to the dealer. The main weakness proved to be the lack of interest in an “exotic” case like this and a lack of communication among all administrative agencies concerned.
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Wang, Yanfen. "A Literature Review of Empirical Research on Trade of Cultural Goods". Applied Finance and Accounting 6, n.º 1 (8 de noviembre de 2019): 9. http://dx.doi.org/10.11114/afa.v6i1.4609.

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UNESCO defines cultural goods as consumer products that spread ideas, symbols, and lifestyles. Cultural goods provide information and entertainment, which in turn form group identity and influence cultural behavior. The low energy dissipation, high added value and the property of value transmission of the cultural industry have made the cultural goods' status in the global trade higher annually. Meanwhile, the contribution made by cultural goods trade to the national economy has become increasingly prominent. This article provides accessible research directions and path for the follow-up study of Chinese cultural goods trade by reviewing the existing empirical research on the trade of cultural goods.
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Toledano, Joan Ramos. "Private Property Concerning Digitized Cultural Goods: Artificial Scarcity and Appropriation through Reproduction". Journal of Arts Management, Law, and Society 48, n.º 5 (4 de mayo de 2018): 339–50. http://dx.doi.org/10.1080/10632921.2018.1461724.

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Asnis, A. Ya y S. N. Khaziev. "Forensic Determination of the Worth of Cultural Property". Theory and Practice of Forensic Science 16, n.º 2 (30 de julio de 2021): 6–17. http://dx.doi.org/10.30764/1819-2785-2021-2-6-17.

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Forensic determination of the worth of various objects involved in legal proceedings is essential for ensuring a fair trial. Determining the worth of mass-produced goods does not usually pose any difficulties. The situation is different for unique cultural values and items that are in particular demand among collectors, history buffs, and others, but are withdrawn from civil circulation for moral reasons.The article analyzes the most significant aspects of the current market of cultural values, considers the methodological foundations of the forensic assessment of the worth of cultural values, mainly works of fine and applied art. The authors substantiate the necessity for a comprehensive forensic examination of cultural values due to the requirement for preliminary identification of the authenticity of items, their author, circumstances, and time of creation. The types of research necessary for this have been identified, such as traceological, documentary, materials analysis, historical, art, and others.The paper shows that forensic assessment of the worth of the items withdrawn from civil circulation based on the data on their worth on the black (illegal) market or on the legal markets of countries where the circulation of such items is not legally prohibited is inadmissible. The prohibition on using information about events that occurred after assessing the worth of cultural property is substantiated.
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Khan, Rimi. "Creating Economy: Enterprise, Intellectual Property, and the Valuation of Goods". Journal of Cultural Economy 13, n.º 2 (11 de febrero de 2020): 255–59. http://dx.doi.org/10.1080/17530350.2020.1719873.

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Nikolić, Dušan y Sloboda Midorović. "Development of special property rights regimes". Zbornik radova Pravnog fakulteta, Novi Sad 55, n.º 1 (2021): 67–92. http://dx.doi.org/10.5937/zrpfns55-31000.

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In recent years, the shaping of special legal regimes has been intensified. They discreetly influence the ideological and value orientation of the Civil law and, to an increasing extent, its structure. Deviation from the general legal regime means that individuals or narrower social groups are brought either to a privileged or to a less favorable position in relation to other right holders. A more pronounced disparity between the general and the special can affect the stability of society, especially when it comes to the segment of the legal system that regulates issues related to the distribution and appropriation of goods in the domain of Real property law and Inheritance law. The introduction of new special legal regimes should affect the spread of Civil law. However, in most legal systems there is an opposite trend. New legal institutes that are in the function of implementing special legal regimes are governed by special regulations and often become part of separate, independent branches of law. Dispersion is especially emphasized in the domain of Real property law. The problem is that special legal regimes have not been the subject of more detailed studies in domestic doctrine. In this paper, questions concerning their conceptual definition, legal nature and practical significance are opened. In the first part, which could be conditionally called general, the current problems related to ideological and systemic dilemmas are analyzed. In the second, special, the current concept of a special property regime that applies to cultural goods is analyzed. Cultural goods are material elements of the cultural heritage of our country. The Constitution of the Republic of Serbia recognizes their status as goods of public interest, which implies the need for their enhanced protection. It is achieved by prescribing various public law restrictions that narrow the autonomy of the will of the owner. The paper analyzes the limitations of property entitlements for immovable and movable cultural goods, as well as for the goods that enjoy prior protection. Domestic regulations are inadequate in some segments because they provide for excessive restrictions (e.g. when determining the category of goods to which the right of pre-emption applies), because in some places they are insufficiently precise (in terms of determining the holder of the pre-emption right), or insufficiently elaborated (due to the failure to provide for the notification (die Anmerkung) of an (immovable) property that enjoys prior protection in the real estate cadastre). This emphasizes the importance of striving to achieve a fair balance between the public interest of the community, on the one hand, and the interests of owners, on the other.
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Chen, Yun Shing, Da Wei Lin, Yu Lin Hsu y Pai Ling Chang. "Legal Safeguard from Intellectual Property Rights of Cultural Creative Industry". Applied Mechanics and Materials 311 (febrero de 2013): 305–9. http://dx.doi.org/10.4028/www.scientific.net/amm.311.305.

