Artículos de revistas sobre el tema "Contemporary popular music"
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Homan, Shane. "A contemporary cultural policy for contemporary music?" Media International Australia 158, n.º 1 (febrero de 2016): 37–47. http://dx.doi.org/10.1177/1329878x15622077.
Texto completoPark, Juyong. "Networks of Contemporary Popular Musicians". Leonardo 45, n.º 1 (febrero de 2012): 78–79. http://dx.doi.org/10.1162/leon_a_00341.
Texto completoChakravarty, Devpriya. "Popular Musics of India: An Ethnomusicological Review". Journal of Ethnic and Cultural Studies 6, n.º 3 (18 de diciembre de 2019): 111. http://dx.doi.org/10.29333/ejecs/267.
Texto completoZosim, Olga. "Popular Music in Contemporary Church Chants". Journal of History Culture and Art Research 9, n.º 2 (25 de junio de 2020): 227. http://dx.doi.org/10.7596/taksad.v9i2.2508.
Texto completoHo, Wai-Chung. "Secondary school students’ preferences for popular music and perceptions of popular music learned in school music education in Mainland China". Research Studies in Music Education 39, n.º 1 (5 de abril de 2017): 19–37. http://dx.doi.org/10.1177/1321103x17700688.
Texto completoAdjoteye, Eugene Agbasi. "The Cultural Environment of Popular Music Discourses in Contemporary Ghana: A Media and Communication Approach". Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 4, n.º 1 (16 de enero de 2021): 330–35. http://dx.doi.org/10.33258/birci.v4i1.1597.
Texto completoPARK, JUYONG, OSCAR CELMA, MARKUS KOPPENBERGER, PEDRO CANO y JAVIER M. BULDÚ. "THE SOCIAL NETWORK OF CONTEMPORARY POPULAR MUSICIANS". International Journal of Bifurcation and Chaos 17, n.º 07 (julio de 2007): 2281–88. http://dx.doi.org/10.1142/s0218127407018385.
Texto completoKim, Gooyong. "Neoliberal feminism in contemporary South Korean popular music". Politics of Sound 18, n.º 4 (12 de junio de 2019): 560–78. http://dx.doi.org/10.1075/jlp.18058.kim.
Texto completoКондратенко, М. В. "Oscillation of Opposites in Contemporary Icelandic Popular Music". Музыкальная академия, n.º 1(785) (25 de marzo de 2024): 36–45. http://dx.doi.org/10.34690/362.
Texto completoPerrone, Charles A. "Brazil". Popular Music 6, n.º 2 (mayo de 1987): 219–26. http://dx.doi.org/10.1017/s0261143000006000.
Texto completoKronenburg, Robert. "Typological trends in contemporary popular music performance venues". Arts Marketing: An International Journal 1, n.º 2 (21 de octubre de 2011): 136–44. http://dx.doi.org/10.1108/20442081111180359.
Texto completoHawkins, Peter y David L. Looseley. "Popular Music in Contemporary France: Authenticity, Politics, Debate". Modern Language Review 99, n.º 4 (octubre de 2004): 1061. http://dx.doi.org/10.2307/3738555.
Texto completoKim, Chaek. "Transformative Approach for Popular Music Education from the Perspective of Global Citizenship Education". Korean Association for the Study of Popular Music 33 (30 de mayo de 2024): 69–93. http://dx.doi.org/10.36775/kjpm.2024.33.69.
Texto completoZingaro, Vincenzo. "Against Music? Heuristics and Sense-Making in Listening to Contemporary Popular Music". Philosophies 7, n.º 2 (1 de abril de 2022): 38. http://dx.doi.org/10.3390/philosophies7020038.
Texto completoTivenga, Doreen Rumbidzai. "Contemporary Zimbabwean popular music in the context of adversities". Tydskrif vir Letterkunde 55, n.º 1 (20 de marzo de 2018): 134–48. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1583.
Texto completoAlbrecht, Michael Mario. "Mapping the Terrain of Contemporary Popular Music Studies: Reading Authenticity Theory intoThe Popular Music Studies Reader". Review of Communication 7, n.º 3 (julio de 2007): 314–21. http://dx.doi.org/10.1080/15358590701480721.
