Bibliografías temáticas / Contemporary Catalan literature

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Literatura académica sobre el tema "Contemporary Catalan literature"

Autor: Grafiati
Publicado: 1 de marzo de 2025

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Artículos de revistas sobre el tema "Contemporary Catalan literature"

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Ginebra, Jordi. "Institucionalització de la literatura i institucionalització de la llengua literària." Zeitschrift für Katalanistik 36 (July 1, 2023): 5–32. http://dx.doi.org/10.46586/zfk.2023.5-32.

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It is accepted, within the framework of the contemporary Catalan cultural system, that Pompeu Fabra was the architect of modern literary Catalan. The contemporary institutionalization of the Catalan language is therefore a product of the 20th century: a work of Fabra and Noucentisme. Yet before Fabra there was already modern Catalan literature, and there is no institutionalization of literature without an also institutionalized literary language. How is this contradiction resolved? The noucentists conveyed the idea that 19th-century literature was «languageless» literature, but a new look at t
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Herrera Gregori, Laura. "Ressenya de «Character and Gender in Contemporary Catalan Literature»." Asparkía. Investigació feminista, no. 43 (December 13, 2023): 283–85. http://dx.doi.org/10.6035/asparkia.7419.

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SARAGOSSÀ, ABELARD. "VALENCIAN WITHIN CONTEMPORARY STANDARD CATALAN: AN APPROXIMATION." Catalan Review 13, no. 1-2 (1999): 213–23. http://dx.doi.org/10.3828/catr.13.1.13.

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Jacobs, Bart. "Present and historical perspectives on the Catalan <i>go</i>-past." Zeitschrift für Katalanistik 24 (July 1, 2011): 227–55. http://dx.doi.org/10.46586/zfk.2011.227-255.

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Summary: This paper provides a range of both synchronic and diachronic perspectives on the Catalan go-past, known in the literature as the perfet perifràstic. The first chapter presents an overview of the use and distribution of the feature in contemporary Catalan; the second chapter discusses the diachronic and synchronic attestation of the feature in other Romance languages, Occitan in particular. In chapter 3, the paper summarizes the state of the research on the grammaticalization process that underlies the go-past. In chapter 4, finally, the hypothesis that the feature diffused from (Old)
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Veà-Vila, Sílvia. "La llegenda contemporània de la violació venjada i el seu tractament a <i>Estudi en lila</i> i en altres obres de la literatura catalana." Zeitschrift für Katalanistik 35 (July 1, 2022): 181–201. http://dx.doi.org/10.46586/zfk.2022.181-201.

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Summary: In this article we compare the contemporary legend known as «revenge rape» with the literary versions present in several works of Catalan literature, such as the famous novel Estudi en lila by Maria-Antònia Oliver, and the short narrative that is at its origin, «Fils trencats»; the play Anna, o la venjança by Manuel Crespo Serrat, the short novel by Inés Vidal Farré El metge i un gos d’atura, and the story «Bèsties carnivores» by Carlota Gurt. We also mention some other cultural reflections of this urban legend, such as the Greek mythology, the rape and revenge films, and some specifi
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Pujol-Valls, Maria. "Revisiting, Transforming and Transferring Robinson Crusoe and John Silver into Another Literature." Comparative Critical Studies 14, no. 2-3 (2017): 307–22. http://dx.doi.org/10.3366/ccs.2017.0241.

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The Catalan children's author Josep Vallverdú published two crossover stories based on Robinson Crusoe and Treasure Island. Les raons de Divendres (Friday's Reasons) (2003) gives an account of the episode of Crusoe and Friday told from the point of view of the servant, whereas El testament de John Silver (John Silver's Will) (2007) deals with the adventures of the pirate after searching for the treasure in the Caribbean. This paper demonstrates how Vallverdú uses his experience as a writer and translator to transform two canonical novels, through transposition into a contemporary context, in a
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Dasca, Maria. "The spatial turn in Catalan cultural studies." Journal of Romance Studies 23, no. 4 (2023): 429–65. http://dx.doi.org/10.3828/jrs.2023.21.

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In recent years several projects have emerged that address Catalan culture from a spatial point of view. This article aims to review the theoretical framework of what is known as the spatial turn in order to evaluate its main contributions, and some potential future orientations, in Catalan cultural studies. The paper is divided into three parts. The first part provides an overview of the main approaches inside spatial studies. In the second part, a selection of studies on Catalan culture and literature is reviewed from the perspective of their connections with spatial studies. Finally, the th
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Sabaté Solà, Miquel. "Estudi i edició crítica del proemi Aquest llibre s’intitula." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 21, no. 21 (2023): 491. http://dx.doi.org/10.7203/scripta.21.26845.

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Resum: Càrcer va ser un copista del segle XVII que va escriure un proemi en vers de gran interès per a l’estudi de la transmissió i la valoració de la poesia catalana del Barroc. Aquest proemi s’estudia en el present article des de dos punts de vista. En primer lloc, s’observa la seva importància de cara a comprendre la relació entre tres manuscrits miscel·lanis que ens han arribat fins avui en dia. Això ens aporta més elements per a la consideració del context dels poemes inclosos en aquests reculls, i ens pot ajudar a escatir l’autoria d’alguns poemes que romanen dubtosos. En segon lloc, el
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López-Pampló Rius, Gonçal. "Bertrand Russell and Catalan Literature: In Praise of Idleness and Other Essays and Dictionary for the Idle." Interlitteraria 29, no. 2 (2024): 232–46. https://doi.org/10.12697/il.2024.29.2.3.

