Literatura académica sobre el tema "Criminalité au cinéma"
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Artículos de revistas sobre el tema "Criminalité au cinéma"
Bauman, Rebecca. "‘Now you are one of us’: Mafia fashion on-screen". Film, Fashion & Consumption 11, n.º 2 (1 de noviembre de 2022): 155–68. http://dx.doi.org/10.1386/ffc_00045_1.
Texto completoMututa, Addamms Songe. "Reductionism and post-apartheid culture: A critique of building hijacking in Gangsters Paradise: Jerusalema". Journal of African Cinemas 15, n.º 1 (1 de marzo de 2023): 37–55. http://dx.doi.org/10.1386/jac_00088_1.
Texto completoBoyce, Benjamin. "Lessons from Shawshank: Outlaws, Lawmen and the Spectacle of Punishment". Humanities 12, n.º 1 (12 de enero de 2023): 10. http://dx.doi.org/10.3390/h12010010.
Texto completoRobinson, Amy. "Chucho el Roto in Mexico’s Post-1968 Cinema: Banditry, State-Sponsored Violence, and the Alternative National Family". Mexican Studies/Estudios Mexicanos 30, n.º 2 (2014): 446–78. http://dx.doi.org/10.1525/msem.2014.30.2.446.
Texto completoBonjour, Mini Mark. "Thuggee and Sati Revisited". Artha - Journal of Social Sciences 15, n.º 3 (1 de julio de 2016): 21. http://dx.doi.org/10.12724/ajss.38.2.
Texto completoKuznetsova, Yulia A. y Nadezhda A. Kalmazova. "Representation of the concept 'thief' in the modern mass media". Verhnevolzhski Philological Bulletin 1, n.º 24 (2021): 74–80. http://dx.doi.org/10.20323/2499-9679-2021-1-24-74-80.
Texto completoLEVET, Natacha. "Urban Space in Sorogoyen cinema: a Political Deframing of the Gaze". Les espaces urbains dans les fictions criminelles espagnoles : (dé)cadrer la ville à l’écran et en bande dessinée, n.º 4 (5 de enero de 2024). http://dx.doi.org/10.25965/flamme.1202.
Texto completo"The death penalty in American cinema: criminality and retribution in Hollywood film". Choice Reviews Online 52, n.º 03 (23 de octubre de 2014): 52–1315. http://dx.doi.org/10.5860/choice.186086.
Texto completoOngiri, Amy Abugo. "Black “Crime,” Public Hysteria, and the Cinema of Containment: Black Cinema Aesthetics from Willie Dynamite to The Interrupters and a/k/a Mrs. George Gilbert". Journal of Foreign Languages and Cultures 5, n.º 1 (28 de junio de 2021). http://dx.doi.org/10.53397/hunnu.jflc.202101003.
Texto completoA.Wilson, Jason. "Performance, anxiety". M/C Journal 5, n.º 2 (1 de mayo de 2002). http://dx.doi.org/10.5204/mcj.1952.
Texto completoTesis sobre el tema "Criminalité au cinéma"
Boni, Marta. "De l'intertextualité au transmédial : pratiques de réécriture autour de "Romanzo criminale"". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030124/document.
Texto completoPresented as a new interpretation of a momentous event in recent Italian history, Romanzo Criminale is a story spread through different types of media; it is a book, a film, a TV series, as well as a number of extra materials. Spin-offs of these products created by users can be found on the Internet as well. Users pay homage to or parody the original media by transforming or remixing its content, thus expanding the story’s universe by putting forward alternative interpretations throughout various communities both on and offline. In this study, we explore the methods available to researchers for analyzing this phenomenon. If, in the first section of the study, the notion of intertextuality can be used as a heuristic tool, in the second, the presence of actual uses requires the researcher to go beyond the narratological perspective and construct a methodology that is adapted to the contemporary context of convergence. In order to understand the multitude of existing practices, it is imperative to carry out an ethnographic investigation of online spaces (blogs, video sharing sites, social networks), and accompany it with a critical examination of the notion of transmediality. In the last section, we examine one of the most typical contemporary features of the studied phenomenon, the one which produces an everexpanding fictional universe created by spectators that will be compared to an "epic work"
Carvalho, Luciana de [UNESP]. "Uma leitura de Cidade de Deus, de Paulo Lins". Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/91606.
