Bibliografías temáticas / Cultivation (fiction)

Literatura académica sobre el tema "Cultivation (fiction)"

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Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Cultivation (fiction)"

1

Greiwe, Teresa y Ardavan Khoshnood. "Do We Mistake Fiction for Fact? Investigating Whether the Consumption of Fictional Crime-Related Media May Help to Explain the Criminal Profiling Illusion". SAGE Open 12, n.º 2 (abril de 2022): 215824402210912. http://dx.doi.org/10.1177/21582440221091243.

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The disparity between the ongoing use of criminal profiling and the lack of empirical evidence for its validity is referred to as criminal profiling illusion. Associated risks for society range from misled police investigations, hindered apprehensions of the actual offender(s), and wrongful convictions to mistrust in the police. Research on potential explanations is in its infancy but assumes that people receive and adopt incorrect messages favoring the accuracy and utility of criminal profiling. One suggested mechanism through which individuals may acquire such incorrect messages is the consumption of fictional crime-related media which typically present criminal profiling as highly accurate, operationally useful, and leading to the apprehension of the offender(s). By having some relation to reality but presenting a distorted picture of criminal profiling, fictional crime-related media may blur the line between fiction and reality thereby increasing the risk for the audience to mistake fiction for fact. Adopting a cultivation approach adequate to examine media effects on one’s perception, the present study is the first to investigate whether the perception of criminal profiling may be influenced by the consumption of fictional crime-related media based on a correlation study. Although the results provide support for the assumption that misperceptions of criminal profiling are widely spread in the general population and associated with the consumption of fictional crime-related media, the found cultivation effects are small and must be interpreted cautiously. Considering that even small effects may have the potential to influence real-life decision-making, they may still be relevant and affect society at large.
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2

Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone". European Journal of Cultural Studies 23, n.º 2 (29 de agosto de 2018): 223–43. http://dx.doi.org/10.1177/1367549418786420.

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New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on conventions of established media such as radio and television. Despite the recent surge in the popularity of podcasts, little scholarly attention has been given to the format, except to discuss it as either a continuation of radio programming or part of a transmedia landscape for texts which are centred in media such as television and film. This article argues that fiction podcasting offers unique affordances for creating serial works of fiction, taking The Adventure Zone as a case study which demonstrates the power of successful participatory culture. The podcast has grown from modest beginnings to acquire a considerable and passionate fan network, has diversified into other media forms, and, though available for free, is financially supporting its creators and raising substantial amounts of money for charities. Crucial in its success is the creators’ cultivation of an inclusive environment for fans, and a constant attempt to feature characters representative of a diversity of gender and sexual identities, particularly those typically excluded from other science fiction worlds. This article argues that The Adventure Zone and the format of fiction podcasting demonstrate a shift in contemporary culture, away from established mass media programming and towards a participatory, transmedia, fan-focused form of storytelling which utilizes the unique advantages of new media technologies in its creation, development, and distribution.
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3

Ni, Zhange. "Xiuzhen (Immortality Cultivation) Fantasy: Science, Religion, and the Novels of Magic/Superstition in Contemporary China". Religions 11, n.º 1 (2 de enero de 2020): 25. http://dx.doi.org/10.3390/rel11010025.

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In early twenty-first-century China, online fantasy is one of the most popular literary genres. This article studies a subgenre of Chinese fantasy named xiuzhen 修真 (immortality cultivation), which draws on Daoist alchemy in particular and Chinese religion and culture in general, especially that which was negatively labelled “superstitious” in the twentieth century, to tell exciting adventure stories. Xiuzhen fantasy is indebted to wuxia xiaoshuo 武俠小說 (martial arts novels), the first emergence of Chinese fantasy in the early twentieth century after the translation of the modern Western discourses of science, religion, and superstition. Although martial arts fiction was suppressed by the modernizing nation-state because it contained the unwanted elements of magic and supernaturalism, its reemergence in the late twentieth century paved the way for the rise of its successor, xiuzhen fantasy. As a type of magical arts fiction, xiuzhen reinvents Daoist alchemy and other “superstitious” practices to build a cultivation world which does not escape but engages with the dazzling reality of digital technology, neoliberal governance, and global capitalism. In this fantastic world, the divide of magic and science breaks down; religion, defined not by faith but embodied practice, serves as the organizing center of society, economy, and politics. Moreover, the subject of martial arts fiction that challenged the sovereignty of the nation-state has evolved into the neoliberal homo economicus and its non-/anti-capitalist alternatives. Reading four exemplary xiuzhen novels, Journeys into the Ephemeral (Piaomiao zhilv 飄渺之旅), The Buddha Belongs to the Dao (Foben shidao 佛本是道), Spirit Roaming (Shenyou 神遊), and Immortality Cultivation 40K (Xiuzhen siwannian 修真四萬年), this article argues that xiuzhen fantasy provides a platform on which the postsocialist generation seek to orient themselves in the labyrinth of contemporary capitalism by rethinking the modernist triad of religion, science, and superstition.
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4

