Artículos de revistas sobre el tema "Cross-Layer Design PHY"

The aim of this paper is to integrate security and privacy in mmWave communications. MmWave communication mechanism access three major key components of secure communication (SC) operations. proposed design for mmWave communication facilitates the detection of the primary signal in physical (PHY) layer to find the spectrum throughput for primary user (PU) and secondary user (SU). The throughput of SC for PU with maximum throughput being recorded at 0.7934 while maximum throughput for SU is recorded at 0.7679. So, we will design a mmWave communication mechanism for solving this problem. The probability for sensing where the probability of detection (PD) is predicted at a defined range of 690 km with an estimated accuracy of 83.56% while the probability of false alarm (PFA) is predicted at a defined range of 230 km with an estimated accuracy of 81.39%. This conflicting but interrelated issue is investigated over three stages for the purpose of solving with a cross-layer model with MAC and PHY layers for a secure communication network (SCN) while reducing the collision effect concurrently with a 92.76% for both cross-layers. MATLAB 2019b would be forwarded in use as the increasing demand for augmenting the bandwidth in secure communications has actuated the evolutionary technology.

Each subsequent generation of wireless standards imposes stricter spectral and energy efficiency demands. So far, layered wireless transceiver architectures have been used, allowing for instance to separate channel decoding algorithms from the front-end design. Such an approach may need to be reconsidered in the upcoming 6G era. Especially hardware-originated distortions have to be taken into account while designing other layer algorithms, as high throughput and energy efficiency requirements will push these devices to their limits, revealing their non-linear characteristics. In such a context, this paper will shed some light on the new degrees of freedom enjoyed while cross-layer designing as well as controlling multicarrier and multiantenna transceivers in 6G systems.

In Wireless Body Area Network (WBAN), various biomedical sensors (BMSs) are deployed to monitor various vital signs of a patient for detecting the abnormality of the vital signs. These BMSs inform the medical staff in advance before the patient’s life goes into a threatening situation. In WBAN, routing layer has the same challenges as generally seen in WSN, but the unique requirements of WBANs need to be addressed by the novel routing mechanisms quite differently from the routing mechanism in Wireless Sensor Networks (WSNs). The slots allocation to emergency and nonemergency patient’s data is one of the challenging issues in IEEE 802.15.4 and IEEE 802.15.6 MAC Superframe structures. In the similar way, IEEE 802.15.4 and IEEE 802.15.6 PHY layers have also unique constraints to modulate the various vital signs of patient data into continuous and discrete forms. Numerous research contributions have been made for addressing these issues of the aforementioned three layers in WBAN. Therefore, this paper presents a cross-layer design structure of WBAN with various issues and challenges. Moreover, it also presents a detail review of the existing cross-layer protocols in the WBAN domain by discussing their strengths and weaknesses.

In this paper, we investigate the possibility of the cross-layer design of a distributed random access scheme with considering physical (PHY) and multiple access control (MAC) layers, which utilizes the interference cancellation technique. In this regard, we propose a new multiple access protocol, named carrier sense non-orthogonal multiple access (CSNOMA). We consider the spatially randomly distributed interferers to realistically capture the effect of interference. The proposed protocol shows better area spectral efficiency than carrier sense multiple access (CSMA), as the node density increases. We also present a practical signaling design compatible with IEEE 802.11 DCF mode.

AbstractIn this paper, we develop a physical/medium-access-control cross layer design to improve system throughput with the consideration of fairness for IEEE 802.11 WLAN. From PHY layer perspective, when an access collision occurs, the access point can still decode the corresponding data successfully if the received signal to interference plus noise ratio is larger than the threshold. This phenomenon is referred to as the capture effect. To improve system throughput, this work proposes a Differential Reception-Power Power Control scheme to take advantage of the capture effect. However, the proposed power control scheme cannot provide a fair transmission environment even though it improves the system throughput. To resolve this problem, this work proposes two methods: the adjustment of contention window size and the modification of probability mass function for the selection of the backoff value. The simulation results demonstrate that the proposed schemes can not only remarkably improve system throughput, but also provide a fair transmission environment.

Wake-up radio is a promising approach to mitigate the problem of idle listening, which incurs additional power consumption for the Internet of Things (IoT) wireless transmission. Radio frequency (RF) energy harvesting technique allows the wake-up radio to remain in a deep sleep and only become active after receiving an external RF signal to ‘wake-up’ the radio, thus eliminating necessary hardware and signal processing to perform idle listening, resulting in higher energy efficiency. This review paper focuses on cross-layer; physical and media access control (PHY and MAC) approaches on passive wake-up radio based on the previous works from the literature. First, an explanation of the circuit design and system architecture of the passive wake-up radios is presented. Afterward, the previous works on RF energy harvesting techniques and the existing passive wake-up radio hardware architectures available in the literature are surveyed and classified. An evaluation of the various MAC protocols utilized for the novel passive wake-up radio technologies is presented. Finally, the paper highlights the potential research opportunities and practical challenges related to the practical implementation of wake-up technology for future IoT applications.

