Bibliografías temáticas / Coroplastica

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Literatura académica sobre el tema "Coroplastica"

Autor: Grafiati
Publicado: 11 de marzo de 2023

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Artículos de revistas sobre el tema "Coroplastica"

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Gasparri, Laura. "Considerazioni preliminari sul ruolo della mousike nel santuario di Demetra Malophoros a Selinunte a partire dalle testimonianze archeologiche". Greek and Roman Musical Studies 2, n.º 1 (28 de enero de 2014): 68–98. http://dx.doi.org/10.1163/22129758-12341253.

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AbstractIl presente contributo riguarda lamousikenella sfera sacra del rinomato santuario di DemetraMalophorosa Selinunte (Sicilia occidentale). Le testimonianze archeologiche di interesse “musicale” edite ed inedite, riunite per la prima volta in un corpus unitario, si presentano estremamente eterogenee sia dal punto di vista qualitativo che cronologico, inglobando tanto resti di alcuni strumenti musicali che la loro rappresentazione nel repertorio iconografico della ceramica e nelle tipologie della coroplastica votiva. Lo studio di questi significativi materiali offre dunque l’occasione per iniziare a delineare e a discutere il rapporto fra la musica ed i culti e i riti, ancora parzialmente noti, caratterizzanti il celebre luogo sacro.
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Parra, Maria Cecilia. "La Collezione di Vito Capialbi a Vibo Valentia : alcune note sulla coroplastica". Agoghè, n.º 14 (2022): 237–52. http://dx.doi.org/10.12871/978883339612516.

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Lippolis, Enzo. "Culto e iconografie della coroplastica votiva. Problemi interpretativi a Taranto e nel mondo greco". Mélanges de l’École française de Rome. Antiquité 113, n.º 1 (2001): 225–55. http://dx.doi.org/10.3406/mefr.2001.10668.

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Pisani, Marcella. "Modelli attici e atticismi nella coroplastica siceliota di età classica: problemi di stile, cronologia e società". Cahiers du Centre d'Etudes Chypriotes 46, n.º 1 (2016): 275–88. http://dx.doi.org/10.3406/cchyp.2016.1690.

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Doepner, Daphni. "Valentina Barberis: Rappresentazioni di divinità e di devoti dall’area sacra urbana di Metaponto. La coroplastica votiva dalla fine del VII all’ inizio del V sec. a.C." Gnomon 80, n.º 4 (2008): 333–36. http://dx.doi.org/10.17104/0017-1417_2008_4_333.

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Muller, Arthur. "Coroplastic studies: what’s new?" Archaeological Reports 64 (noviembre de 2018): 153–69. http://dx.doi.org/10.1017/s057060841800025x.

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This overview discusses the recent scholarly literature on Greek terracottas of the first millennium BC. Figurative terracottas, once seen as meaningless trinkets, are now given their full meaning through rigorous study and anthropological approaches. Perhaps the most explicit and universal source on the piety of a great number of people, they now contribute decisively to the archaeology of religion, particularly in the field of votive and funerary practices. At the same time, research on figurative terracottas, renewed by a technological approach, reveals a craft that is surprisingly modern in its manufacturing and distribution processes.
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Ridgway, F. R. Serra. "Italian Terracottas - Maria Bonghi Jovino (ed.): Artigiani e botteghe nell'Italia preromana: studi sulla coroplastica di area etrusco–laziale–campana. (Studia Archaeologica, 56.) Pp. 252; 12 figs., 38 half-tone plates (in text). Rome: L' “Erma” di Bretschneider, 1990. L. 200,000." Classical Review 42, n.º 2 (octubre de 1992): 405–7. http://dx.doi.org/10.1017/s0009840x00284424.

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Herscher, Ellen. "The Coroplastic Art of Ancient Cyprus. Vassos Karageorghis." Bulletin of the American Schools of Oriental Research 304 (noviembre de 1996): 78–83. http://dx.doi.org/10.2307/1357443.