Gillespie, Zane. "“Mesmeric Revelation”: Art as Hypnosis". Edgar Allan Poe Review 17, n.º 2 (1 de noviembre de 2016): 142–60. http://dx.doi.org/10.5325/edgallpoerev.17.2.142.

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Abstract This article explores the relationship between reader and narrative purpose in Poe's “Mesmeric Revelation,” arguing that this relationship bears resemblance to altered-state theories of hypnosis. It challenges predictable interpretations to open a new avenue for understanding the art of fiction. Primary emphasis is given to the reduced peripheral awareness experienced by readers. The cultivation of this focused attention, according to Poe's “The Philosophy of Composition,” is essential for creating effective artistic products.
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5

Coenen, Lennert y Jan Van Den Bulck. "Reconceptualizing Cultivation: Implications for Testing Relationships Between Fiction Exposure and Self-Reported Alcohol Use Evaluations". Media Psychology 21, n.º 4 (13 de noviembre de 2017): 613–39. http://dx.doi.org/10.1080/15213269.2017.1396227.

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6

Van den Bulck, Jan y Heidi Vandebosch. "When the viewer goes to prison: learning fact from watching fiction. A qualitative cultivation study". Poetics 31, n.º 2 (abril de 2003): 103–16. http://dx.doi.org/10.1016/s0304-422x(03)00006-8.

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7

Ariyanto, Priyagung Nur y Titus Soepono Adji. "KISAH KELUARGA YANG TERPISAH AKIBAT PEMANASAN GLOBAL SEBAGAI IDE PENCIPTAAN DALAM PENULISAN NASKAH FILM FIKSI ILMIAH “ING KALA”". Texture:Art and Culture Journal 1, n.º 2 (13 de agosto de 2019): 173–83. http://dx.doi.org/10.33153/texture.v1i2.2605.

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ABSTRAC “Ing Kala” is a science fiction film script that presents the phenomenon of family separation and global warming. It tells about family separation due to drought caused by global warming. The science fiction film script is realized by describing the impact of global warming in the form of drought in the future. In addition, it features characters of science fiction such as cyborg (human robots) and mutants. The story begins with a village hit by a drought caused by global warming. The disaster then separated a father from his child and wife. The premise of this story is “a disaster can separate someone from his family”. The process of making this manuscript goes through two stages, namely the preparation stage and the cultivation stage. The target of this script story is for teens (13+) and adults (17+). This text has three concepts, namely global warming, a separate family, and science fiction. The result is a 100-minute film scenario with 106 scenesKeywords: global warming, drought, separate family, science fiction scenario, Ing KalaABSTRAK“Ing Kala” adalah naskah film fiksi ilmiah yang mengangkat fenomena perpisahan keluarga dan pemanasan global. Mengisahkan tentang perpisahan keluarga akibat bencana kekeringan yang disebabkan oleh pemanasan global. Naskah ini bergenre fiksi ilmiah yang diwujudkan dengan penggambaran dampak pemanasan global yang berupa kekeringan di masa depan. Selain itu, karakter-karakter fiksi ilmiah seperti cyborg (manusia robot) dan mutan juga akan diwujudkan dalam naskah ini. Kisah berawal dari sebuah desa yang dilanda bencana kekeringan akibat pemanasan global. Bencana tersebut kemudian memisahkan seorang ayah dengan anak dan istrinya. Premis dari cerita ini adalah “sebuah bencana dapat memisahkan seseorang dengan keluarganya”. Proses pembuatan naskah ini melewati dua tahap, yaitu tahap persiapan dan tahap penggarapan. Sasaran cerita naskah ini ditujukan untuk remaja (13+) dan dewasa (17+). Naskah ini memiliki tiga konsep yaitu pemanasan global, keluarga yang terpisah, dan fiksi ilmiah. Hasil dari karya ini berupa naskah film berdurasi 100 menit dengan 106 scene.Kata kunci: pemanasan global, bencana kekeringan, keluarga yang terpisah, skenario fiksi ilmiah, Ing Kala
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8

Swartz, Kelly. "The New Realism of Literary Generalization in Richardson's Clarissa". Eighteenth Century 63, n.º 1-2 (marzo de 2022): 1–16. http://dx.doi.org/10.1353/ecy.2022.a926990.