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Just over twelve years ago, United Nations Educational, Scientific and Cultural Organization (UNESCO) published the Culture, trade and globalization: questions and answers. In the book, the first ever definition of ‘cultural industries’ is applied to ‘those industries that combine the creation, production and commercialization of contents that are intangible and cultural in nature. These contents are typically protected by copyright and they can take the form of goods or services.’ Cultural creations need guiding and checking on, and that is the reason why there is art director or creative director, so-called the ‘gate-keeper’, controlling over the quality of creations. If a gate-keeper builds a safeguard in the cultural creative behavior, lacking the check on the legal protection in the cultural creative industries, and whether the information of cultural industry element has touched on the question of the intellectual property rights infringement, then it will result in a disastrous consequence. This is the topic which the article researches on.
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Tesis sobre el tema "Cultural property, cultural goods"

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Wa, Chi U. y 華梓如. "Culture that is good to eat: the almond cake as an intangible cultural heritage of Macau". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716384.

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Lankau, Matthias Verfasser], Kilian [Akademischer Betreuer] [Bizer, Diaz Marcela Akademischer Betreuer] Ibañez y Regina [Akademischer Betreuer] [Bendix. "Institutional Designs of Public Goods in the Context of Cultural Property / Matthias Lankau. Gutachter: Kilian Bizer ; Marcela, Ibañez Diaz ; Regina Bendix. Betreuer: Kilian Bizer". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1047706881/34.

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North, MacLaren. "Protecting the past for the public good archaeology and Australian heritage law /". Connect to full text, 2007. http://hdl.handle.net/2123/1602.

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Thesis (Ph. D.)--University of Sydney, 2007.
Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Archaeology, Faculty of Arts. Degree awarded 2007; thesis originally submitted 2006, corrected version submitted 2007. Includes bibliographical references. Also available in print form.
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Carlsten, Susanna. "Svenska folkets egendom - Utförselregleringens historiska grund och förändring i förhållande till dagens kulturpolitiska mål". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-242633.