Purpose – The purpose of this paper is to provide an in-depth overview of the security requirements and challenges for Internet of Things (IoT) and discuss security solutions for various enabling technologies and implications to various applications. Design/methodology/approach – Security requirements and solutions are analysed based on a four-layer framework of IoT on sensing layer, network layer, service layer, and application layer. The cross-layer threats are analysed followed by the security discussion for the enabling technologies including identification and tracking technologies, WSN and RFID, communication, networks, and service management. Findings – IoT calls for new security infrastructure based on the new technical standards. As a consequence, new security design for IoT shall pay attention to these new standards. Security at both the physical devices and service-applications is critical to the operation of IoT, which is indispensable for the success of IoT. Open problems remain in a number of areas, such as security and privacy protection, network protocols, standardization, identity management, trusted architecture, etc. Practical implications – The implications to various applications including supervisory control and data acquisition, enterprise systems, social IoT are discussed. The paper will serve as a starting point for future IoT security design and management. The security strategies for IoT should be carefully designed by managing the tradeoffs among security, privacy, and utility to provide security in multi-layer architecture of IoT. Originality/value – The paper synthesizes the current security requirements for IoT and provides a clear framework of security infrastructure based on four layers. Accordingly, the security requirements and potential threats in the four-layer architecture are provided in terms of general devices security, communication security, network security, and application security.

ZigBee is an IEEE 802.15.4 standard for information interchanges with business and purchaser gadgets. It is composed around low-control utilization permitting batteries to keep going forever. The ZigBee standard gives system, security, and application bolster administrations working on top of the IEEE 802.15.4 Medium Access Control (MAC) and Physical Layer (PHY) remote standard. It utilizes a suite of innovations to empower adaptable, self-arranging, self-mending systems that can oversee different information movement designs. ZigBee is an ease, low-control, remote lattice organizing standard. The ease permits the innovation to be broadly sent in remote control and observing applications, the low power-use permits longer an existence with little batteries, and the cross-section systems administration gives high dependability and bigger range.ZigBee has been created to take care of the developing demand for able remote systems administration between various low power. In industry ZigBee is being utilized for cutting-edge robotized assembling, with little transmitters in each gadget on the floor, taking into consideration correspondence between devices to a focal PC. This new level of communication allows finely-tuned remote observing and control.

Road pavement damage is an important thing to pay attention to. Improper planning, increasing traffic volume loads to lack of care and maintenance are factors that cause road damage. Road damage has an impact on the safety of road users. On the Joyoboyo East Kediri road, there are several roads that suffered significant damage. This study aims to design the repair of damage to the East Kediri Joyoboyo road. Repairs are carried out by adding a layer of pavement to the potholes. The component analysis method is used to determine the required pavement thickness. With the component analysis method, the design equivalent cross section will be calculated based on traffic data, as well as soil bearing capacity, regional factors and surface index. So that the pavement thickness index is obtained to determine the required pavement thickness. The result of this research is that the cross equivalent is 116.730, the regional factor value is 0.5 and the Surface Finish Index is 1.5. From the results of these calculations, Nomogram 5 was used and the Pavement Thickness Index value was 5.2. So that the required overlay thickness is 5 cm. These results can be used as a reference in repairing pavement damage on the Joyoboyo Timur Kediri road, so that it can support the safety of road users and facilitate transportation.

The multifracture competitive growth from a horizontal well is an essential issue in multi-cluster fracturing design. In recent years, extremely limited entry (ELE) fracturing has been implemented to promote uniform multifracture growth. However, the mechanism of multifracture growth and ELE design remain unclear. Based on the planar three-dimensional multifracture propagation model, a multi-cluster horizontal well fracturing model that considers ELE design has been developed. The model considers flow in the wellbore and fluid filtration loss in the fracture. The simulator enables the simulation and analysis of non-uniform in situ stress, filtration loss, and fracture properties. Using this program, we simulated the propagation process of multiple clusters of fractures in ELE fracturing of horizontal wells. The results show the following: The perforation friction in the ELE fracturing can counteract the difference in fluid allocation caused by stress interference, allowing all clusters of perforations to have even fluid allocation but to differ significantly in fracture geometry. The in situ stress profile and 3D fracture stress interference determine the fracture geometry, and the fracture of the middle cluster could cross through the layer with relatively higher in situ stress, resulting in a decrease in effective fracture area in the pay zone. Furthermore, an increase in perforation diameter causes the flow-limiting effect of the perforations to decrease. The fluid volumes entering different clusters of perforations become less uniform. The difference in fracture toughness within a perforated stage has a minor influence on the fluid allocation between different clusters, while the in situ stress distribution within a perforated stage has a significant impact on the fluid allocation between different perforation clusters in the stage. Fractures preferentially propagate at the perforation points with lower in situ stress and stress interference. This study can be helpful to understand multifracture competitive growth and the optimization of ELE fracturing design.

Purpose The purpose of this paper is to discuss key elements of lean supply (LS) in light of core concepts in the Industrial Marketing and Purchasing Group (IMP) perspective. Design/methodology/approach First, the authors examine the literature on LS and identify and discuss important characteristics and key elements of LS. Second, the authors present key concepts in the IMP Perspective, in particular the dyad versus network levels, and the ARA model, capturing activities, resources, and actors. Third, the authors cross-fertilize the concepts from these two streams of research. Findings The authors identify 12 key LS elements. Relating these to core IMP frameworks, they identify areas of LS that can be expanded. First, the authors found that key elements in LS mainly focus on the dyadic level and that the network level is addressed to a much lesser extent and primarily captures serial “chain” connections among relationships. Second, it was found that key elements in LS predominantly focus on the activity layer and pay much less attention to resources and actors. Research limitations/implications The authors suggest that LS theory and practice can benefit from taking a network perspective, and by paying more attention to resource and actor concepts and issues. The study is purely theoretical. Originality/value To the best of the authors’ knowledge, no previous studies combine LS and the IMP perspective. The authors add to LS by elaborating how 12 key elements in LS can be expanded.

