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Libros sobre el tema "Copyright Australia"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 26 de enero de 2023

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1

Council, Australian Copyright. Copyright in Australia. Milsons Point, N.S.W: Australian Copyright Council, 1989.

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2

Golvan, Colin. Copyright: Law and practice. Annandale, NSW: Federation Press, 2007.

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3

Australia, National Library of. National Library of Australia copyright guidelines. Canberra: National Library of Australia, 1997.

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4

Affairs, Australia Parliament House of Representatives Standing Committee on Legal and Constitutional. Cracking down on copycats: Enforcement of copyright in Australia. [Canberra]: Parliament of Australia, 2000.

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5

Ian, McDonald. Permissions & copyright clearances: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2008.

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6

Sainsbury, Maree. Moral rights and their application in Australia. Sydney: Federation Press, 2003.

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7

Ian, McDonald. Libraries: A copyright guide : a practical guide. [Redfern, N.S.W.]: Australian Copyright Council, 2009.

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8

Australia, National Archives of. A nation's imagination: Australia's copyright records, 1854-1968. Canberra, ACT, Australia: National Archives of Australia, 2003.

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9

Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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10

Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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11

Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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12

Cantatore, Francina. Authors, copyright, and publishing in the digital era. Hershey PA: Information Science Reference, 2014.

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13

Dakin, Helen. Australia-US Free Trade Agreement amendments: A discussion paper. Strawberry Hills, NSW, Australia: Australian Copyright Council, 2005.

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14

Ian, McDonald. Current issues 2002: A discussion paper. Strawberry Hill, N.S.W: Australian Copyright Council, 2002.

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15

Ian, McDonald. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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16

Ian, McDonald. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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17

Ian, McDonald. Architects & copyright: A practical guide, Australian Copyright Council. Australia, NSW: Australian Copyright Council, 2009.

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18

DRMTICS 2005 (2005 Sydney, N.S.W.). Digital rights management: Technologies, issues, challenges and systems : first international conference, DRMTICS 2005, Sydney, Australia, October 31-November 2, 2005 : revised selected papers. Berlin: Springer, 2006.

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19

Harris, Dorothy. Copyright protection of computer software policy issues for Australian libraries. Perth, Western Australia: [Library and Information Service of Western Australia], 1990.

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20

Johnson, Vivien. Copyrites: Aboriginal art in the age of reproductive technologies : touring exhibition 1996 catalogue. Sydney: N.I.A.A.A. and Macquarie University, 1996.

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21

Drahos, Peter. Indigenous Peoples' Innovation: Intellectual Property Pathways to Development. Canberra: ANU Press, 2012.

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22

A, Reilly, Indo-Pacific Fishery Commission. Working Party on Fish Technology and Marketing. y Food and Agriculture Organization of the United Nations., eds. Spoilage of tropical fish and product development: Proceedings of a symposium held in conjunction with the sixth session of the Indo-Pacific Fishery Commission Working Party on Fish Technology and Marketing : Royal Melbourne Institute of Technology, Melbourne Australia, 23-26 October 1984. Rome: Food and Agriculture Organization of the United Nations, 1985.

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23

Ariyarathna, Lasantha. Streaming and Copyright Law. Taylor & Francis Group, 2022.

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24

Ariyarathna, Lasantha. Streaming and Copyright Law: A Comparative End-User Perspective. Routledge, 2022.

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25

Ian, McDonald y Australian Copyright Council, eds. Special case exception: education, libraries, collections: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2007.

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26

Ian, McDonald y Australian Copyright Council, eds. Special case exception: education, libraries, collections: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2007.

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27

Chapdelaine, Pascale. Copyright User Rights. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754794.001.0001.

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This book explores the scope of copyright user rights through the lens of property, copyright, and contract law. It proposes a taxonomy and hierarchy of copyright user rights that makes a distinction between user property, user rights, and user privileges. The book looks at user rights from an international law and multijurisdictional perspective (including the European Union, United States, Canada, United Kingdom, France, and Australia) with a particular focus on Canada, given the significant amount of jurisprudence of the Supreme Court of Canada on copyright user rights. Unlike other works that look at copyright user rights through concepts of public law and policy, this book explores user rights through concepts of private law (personal property, goods, services, sales, licences) and copyright law (exceptions to copyright infringement such as fair dealing and fair use, the first sale or exhaustion doctrine, and the impact of technological protection measures on how users experience copyright works). The book develops a pluralistic theory of copyright user rights that recognizes their diversity and myriad ways users experience copyright works, while emphasizing the importance and role of copyright users within copyright law. The book calls for the re-evaluation of the dichotomy between tangibility and intangibility and for greater cohesion between copyright law and traditional concepts of private law.
28

Hilty, Reto M. y Kung-Chung Liu. Remuneration of Copyright Owners: Regulatory Challenges of New Business Models. Springer, 2017.