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Denna uppsats rör sig inom fältet kritiska kulturarvsstudier och fokuserar på svensk utförselreglering av kulturhistoriska föremål genom tiderna. Utgångspunkten ligger i 2014 års omformulering av kulturmiljölagens portalparagraf, vilken numera inkluderar mångfaldsmål. Kulturmiljölagens utförselreglering (reglerad i 5:e kapitlet), som inte uppdaterades samtidigt, är tänkt att läsas mot bakgrund av de inledande bestämmelserna. Eftersom den sedan tidigare uppfattats vila på ålderdomliga nationalistiska värdegrunder, uppstod frågan ifall det fanns en diskrepans i förhållande till de nya målen. För att hitta svar söker sig uppsatsen tillbaka till utförselregleringens formativa moment samt förändring från 1920-talet och framåt och sätter detta i relation till nuvarande kulturpolitiska mål och kulturvård i dagens samhälle. Motiv till utförselreglering men också vilka föremålstyper som skyddats genom tiderna har studerats, analyserats och jämförts kvalitativt. Källmaterialet utgörs framförallt av lagtexter, statliga offentliga utredningar och propositioner. Undersökningen visar att lagen från att ha skyddat ett fåtal föremåltyper succesivt har utökats och detaljerats både vad gäller föremålstyp, ålder, värde och ursprung. Med den högre graden särskiljning och utpekande följer problematik kring vad som räknas in och inte. Vissa traditionellt högt värderade föremålstyper och perioder har skyddats hela tiden medan andra mindre värderade konsekvent har uteslutits, trots långt gånga diskussioner om en mer inkluderande lagstiftning redan i tidiga förarbeten. Den breddade synen kring vad som är bevarandevärt, vilken kan skönjas i museers nutida insamlingspolicys, återspeglas inte i lagtexten. Istället har tydliga ekonomiska, kulturella, etniska och åldersmässiga hierarkier skapats. Flytt från en ursprunglig historisk miljö till en annan plats i Sverige kan orsaka skador på kulturarvet som är större än de skador som kan uppstå om ett föremål som redan flyttats från sin ursprungliga miljö istället flyttas utomlands, något som ignoreras i lagtexten. Lagen utgår ifrån att vissa föremål är svenska folkets egendom och att nationen Sverige är en trygg, ursprunglig och naturlig miljö för dem trots att motsatsen ofta har bevisats. En paradox skönjas i det faktum att vanskötsel och förvanskning av värdefulla och utförselskyddade kulturföremål inte är olagligt, så länge föremålet stannar innanför landsgränsen. De kulturpolitiska målen har alltsedan 1970-talets slut påverkat de uttalade motiven till utförsellagstiftningen. Eftersom ålderdomliga värdegrunder och normer, däribland en hel del nationalistiska sådana, där svensk kultur ses som tydlig avgränsad, högtstående och suverän, fortfarande lyser igenom i utförsellagstiftningen, tydliggörs tendensen till en retorisk men inte grundläggande förändring inom kulturarvssektorn. Hypotesen om att kapitel 5 fortfarande står på en grund av nationalistiska värderingar, nationell protektionism och nationellt identitetsskapande kan därmed sägas stämma.
This paper is located in the field of critical heritage studies and focusses on Swedish cultural heritage law and the export control of moveable heritage objects. The starting point for the research lies in the 2014 redrafting of the opening section of the cultural heritage law, which for the first time includes objectives relating to pluralism and diversity. Export control (which is regulated in the 5th chapter of the cultural heritage law), was not updated at the same time, but it is nevertheless intended to be read in the light of the preliminary provisions. Since chapter 5 previously was perceived to rest on outdated nationalistic values, the question arise as to whether there is a discrepancy in relation to the new objectives that were formulated in 2014. In order to address the question the study looks back at the formative moments and change of the export control regulations from the 1920s onwards and relates this to current cultural policy objectives and goals of conservation. The motives for export control and the type of objects protected through the ages are analysed and compared qualitatively. The source material primarily consists of legal documents, state government investigations and government bills. The study shows that the law gradually changed from protecting a few object types to become more expansive and detailed in terms of the type of artifact and it´s age, value, and origin. This increased degree of segregation and designation leads to concerns relating to what is included and what is not. Some traditionally highly valued object types and periods have continued to be protected whilst others are consistently less valued and excluded, despite ongoing discussions about the need for a more inclusive legislation since the early preparatory work. The broadened idea about what is worth preserving, which can be seen in the contemporary collection policies of museums, is not reflected in the legislation. Instead evident economic, cultural, ethnic and age hierarchies have been created. The law ignores the fact that moving an artifact from its original historical setting to another location in Sweden can cause greater harm than moving an object that has already been moved from its original location overseas. Instead the law assumes that certain objects are the property of the Swedish people and that the nation of Sweden is a safe, original and “natural” environment for them, despite the fact that the opposite often proves to be the case. A paradox is evident in the fact that the mismanagement and distortion of valuable artifacts that are protected against export is not illegal, as long as the object stays inside the borders of Sweden. Cultural policy objectives have, since the late 1970s, influenced the stated rationale for cultural heritage law and export legislation. Since outdated values and standards, including numerous nationalistic ones, where Swedish culture is seen as being distinct, high-cult and sovereign, still shines through in the export legislation, it is clear that there is a tendency to a rhetorical but not a fundamental change in parts of the cultural heritage sector, including the legislative context. The hypothesis that chapter 5 is still underpinned and characterised by nationalistic values, national protectionism and the creation of national identity can thus be said to be proven.
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Petrou, Jessica. "L'évolution du droit d'auteur à l'heure du livre numérique : les conditions de développement d'un nouveau marché". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E015/document.