Introduction. This article presents the results of study of the quality of girders that were used for the construction of temporary road bridge. In the bridge construction practice there is a need to use girders in the construction of road bridges on local roads that can be reused in temporary bridges construction. It is important when using such structures to determine their reliability for long-term operation. The cost of bridge girders is up to 60% of the cost of a new bridge, so the reuse of utilizedsed girders is economically feasible. Utilized girders can be reused on local roads and temporary bridges. Problem statement. To determine the usability of utilized girders in temporary bridges construction and provide recommendations for the girders reuse and possible bridge design structures. Materials and methods. The following works were performed during the inspection: visual inspection of the girders at places of their storage after dismounting; measurement of the basic sizes of girders; determination of concrete strength by non-destructive test method; determination of the number of working reinforcement and the protective layer thickness; measurements of pH of concrete of a protective layer were performed; registration of existing defects was performed. The following measurements were performed during the tests: general displacements and deformations of structural elements of the structures; relative deformations of cross sections; local deformations (displacements in joints). Results. According to the results of tests and calculations, the bearing capacity of the bridge span structure was determined. After analyzing the results of experimental and theoretical studies, conclusions were made regarding the operational performance of the girders of the bridge span structure. Conclusions. Girders in the 1st, the 2nd and the 3rd technical state can be considered suitable for bridge span structures unreservedly. Girders in the 4th technical state, need repairing and reinforcement for reuse in bridge span structures. They cannot be used without repairing. Girders in the 5th technical state cannot be used in the span structures of road bridges. They can be used, for example, as transition slabs, or for pedestrian bridges and crossings, or can be used for testing the technology of bridge structures repairing. Thus, tests of bridge girders and full-size joints testify that the accepted design decision provides the needed bearing capacity of girders and of the bridge span structure as a whole. This confirms the sufficient reliability of utilized girders in the further work. Practice shows that it is also needed to pay great attention to the following: firstly- to the methods of dismantling the girders without damage; secondly — to the proper storage of girders after dismantling.

Forest fires are major forestry disasters that cause loss of forest resources, forest ecosystem safety, and personal injury. It is often difficult for current forest fire detection models to achieve high detection accuracy on both large and small targets at the same time. In addition, most of the existing forest fire detection models are single detection models, and using only a single model for fire detection in a complex forest environment has a high misclassification rate, and the accuracy rate needs to be improved. Aiming at the above problems, this paper designs two forest fire detection models (named WSB and WSS) and proposes an integrated learning-based forest fire detection model (named WSB_WSS), which also obtains high accuracy in the detection of forest fires with large and small targets. In order to help the model predict the location and size of forest fire targets more accurately, a new edge loss function, Wise-Faster Intersection over Union (WFIoU), is designed in this paper, which effectively improves the performance of the forest fire detection algorithm. The WSB model introduces the Simple-Attention-Module (SimAM) attention mechanism to make the image feature extraction more accurate and introduces the bi-directional connectivity and cross-layer feature fusion to enhance the information mobility and feature expression ability of the feature pyramid network. The WSS model introduces the Squeeze-and-Excitation Networks (SE) attention mechanism so that the model can pay more attention to the most informative forest fire features and suppress unimportant features, and proposes Spatial Pyramid Pooling-Fast Cross Stage Partial Networks (SPPFCSPC) to enable the network to extract features better and speed up the operation of the model. The experimental findings demonstrate that the WSB model outperforms other approaches in the context of identifying forest fires characterized by small-scale targets, achieving a commendable accuracy rate of 82.4%, while the WSS model obtains a higher accuracy of 92.8% in the identification of large target forest fires. Therefore, in this paper, a more efficient forest fire detection model, WSB_WSS, is proposed by integrating the two models through the method of Weighted Boxes Fusion (WBF), and the accuracy of detecting forest fires characterized by small-scale targets attains 83.3%, while for forest fires with larger dimensions, the accuracy reaches an impressive 93.5%. This outcome effectively leverages the strengths inherent in both models, consequently achieving the dual objective of high-precision detection for both small and large target forest fires concurrently.

This research investigates the effect of uniform suction on the absolute instability of Type I cross-flow modes in the boundary layer on a rotating disk. Specifically, it is designed to investigate whether wall suction would transform the absolute instability into a global mode, as first postulated in the numerical simulations of Davies & Carpenter (J. Fluid Mech., vol. 486, 2003, pp. 287–329). The disk is designed so that with a suction parameter of $0.2$, the radial location of the absolute instability critical Reynolds number, $Re_{c_{A}}=650$, occurs on the disk. Wall suction is applied from $Re=317$ to 696.5. The design for wall suction follows that of Gregory & Walker (J. Fluid Mech., 1960, pp. 225–234) where an array of holes through the disk communicate between the measurement side of the disk and the underside of the disk which is inside of an enclosure that is maintained at a slight vacuum. The enclosure pressure is adjustable so that a range of suction or blowing parameters can be investigated. The holes in the measurement surface are covered by a compressed wire porous mesh to aid in uniformizing the suction on the measurement surface of the disk. The mesh is covered by a thin porous high-density polyethylene sheet featuring a $20~{\rm\mu}\text{m}$ pore size which provides a smooth finely porous surface. A companion numerical simulation is performed to investigate the effect that the size and vacuum pressure of the underside enclosure have on the uniformity of the measurement surface suction. Temporal disturbances are introduced using the method of Othman & Corke (J. Fluid Mech., 2006, pp. 63–94). The results document the evolution of disturbance wavepackets in space and time. These show a temporal growth of the wavepackets as the location of the absolute instability is approached which is in strong contrast to the temporal evolution without suction observed by Othman and Corke. The results appear to support the effect of wall suction on the absolute instability postulated by Thomas (PhD thesis, 2007, Cardiff University, UK) and Thomas & Davies (J. Fluid Mech., vol. 663, 2010, pp. 401–433).

