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Artículos de revistas sobre el tema "Creating Verbatim Theatre"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 21 de febrero de 2023

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1

Redling, Ellen. "Fake News and Drama: Nationalism, Immigration and the Media in Recent British Plays." Journal of Contemporary Drama in English 6, no. 1 (April 27, 2018): 87–100. http://dx.doi.org/10.1515/jcde-2018-0013.

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AbstractFake News is often not taken seriously enough. It might appear like a mere hoax and too fantastical or bold to believe, just like the so-called ‘alternative facts’ presented about the size of the crowd at Donald Trump’s inauguration. Similarly, nationalistic tendencies, often driven by fake news and promoted by authoritarian leaders, can be underestimated. Recent British plays and performances about fake news which appeared after the Brexit vote make clear that the typical strategies of the liberal left of fighting against nationalism and authoritarianism seem to no longer work when ta
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2

Khokhlova, Daria. "The character of Levin in the ballet “Anna Karenina” choreographed by John Neumeier Anna Karenina: the peculiarities of choreographic interpretation." Философия и культура, no. 6 (June 2021): 1–14. http://dx.doi.org/10.7256/2454-0757.2021.6.36354.

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The problem of choreographic interpretation of the novel “Anna Karenina” by L. Tolstoy in the modern ballet theater is relevant: in the past twenty years, several outstanding choreographers have selected this theme for their performance. The subject of this article is the interpretation of the character of Levin by John Neumeier. The goal consists in revealing the expressive elements and peculiarities of choreographic language used by the ballet master in staging this role, as well as in juxtaposing them with the original literary text. The article employs comparative and a
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3

Chenier, Dylan. "Verbatim Voices: An Investigation of Housing and Development in Kingston." Canadian Theatre Review 191 (August 1, 2022): 68–71. http://dx.doi.org/10.3138/ctr.191.010.

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Verbatim theatre is a sub-genre of the documentary theatre movement committed to authentic representations of ordinary people and events. As such, it has become a popular tool for Canadian theatre artists to examine contemporary political issues by presenting a plurality of perspectives on the same issue. Through the creation of an original verbatim play on housing in Kingston, I hope to test the effectiveness of verbatim in shaping people’s understanding of Kingston’s current housing crisis. By showcasing the perspectives of a diverse range of citizens, this play will consider the toll the ho
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4

Shah, Sonali, and Stephen Greer. "Polio monologues: translating ethnographic text into verbatim theatre." Qualitative Research 18, no. 1 (March 24, 2017): 53–69. http://dx.doi.org/10.1177/1468794117696141.

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Mass vaccination programmes mean that poliomyelitis is almost a forgotten memory in the Global North. But in reality its effects continue as many people who contracted paralytic polio in childhood may develop functional deterioration (Post-Polio Syndrome or PPS) in later adulthood; mass migration and escape from violence means that it is also re-emerging in contemporary societies. Thus it is crucial for different audiences to have opportunities to engage with, and understand the life histories of polio survivors and their personal experiences of disease and disability across biographical and h
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5

Lee, Haekyoung. "Creating an Interdisciplinary History and Theater Class: A Case Study on Conducting Oral History for Verbatim Theater." Journal of Korean Theatre Education 35 (December 31, 2019): 165–204. http://dx.doi.org/10.46262/kte.35.2.4.

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6

Burić, Igor. "Switch on, switch off, or transcending boundaries: Contemporary currents in dramaturgy of performing arts in Novi Sad Theatre." Maska 33, no. 191 (September 1, 2018): 116–23. http://dx.doi.org/10.1386/maska.33.191-192.116_5.

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In my review of Zoltán Puskas’s OFF at the Novi Sad Theatre, I considered the implementation of contemporary performing currents, especially verbatim, in an atypical, most creative albeit minority-determined theatre environment. The work, based on regulatory administrative documents, problematizes the relation of society to art and vice versa, suggesting a new – or quite old – view of such engagement.
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7

Frimberger, Katja. "“Some People Are Born Strange”." Qualitative Inquiry 23, no. 3 (July 7, 2016): 228–39. http://dx.doi.org/10.1177/1077800416643995.