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Après les secteurs de la musique et de l’audiovisuel, c’est au tour du monde de l’édition de connaître sa révolution numérique. Le bon fonctionnement des industries culturelles repose notamment sur une législation ancienne en matière de propriété intellectuelle : le droit d’auteur. Celui-ci est appréhendé en économie comme le garant d’un équilibre subtil entre le maintien de l’incitation à la création des auteurs et la bonne diffusion de leurs œuvres. L’irruption du numérique bouleverse l’environnement économique dans lequel s’applique le droit d’auteur et en modifie donc les effets traditionnels. Cette thèse de doctorat en économie vise ainsi à saisir ces nouvelles conséquences sur le marché du livre afin d’évaluer la pertinence du droit d’auteur dans sa forme actuelle ainsi que celle de son éventuelle réforme. L’analyse des deux versants du droit d’auteur montre qu’il ne génère pas les mêmes effets dans l’univers du livre numérique que dans celui du papier : malgré l’abaissement des contraintes économiques, subsiste la rigidité du cadre juridique qui ne permet ni l’assurance du maintien de la rémunération des auteurs ni le saisissement des opportunités de diffusion du numérique. C’est pourquoi nous nous interrogeons sur l’avenir du droit d’auteur en proposant à la fois quelques principes généraux pour la forme future d’un droit d’auteur efficace et un exemple de disposition de droit d’auteur renouvelé qui permettrait de se saisir des opportunités ouvertes
After the music and the audiovisual industries, it is the turn of the publishing world to start its digital revolution. The proper functioning of the cultural industries is based on a specific and old intellectual property law: the copyright. Economics usually identifies it as the guarantor of a subtle balance between the incentive for the creation of authors and good dissemination of their works. The emergence of digital technology modifies the economic environment in which copyright applies and therefore alters its traditional effects. This doctoral thesis in economics aims at seizing such new consequences on the book market in order to assess the relevance of copyright in its current form and its possible revision. The analysis of the two aspects of copyright shows that it does not produce the same effects in the market of digital books than in the traditional one: despite the decrease of economic constraints, the current legal framework remains rigid and challenges both the stability of author’s remuneration and the sound management of the dissemination opportunities on the digital book market. That is why we discuss some general principles applicable to an effective copyright and suggest some guidelines for the renewal of the copyright regulation allowing to seize opportunities offered by the digital technology both in terms of encouraging the creation and distribution of books
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Gueydier, Pierre. "HADOPI comme expérimentation : récit d'une instrumentation de l'action publique". Thesis, Paris, ENMP, 2014. http://www.theses.fr/2014ENMP0072/document.

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La Haute Autorité pour la Diffusion des Œuvres et la Protection des Droits sur internet (HADOPI) a reçu du législateur en 2009 la mission de discipliner les actes de contrefaçon de biens culturels sur internet. L'objectif central de la thèse est de produire un récit empirique de la genèse de cet instrument d'action publique comme expérience de gouvernement d'internet et des internautes. Bien que modeste et circonscrit, le problème posé par le téléchargement illicite va générer un débordement d'ampleur des cadrages de l'action publique, historiquement traduits par le droit de propriété littéraire et artistique. L'effet politique du numérique, conséquence déterritorialisée de la globalisation, du libéralisme et de la technologie, est de réinterroger le rapport entre souveraineté et discipline. Entre l'impasse des Mesures Techniques de Protection, les normes supra-nationales, les détournements des usagers/amateurs, la force collective des ayants droit, l'inaltérabilité du droit de propriété et les militants de la liberté d'accès à la culture, les pouvoirs publics ont dû inventer et innover pour organiser, à la manière d'un laboratoire, une action collective de fabrication d'un instrument d'action publique dont l'un des buts est d'étendre une valeur forte de l'État-nation français : la défense de l'exception culturelle. Les internautes sont-ils des hommes gouvernables ? En construisant une représentation de l'usager d'internet, en prônant l'obéissance, en modifiant les comportements par le biais de divers leviers progressifs d'incitation (de l'information à la sanction pénale) et en produisant autant de comportement de contournements et de résistance, la HADOPI produit le résultat politique d'inaugurer une tentative inédite, fragile, peu compacte mais pionnière de gouverner internet et les internautes
The High Authority for Transmission of Creative Works and Copyright Protection on the Internet (HADOPI) was adopted in 2009 with the mission to discipline acts of intellectual property infringement on the internet. The main purpose of this thesis is to produce an empirical account of the creation of this new law (an instrument of public action as an experience of internet governance and internauts). While it is a somewhat minor public issue, illegal downloading creates a myriad of issues across the framework of public action, historically recognised as literary and artistic property rights. The political effects of the digital age, deterritorialised consequences of globalisation, liberalism and technology necessitate a rethinking of the relationship between sovereignty and discipline. The gridlock between DRM; supranational norms; the hijacking of content by users; the collective power of rights holders; the unalterable nature of intellectual property and the militants for free access to culture; the public authorities had to invent and innovate an instrument of public action. The goal of which is to extend an added value of the French nation state: the defense of the cultural exception. Are internauts governable? In constructing a representation of the internet user, through promoting obedience, and by modifying behaviour through incremental incitation (from being informed to being penalised) and by producing as much unwanted behaviour, the HADOPI has effected the political result of inaugurating the first ever attempt (albeit fragile, yet pioneering) to govern the internet and internauts
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Frot, Emmanuel. "Cultural transmission, public goods, and institutions". Thesis, London School of Economics and Political Science (University of London), 2007. http://etheses.lse.ac.uk/1975/.