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Abstract: Since the eighteenth century, writers have positioned maxims—pithy statements of general truth—as antithetical to realist fiction. According to these accounts, a work is "realist" if it produces in a reader an internal sense of it being true to reality. General and common maxims are, by contrast, unreal because they "leave no impression on the mind." Working alongside and against these accounts of the maxim-realism antithesis, this essay uncovers an alternative realism advanced through literary generalization in Samuel Richardson's Clarissa . "Literary generalization" is an umbrella term I use for a number of related forms that run through Richardson's work: newly formulated maxims; the literary fragments comprising the tenth "mad paper"; and literary quotations from "real" works that fictional characters use to predict effects within the fictional world. I argue that this realism of literary generalization involves the reader in the composition of a common world composed of unpredictable associations. This world is composed of human and nonhuman entities, defined by shifting inequities, and is unredeemable through an individual's cultivation of meaning within. This is a very different realism than the still influential formal realism of the early novel that Ian Watt introduced many decades ago. Although the alternative realism I find in Clarissa is not "new," I mark it as such to signal the essay's engagement with several versions of what has been called the "new materialism."
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9

Shyamal Ghosh y Dr. N. K. Pandey. "Issue of River and Dam in the Fiction of Arundhati Roy". Creative Launcher 8, n.º 3 (30 de junio de 2023): 18–23. http://dx.doi.org/10.53032/tcl.2023.8.3.03.

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Arundhati Roy is not only an author but also a committed environmentalist and campaigner for human rights. She is widely credited with revitalising the effort to halt the enormous Narmada Dams project, in particular the construction of the Sardar Sarovar Dam. Besides writing, she has acquired a distinctive place in the mind of people as an activist. Roy shows a propensity to explore environmental issues and the devastation of the ecosystem due to human avarice in her writings. The river has been the lifeline of our society and culture since ancient times, but in recent times it has lost its glorious past, it has become contaminated and in various cases, its natural flow has been obstructed because of dam construction by providing excuses of modernity and progress. The river water is an integral part of our daily lives, as we drink it, use river water in cultivation, wash our clothes in it, and cook with it. River is a means of livelihood to many. Aquatic organisms find their means of survival there. However, the river has suffered a lot as a result of human interference. In her novel, The God of Small Things, and The Ministry of Utmost Happiness, Arundhati Roy pens down the horrible condition of the river and unplanned dam construction. This paper uses the lens of river ecology to investigate the symbiotic interaction between humans and other species in river ecosystems.
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10

Kotva, Simone y Eva-Charlotta Mebius. "Rethinking Environmentalism and Apocalypse: Anamorphosis in The Book of Enoch and Climate Fiction". Religions 12, n.º 8 (9 de agosto de 2021): 620. http://dx.doi.org/10.3390/rel12080620.

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Biblical apocalypse has long been a source of contention in environmental criticism. Typically, ecocritical readings of Biblical apocalypse rely on a definition of the genre focused on eschatological themes related to species annihilation precipitated by the judgement of the world and the end of time. In this article, we offer an alternative engagement with Biblical apocalypse by drawing on Christopher Rowland and Jolyon Pruszinski’s argument that apocalypse is not necessarily concerned with temporality. Our case study is The Book of Enoch. We compare natural history in Enoch to Jean-Luc Marion’s phenomenological analysis of Biblical apocalypse as a way of seeing the world that worries human assumptions about the nature of things and thereby instigates an “anamorphosis” of perception. Following Timothy Morton’s adaptation of Marion’s idea of anamorphosis as an example of the ecological art of attention, we show how apocalypse achieves “anamorphic attention” by encouraging the cultivation of specific modes of perception—principally, openness and receptivity—that are also critical to political theology. In turn, this analysis of anamorphic attention will inform our rethinking of the relationship between environmentalism and apocalyptic themes in climate fiction today, with special reference to Megan Hunter’s The End We Start From.
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Tesis sobre el tema "Cultivation (fiction)"

1

Greiwe, Teresa. "Do We Mistake Fiction for Fact? : Investigating Whether the Consumption of Fictional Crime-related Media May Help to Explain the Criminal Profiling Illusion". Thesis, Malmö universitet, Malmö högskola, Institutionen för kriminologi (KR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43630.