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The article explores the role of a Brechtian theater pedagogy as “philosophical ethnography” in four investigative drama-based workshops, which took international students’ intercultural “strangeness” experiences as the starting point for aesthetic experimentation. It is argued that a Brechtian theater pedagogy allows for a productive rather than representational orientation in research, which is underpinned by a love for the aesthetic “re-entanglement” of (dis-embodied) language and ethical concerns about mimetic representational acts. To show how a Brechtian research pedagogy functioned as p
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8

Molley, Scott, Amy Derochie, Jessica Teicher, Vibhuti Bhatt, Shara Nauth, Lynn Cockburn, and Sylvia Langlois. "Patient Experience in Health Professions Curriculum Development." Journal of Patient Experience 5, no. 4 (May 15, 2018): 303–9. http://dx.doi.org/10.1177/2374373518765795.

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To enhance student learning, many health profession programs are embracing involvement of patients in their curricula, yet little is known about the impact of such an experience on patients. Objective: To understand the experiences of patients who contributed to the creation of a Verbatim Reader’s Theater used in health professions curriculum. Methods: A semi-structured interview was conducted with a focus group of 3 patients who participated in curriculum development. The interview was recorded, transcribed verbatim, and analyzed for themes using van Manen approach to hermeneutic phenomenolog
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9

Bianchi, Victoria. "Flexible Characterization: Herstorical Performance in Heritage Sites." New Theatre Quarterly 36, no. 4 (November 2020): 355–68. http://dx.doi.org/10.1017/s0266464x20000603.

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This article explores how performance and character can be used to represent the lives of real women in spaces of heritage. It focuses on two different site-specific performances created by the author in the South Ayrshire region of Scotland: CauseWay: The Story of the Alloway Suffragettes and In Hidden Spaces: The Untold Stories of the Women of Rozelle House. These were created with a practice-as-research methodology and aim to offer new models for the use of character in site-specific performance practice. The article explores the variety of methods and techniques used, including verbatim wr
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10

Loots, Lliane. "The autoethnographic act of choreography: considering the creative process of storytelling with and on the performative dancing body and the use of Verbatim Theatre methods." Critical Arts 30, no. 3 (May 3, 2016): 376–91. http://dx.doi.org/10.1080/02560046.2016.1205323.

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11

Pilny, Ondrej. "Dermot Healy and memory." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 71, no. 2 (June 5, 2018): 173–88. http://dx.doi.org/10.5007/2175-8026.2018v71n2p173.

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The essay focuses on Irish author Dermot Healy’s involvement with memories of old people within two collaborative projects: the making of a film based on the documentary novel I Could Read the Sky by Timothy O’Grady and Steve Pyke (1997), and the development of a documentary drama with the clients of a day care centre in Co. Monaghan, entitled Men to the Right, Women to the Left (2001). It examines the methods used to record the material and its subsequent creative use, particularly in comparison with the technique of British verbatim theatre, and in the context of the imperfections of individ
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12

Grigoreva, Marina Borisovna, and Nuriya Munirovna Akchurina-Muftieva. "Modern Crimean Tatar national costume: succession and novelties (based on the example of Crimean dress designers)." Культура и искусство, no. 12 (December 2020): 1–13. http://dx.doi.org/10.7256/2454-0625.2020.12.34339.

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This article analyzes the modern Crimean Tatar costume from the perspective of succession of the traditional elements. The author systematizes general approaches towards design of the traditional and modern costume, indicating the characteristic features. At the present stage, the elements of the traditional Crimean Tatar costume are growing in popularity. Interpretation and modern stylization of the traditional elements of national costume leads to the formation of the unique style. The leading phenomenon in the approach towards design of the modern national costume is the scientific basis, w
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13

Meyers, Carmen. "Two Truths and a Lie: An Ethnodramatic Exploration of Resistance and Relationships Between Women in Our Current Political and Social Climate." Qualitative Inquiry, September 2, 2022, 107780042211141. http://dx.doi.org/10.1177/10778004221114126.

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In 2021, I created the verbatim documentary play, Two Truths and a Lie, to address how verbatim documentary theatre can serve as a springboard for dialogue regarding perceived truths around the 2016 and 2020 elections. This new verbatim documentary interlaces my connection with three of the conservative women I interviewed in 2019 around their response to “What are your thoughts about the 2020 election?” and incorporating the game, Two Truths and a Lie, to engage audience discussion around bias and perceived truth. The play emerged from a ten-day playwright retreat at The Hundredth Hill Artist
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14

Pinchbeck, Michael David, and Kevin Egan. "Staging Scores: Devising Contemporary Performances from Classical Music." Volume 8 8, no. 1 (January 4, 2022). http://dx.doi.org/10.16995/olh.4684.