With recent advancement, Wireless Body Area Network (WBAN) plays an important role to detect various diseases of a patient in advance and informs the medical team about the life threatening situation. WBAN comprises of small intelligent Biomedical sensors which are implanted inside patient body and attached on the surface of a patient to monitor different vital signs, namely; respiratory rate, ECG, EMG, temperature, blood pressure, glucose. The routing layer of WBAN has the same challenging problems as similarly faced in WSN but the unique challenge is the temperature-rise during monitoring of vital signs and data transmission. IEEE 802.15.6 MAC Superframe of WBAN is different from IEEE 802.15.4 MAC of WSN and provides channels to emergency and non-emergency data for transmission. As similarly seen in WSN, PHY layer of IEEE 802.15.4 and IEEE 802.15.6 provide various modulation techniques for data transmission. The purpose of this study is to familiar with routing layer, MAC layer and PHY layer in the cross-layer design of WBAN.

Long communication range and low energy consumption are two most important design goals of Low-Power Wide-Area Networks (LPWAN), however, many prior works have revealed that the performance of LPWAN in practical scenarios is not satisfactory. Although there are PHY-layer and link-layer approaches proposed to improve the performance of LPWAN, they either rely heavily on the hardware modifications or suffer from low data recovery capability, especially with bursty packet loss patterns. In this paper, we propose a practical system, eLoRa, for COTS devices. eLoRa utilizes rateless codes and jointly decoding with multiple gateways to extend the communication range and lifetime of LoRaWAN. To further improve the performance of LoRaWAN, eLoRa optimizes parameters of the PHY-layer (e.g., spreading factor) and the link layer (e.g, block length). We implement eLoRa on COTS LoRa devices and conduct extensive experiments on an outdoor testbed to evaluate the effectiveness of eLoRa. Results show that eLoRa can effectively improve the communication range of DaRe and LoRaWAN by 43.2% and 55.7% with packet reception ratio higher than 60%, and increase the expected lifetime of DaRe and LoRaWAN by 18.3% and 46.6%.

The IEEE 802.16j amendment has been developed to improve the performance of the IEEE 802.16e standard in terms of its network capacity and coverage area via employment of relay stations. An optional feature of cooperative relay has been initiated to fully utilize multihop network environment. This work focuses on the selection of cooperative relay path/paths through cross–layer approach to forward data from source to destination. The selection scheme jointly considers the signal–to–noise ratio (SNR) from physical (PHY) layer and buffer status from medium access control (MAC) layer. The SNR of the communication link between the base–station and the mobile station has to be compared to a certain threshold before making decision on the optimal cooperative relaying mode. Numerical and simulation results show that cooperative relaying improves the throughput and delay of the IEEE 802.16j system. In addition, the average transmission time of cooperative relay system decreases when the parameter from the MAC layer is considered in the relay selection scheme. Key words: Cooperative relay, IEEE 802.16j, relay selection, cross–layer design