Texto completoO trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textuais presentes na constituição da obra em questão, sem deixar de considerar o contexto sóciohistórico em que o romance está inserido. Procura explorar ainda, as condições específicas que despertaram o interesse do público em geral para a leitura da obra e em que medida a transposição do romance para o cinema, no ano de 2002, sob a direção de Fernando Meirelles, influenciou no aumento do número de leitores para esse livro.
This study consists in the investigation anda analysis of Paulo Lins' romance Cidade de Deus, relanced in 2002. This analysis intends to verify as this contemporary text articulates his writings, his production, from one expectative of lecture of a contemporary reader. The study search too to observe the textuals and discoursives mechanisms presentes in the constitution of book in question, without leave to consider the social and historic context in that the romance is inserted. It search still to explore the specific conditions that waked the public interest in general for reader of book and in that measure the transposition of romance for the cinema, in the year 2002, under Fernando Meirelles direction, had influence in the increase number of readers for this book.
Carvalho, Luciana de. "Uma leitura de Cidade de Deus, de Paulo Lins /". Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/91606.
Texto completoBanca: Maria Lúcia Outeiro Fernandes
Banca: Tieko Yamaguchi Miyazaki
Resumo: O trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textuais presentes na constituição da obra em questão, sem deixar de considerar o contexto sóciohistórico em que o romance está inserido. Procura explorar ainda, as condições específicas que despertaram o interesse do público em geral para a leitura da obra e em que medida a transposição do romance para o cinema, no ano de 2002, sob a direção de Fernando Meirelles, influenciou no aumento do número de leitores para esse livro.
Abstract: This study consists in the investigation anda analysis of Paulo Lins' romance Cidade de Deus, relanced in 2002. This analysis intends to verify as this contemporary text articulates his writings, his production, from one expectative of lecture of a contemporary reader. The study search too to observe the textuals and discoursives mechanisms presentes in the constitution of book in question, without leave to consider the social and historic context in that the romance is inserted. It search still to explore the specific conditions that waked the public interest in general for reader of book and in that measure the transposition of romance for the cinema, in the year 2002, under Fernando Meirelles direction, had influence in the increase number of readers for this book.
Mestre
Melani, Tommaso. "La rappresentazione della 'mala' romana nel contesto della serialità televisiva italiana. Il caso Cattleya". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Buscar texto completoHamel, Louis-Philippe. "«Cool crime films» : tendance cool de la représentation de la criminalité dans le cinéma des années quatre-vingt-dix". Thèse, 2017. http://hdl.handle.net/1866/20169.
Texto completoLibros sobre el tema "Criminalité au cinéma"
Yi, Su-jŏng. Yi Su-jŏng Yi Ta-hye ŭi pŏmjoe yŏnghwa p'ŭrop'ail. Sŏul T'ŭkpyŏlsi: Minŭmsa, 2020.
Buscar texto completoKoslovsky-Golan, Yvonne. Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film. I. B. Tauris & Company, Limited, 2014.
Buscar texto completoAristodemou, Maria, Fiona Macmillan y Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.
Buscar texto completoAristodemou, Maria, Fiona Macmillan y Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.
Buscar texto completoCrime Fiction and the Law. Taylor & Francis Group, 2016.
Buscar texto completoGreen-Simms, Lindsey B. Queer African Cinemas. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022633.
Texto completoLehnen, Jeremy. Neo-Authoritarian Masculinity in Brazilian Crime Film. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9781683402541.001.0001.
Texto completoTsika, Noah. Screening the Police. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577721.001.0001.
Texto completoCapítulos de libros sobre el tema "Criminalité au cinéma"
Weiser, Frans. "Performing Criminality: Immigration and Integration in Foreign Land and Fado Blues". En Migration in Lusophone Cinema, 93–112. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137408921_6.
Texto completoCairns, Lucille. "Bad Girls: Criminality". En Sapphism on ScreenLesbian Desire in French and Francophone Cinema, 19–49. Edinburgh University Press, 2006. http://dx.doi.org/10.3366/edinburgh/9780748621651.003.0002.
Texto completoHext, Kate. "Oscar Wilde, Hollywood Rebel". En Wilde in the Dream Factory, 189–91. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191987335.003.0008.
Texto completoPhillis, Philip E. y Philip E. Phillis. "Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim". En Greek Cinema and Migration, 1991-2016, 125–44. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.003.0005.
Texto completoMoss, Eloise. "Introduction". En Night Raiders, 1–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0010.
Texto completoMoss, Eloise. "A. J. Raffles". En Night Raiders, 43–65. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0002.
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