Texto completoJing, Wang. "A Research on the Influence of Contemporary Popular Music upon Youths’ Self-identity". Advances in Language and Literary Studies 8, n.º 5 (2 de noviembre de 2017): 12. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.12.
Texto completoKang, Stella. "Analysis of practical and popular music as contemporary music: Focusing on elementary school music textbooks". Korean Association For Learner-Centered Curriculum And Instruction 24, n.º 5 (15 de marzo de 2024): 77–93. http://dx.doi.org/10.22251/jlcci.2024.24.5.77.
Texto completoKeil, Charles. "‘Ethnic’ music traditions in the USA (black music; country music; others; all)". Popular Music 13, n.º 2 (mayo de 1994): 175–78. http://dx.doi.org/10.1017/s0261143000007030.
Texto completoSosrowijaya, Kerso Manungga. "Transmission of Local and Traditional Music in Indonesian Popular Music (Case Studies of Indonesian Music Groups)". Harmonia : Journal of Music and Arts 1, n.º 1 (6 de noviembre de 2023): 55–66. http://dx.doi.org/10.61978/harmonia.v1i1.165.
Texto completoDe Ferranti, Hugh. "‘Japanese music’ can be popular". Popular Music 21, n.º 2 (mayo de 2002): 195–208. http://dx.doi.org/10.1017/s026114300200212x.
Texto completoBrace, Tim. "Popular Music in Contemporary Beijing: Modernism and Cultural Identity". Asian Music 22, n.º 2 (1991): 43. http://dx.doi.org/10.2307/834306.
Texto completoOjukwu, Ebele, Elizabeth Obielozie y Chinyere Esimone. "Nigerian values and contemporary popular music: a new look". OGIRISI: a New Journal of African Studies 12, n.º 1 (21 de julio de 2016): 114. http://dx.doi.org/10.4314/og.v12is1.7.
Texto completoBaker, Sarah, Peter Doyle y Shane Homan. "Historical Records, National Constructions: The Contemporary Popular Music Archive". Popular Music and Society 39, n.º 1 (29 de julio de 2015): 8–27. http://dx.doi.org/10.1080/03007766.2015.1061336.
Texto completoRapport, Evan. "International Popular Music Styles and Contemporary Bukharian Jewish Identity". Journal of Jewish Identities 10, n.º 1 (2017): 89–103. http://dx.doi.org/10.1353/jji.2017.0005.
Texto completoParkes, Stuart. "Into the groove: popular music and contemporary German fiction". Journal of Contemporary European Studies 24, n.º 4 (7 de abril de 2016): 539–40. http://dx.doi.org/10.1080/14782804.2016.1170386.
Texto completoPickup, I. "Review: Popular Music in Contemporary France: Authenticity, Politics, Debate". French Studies 58, n.º 3 (1 de julio de 2004): 443–44. http://dx.doi.org/10.1093/fs/58.3.443.
Texto completoManuel, Peter. "Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics". Popular Music 14, n.º 2 (mayo de 1995): 227–39. http://dx.doi.org/10.1017/s0261143000007455.
Texto completoBenjamins, Laura. "Learning through praise: How Christian worship band musicians learn". Journal of Popular Music Education 3, n.º 3 (1 de diciembre de 2019): 417–33. http://dx.doi.org/10.1386/jpme_00004_1.
Texto completoBanjo, Omotayo O. y Kesha Morant Williams. "Behind the Music: Exploring Audiences’ Attitudes toward Gospel and Contemporary Christian Music". Journal of Communication and Religion 37, n.º 3 (2014): 117–38. http://dx.doi.org/10.5840/jcr201437323.
Texto completoSklavounakis, Georgios. "Semiotics on music charts: The signification of late-blooming hits in contemporary popular music". Punctum. International Journal of Semiotics 9, n.º 2 (2023): 189–208. http://dx.doi.org/10.18680/hss.2023.0025.
Texto completoO'Brien, Michael. "Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular". IASPM Journal 5, n.º 1 (29 de abril de 2015): 36–53. http://dx.doi.org/10.5429/ij.v5i1.721.
Texto completoMenger, Pierre-Michel. "Technological Innovations in Contemporary Music". Journal of the Royal Musical Association 114, n.º 1 (1989): 92–101. http://dx.doi.org/10.1093/jrma/114.1.92.