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This thesis discusses the consequences of different institutional forms in various settings, with a particular focus on the interactions between institutions, cultural transmission, and public goods. Chapter 1 introduces the main ideas, motivation, and results of the subsequent chapters. It provides a detailed summary of the thesis. Chapter 2 considers how institutions that modify behaviors affect the transmission of cultural traits. It argues that they create an environment that crowds out the behavior they were trying to promote. When applied to a model of public good provisions it illustrates how institutions that reduce free riding may decrease the level of public good in the long run. Chapter 3 extends this framework to make institutions endogenous. Individuals vote for their preferred institutional arrangement and the outcome is determined by majority voting. The crowding out of behaviors imply that agents have an incentive to affect strategically the transmission of preferences through collective socialization. Institutions can induce the formation of additional institutions such as schools in order to guarantee their sustainability. Chapter 4 considers that children acquire preferences through the choice of friends in the population, and that parents try to influence this choice. It shows how this creates a game between parents where their efforts to socialize their children to a particular cultural trait constitutes a public good. It studies the consequences for cultural groups of being intolerant and how they can survive cultural transmission. Chapter 5 uses the important example of commons as an institutional failure. It examines the case for privatization in an environment with different resources that may not be all privatized. It shows that labor reallocation reduces the gains of privatization, potentially to the point of reducing welfare. First best institutions may fail in a second best environment.
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Tarlet, Fanny. "Les biens publics mobiliers". Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30068.

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Les biens publics mobiliers s’entendent comme l’ensemble des biens mobiliers placés dans une relation juridique patrimoniale avec les personnes publiques. Certes, ils se caractérisent par leur mobilité (comme les biens privés mobiliers), c’est-à-dire une aptitude à la circulation, physique et juridique, vectrice de souplesse et de fragilité, favorable à la dissociation de leurs utilités ; mais la question ici centrale est celle de savoir si la propriété publique est toujours un instrument pertinent pour appréhender cette mobilité. Il s’avère que la propriété publique, lorsqu’elle est sollicitée, exerce potentiellement une force d’attraction efficace sur tous les biens publics mobiliers ; elle permet ainsi de freiner leur circulation. En revanche, une fois le bien capté, la propriété publique ne suffit plus à maîtriser l’intégrité des biens publics mobiliers. Elle n’endigue pas leur délitement et leur évaporation naturels. Elle est même concurrencée par d’autres rapports de droit qui, par des dissociations des utilités des biens, par la déliaison entre propriété et utilisation, conduisent à interroger sa pertinence
Movable public property shall be understood as the set of personal property placed in a patrimonial legal relationship with public entities. These goods are characterized by their mobility (such as movable private property), that is to say an ability to circulate, physically and legally, a flexibility and fragility medium, favouring the dissociation of their utilities. But the central question remains whether public ownership is still a relevant instrument for understanding this mobility. It turns out that public ownership, when called upon, potentially exerts an effective force of attraction on all movable public property; thus it allows slowing down their circulation. However, once the good’s ownership has been claimed, public property law is not sufficient to monitor the integrity of movable public property. It doesn’t stem their natural crumbling and evaporation. It is even challenged by other legal relationships which, by dissociation of goods’ utilities, and by unbinding ownership and use, lead to question its relevance
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Bekkali, Mukhtar Askaruli. "The economics of protection of cultural goods". [Ames, Iowa : Iowa State University], 2006.

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Russell, James Edward. "Cultural property and heritage in Japan". Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14043/.