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29

Rozenblit, Katya. Freedom of expression and copyright law in Canada and Australia: Unchartered territory? 2003.

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30

Massov, Alexander. A New Rival State?: Australia in Tsarist Diplomatic Communications. ANU Press, 2018.

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31

Jacques, Sabine. The Parody Exception in Copyright Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.001.0001.

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Parodies have been created throughout times and cultures. A glimpse at the judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody were rejuvenated but became unlawful. While copyright law grants exclusive rights to right-holders, these rights are not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerogatives in particular cases which foster creativity and cultural diversity within that society. The parody exception pertains to this ultimate objective by permitting users to reproduce copyright-protected materials for the purpose of parody. To understand the meaning and scope of the parody exception, this book examines and compares five jurisdictions which differ in their protection of parodies: France, Australia, Canada, the United States, and the United Kingdom. It is concerned with finding an appropriate balance between the protection awarded to right-holders and the public interest. This is achieved by analysing the parody exception to the economic rights of right-holders, the preservation of moral rights, and the interaction of the parody exception with contract law. As parodies constitute an artistic expression protected under the right to freedom of expression, this book also considers the influence of freedom of expression on the interpretation of this specific copyright exception. Furthermore, this book aims at providing guidance on how to resolve disputes where fundamental rights are in conflict.
32

Geoffrey, Bucknell Duncan, ed. Australian patent law. Chatswood, NSW: LexisNexis Butterworths, 2004.

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33

Weatherall, Kimberlee. The Emergence and Development of Intellectual Property Law in Australia and New Zealand. Editado por Rochelle Dreyfuss y Justine Pila. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198758457.013.17.

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This chapter provides both an overview of the history of intellectual property (IP) laws in Australia and New Zealand, and pathways into existing and emerging scholarship in this area. It discusses convergence and divergence in copyright, patent and trademark legislation and case law between Britain and these two former colonies, from early colonial experimentation to the long period of closely mirroring UK reforms. In the late twentieth century, both countries developed more distinctive IP laws, and diverged on a range of fundamental questions. In the twenty-first century, trade policy—trans-Tasman and global—has created pressures for convergence, but as the countries have grown apart, more perhaps than many realize, so there is considerable resistance to unifying projects. The chapter closes with a discussion of the different trajectories in how IP and indigenous cultural and knowledge systems interface in Australia and New Zealand.
34

Atkinson, Benedict. True History of Copyright: The Australian Experience 1905-2005. BookBaby, 2007.

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35

Mendis, Dinusha, Jane Nielsen, Diane Nicol y Phoebe Li. The CoExistence of Copyright and Patent Laws to Protect InnovationA Case Study of 3D Printing in UK and Australian Law. Editado por Roger Brownsword, Eloise Scotford y Karen Yeung. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199680832.013.80.

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The chapter considers the challenges faced by intellectual property (IP) laws, in particular copyright and patent laws, in responding to emerging technologies and innovation like 3D printing and scanning. It provides a brief introduction to 3D printing before moving to detailed analysis of relevant UK and Australian jurisprudence. Through this comparative analysis, the chapter explores whether copyright and patent laws can effectively protect innovation in this emerging technology, including consideration of both subsistence and infringement. The chapter suggests that 3D printing, like most other technologies, has a universal reach, yet subtle differences in the wording and interpretation of IP legislation between jurisdictions could lead to anomalies in levels of protection. It explores the possibility of a sui generis regime of IP protection for 3D printing, but submits that a nuanced reworking of existing regimes is, in the vast majority of circumstances, likely to be a sufficient response.
36

Simpson, Shane. Music Business: A Musician's Guide to the Australian Music Industry by Top Australian Laywer and Dealmaker. Omnibus Press, 2001.

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