Literatura académica sobre el tema "Crime Fiction Technique"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Crime Fiction Technique".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Crime Fiction Technique"
Pape, Toni. "Moving in stealth: On the tracking shot as a technique for imperceptibility". Critical Studies in Television: The International Journal of Television Studies 14, n.º 1 (marzo de 2019): 40–54. http://dx.doi.org/10.1177/1749602018816876.
Texto completoAchsani, Ferdian. "REALITAS SOSIAL MASYARAKAT PERKAMPUNGAN DALAM NASKAH DRAMA H.A.H KARYA PUTU WIJAYA". LEKSEMA: Jurnal Bahasa dan Sastra 4, n.º 2 (31 de diciembre de 2019): 139. http://dx.doi.org/10.22515/ljbs.v4i2.1769.
Texto completoKhisamova, Zarina y Ildar Begishev. "Criminal Liability and Artificial Intelligence: Theoretical and Applied Aspects". Russian Journal of Criminology 13, n.º 4 (23 de agosto de 2019): 564–74. http://dx.doi.org/10.17150/2500-4255.2019.13(4).564-574.
Texto completoAlzouabi, Lina. "Social Environment and Crime in Dickens' Oliver Twist and Great Expectations". International Journal of Linguistics, Literature and Translation 4, n.º 6 (30 de junio de 2021): 163–70. http://dx.doi.org/10.32996/ijllt.2021.4.6.19.
Texto completoBerberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety". Genealogy 3, n.º 4 (7 de diciembre de 2019): 70. http://dx.doi.org/10.3390/genealogy3040070.
Texto completoSampytho, Gilang Rizky, Tutik Sulistyowati y Muhammad Hayat. "Sistem Mafia Aplikasi Online Grab di Era Digitalisasi". Al-Mada: Jurnal Agama, Sosial, dan Budaya 4, n.º 1 (12 de enero de 2021): 40–63. http://dx.doi.org/10.31538/almada.v4i1.837.
Texto completoCarvalho, Tiago Jose de, Helio Pedrini y Anderson De Rezende Rocha. "Visual Computing and Machine Learning Techniques for Digital Forensics". Revista de Informática Teórica e Aplicada 22, n.º 1 (18 de mayo de 2015): 128. http://dx.doi.org/10.22456/2175-2745.49492.
Texto completoNayebpour, Karam. "Narrativity in The Thousand and One Nights". Advances in Language and Literary Studies 8, n.º 4 (31 de agosto de 2017): 85. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.85.
Texto completoHerzog, Todd. "Crime Stories: Criminal, Society, and the Modernist Case History". Representations 80, n.º 1 (2002): 34–61. http://dx.doi.org/10.1525/rep.2002.80.1.34.
Texto completoSemenova, Oksana. "National Cinematography as a Response to Russian Information Aggression (A Case Study of Historical and Patriotic Films)". Ukrainian Studies, n.º 2(79) (3 de agosto de 2021): 30–49. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234951.
Texto completoTesis sobre el tema "Crime Fiction Technique"
Robb, Simon. "Fictocritical sentences". 2001, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phr631.pdf.
Texto completoJiang, Yan-Lin y 江彥琳. "Narrative Technique in Crime Fiction: Examples from Dürrenmatt's "The Judge and His Hangman" and "Suspicion"". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/81741717068166899324.