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Libros sobre el tema "Cultural property, cultural goods"

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Ståle, Navrud y Ready Richard C, eds. Valuing cultural heritage: Applying environmental valuation techniques to historic buildings, monuments, and artifacts. Cheltenham, UK: Edward Elgar, 2002.

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Leukfeldt, E. R. (E. Rutger), author, Bremmers Bo author, Stol, W. Ph. (Wouter Ph.), author y Wijk, Anton van, 1969- creator, eds. The art of the internet: A study of illegal online trading in cultural goods. Utrecht: Eleven International Publishing, 2011.

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Florjanowicz, Paulina. Stop heritage crime: Good practices and recommendations. Warszawa: National Heritage Board of Poland, 2011.

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Kulturdepartementet, Sweden. Nya kapitel i kulturminneslagen: Författningsändringar vid en svenskt tillträde till Unidroit-konventtionen om kulturföremål som stulits eller förts ut olagligt. Stockholm: Regeringskansliet, Kulturdepartementet, 2010.

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editor, Punja Shobita, Reeve John 1951 editor y Indian National Trust for Art and Cultural Heritage, eds. Heritage education in Asia: Sharing good practice. New Delhi: Indian National Trust for Art and Cultural Heritage, 2013.

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Common good law. Edinburgh: Avizandum, 2006.

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Borghi, Alvaro. Le blocage et la restitution internationale de biens illicitement acquis. Lausanne: Edis, Editions interuniversitaires suisses, 2006.

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Carducci, Guido. La restitution internationale des biens culturels et des objets d'art volés ou illicitement exportés: Droit commun, Directive CEE, Conventions de l'Unesco et d'Unidroit. Paris: L.G.D.J., 1997.

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King, Thomas F. Our unprotected heritage: Whitewashing the destruction of our cultural and natural treasure. Walnut Creek, Calif: Left Coast Press, 2009.

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Our unprotected heritage: Whitewashing the destruction of our natural and cultural environment. Walnut Creek, Calif: Left Coast Press, 2009.

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Capítulos de libros sobre el tema "Cultural property, cultural goods"

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Michl, Fabian. "The Protection of Cultural Goods and the Right to Property Under the ECHR". En Cultural Heritage and International Law, 109–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_6.

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Catrone, Aubrey. "The cycle of good faith". En Global Perspectives on Cultural Property Crime, 28–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367823801-5.

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Burrows, Paul. "Justice, Efficiency and Copyright in Cultural Goods". En Cultural Economics And Cultural Policies, 99–110. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1140-9_8.

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Marangudakis, Manussos. "Constitutive Goods". En The Greek Crisis and Its Cultural Origins, 261–83. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13589-8_9.

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Pignataro, Giacomo. "Imperfect Information and Cultural Goods: Producers’ and Consumers’ Inertia". En Cultural Economics And Cultural Policies, 55–68. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1140-9_5.

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Keat, Russell. "Ethics, Markets, and Cultural Goods". En Philosophy and Political Engagement, 117–37. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-44587-2_7.

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Smaal, Aad C. y Øivind Strand. "Introduction to Cultural Services". En Goods and Services of Marine Bivalves, 315–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96776-9_16.

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Skrydstrup, Martin. "Cultural Property". En A Companion to Folklore, 520–36. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118379936.ch27.

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Phillips, Rhonda. "Cultural Goods and Services (Consumption of)". En Encyclopedia of Quality of Life and Well-Being Research, 1394–95. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_641.

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Seaman, Bruce A. "Considerations in Adapting Industrial Organization Theory to the International Trade in Cultural Goods". En Cultural Economics, 153–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77328-0_16.

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Actas de conferencias sobre el tema "Cultural property, cultural goods"

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Lin, Liya y Guochao Lin. "Project Management for Cultural and Creative Goods". En 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.134.

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Yueling, Xiao. "The Research on China Export Trade in Cultural Goods". En 7th International Conference on Education, Management, Information and Computer Science (ICEMC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icemc-17.2017.166.

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Fang, Sheng y Xiaojing Lu. "The Effect of Chinese Cultural Values in Counterfeit Luxury Goods Purchase". En 2015 International Conference on Social Science, Education Management and Sports Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/ssemse-15.2015.557.

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Uğur, Tuğçe y Mehmet Sedat Uğur. "Analysing the Effects of Cultural Differences to International Trade in Manufactured Goods: A Literature Survey". En International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01038.