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The disparity between the ongoing use, the overall positive attitudes towards criminal profiling and the lack of empirical evidence for its validity is also referred to as criminal profiling illusion. Associated risks for society range from misled police investigations, hindered apprehensions of the actual offender(s), and wrongful convictions of innocent citizens to mistrust in the police and their methods. Research on potential explanations to the Criminal Profiling Illusion is still in its infancy but assumes that people receive and adopt incorrect messages favouring the accuracy and utility of criminal profiling. One suggested mechanism through which individuals may acquire such incorrect messages is the consumption of fictional crime-related media which typically present criminal profiling as highly accurate, operationally useful and leading to the apprehension of the offender(s). By having some relation to reality but presenting a distorted picture of criminal profiling, fictional crime-related media may blur the line between fiction and reality thereby increasing the risk for the audience to mistake fiction for fact. Adopting a cultivation approach adequate to examine media effects on one’s perception, the present study is the first to investigate whether the perception of criminal profiling may be influenced by the consumption of fictional crime-related media based on a correlation study. Although the results provide support for the assumption that misperceptions of criminal profiling are widely spread in the general population and associated with the consumption of fictional crime-related media, the found cultivation effects are small and must be interpreted cautiously. Considering that even small effects may have the potential to influence real-life decision-making, they may still be relevant and affect the society at large.
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Libros sobre el tema "Cultivation (fiction)"

1

Umran, Abdullah, ed. Supportive Pillars in Cultivating Children. United States: Maktabatulirshad Publications, 2016.

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2

Cultivating hope: Homesteading on the Great Plains. Lindsborg, Kan: Butterfield Books, 1998.

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3

Cultivation : Book 4: Legendary Farmer. Elfhame, Inc., 2022.

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4

Krout, Dakota. Lady February: A LitRPG Cultivation Saga. Mountaindale Press, 2022.

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5

Lange, Cassius. Wolfpack 1: A Post-Apocalyptic GameLIT/Cultivation Novel. Autumn Arch Publishing, 2021.

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6

Coons, Robert James. Internal Elixir Cultivation: The Nature of Daoist Meditation. Tambuli Media, 2015.

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I'm the Great Immortal Hero's Love Interest?: A Transmigration Cultivation Fantasy. Kleinschmit, Kaylin, 2022.

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8

Xiu, Mo Xiang Tong. Grandmaster of Demonic Cultivation: Mo Dao Zu Shi Vol. 2. Seven Seas Entertainment, LLC, 2022.

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Privalova, Marina, Jin Fang y Mo Xiang Tong Xiu. Grandmaster of Demonic Cultivation: Mo Dao Zu Shi Vol. 4. Seven Seas Entertainment, LLC, 2022.

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Xiu, Mo Xiang Tong. Grandmaster of Demonic Cultivation: Mo Dao Zu Shi Vol. 3. Seven Seas Entertainment, LLC, 2022.

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Capítulos de libros sobre el tema "Cultivation (fiction)"

1

Kind, Amy. "Fiction and the Cultivation of Imagination". En The Philosophy of Fiction, 262–81. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003139720-17.

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Li, Hua. "Information, the Body, and Humanism in the Chinese Cyber Novel Forty Millennia of Authenticity Cultivation". En Chinese Science Fiction, 167–89. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53541-3_8.

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Trigg, Tina. "Birding, Fiction, and Margaret Atwood's Cultivation of Ecological Awareness". En Christian Environmentalism and Human Responsibility in the 21st Century, 177–89. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003366744-15.

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Schollaert, Jeannette. "Cultivating Access, Cultivating Ignorance: A Survey of Herbal Abortifacients in American Fiction". En The Palgrave Handbook of Reproductive Justice and Literature, 131–50. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99530-0_7.

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Willert, Trine Stauning. "Cultivating Osmanalgia: Intersections of History and Fiction in Thessaloniki". En Modernity, Memory and Identity in South-East Europe, 89–111. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93849-3_4.

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Tobolowsky, Barbara F. "Cultivating Anti-intellectualism in the Fictional University". En Anti-Intellectual Representations of American Colleges and Universities, 1–13. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-57004-8_1.

