Literatura académica sobre el tema "Craig Owens"
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Artículos de revistas sobre el tema "Craig Owens"
Weinstock, Jane. "Craig Owens, 1950-1990". Afterimage 18, n.º 2 (1 de septiembre de 1990): 3. http://dx.doi.org/10.1525/aft.1990.18.2.3.
Texto completoStephanson, Anders y Craig Owens. "Interview with Craig Owens". Social Text, n.º 27 (1990): 55. http://dx.doi.org/10.2307/466307.
Texto completoTeraha, Sarah. "Craig Owens, Le Discours des autres". Marges, n.º 36 (19 de abril de 2023): 186–87. http://dx.doi.org/10.4000/marges.3314.
Texto completoBurr, Tom. "Architecture of influence: Thinking through Craig Owens". Women & Performance: a journal of feminist theory 26, n.º 1 (2 de enero de 2016): 95–100. http://dx.doi.org/10.1080/0740770x.2016.1194013.
Texto completoJappy, Tony. "Fond et forme dans l'image allégorique". Protée 33, n.º 1 (12 de mayo de 2006): 9–23. http://dx.doi.org/10.7202/012263ar.
Texto completoWong, Jack. "Remapping the Constellation of Walter Benjamin’s Allegorical Method". American, British and Canadian Studies Journal 25, n.º 1 (1 de diciembre de 2015): 37–59. http://dx.doi.org/10.1515/abcsj-2015-0007.
Texto completoNoys, Benjamin. "Dialectical Passions: Negation in Postwar Art Theory, Gail Day, New York: Columbia University Press, 2010". Historical Materialism 20, n.º 3 (2012): 137–44. http://dx.doi.org/10.1163/1569206x-12341257.
Texto completoNowak, Magdalena. "Bill Viola’s “The Passions” and Aby Warburg’s “Survival” theory : Post-modernism, empathy and déjà vu". Recherches anglaises et nord-américaines 47, n.º 1 (2014): 31–45. http://dx.doi.org/10.3406/ranam.2014.1465.
Texto completoDe Freitas Pereira Paiva, Pedro y Gabriela Kremer da Motta. "Matéria e memória". Revista Estado da Arte 1, n.º 1 (8 de julio de 2020): 183–97. http://dx.doi.org/10.14393/eda-v1-n1-2020-55485.
Texto completoKim, Mi-Hyun. "Study on Fashion Illustration as Viewed from the Allegorical - Based on the theory of Craig Owens -". Korean Society of Costume 62, n.º 4 (30 de junio de 2012): 81–90. http://dx.doi.org/10.7233/jksc.2012.62.4.081.
Texto completoTesis sobre el tema "Craig Owens"
Seifferth, Craig S. "John Owen a Puritan critique of the exchanged life / by Craig S. Seifferth". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Texto completoForster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Texto completoLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Libros sobre el tema "Craig Owens"
interviewee, Owens Craig y Horsfield, Kate, writer of preface, eds. Craig Owens: Portrait of a young critic. 2018.
Buscar texto completoSearcy, Timothy Owen. The geology, petrography and PGE geochemistry of the Craig Mine, Sudbury, Ontario /cby Timothy Owen Searcy. 1995, 1995.
Buscar texto completoCapítulos de libros sobre el tema "Craig Owens"
"Memorial for Craig Owens". En Tendencies, 104–6. Duke University Press, 1993. http://dx.doi.org/10.1215/9780822381860-005.
Texto completo"MEMORIAL FOR CRAIG OWENS". En Tendencies, 115–20. Routledge, 1994. http://dx.doi.org/10.4324/9780203202210-7.
Texto completo"Memorial for Craig Owens". En Tendencies, 104–6. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381860-006.
Texto completo"MEMORIAL FOR CRAIG OWENS". En Tendencies, 104–6. Duke University Press, 1993. http://dx.doi.org/10.2307/j.ctv11hpmxs.8.
Texto completo"Walla Crag. – Owen of Lanark". En Sir Thomas More: Or, Colloquies on the Progress and Prospects of Society by robert Southey, editado por Tom Duggett y Tim Fulford, 67–82. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Pickering masters series: Routledge, 2018. http://dx.doi.org/10.4324/9781315101439-7.
Texto completo"Walla Crag. – Owen of Lanark". En Sir Thomas More: Or, Colloquies on the Progress and Prospects of Society by robert Southey, editado por Tom Duggett y Tim Fulford, 67–82. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Pickering masters series: Routledge, 2018. http://dx.doi.org/10.4324/9781315103464-7.
Texto completoBenninga, Sara. "The Age of Allegory". En Connecting & Sharing: The Book of Selected Readings 2023, 17–25. International Visual Literacy Association, 2023. http://dx.doi.org/10.52917/ivlatbsr.2023.012.
Texto completoEhnes, Caley. "The New Shilling Monthlies: Macmillan’s Magazine and The Cornhill". En Victorian Poetry and the Poetics of the Literary Periodical, 58–104. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474418348.003.0003.
Texto completoBenjamin, Martin y Joy Curtis. "Cost Containment, Justice, and Rationing". En Ethics in Nursing, 188–215. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195067484.003.0007.
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