Texto completo輔仁大學
德國語文學系
99
Together with Max Frisch, the writer Friedrich Dürrenmatt (1921-1990), who wrote numerous works, is regarded as one of the most important and outstanding Swiss authors in the twentieth century. He is not only well-known as dramatist, but also as narrator and crime author. Before he triumphed with dramas, he had already arrived at the first success with his first novel “The Judge and His Hangman” (1950/51) and its sequel “Suspicion” (1951/52), in which the detective figure Inspector Bärlach is focused as the main character. On one hand, Dürrenmatt follows the tradition of detective fiction in both novels; on the other hand, he tries to deconstruct the traditional detective figure and to break the rules of classical detective fiction and its typical pattern gradually. The first chapter explains the motivation of writing and the structure of this thesis. The second chapter represents a short introduction of the author Dürrenmatt and his main works. The third chapter states an overview of researches on the novels “The Judge and His Hangman” and “Suspicion”. Afterwards, the fourth chapter probes the concept of crime fiction and its sub-genre, detective fiction, and shows a short presentation of their development from the middle of nineteenth century to the middle of twentieth century. According to the definition and the analysis of crime fiction and classical detective novels, the type of the two above-mentioned novels will be discussed. The fifth and sixth chapters are the main parts of the thesis, in which the novels “The Judge and His Hangman” and “Suspicion” are explored in detail: their structure and the main characters will be analyzed and interpreted systematically and thoroughly. Finally, the seventh chapter represents the conclusion of this thesis. With the novels “The Judge and His Hangman” and “Suspicion”, Dürrenmatt not only successes to subvert the traditional pattern of detective fiction, but also tries to convey different themes, such as law and justice, within the framework of trivial literature in a light, interesting but artistic way, in order to reflect and criticize the situation of society. This could explain why Dürrenmatt is as crime author so popular, and why his detective fictions are still read and researched by many people until today.
Wan, Tze-yin y 萬姿吟. "Analysis of Seicho Matsumoto''s Writing Techniques for Crime Fiction: Early Works". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/93333039866198045980.
Texto completo國立高雄第一科技大學
應用日語所
95
Before the Second World War, Japanese crime fiction was considered as a genre of fiction that was popular, exaggerated and playful. Seicho Matsumoto, however, was an unconventional writer with distinct techniques which made his crime fiction more realistic and refined than others. Therefore, “Seicho’s Revolution” is well known in Japanese literature. The term “revolution” indicates that Seicho Matsumoto thoroughly reformed Japanese crime fiction. Since the publication of his first crime fiction Points and Lines in 1958, Seicho Matsumoto has created a new trend in Japanese crime fiction, “crime fiction with a social consciousness”. The study begins with a literature review of the history of Japanese crime fiction as well as the emergence and features of crime fiction exhibiting a social consciousness. Next, two masterpieces of Seicho Matsumoto’s early works, Points and Lines and Vessel of Sand, are examined, to discover his unique writing techniques, such as putting the emphasis on the motives behind the crimes and also bringing social issues into the stories.
Libros sobre el tema "Crime Fiction Technique"
K, Kamerman Sylvia, ed. Writing mystery and crime fiction. Boston: The Writer, 1985.
Buscar texto completoKeating, H. R. F. Writing crime fiction. London: A & C Black, 1986.
Buscar texto completoKeating, H. R. F. Writing crime fiction. New York: St. Martin's Press, 1987.
Buscar texto completoJames, P. D. Talking about detective fiction. New York: Alfred A. Knopf, 2009.
Buscar texto completoD, James P. Talking about detective fiction. New York: Alfred A. Knopf, 2009.
Buscar texto completoD, James P. Talking About Detective Fiction. New York: Knopf Doubleday Publishing Group, 2009.
Buscar texto completoTadié, Benoît. Le polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.
Buscar texto completoLe polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.
Buscar texto completoWriting crime fiction. 2014.
Buscar texto completoLaurence, Janet. Writing Crime Fiction. GLMP Limited, 2011.
Buscar texto completoCapítulos de libros sobre el tema "Crime Fiction Technique"
Johnson, Rebecca C. "Introduction". En Stranger Fictions, 1–24. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753060.003.0001.
Texto completoZarri, Gian Piero. "Conceptual Tools for Dealing with ‘Narrative' Terrorism Information". En Handbook of Research on Computational Forensics, Digital Crime, and Investigation, 447–69. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-836-9.ch019.
Texto completo