This is volume number 10, meaning JISIB has published articles in intelligence studies for ten consecutive years. We have addressed the changes in the discipline during these years in articles and notes. I want to share with you another reflection. This year I am a reviewer and a member of the organizing committee of two similar conferences. The first is the CI2020, a conference on collective intelligence with participants from many larger and well-known universities. The second is the ICI2020, this year with a focus on collective intelligence and foresight. There are many more conference and journals presenting and publishing on similar topics simultaneously, but in different networks. Science as a whole—the advancement of knowledge for the benefit of all mankind— would most likely be better off if at least some of these groups merged. That was also my impression when reviewing the extended abstracts for these two conferences. I also tried to see if members of the CI2010 conference would consider joining the other, but that seemed more difficult than first imagined. This is also about ownership and identity, which is not an entirely unfamiliar idea. The consequences of these tendencies are not favorable for the objects we study. The unnecessary division of networks that look at the same phenomenon is sometimes referred to as “academic tribalism.” Academic tribes become a barrier to learning and this can result in closemindedness1. This is also according to my own experience. Academic clustering is a similar mechanism whereby graduates from one institution favor those who come from the same institution, but there are also those universities that systematically refrain from this. Among these is Harvard University, which seldom hires their own PhDs, or so I have been told. If so, that is probably better for the progress of science. Where is it meaningful to draw a line between academic groups then? Everyone will agree that the natural sciences are quite different from the humanities. Between psychology and business though there is much overlap with psychology in business. Between accounting and management, a good understanding of how to manage a business requires the knowledge of income statements, balance sheets and how to set up a cash flow analysis. One way to think about division is if the method is different. According to this criterion most social scientists should be able to do each other’s work, and subsequently go to each other’s conferences. Another meaningful division is based on experience and the depth of specialization obtained by the discipline. This criterion is less precise. I do not pretend to have the answer, but I think it’s a pity that all these tribes exist, with their own buzzwords often studying more or less the same phenomenon, with the same methods. What distinguishes intelligence studies from other tribes is, in my opinion, first of all that we see that the private organization is better organized as an intelligence organization, with focus on information gathering and analysis. It has less to do with departments of marketing, HR or accounting, even though the one does not exclude the other. Another way is to see the intelligence organization as a superstructure, a layer that exists above all functional departments where the aim is to achieve a competitive advantage through better information. In this respect the need for CEOs is not unlike those of ministers of state. Now, is this perspective so radically different that it deserves its own tribe with its own journal and conferences? That is the important question. And in some way, I cannot help but think that learning would be better without them, that is, it would be better if it was all one big interchangeable group, going to one another’s conferences, and writing for each other’s journals. Science would benefit from it. From time to time I have also peeked over into other groups and joined their conferences. What is astonishing especially for an outsider is that you are immediately confronted with a pecking order that 1 Rogers, S. L., & Cage, A. G. (2017). Academic Tribalism and Subject Specialists as a Challenge to Teaching and Learning in Dual Honours Systems; a Qualitative Perspective From the School of Geography, Geology and the Environment, Keele University, UK. Journal of Academic Development and Education, (8). Journal of Intelligence Studies in Business Vol. 10, No 1 (2020) p. 4-5 Open Access: Freely available at: https://ojs.hh.se/ 5 is related to who has been there the longest and published the most in the group. This cannot be an advantage for the advancement of science, I tell myself. But, then again, pecking orders seems to be the rule rather than the exception for most social creatures, not only chicken. The first article by Nasullaev et al., entitled “Technology intelligence practices in SMEs: evidence from Estonia,” is on operationalization of technology intelligence practices by small firms in catching-up economies. Their analysis reveals that elements of technology intelligence in large and small companies are similar. Furthermore, they conclude that there is no unique set of technology intelligence. The second article by Nguyen entitled “The effects of cross-functional coordination and competition on knowledge sharing and organisational innovativeness: A qualitative study in a transition economy” reveals the potentially significant effect of coopetition (i.e., the simultaneous coordination and competition) on the degree of knowledge sharing between marketing and other departments in business organisations. The enhanced knowledge sharing can, according to author, positively improve organisational innovativeness. The third article by Hendar et al. entitled “Market intelligence on business performance: the mediating role of specialized marketing capabilities” integrates market intelligence dimensions and one dimension of marketing capabilities, i.e. specialized marketing capabilities (SMC), into an empirical model to try to gain a deeper understanding of the relationship between market intelligence and SMC and how these factors shape business performance (BP). The study suggests that owners or managers of SMEs recognize that important market intelligence factors are increasing SMC and BP. This helps them make better investment decisions in developing the right combination SMC to increase BP. The fourth article, by Zafary, is entitled “Implementation of business intelligence considering the role of information systems integration and enterprise resource planning”. It shows the value of integrated information systems and enterprise resource planning in the success of business intelligence implementation. The author concludes that organizations should pay more attention to their working processes to improve business intelligence success. The fifth and last article is an opinion piece by Barnea. The title is “How will AI change intelligence and decision making?” In the article Barnea argues that with increased attention on artificial intelligence (AI) capabilities, the value of the human factor will not become redundant but rather improve its use. Furthermore, in the future AI will be significant to analysis and predictions in advance of competitors’ moves and delivering early warning signals of threats both in the private sector as well as in state services. In the last issue of JISIB we said we were looking forward to a meeting in Bad Nauheim for the ICI2020. Now due to the Corona pandemic the conference will be held online, but we still hope to see you, on video camera, that is. As always, we would above all like to thank the authors for their contributions to this issue of JISIB. Thanks to Dr. Allison Perrigo for reviewing English grammar and helping with layout design for all articles. On behalf of the Editorial Board,

Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge in saving a town considered by authorities to be “undefendable” (Kennedy) is yet to be widely appreciated. In accounting for a creative scene that survived the conflagration, this case study sees culture mobilised as a socioeconomic resource for conservation and the healing of community spirit.Northcliffe (population 850) sits on a coastal plain that hosts majestic old-growth forest and lush bushland. In 2006, Southern Forest Arts (SFA) dedicated a Southern Forest Sculpture Walk for creative professionals to develop artworks along a 1.2 km walk trail through pristine native forest. It was re-branded “Understory—Art in Nature” in 2009; then “Understory Art in Nature Trail” in 2015, the understory vegetation layer beneath the canopy being symbolic of Northcliffe’s deeply layered caché of memories, including “the awe, love, fear, and even the hatred that these trees have provoked among the settlers” (Davin in SFA Catalogue). In the words of the SFA Trailguide, “Every place (no matter how small) has ‘understories’—secrets, songs, dreams—that help us connect with the spirit of place.”In the view of forest arts ecologist Kumi Kato, “It is a sense of place that underlies the commitment to a place’s conservation by its community, broadly embracing those who identify with the place for various reasons, both geographical and conceptual” (149). In bioregional terms such communities form a terrain of consciousness (Berg and Dasmann 218), extending responsibility for conservation across cultures, time and space (Kato 150). A sustainable thematic of place must also include livelihood as the third party between culture and nature that establishes the relationship between them (Giblett 240). With these concepts in mind I gauge creative impact on forest as place, and, in turn, (altered) forest’s impact on people. My abstraction of physical place is inclusive of humankind moving in dialogic engagement with forest. A mapping of Understory’s creative activities sheds light on how artists express physical environments in situated creative practices, clusters, and networks. These, it is argued, constitute unique types of community operating within (and beyond) a foundational scene of inspiration and mystification that is metaphorically “rising from the ashes.” In transcending disconnectedness between humankind and landscape, Understory may be understood to both culturalise nature (as an aesthetic system), and naturalise culture (as an ecologically modelled system), to build on a trope introduced by Feld (199). Arguably when the bush is cultured in this way it attracts consumers who may otherwise disconnect from nature.The trail (henceforth Understory) broaches the histories of human relations with Northcliffe’s natural systems of place. Sub-groups of the Noongar nation have inhabited the southwest for an estimated 50,000 years and their association with the Northcliffe region extends back at least 6,000 years (SFA Catalogue; see also Crawford and Crawford). An indigenous sense of the spirit of forest is manifest in Understory sculpture, literature, and—for the purpose of this article—the compilation CD Canopy: Songs for the Southern Forests (henceforth Canopy, Figure 1).As a cultural and environmental construction of place, Canopy sustains the land with acts of seeing, listening to, and interpreting nature; of remembering indigenous people in the forest; and of recalling the hardships of the early settlers. I acknowledge SFA coordinator and Understory custodian Fiona Sinclair for authorising this investigation; Peter Hill for conservation conversations; Robyn Johnston for her Canopy CD sleeve notes; Della Rae Morrison for permissions; and David Pye for discussions. Figure 1. Canopy: Songs for the Southern Forests (CD, 2006). Cover image by Raku Pitt, 2002. Courtesy Southern Forest Arts, Northcliffe, WA.Forest Ecology, Emotion, and ActionEstablished in 1924, Northcliffe’s ill-founded Group Settlement Scheme resulted in frontier hardship and heartbreak, and deforestation of the southwest region for little economic return. An historic forest controversy (1992-2001) attracted media to Northcliffe when protesters attempting to disrupt logging chained themselves to tree trunks and suspended themselves from branches. The signing of the Western Australian Regional Forest Agreement in 1999 was followed, in 2001, by deregulation of the dairy industry and a sharp decline in area population.Moved by the gravity of this situation, Fiona Sinclair won her pitch to the Manjimup Council for a sound alternative industry for Northcliffe with projections of jobs: a forest where artists could work collectively and sustainably to reveal the beauty of natural dimensions. A 12-acre pocket of allocated Crown Land adjacent to the town was leased as an A-Class Reserve vested for Education and Recreation, for which SFA secured unified community ownership and grants. Conservation protocols stipulated that no biomass could be removed from the forest and that predominantly raw, natural materials were to be used (F. Sinclair and P. Hill, personal interview, 26 Sep. 2014). With forest as prescribed image (wider than the bounded chunk of earth), Sinclair invited the artists to consider the themes of spirituality, creativity, history, dichotomy, and sensory as a basis for work that was to be “fresh, intimate, and grounded in place.” Her brief encouraged artists to work with humanity and imagination to counteract residual community divisiveness and resentment. Sinclair describes this form of implicit environmentalism as an “around the back” approach that avoids lapsing into political commentary or judgement: “The trail is a love letter from those of us who live here to our visitors, to connect with grace” (F. Sinclair, telephone interview, 6 Apr. 2014). Renewing community connections to local place is essential if our lives and societies are to become more sustainable (Pedelty 128). To define Northcliffe’s new community phase, artists respected differing associations between people and forest. A structure on a karri tree by Indigenous artist Norma MacDonald presents an Aboriginal man standing tall and proud on a rock to become one with the tree and the forest: as it was for thousands of years before European settlement (MacDonald in SFA Catalogue). As Feld observes, “It is the stabilizing persistence of place as a container of experiences that contributes so powerfully to its intrinsic memorability” (201).Adhering to the philosophy that nature should not be used or abused for the sake of art, the works resonate with the biorhythms of the forest, e.g. functional seats and shelters and a cascading retainer that directs rainwater back to the resident fauna. Some sculptures function as receivers for picking up wavelengths of ancient forest. Forest Folk lurk around the understory, while mysterious stone art represents a life-shaping force of planet history. To represent the reality of bushfire, Natalie Williamson’s sculpture wraps itself around a burnt-out stump. The work plays with scale as small native sundew flowers are enlarged and a subtle beauty, easily overlooked, becomes apparent (Figure 2). The sculptor hopes that “spiders will spin their webs about it, incorporating it into the landscape” (SFA Catalogue).Figure 2. Sundew. Sculpture by Natalie Williamson, 