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In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances they were involved in making. Egan addresses the question of ‘adapting scores’ in relation to Plane Performance’s Traviata (2010), where Verdi’s operatic score became the main ‘text’ from which the company were able to deconstruct and re-imagine the opera as a piece of contemporary theatre; one that celebrated the complexities and subt
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15

Peters, Sarah. "A Reflective Practitioner Case Study Approach to Researching Verbatim Theatre." Qualitative Report, September 16, 2020. http://dx.doi.org/10.46743/2160-3715/2020.3744.

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The Reflective Practitioner Case Study (RPCS) methodology, as defined by John O’Toole in Doing Drama Research (2006), is situated within the broader category of qualitative practice-led research, with a focus on inducing practice based data for analysis and research. This article details my application of the RPCS methodology when researching the process and impact of verbatim theatre practice within the context of writing and performing the verbatim play bald heads & blue stars. I provide examples of the triangulated documentation of the creative process, demonstrate strategic planning fo
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16

Rinne, Nora. "Are you for real: writing verbatim performance with ethnographer’s tools." Scriptum : Creative Writing Research Journal, June 9, 2022, 1–38. http://dx.doi.org/10.17011/scriptum/2022/2/5.

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Verbatim technique connects concepts such as ‘actual’, ‘real’, ‘original’ and ‘authentic’ to theatre, performance art and creativity. In this article, I consider the roles of creativity, art, veracity and reality when composing a performance text that is based on the ‘actual words’ of ‘real people’. What is the truth claim in verbatim performance, and how does it operate together with artistic creativity? My approach is that of an artistic researcher conducting research with children. When I collect materials for my verbatim performances, I use many of the same techniques and methods that chil
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17

Hernandez, George, Valeria Sandena, Sotonye Douglas, Amy Miyako Williams, and Anna-Leila Williams. "Partnership with a Theater Company to Amplify Voices of Underrepresented-in-Medicine Students." Voices in Bioethics 7 (August 24, 2021). http://dx.doi.org/10.52214/vib.v7i.8590.

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Photo by Sam McGhee on Unsplash ABSTRACT Medical education has a long history of discriminatory practices. Because of the hierarchy inherent in medical education, underrepresented-in-medicine (URiM) students are particularly vulnerable to discrimination and often feel they have limited recourse to respond without repercussions. URiM student leaders at a USA medical school needed their peers, faculty, and administration to know the institutional racism and other forms of discrimination they regularly experienced. The students wanted to share first-person narratives of their experiences; however
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18

Rice, Kate. "Casualties on the Road to Ethical Authenticity." M/C Journal 16, no. 1 (January 17, 2013). http://dx.doi.org/10.5204/mcj.592.

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On 26 April 2002, in the German city of Erfurt, 19-year-old Robert Steinhäuser entered his former high school with two semi-automatic weapons. He killed the secretary, twelve teachers, two students, and a policeman before a staff member locked him in an empty classroom and he turned his gun on himself (Lemonick). Ten years later, I visited the city with the intention of writing a play about it. This was to be my fifth play based on primary research of an actual event. In previous projects, I had written about personal catastrophes of failed relationships, and reversals of fortune within privat
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19

Meleo-Erwin, Zoe C. "“Shape Carries Story”: Navigating the World as Fat." M/C Journal 18, no. 3 (June 10, 2015). http://dx.doi.org/10.5204/mcj.978.

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Story spreads out through time the behaviors or bodies – the shapes – a self has been or will be, each replacing the one before. Hence a story has before and after, gain and loss. It goes somewhere…Moreover, shape or body is crucial, not incidental, to story. It carries story; it makes story visible; in a sense it is story. Shape (or visible body) is in space what story is in time. (Bynum, quoted in Garland Thomson, 113-114) Drawing on Goffman’s classic work on stigma, research documenting the existence of discrimination and bias against individuals classified as obese goes back five decades.
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