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Shevchenko, Tetiana. "Terracotta Figurines of Goddesses on Thrones from Borysthenes". Eminak, n.º 3(35) (13 de noviembre de 2021): 179–200. http://dx.doi.org/10.33782/eminak2021.3(35).551.

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Figurines of goddesses on the throne were the main coroplastic images of ancient centers of the archaic period. They predominate among figurines from Borysthenes as well. The peculiarities of the image of such goddesses are studied on the example of the collection of similar terracotta figurines stored in the Scientific Funds of the Institute of Archaeology of the National Academy of Sciences of Ukraine. Most often, they were so homogenous that it is easy to identify the image from very small fragments. But in Borysthenes, a number of peculiar items were found showing a variety of attributes, as opposed to other centers of the Northern Black Sea region. This is a goddess with a child, with varieties: a child wearing a pillius or in the form of a potbellied God; goddess with animal features: with the head of a bear or in the form of a monkey with a baby; a goddess with a paredros wearing a pillius; with a dove in her hands. In the absence of attributes, the headdresses differ, and among them, the high polós was of a cultic significance. It is concluded that one should not hasten to correlate the image of the goddess on the throne without attributes with the cult of a definite goddess. The figure of the goddess with her hands on her knees with no distinctive features could be intended for use in various cults. Therefore, there is a need to reconsider the tradition of defining such unattributed images as Demeter’s, typical of the written sources devoted to the Northern Black Sea region. In the archaic period, the number of coroplastic workshops was significantly smaller than in subsequent periods, when attributes had become a more frequent addition to the image. Most of the analyzed items are from the Eastern Mediterranean. Therefore, the decrease in the percentage of the number of Demeter and her daughter images in the subsequent periods took place due to the reduction of images common to many goddesses and their diversity. The variety of archaic times images of goddesses on the throne in Borysthenes is an interesting phenomenon, but it should be explained not so much by the exceptional amount of cults but the extensive links with various sanctuaries having their own coroplastic workshops. The cults that used images of the goddess on the throne were associated with the least known Cabeiri (Kabeiroi), as well as Dionysus, Demeter, Artemis, Aphrodite, the Mother of the Gods, and other deities whose attributes remained clear to followers without their image.
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Maestro Zaldívar, Elena. "Acerca de una figurita cerámica procedente del yacimiento de Los Castellazos de Mediana de Aragón (Zaragoza)". Salduie, n.º 5 (31 de diciembre de 2005): 143–57. http://dx.doi.org/10.26754/ojs_salduie/sald.200556508.

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A través de estas líneas presentamos uno de los hallazgos efectuados en el transcurso de la sexta campaña de excavaciones en el yacimiento de Los Castellazos de Mediana de Aragón (Zaragoza). Se trata de una figurita incompleta, realizada en arcilla con gran cantidad de desgrasante, de tonalidades grisáceas con tendencia al negro, y que constituye un ejemplo singular de coroplastia de época ibérica en el Valle Medio del Ebro, tanto por su localización geográfica como por sus características formales, materia prima y ausencia de pintura, uno de los rasgos más habituales en los ejemplares de la misma época constatados hasta el momento en esta área peninsular.
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Tesis sobre el tema "Coroplastica"

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Bellia, Angela Maria <1967&gt. "Le raffigurazioni musicali nella coroplastica della Sicilia greca (VI-III sec. a.C.)". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/227/1/Tesi_di_Dottorato_di_Angela_Maria_Bellia.pdf.

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Bellia, Angela Maria <1967&gt. "Le raffigurazioni musicali nella coroplastica della Sicilia greca (VI-III sec. a.C.)". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/227/.

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Rafanelli, Simona <1965&gt. "Coroplastica architettonica a Roselle e Vetulonia tra VI e I sec. a.C". Doctoral thesis, Università Ca' Foscari Venezia, 2007. http://hdl.handle.net/10579/400.