2006. Understory Art in Nature Trail, Northcliffe, WA. Image by the author, 2014.Memory is naturally place-oriented or at least place-supported (Feld 201). Topaesthesia (sense of place) denotes movement that connects our biography with our route. This is resonant for the experience of regional character, including the tactile, olfactory, gustatory, visual, and auditory qualities of a place (Ryan 307). By walking, we are in a dialogue with the environment; both literally and figuratively, we re-situate ourselves into our story (Schine 100). For example, during a summer exploration of the trail (5 Jan. 2014), I intuited a personal attachment based on my grandfather’s small bush home being razed by fire, and his struggle to support seven children.Understory’s survival depends on vigilant controlled (cool) burns around its perimeter (Figure 3), organised by volunteer Peter Hill. These burns also hone the forest. On 27 Sept. 2014, the charred vegetation spoke a spring language of opportunity for nature to reassert itself as seedpods burst and continue the cycle; while an autumn walk (17 Mar. 2016) yielded a fresh view of forest colour, patterning, light, shade, and sound.Figure 3. Understory Art in Nature Trail. Map Created by Fiona Sinclair for Southern Forest Sculpture Walk Catalogue (2006). Courtesy Southern Forest Arts, Northcliffe, WA.Understory and the Melody of CanopyForest resilience is celebrated in five MP3 audio tours produced for visitors to dialogue with the trail in sensory contexts of music, poetry, sculptures and stories that name or interpret the setting. The trail starts in heathland and includes three creek crossings. A zone of acacias gives way to stands of the southwest signature trees karri (Eucalyptus diversicolor), jarrah (Eucalyptus marginata), and marri (Corymbia calophylla). Following a sheoak grove, a riverine environment re-enters heathland. Birds, insects, mammals, and reptiles reside around and between the sculptures, rendering the earth-embedded art a fusion of human and natural orders (concept after Relph 141). On Audio Tour 3, Songs for the Southern Forests, the musician-composers reflect on their regionally focused items, each having been birthed according to a personal musical concept (the manner in which an individual artist holds the totality of a composition in cultural context). Arguably the music in question, its composers, performers, audiences, and settings, all have a role to play in defining the processes and effects of forest arts ecology. Local musician Ann Rice billeted a cluster of musicians (mostly from Perth) at her Windy Harbour shack. The energy of the production experience was palpable as all participated in on-site forest workshops, and supported each other’s items as a musical collective (A. Rice, telephone interview, 2 Oct. 2014). Collaborating under producer Lee Buddle’s direction, they orchestrated rich timbres (tone colours) to evoke different musical atmospheres (Table 1). Composer/Performer Title of TrackInstrumentation1. Ann RiceMy Placevocals/guitars/accordion 2. David PyeCicadan Rhythmsangklung/violin/cello/woodblocks/temple blocks/clarinet/tapes 3. Mel RobinsonSheltervocal/cello/double bass 4. DjivaNgank Boodjakvocals/acoustic, electric and slide guitars/drums/percussion 5. Cathie TraversLamentaccordion/vocals/guitar/piano/violin/drums/programming 6. Brendon Humphries and Kevin SmithWhen the Wind First Blewvocals/guitars/dobro/drums/piano/percussion 7. Libby HammerThe Gladevocal/guitar/soprano sax/cello/double bass/drums 8. Pete and Dave JeavonsSanctuaryguitars/percussion/talking drum/cowbell/soprano sax 9. Tomás FordWhite Hazevocal/programming/guitar 10. David HyamsAwakening /Shaking the Tree /When the Light Comes guitar/mandolin/dobro/bodhran/rainstick/cello/accordion/flute 11. Bernard CarneyThe Destiny Waltzvocal/guitar/accordion/drums/recording of The Destiny Waltz 12. Joel BarkerSomething for Everyonevocal/guitars/percussion Table 1. Music Composed for Canopy: Songs for the Southern Forests.Source: CD sleeve and http://www.understory.com.au/art.php. Composing out of their own strengths, the musicians transformed the geographic region into a living myth. As Pedelty has observed of similar musicians, “their sounds resonate because they so profoundly reflect our living sense of place” (83-84). The remainder of this essay evidences the capacity of indigenous song, art music, electronica, folk, and jazz-blues to celebrate, historicise, or re-imagine place. Firstly, two items represent the phenomenological approach of site-specific sensitivity to acoustic, biological, and cultural presence/loss, including the materiality of forest as a living process.“Singing Up the Land”In Aboriginal Australia “there is no place that has not been imaginatively grasped through song, dance and design, no place where traditional owners cannot see the imprint of sacred creation” (Rose 18). Canopy’s part-Noongar language song thus repositions the ancient Murrum-Noongar people within their life-sustaining natural habitat and spiritual landscape.Noongar Yorga woman Della Rae Morrison of the Bibbulmun and Wilman nations co-founded The Western Australian Nuclear Free Alliance to campaign against the uranium mining industry threatening Ngank Boodjak (her country, “Mother Earth”) (D.R. Morrison, e-mail, 15 July 2014). In 2004, Morrison formed the duo Djiva (meaning seed power or life force) with Jessie Lloyd, a Murri woman of the Guugu Yimidhirr Nation from North Queensland. After discerning the fundamental qualities of the Understory site, Djiva created the song Ngank Boodjak: “This was inspired by walking the trail […] feeling the energy of the land and the beautiful trees and hearing the birds. When I find a spot that I love, I try to feel out the lay-lines, which feel like vortexes of energy coming out of the ground; it’s pretty amazing” (Morrison in SFA Canopy sleeve) Stanza 1 points to the possibilities of being more fully “in country”:Ssh!Ni dabarkarn kooliny, ngank boodja kookoorninyListen, walk slowly, beautiful Mother EarthThe inclusion of indigenous language powerfully implements an indigenous interpretation of forest: “My elders believe that when we leave this life from our physical bodies that our spirit is earthbound and is living in the rocks or the trees and if you listen carefully you might hear their voices and maybe you will get some answers to your questions” (Morrison in SFA Catalogue).Cicadan Rhythms, by composer David Pye, echoes forest as a lively “more-than-human” world. Pye took his cue from the ambient pulsing of male cicadas communicating in plenum (full assembly) by means of airborne sound. The species were sounding together in tempo with individual rhythm patterns that interlocked to create one fantastic rhythm (Australian Broadcasting Corporation, Composer David Pye). The cicada chorus (the loudest known lovesong in the insect world) is the unique summer soundmark (term coined by Truax Handbook, Website) of the southern forests. Pye chased various cicadas through Understory until he was able to notate the rhythms of some individuals in a patch of low-lying scrub.To simulate cicada clicking, the composer set pointillist patterns for Indonesian anklung (joint bamboo tubes suspended within a frame to produce notes when the frame is shaken or tapped). Using instruments made of wood to