Literatura académica sobre el tema "Cotton States and International Exposition (1895 : Atlanta, Ga.)"

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Artículos de revistas sobre el tema "Cotton States and International Exposition (1895 : Atlanta, Ga.)"

1

Gilbert, James. "Race and the Atlanta Cotton States Exposition of 1895. By Theda Perdue. (Athens, Ga.: University of Georgia Press. Pp.xiv, 182. $26.95.)". Historian 73, n.º 3 (1 de septiembre de 2011): 575–76. http://dx.doi.org/10.1111/j.1540-6563.2011.00301_21.x.

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Libros sobre el tema "Cotton States and International Exposition (1895 : Atlanta, Ga.)"

1

Adler, Cyrus. Biblical antiquities: A description of the exhibit at the Cotton States International Exposition, Atlanta, 1895. Washington: Government Printing Office, 1989.

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2

Dream of the Future: Race, Empire, and Modernity at the Atlanta and Nashville World's Fairs. Oxford University Press, Incorporated, 2018.

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3

Jones, Sharon Foster. Atlanta Exposition. Arcadia Publishing Library Editions, 2010.

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4

Jones, Sharon Foster. The Atlanta Exposition. Arcadia Publishing, 2010.

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5

Race and the Atlanta Cotton States Exposition of 1895. Athens: University of Georgia Press, 2010.

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6

Official Catalogue of the Cotton States and International Exposition: Atlanta, Georgia, U. S. A. , September 18 to December 31 1895. Creative Media Partners, LLC, 2022.

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7

William De Chastignier 1859- Ravenel. Report of the Representative of the U. S. Fish Commission at the Cotton States and International Exposition at Atlanta, Georgia, In 1895. Creative Media Partners, LLC, 2018.

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Report of the Representative of the U. S. Fish Commission at the Cotton States and International Exposition at Atlanta, Georgia, In 1895. Creative Media Partners, LLC, 2022.

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9

Report of the Representative of the U. S. Fish Commission at the Cotton States and International Exposition at Atlanta, Georgia, In 1895. Creative Media Partners, LLC, 2018.

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10

Cardon, Nathan. A Dream of the Future. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190274726.001.0001.

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A Dream of the Future examines how southerners at the end of the nineteenth century worked through the major questions facing a nation undergoing profound change. In an age of empire and industry, southerners grappled with what it meant to be modern. At Atlanta’s 1895 Cotton States and International Exposition and Nashville’s 1897 Tennessee Centennial Exposition, white and black southerners endeavored to understand how their region could be industrial and imperial on its own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War veterans presented their own dreams of the future. White southerners at the fairs exhibited a way of life that embraced racial segregation and industrial capitalism, while African Americans accommodated, engaged, and contested this vision. The Atlanta and Nashville expositions are representative of a developing Jim Crow modernity through which white and black southerners constructed themselves as the objects and subjects of modernity during the formative years of segregation. Ultimately, the Atlanta and Nashville fairs were spaces in which southerners presented themselves as modern and imperial citizens ready to spread the South’s culture and racial politics across the globe.
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