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Linder Theory which is a considerable theory about international manufactured goods trade suggests that international trade in manufactured goods will be more intense between countries with similar per capita income levels than between countries with dissimilar per capita income levels. But in practice, cultural differences between countries may also restrain the density of trade. This literature survey will aim to explain the relationship between income level and culture which may be different for one to another group. G. Hofstede who is an influential cultural anthropologist suggests five different cultural dimension to explain cultural differences between countries. Later, Hofstede calculates the values of different countries in these dimensions. So, in this study, initially, international trade in manufactured goods between similar per capital income levels will be examined. This will be done by comparing per capital income levels of selected countries. OECD data in trade and TÜİK's data (for Turkey) will be used in comparison. Later Hofstede's data will be used. In conclusion, the survey will try to explain how large are the effects of cultural differences between countries with similar income levels in international trade in manufactured goods. Previous studies generally find statistically significant results, but the main framework of these studies suggests controversial results. The study has aimed to commit a literature survey and in this study, comparisons of trade flow between countries are also controversial.
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Naumova, Olena y Mariia Naumova. "MARKET OF THE LUXURY GOODS IN TIMES OF CRISIS". En PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v1.08.

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Yang, Yining y Haiying Ma. "The Development Situation, Problems, and Countermeasures of the Cultural Goods in China". En 7th International Conference on Education, Management, Information and Mechanical Engineering (EMIM 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/emim-17.2017.372.

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Kalaitzi, Christina. "PECULIAR NUTRITIONAL HABITS IN ROALD DAHL WORKS: A STORYTELLING INTERVENTION ON PROMOTING PRESCHOOLERS’ DIETARY SELF-REGULATION". En International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end113.

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"One of the recurring motifs in Roald Dahl works whether leading to the plot’s unfolding or not, is the peculiar nutritional habits and, by extension, everything connected with it, such as socio-emotional behaviors and concepts of the dietary rules’ infringement. Looking at The Twits’ distorted dietary hygiene, George’s Marvellous Medicine’s disorientated nutritional advices and The BFG’s disgusting essential goods, it can be observed that the food as an act and its processes, are cultural notions identifying current concepts of not only the excesses and the adult’s control upon children, but also the pedagogically proper nutrition. A reading of the interpretations carried by food’s humorous representations in Dahl’s aforementioned classics is ventured. The ways of how children’s literature depicts the characters’ nutritional attitudes and their possible implications on their behavior are analyzed. While proceeding, the design of a storytelling intervention on promoting dietary self-regulation is proposed for kindergarten. A series of narrative and creative writing activities of subverting and parodying Dahl’s works, which aim to familiarize preschoolers with notions such as nutritional balance, food hygiene and eating habits, is presented. Dahl’s humorous and extreme carnivalesque depiction of nourishment, followed by an exaggerated deviation of normal eating habits, is what could provoke and motivate preschoolers to shape a healthy nutritional attitude and a dietary self-regulation. The contribution of this particular study is to highlight children’s literature significant role as a means of influencing children’s thinking on fundamental issues related with their health, and to demonstrate storytelling’s dynamics as a teaching tool for shaping their attitudes towards life matters."
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Zhengxin, Zhang. "Impact of Perceived Income Inequality on Private Provision of Public Goods". En 2020 2nd International Conference on Economic Management and Cultural Industry (ICEMCI2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.201128.017.

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Zheng, Ji. "Analysis on the Application of Chinese Public Goods in Health & Insurance Area". En 2020 2nd International Conference on Economic Management and Cultural Industry (ICEMCI2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.201128.018.

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Huang, Xiaoyan, Zhiyi Ren y Yilin Gao. "Effect of Rural Social Pension Insurance on Total Retail Sales of Consumer Goods". En 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.132.

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Informes sobre el tema "Cultural property, cultural goods"

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Huang, Xiao y Hyejeong Kim. College students’ purchase intention for luxury brand fashion counterfeit goods: A cross-cultural comparison. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-493.

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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), abril de 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Fisman, Raymond y Shang-Jin Wei. The Smuggling of Art, and the Art of Smuggling: Uncovering the Illicit Trade in Cultural Property and Antiques. Cambridge, MA: National Bureau of Economic Research, septiembre de 2007. http://dx.doi.org/10.3386/w13446.