enhance the rich forest imagery, Pye created all parts using sampled instrumental sounds placed against layers of pre-recorded ambient sounds (D. Pye, telephone interview, 3 Sept. 2014). He takes the listener through a “geographical linear representation” of the trail: “I walked around it with a stopwatch and noted how long it took to get through each section of the forest, and that became the musical timing of the various parts of the work” (Pye in SFA Canopy sleeve). That Understory is a place where reciprocity between nature and culture thrives is, likewise, evident in the remaining tracks.Musicalising Forest History and EnvironmentThree tracks distinguish Canopy as an integrative site for memory. Bernard Carney’s waltz honours the Group Settlers who battled insurmountable terrain without any idea of their destiny, men who, having migrated with a promise of owning their own dairy farms, had to clear trees bare-handedly and build furniture from kerosene tins and gelignite cases. Carney illuminates the culture of Saturday night dancing in the schoolroom to popular tunes like The Destiny Waltz (performed on the Titanic in 1912). His original song fades to strains of the Victor Military Band (1914), to “pay tribute to the era where the inspiration of the song came from” (Carney in SFA Canopy sleeve). Likewise Cathie Travers’s Lament is an evocation of remote settler history that creates a “feeling of being in another location, other timezone, almost like an endless loop” (Travers in SFA Canopy sleeve).An instrumental medley by David Hyams opens with Awakening: the morning sun streaming through tall trees, and the nostalgic sound of an accordion waltz. Shaking the Tree, an Irish jig, recalls humankind’s struggle with forest and the forces of nature. A final title, When the Light Comes, defers to the saying by conservationist John Muir that “The wrongs done to trees, wrongs of every sort, are done in the darkness of ignorance and unbelief, for when the light comes the heart of the people is always right” (quoted by Hyams in SFA Canopy sleeve). Local musician Joel Barker wrote Something for Everyone to personify the old-growth karri as a king with a crown, with “wisdom in his bones.”Kevin Smith’s father was born in Northcliffe in 1924. He and Brendon Humphries fantasise the untouchability of a maiden (pre-human) moment in a forest in their song, When the Wind First Blew. In Libby Hammer’s The Glade (a lover’s lament), instrumental timbres project their own affective languages. The jazz singer intended the accompanying double bass to speak resonantly of old-growth forest; the cello to express suppleness and renewal; a soprano saxophone to impersonate a bird; and the drums to imitate the insect community’s polyrhythmic undercurrent (after Hammer in SFA Canopy sleeve).A hybrid aural environment of synthetic and natural forest sounds contrasts collision with harmony in Sanctuary. The Jeavons Brothers sampled rustling wind on nearby Mt Chudalup to absorb into the track’s opening, and crafted a snare groove for the quirky eco-jazz/trip-hop by banging logs together, and banging rocks against logs. This imaginative use of percussive found objects enhanced their portrayal of forest as “a living, breathing entity.”In dealing with recent history in My Place, Ann Rice cameos a happy childhood growing up on a southwest farm, “damming creeks, climbing trees, breaking bones and skinning knees.” The rich string harmonies of Mel Robinson’s Shelter sculpt the shifting environment of a brewing storm, while White Haze by Tomás Ford describes a smoky controlled burn as “a kind of metaphor for the beautiful mystical healing nature of Northcliffe”: Someone’s burning off the scrubSomeone’s making sure it’s safeSomeone’s whiting out the fearSomeone’s letting me breathe clearAs Sinclair illuminates in a post-fire interview with Sharon Kennedy (Website):When your map, your personal map of life involves a place, and then you think that that place might be gone…” Fiona doesn't finish the sentence. “We all had to face the fact that our little place might disappear." Ultimately, only one house was lost. Pasture and fences, sheds and forest are gone. Yet, says Fiona, “We still have our town. As part of SFA’s ongoing commission, forest rhythm workshops explore different sound properties of potential materials for installing sound sculptures mimicking the surrounding flora and fauna. In 2015, SFA mounted After the Burn (a touring photographic exhibition) and Out of the Ashes (paintings and woodwork featuring ash, charcoal, and resin) (SFA, After the Burn 116). The forthcoming community project Rising From the Ashes will commemorate the fire and allow residents to connect and create as they heal and move forward—ten years on from the foundation of Understory.ConclusionThe Understory Art in Nature Trail stimulates curiosity. It clearly illustrates links between place-based social, economic and material conditions and creative practices and products within a forest that has both given shelter and “done people in.” The trail is an experimental field, a transformative locus in which dedicated physical space frees artists to culturalise forest through varied aesthetic modalities. Conversely, forest possesses agency for naturalising art as a symbol of place. Djiva’s song Ngank Boodjak “sings up the land” to revitalise the timelessness of prior occupation, while David Pye’s Cicadan Rhythms foregrounds the seasonal cycle of entomological music.In drawing out the richness and significance of place, the ecologically inspired album Canopy suggests that the community identity of a forested place may be informed by cultural, economic, geographical, and historical factors as well as endemic flora and fauna. Finally, the musical representation of place is not contingent upon blatant forms of environmentalism. The portrayals of Northcliffe respectfully associate Western Australian people and forests, yet as a place, the town has become an enduring icon for the plight of the Universal Old-growth Forest in all its natural glory, diverse human uses, and (real or perceived) abuses.ReferencesAustralian Broadcasting Commission. “Canopy: Songs for the Southern Forests.” Into the Music. Prod. Robyn Johnston. Radio National, 5 May 2007. 12 Aug. 2014 <http://www.abc.net.au/radionational/programs/intothemusic/canopy-songs-for-the-southern-forests/3396338>.———. “Composer David Pye.” Interview with Andrew Ford. The Music Show, Radio National, 12 Sep. 2009. 30 Jan. 2015 <http://canadapodcasts.ca/podcasts/MusicShowThe/1225021>.Berg, Peter, and Raymond Dasmann. “Reinhabiting California.” Reinhabiting a Separate Country: A Bioregional Anthology of Northern California. Ed. Peter Berg. San Francisco: Planet Drum, 1978. 217-20.Crawford, Patricia, and Ian Crawford. 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Unpaginated booklet.———. Understory—Art in Nature. 2009. 12 Apr. 2016 <http://www.understory.com.au/>.———. Trailguide. Understory. Presented by Southern Forest Arts, n.d.———. After the Burn: Stories, Poems and Photos Shared by the Local Community in Response to the 2015 Northcliffe and Windy Harbour Bushfire. 2nd ed. Ed. Fiona Sinclair. Northcliffe, WA., 2016.Truax, Barry, ed. Handbook for Acoustic Ecology. 2nd ed. Cambridge Street Publishing, 1999. 10 Apr. 2016 <http://www.sfu.ca/sonic-studio/handbook/Soundmark.html>.