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BERNARDINI, LORENA. "La coroplastica di tipo tanagrino come dono votivo nel santuario della Sorgente di Saturo: dall’analisi del materiale alla ricostruzione delle funzioni e della tradizione culturale". Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2013. http://hdl.handle.net/2108/201809.

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Handler, Marcie D. "Crafting Matters: A Coroplastic Workshop in Roman Athens". University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337264725.

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Fourrier, Sabine. "La coroplastie chypriote archaïque : identités culturelles et politiques à l'époque des royaumes /". Lyon : Paris : Maison de l'Orient et de la Méditerranée ; diff. de Boccard, 2007. http://catalogue.bnf.fr/ark:/12148/cb41198932p.

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Bolognani, Barbara <1989&gt. "The Iron Age Clay Figurines from Karkemish (2011-2015 Campaigns) and the Coroplastic Art of the Syro-Anatolian Region". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/8222/7/Bolognani_Barbara_tesi.pdf.

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This is a study concerning the Iron Age coroplastic production in the Northern Levant. The research is mostly based on new data gathered from the Joint Turco-Italian Expedition at Karkemish (Gaziantep, Turkey). Figurines presented in this study are limited to the 2011-2015 excavation seasons and they are analyzed from a range of aspects. The work in fact primarily focuses on contextual data, being the starting point for the research. A preliminary typological and chronological framing is also provided, while a tentative functional interpretation is suggested by means of a careful examination of the local iconographic and written repertoires. Furthermore, ethnographic comparisons are sometimes used in order to better define the semantic meaning beyond this production. Comparisons with other key sites located in the Middle Euphrates basin are also presented with the main aim to define a peculiar regional pattern. A minor part of this dissertation is also dedicated to the study of the coroplastic art in the entire northern Levantine region. The aim, in this case, is evidently that of identifying different regional productions, which at the state of the research could be traced back just for a few regions. Thus new important data are provided for the Amuq Plain, the Islahiye Valley and the rest of Inner Syria.
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Bilbao, Zubiri Eukene. "La petite plastique en terre cuite de Métaponte : productions, langages formels et processus identitaires au VIIè-VIè siècles av. J.-C". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H050.

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Les recherches précédentes sur la coroplathie de Métaponte ont abordé ce matériel comme un objet de culte circonscrit dans le sanctuaire. Face à l'abondance des données dont on dispose, ce travail cherche à actualiser nos connaissances en le considérant d'abord comme une production artisanale. L'étude se centre sur les VII0-VI° siècles avant J.-C., époque durant laquelle la polis structure progressivement son territoire et met en place ses lieux de culte. Le choix d'un corpus provenant de plusieurs sanctuaires a conduit à la définition de types techniques et à l'analyse de leur diffusion dans la cité. L'étude combine trois approches complémentaires visant à éclaircir les spécificités du matériel métapontin : en premier lieu, les chaînes opératoires et les espaces artisanaux qui introduisent la question des ateliers locaux et des moyens d'identifier leurs productions; ensuite, la diffusion du matériel dans le Métapontin et au-delà, mettant en évidence les réseaux de contacts ; enfin, les spécificités fom1elles de ce corpus et les dynamiques créatives qui s'inscrivent dans des courants à plus grande échelle. Les résultats obtenus sont placés en dernier lieux dans une perspective plus large à travers trois axes: la place de l'artisan, l'analyse iconographique et l'emploi de l'artisanat dans la définition de l'identité des ltaliotes. Cet exercice méthodologique ouvre de nouvelles perspectives en considérant la production d'une cité dans son ensemble. Il met en évidence l'intérêt d'analyser la globalité du contexte de déposition et de replacer le matériel à l'intérieur des dynamiques productives et communautaires qui lui sont propres
Previous research on metapontian coroplastic material has focused on their ex voto dimension, circumscribed to the sanctuary. Given the abundant data that we have, this work aims to update our knowledge considering this material first of ail as a craft production. The study focuses on the VII1h-VI1h centuries B.C., period during which the polis progressively structured its territory and established its places of worship. The constitution of a corpus with material from different sanctuaries enables us to define technical types and analyse their diffusion within the city. The study combines three complementary approaches aimed at determining the specificities of metapontian materials: on the first place, the operational chains and craft spaces which introduce the question of local workshops and how to identify their productions; then, the diffusion of the material within Metaponto and beyond, highlighting the contact networks; lastly, the formal specificities of the metapontian corpus and the creative dynamics the city integrates on a larger scale. Finally, these observations are placed on a wider perspective from three different angles: the place of the craftsman, the iconographic analysis and the use of crafts in the definition of the ltaliote identity. This methodological exercise seeks to bring new perspectives by considering the city's production as a whole. JI brings out the appeal of analysing the entire depositional context and approaching the material through its own productive and communitarian dynamics
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Cordier, Alexandra. "Sanctuaires et établissements ruraux aux abords de la voie Lyon - Trèves sur le territoire des Lingons". Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL019/document.