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Zuck, Rochelle Raineri. "New World Roots: Transatlantic Fictions, Creole Marriages, and Women’s Cultivation of Empire in the Americas". En Women’s Narratives of the Early Americas and the Formation of Empire, 187–99. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137543233_13.

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Alphin, Caroline. "Self-Monitoring as Instrumentalized Self-Cultivation". En Neoliberalism and Cyberpunk Science Fiction, 41–64. Routledge, 2020. http://dx.doi.org/10.4324/9781003044505-2.

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Miller, Gavin. "Existential-humanistic psychology". En Science Fiction and Psychology, 167–200. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620603.003.0004.

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Existential-humanistic psychology recovers neglected philosophical and spiritual categories regarded as proper to human being, in contrast with animal life or inanimate systems. Existential-humanistic proto-discourses are important to Vincent McHugh’s I Am Thinking of My Darling (1943), in which an emerging ideal of personal authenticity queries the American Dream in 1940s’ New York. McHugh’s critical utopia contrasts with the ponderous extrapolations of Colin Wilson in The Mind Parasites (1967) and The Space Vampires (1976), and Doris Lessing in The Four-Gated City (1969). Both these authors – despite their widely differing positions in the literary canon – use science fiction as a didactic and futurological (even prophetic) medium in which existential psychology serves as the supposed rationale for spiritual apotheosis (including the cultivation of psi powers). A more fruitful post-war deployment of existential-humanistic psychology can be found in texts such as Theodore Sturgeon’s ‘And Now the News …’ (1956), Naomi Mitchison’s Memoirs of a Spacewoman (1962) and Marge Piercy’s Woman on the Edge of Time (1976), which critique the instrumental tendencies of mainstream psychology.
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Hogan, Patrick Colm. "Stylistic Choices in Graphic Narrative". En Style in Narrative, 233–68. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197539576.003.0009.

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The final chapter of Style in Narrative turns to graphic fiction. Much of what one might say about style in graphic narrative is already covered by the treatments of literary and film style earlier in the book. However, some unique aspects of graphic narrative style remain. In this chapter, Hogan identifies some of the distinctive stylistic components of graphic narrative, illustrating and expanding these by reference to Art Spiegelman’s Maus. A key feature of this chapter is systematizing the analysis of graphic fiction by reference to the various stylistic levels (storyworld, story, plot, narration, and perceptual interface) and their functions (narrative exposition, communication of themes, and the cultivation of emotional effects). Lack of clarity about these distinctions has sometimes led to theoretical problems in the analyses of graphic fiction proposed by influential theorists of the medium.
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Actas de conferencias sobre el tema "Cultivation (fiction)"

1

Vidali, Maria. "Liminality, Metaphor and Place in the Farming Landscape of Tinos: The Village of Kampos". En GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-6.

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This research explores the farming landscape and village life in Kampos, a village on the Greek island of Tinos. Tinos is an Aegean island with a long history of agriculture. In Kampos, one of the oldest farming villages of Tinos, boundaries created by low stone walls and alleyways primarily define the farming landscape that permeates village life and its structure. The landscape appears semi-artificial, given the construction of countless rows of cultivation ridges and terraces. Boundaries on the island appear through texts, space, movement and habit, thus creating. a series of liminal spaces. They represent areas – or rather situations – allowing for multiple co-existing levels of interaction, which are both ambiguous and can be transformed through negotiation. Negotiation would not be possible without language and narrative: Language arises through communal metaphors, stories, and fictional beliefs that bind and connect a small community together in a farming landscape, a community that has retained a quality of life closely connected to nature, architecture, and private and public realms, all by exhibiting features that can be found in a contemporary way of living. Objectified and non-objectifiable boundaries – in relation to the villagers’ land, water, private and public spaces –, their absence, their negotiation, the life that flourishes in-between them, and their relationship to men and women, ownership, and bonding, are important aspects examined in research. The presence, the lack of, and the negotiation of these boundaries, all unfold through fictional stories, narratives and interviews of villagers from Kampos. Through these narratives, I argue that when boundaries are obscure or create an in-between space of negotiation and communication, when they become a liminal space, then a different situation of ownership and bonding arises. Here, the villagers claim their properties’ boundaries, and negotiate these and sometimes fall into conflicts. Conducting this research, I determined that stories created from the villager’s life, space, and landscape consist of a series of metaphors that define ‘dwelling’ in this part of the world, in this specific landscape, which has a contemporary way of living, but still connected with tradition and the past as an action mimetic of the present.
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