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Nickens, P. R. National Register of Historic Places multiple property documentation form -- Historic, archaeological, and traditional cultural properties of the Hanford Site, Washington. Office of Scientific and Technical Information (OSTI), agosto de 1997. http://dx.doi.org/10.2172/348853.

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Baxter, Carey, Susan Enscore, Ellen Hartman, Benjamin Mertens y Dawn Morrison. Nationwide context and evaluation methodology for farmstead and ranch historic sites and historic archaeological sites on DoD property. Engineer Research and Development Center (U.S.), marzo de 2021. http://dx.doi.org/10.21079/11681/39842.

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The Army is tasked with managing the cultural resources on its lands. For installations that contain large numbers of historic farmsteads, meeting these requirements through traditional archaeological approaches entails large investments of personnel, time and organization capital. Through two previous projects, Engineer Research and Development Center, Construction Engineering Research Laboratory (ERDC-CERL) cultural resource management personnel developed a methodology for efficiently identifying the best examples of historic farmstead sites, and also those sites that are least likely to be deemed eligible for listing on the National Register of Historic Places. This report details testing the applicability of the methodology to regions across the country. Regional historic contexts were created to assist in the determination of “typical” farmsteads. The Farmstead/Ranch Eligibility Evaluation Form created by ERDC-CERL researchers was revised to reflect the broader geographic scope and the inclusion of ranches as a property type. The form was then used to test 29 sites at five military installations. The results of the fieldwork show this approach is applicable nationwide, and it can be used to quickly identify basic information about historic farmstead sites that can expedite determinations of eligibility to the National Register.
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Enscore, Susan, Adam Smith y Megan Tooker. Historic landscape inventory for Knoxville National Cemetery. Engineer Research and Development Center (U.S.), abril de 2021. http://dx.doi.org/10.21079/11681/40179.

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This project was undertaken to provide the U.S. Department of Veterans Affairs National Cemetery Administration with a cultural landscape survey of Knoxville National Cemetery. The 9.8-acre cemetery is located within the city limits of Knoxville, Tennessee, and contains more than 9,000 buri-als. Knoxville National Cemetery was placed on the National Register of Historic Places on 12 September 1996, as part of a multiple-property submission for Civil War Era National Cemeteries. The National Cemetery Administration tasked the U.S. Army Engineer Re-search and Development Center-Construction Engineering Research Laboratory (ERDC-CERL) to inventory and assess the cultural landscape at Knoxville National Cemetery through creation of a landscape development context, a description of current conditions, and an analysis of changes over time to the cultural landscape. All landscape features were included in the survey because according to federal policy on National Cemeteries, all national cemetery landscape features are considered to be contributing elements.
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Schmidt, Aaron, Adam Smith, Megan Tooker y Sunny Adams. Old Post reevaluation, Fort Huachuca, AZ. Engineer Research and Development Center (U.S.), octubre de 2022. http://dx.doi.org/10.21079/11681/45701.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Huachuca is situated at the foot of the Huachuca Mountains in southern Cochise County, Arizona. It is located approximately 15 miles north of the border with Mexico and 75 miles southeast of Tucson. It was founded in 1877 as a frontier cavalry fort and remains one of the oldest military installations in the West. The objective of this report is to inventory the real property within Fort Huachuca’s Old Post, the historic core of the installation. Each resource is enumerated and accompanied by a list of reports discussing its potential NHL or NRHP eligibility. Subsequently, each resource is accompanied by a short description, which includes its location and current status within the recently created Old Post Historic District.
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Story, Madison y Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), enero de 2023. http://dx.doi.org/10.21079/11681/46340.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Hunter Liggett is located on California’s Central Coast within Monterey County. The fort has been used as a training facility for large-scale maneuvers and live-fire exercises since its establishment as a US Army training facility in 1941. The periods of significance for Criterion A are: from 1769 to 1833, relating to the founding and development of Mission San Antonio de Padua; from 1834 to 1923, relating to Euro-American land grants and ranchos; from 1923 to 1940, relating to Hearst’s purchase of the property and subsequent development; from 1940 to 1945, relating to the establishment of the Hunter Liggett Military Reservation (HLMR) and activities related to WWII; from 1959 to 1970, relating to the establishment and buildup of CDEC; and from 1975 to 1980, relating to HLMR’s redesignation as Fort Hunter Liggett and associated development. This report provides a comprehensive historic context for ranges, features, and buildings at Fort Hunter Liggett in support of Section 110 of the NHPA.
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