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A partir d'un mémoire du master sur l'étude du mobilier issu du sanctuaire de Beire-le-Châtel « Le Pâtis du Letto » ainsi que de nouvelles études comme celle du matériel provenant du fanum de Lux « Le Bois Giraud », l'ambition de cette thèse est d'appréhender la population qui le long de la voie Lyon - Trèves en pays lingon à l'époque romaine et fréquentent ses lieux de culte. Le mobilier retrouvé dans les sanctuaires a été confronté à celui issu des fouilles d’établissements ruraux, permettant de distinguer fréquentation locale et voyageurs de passage. Enfin, l’étude permet de mettre en avant le rôle des agglomérations – chef-lieu de cité et agglomérations secondaires – et des axes de communication dans la genèse des lieux de culte lingons, mais aussi la place tenue par les établissements ruraux de moyen et fort statut dans mise en place du paysage religieux
From a memory of a master on the study of the material from the sanctuary of Beire-le-Châtel "The Pâtis the Letto" as well as new studies such as material from the fanum Lux "Le Bois Giraud", the objective of this thesis is to understand the people who live along the Roman road Lyon - Trier on the civitates of the Lingoni et go on these places of worship. The material found in these sanctuaries was confronted with one of the rural settlements to distinguish local attendance and passing travelers. Finally, the study allows to emphasize the role of settlements - administrative center of the city and secondary towns - and communication routes in the genesis of Lingones’ places of worship but also the place held by the rural settlements of medium and high status in the implementation of the religious landscape
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Libros sobre el tema "Coroplastica"

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Troisi, Franca Ferrandini. Coroplastica tarantina: Le matrici iscritte. Bari: Edipuglia, 2012.

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author, Pisani Marcella y Istituto per i beni archeologici e monumentali, eds. Philotechnia: Studi sulla coroplastica della Sicilia greca. Catania: Consiglio nazionale delle ricerche, Istituto per i beni archeologici e monumentali, 2012.

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La coroplastica eblaita e siriana nel Bronzo medio ... Roma: Università degli studi di Roma La Sapienza, 2001.

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Marchetti, Nicolò. La coroplastica eblaita e siriana nel Bronzo medio ... Roma: Università degli studi di Roma La Sapienza, 2001.

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Udine (Italy). Civici musei e gallerie di storia ed arte., ed. Ceramica e coroplastica dalla Magna Grecia nella collezione De Brandis. Udine: Editreg, 2006.

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Coroplastica con raffigurazioni musicali nella Sicilia greca, secoli VI-III a.C. Pisa: F. Serra, 2009.

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Maria, Bonghi Jovino y Bedello Tata Margherita, eds. Artigiani e botteghe nell'Italia preromana: Studi sulla coroplastica di area etrusco-laziale-campana. Roma: "L'Erma" di Bretschneider, 1990.

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Rappresentazioni di divinità e di devoti dall'area sacra urbana di Metaponto: La coroplastica votiva .. Firenze: L. S. Olschki, 2004.