Texto completoPerrott, Lisa. "Experimental animation and the neosurrealist remediation of popular music video". Animation Practice, Process & Production 8, n.º 1 (1 de diciembre de 2019): 85–106. http://dx.doi.org/10.1386/ap3_00006_1.
Texto completoHoward, Karen. "Traditional Japanese Music in Contemporary Times". General Music Today 33, n.º 3 (11 de febrero de 2020): 52–57. http://dx.doi.org/10.1177/1048371320902753.
Texto completoHäger, Andreas. "Christian rock concerts as a meeting between religion and popular culture". Scripta Instituti Donneriani Aboensis 18 (1 de enero de 2003): 36–55. http://dx.doi.org/10.30674/scripta.67281.
Texto completoMiddleton, Jason y Roger Beebe. "The racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music". Popular Music 21, n.º 2 (mayo de 2002): 159–72. http://dx.doi.org/10.1017/s0261143002002106.
Texto completoSpanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music". Open Cultural Studies 3, n.º 1 (1 de febrero de 2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.
Texto completoNenic, Iva. "We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music". Muzikologija, n.º 19 (2015): 135–56. http://dx.doi.org/10.2298/muz1519135n.
Texto completoWilson, Oli y Michael Holland. "Not our ‘Dunedin sound’: Responses to the historicisation of Dunedin popular music". Popular Music 39, n.º 2 (mayo de 2020): 187–207. http://dx.doi.org/10.1017/s0261143019000278.
Texto completoATEŞ ASLAN, Irmak y Gamze Elif TANINMIŞ. "A QUALITATIVE RESEARCH ON POPULAR MUSIC PEDAGOGY". IEDSR Association 7, n.º 20 (22 de julio de 2022): 51–62. http://dx.doi.org/10.46872/pj.559.
Texto completoKarvelis, Noah. "Popular Music Education as a Technology of Access and Intervention: Tanglewood and Popular Music Education in the US". Action, Criticism, and Theory for Music Education 22, n.º 3 (octubre de 2023): 122–43. http://dx.doi.org/10.22176/act22.3.122.
Texto completoSone, Enongene Mirabeau. "Power, Powerlessness and Radical Protest in Contemporary Cameroonian Popular Music". Muziki 18, n.º 1 (2 de enero de 2021): 82–109. http://dx.doi.org/10.1080/18125980.2021.1947154.
Texto completoSteinbrecher, Bernhard. "Mainstream popular music research: a musical update". Popular Music 40, n.º 3-4 (diciembre de 2021): 406–27. http://dx.doi.org/10.1017/s0261143021000568.
Texto completoEmielu, Austin. "Some theoretical perspectives on African popular music". Popular Music 30, n.º 3 (21 de septiembre de 2011): 371–88. http://dx.doi.org/10.1017/s0261143011000249.
Texto completoHidayatullah, Rahmat. "Islamic Underground Movement: Islamist Music in the Indonesian Popular Music Scene". Studia Islamika 31, n.º 1 (3 de mayo de 2024): 63–93. http://dx.doi.org/10.36712/sdi.v31i1.30664.
Texto completoEze, Samson Uchenna. "Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria". Ethnomusicology 67, n.º 1 (1 de enero de 2023): 23–44. http://dx.doi.org/10.5406/21567417.67.1.04.
Texto completoBagaskara, Akbar, Maria Adinda y Veronica Yoni Kaestri. "Musik Klasik dalam Paradigma Kontemporer: Penyelidikan tentang Apresiasi dan Pendengar". PROMUSIKA 11, n.º 2 (29 de octubre de 2023): 65–74. http://dx.doi.org/10.24821/promusika.v11i2.11076.
Texto completoBurston, Jonathan. "Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical". Popular Music 17, n.º 2 (mayo de 1998): 205–18. http://dx.doi.org/10.1017/s026114300000060x.
Texto completoWilliams, Sean, B. Lee Cooper y Steve Redhead. "Popular Music Perspectives: Ideas, Themes, and Patterns in Contemporary Lyrics". Notes 49, n.º 2 (diciembre de 1992): 623. http://dx.doi.org/10.2307/897947.
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