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Poli, Nicoletta. Collezione Tarentina del Civico Museo di Storia ed Arte di Trieste: Coroplastica arcaica e classica. Trieste: Edizioni Comune di Trieste, 2010.

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F, Berti, Museo archeologico nazionale (Ferrara, Italy) y Camera di commercio, industria, artigianato e agricoltura di Ferrara., eds. La coroplastica di Spina: Immagini di culto : catalogo della mostra, Ferrara 12-24 settembre 1987. [Ferrara, Italy: Museo archeologico nazionale di Ferrara, 1987.

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Capítulos de libros sobre el tema "Coroplastica"

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Sarri, Dimitra y Effie F. Athanassopoulos. "Coroplastic Studies Through 3D Technology: The Case of Terracotta Figurines from Plakomenos, Greece". En Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 498–508. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01762-0_43.

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Miller Ammerman, Rebecca. "Coroplastic". En The Chora of Metaponto 4, 98–99. University of Texas Press, 2012. http://dx.doi.org/10.7560/728776-017.

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Pisani, Marcella. "Impianti di produzione ceramica e coroplastica in Sicilia dal periodo arcaico a quello ellenistico: distribuzione spaziale e risvolti socio-economici". En « Quartiers » artisanaux en Grèce ancienne, 311–32. Presses universitaires du Septentrion, 2013. http://dx.doi.org/10.4000/books.septentrion.109815.

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"L'ART CÉRAMIQUE ET COROPLASTIE". En La civilisation phénicienne et punique, 440–47. BRILL, 1994. http://dx.doi.org/10.1163/9789004293977_036.

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Szymańska, Hanna. "Two “armed” terracottas from Athribis". En Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday, 451–59. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.451-459.

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Two terracotta figurines, identified as Athena and as an armed Eros, found in layers from the 2nd century BC at the ancient site of Athribis in the Egyptian Nile Delta, count among the hugely popular pieces of the coroplastic arts drawing stylistic inspiration from Ptolemaic art. Athribian craftsmen were masters at depicting characteristic human types and imitating models from other craft centers, like Alexandria. The Athena figurine (only head preserved) appears to be a unique representation of the goddess crafted out of local clay in a clay workshop by a craftsman inspired by the physiognomy of the reigning Ptolemaic queens. The Eros figurine, depicted in an “Italic” muscle cuirass extremely rare in Egyptian artifacts and holding a Gaulish thureos shield, confirms the exceptional character of the Athribian coroplastic workshops.
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"Egyptian Warriors: Machimoi, in Coroplastic Art—Selected Examples". En The Religious Aspects of War in the Ancient Near East, Greece, and Rome, 272–87. BRILL, 2016. http://dx.doi.org/10.1163/9789004324763_016.

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Humbert, Jean-Baptiste. "Quelques coroplasties de Palestine aux motifs de combats". En Ex Oriente Lux. Studies in Honour of Jolanta Młynarczyk. Warsaw University Press, 2020. http://dx.doi.org/10.31338/uw.9788323541073.pp.301-308.

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"Coroplastic Figural Art in Egypt during the Late Period (664–332 BC)". En Iron Age Terracotta Figurines from the Southern Levant in Context, 375–424. BRILL, 2021. http://dx.doi.org/10.1163/9789004436770_016.

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"Coroplastics from the House of Marcus Fabius Rufus in Pompeii: Archaeological Artefacts from a Sacred Place". En Hellenistic and Roman Terracottas, 305–14. BRILL, 2019. http://dx.doi.org/10.1163/9789004384835_023.

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Fourrier, Sabine. "La transmission des modèles plastiques à Chypre : l’exemple de la coroplastie de Kition à l’époque archaïque". En Identités et cultures dans le monde méditerranéen antique, 219–33. Éditions de la Sorbonne, 2002. http://dx.doi.org/10.4000/books.psorbonne.20425.

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