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Joan Fuster (Sueca, 1922–1992) was one of the most important essayists of Catalan literature. Diccionari per a ociosos (Dictionary for the Idle), published in 1964, has been widely seen as one of his masterpieces, not only because of the wide range of topics he deals with, but also because of his witty and contemporary insight. Despite this critical acclaim, many aspects of this book still deserve further research. In this article we try to study more deeply the sources of Dictionary for the Idle, focusing on Bertrand Russell’s In Praise of Idleness and Other Essays (1935). Beyond the similar
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Nicolau, Adriana, and Teresa Iribarren. "The Staging of Ciudad Juárez’s Feminicides: Àlex Rigola and Angélica Liddell Speak for the Victims." New Theatre Quarterly 36, no. 2 (2020): 131–48. http://dx.doi.org/10.1017/s0266464x2000024x.

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Tackling violence against women in the theatre is often a controversial matter. To identify the ethical risks that victim representation may entail, we conduct a comparative analysis of two works about Ciudad Juárez’s feminicides staged in Barcelona: 2666 (2007), an adaptation of Roberto Bolaño’s novel directed by Àlex Rigola, and House of Strength (2011) by Angélica Liddell. This article argues that while Rigola reduces victims to mere sexual objects with no narrative of their own, Liddell places the voice and resilience of Mexicans in the foreground and represents their bodies respectfully.
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Tesis sobre el tema "Contemporary Catalan literature"

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Fernandez, Josep-Anton. "Sexuality and nationality in contemporary Catalan gay fiction." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389812.

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Boada-Montagut, Irene. "'Women write black' : a comparative study of contemporary Irish and Catalan short stories." Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263244.

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Puig, Parnau Maria. "Tornar. Els paisatges de la inquietud en la narrativa catalana de principis del segle XXI." Doctoral thesis, Universitat de Girona, 2020. http://hdl.handle.net/10803/671509.

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This dissertation is built on the basis that during the first decades of the twenty-first century, it has appeared a diverse corpus of Catalan prose-works characterized by a new representation of both the imaginary and the narrative of rural traditional landscape. Traditionally, the representation of rural landscape was enclosed with specific points of the territory and had idealized visions related to the values of origin and continuity. This dissertation points toward a new representation of the rurality. The critical analysis of seven narratives serves as the starting point to examine a new
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Montero, Aulet Francesc. "Manuel Brunet i Solà (1889-1956). El periodisme d'idees al servei de la "veritat personal"." Doctoral thesis, Universitat de Girona, 2011. http://hdl.handle.net/10803/51996.

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This doctoral thesis deals with the intellectual biography of the writer and journalist Manuel Brunet (Vic, 1889, Figueres, 1956). It reconstructs the life and professional studies of the author, and the most important facets of his literature and journalism. In addition, it examines his literary texts. A special emphasis has been placed on the study of journalistic production of Brunet and on the analysis of the professional profile of the author. Examination and assessment of its production has been accurate, including a classification of the items and a comparison of his journalistic style
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Fabregat, Aguiló Laura. "Les tendències de la novel·la catalana del segle XXI." Doctoral thesis, Universitat Rovira i Virgili, 2020. http://hdl.handle.net/10803/669415.

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Aquest estudi extreu les tendències literàries que sobresurten en el panorama novel·lístic en llengua catalana del segle XXI a partir de l’anàlisi de set eixos definidors i característics d'aquesta narrativa: la relació temàtica amb la crisi identitària, la incertesa i la manca de sentit general; la plasmació de la quotidianitat i el context immediat per mitjà de personatges amb actituds i patologies molt properes als individus coetanis; la inclusió normalitzada del fantàstic en textos de temàtica i ambientació realistes a través del gènere del realisme màgic o el neofantàstic; l’auge del mèto
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Besse, Nadège. "Réfléchir la transmission au féminin. Étude de la relation mère-fille chez sept auteures catalanes." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL138.

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Cette thèse a pour objet l'analyse de la relation mère-fille dans un corpus composé de treize œuvres majoritairement romanesques, publiées entre 1962 et 2015, de sept auteures catalanes. Ces dernières écrivent en castillan (Esther Tusquets, Ana María Moix et Milena Busquets), en catalan (Mercè Rodoreda, Carme Riera et Maria Mercè Roca) ou dans les deux langues (Jenn Díaz). La mère est liée aux origines et à l'identité et, de fait, la relation mère-fille est souvent une zone ravagée, conflictuelle, du moins complexe, ce qui en fait un sujet d'écriture extrêmement riche. Nous proposons ainsi une
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Snydacker, Sarah Elizabeth. "The new American song: a catalog of published songs by 25 living American composers." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1265.

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The purpose of this dissertation is to create a catalog of the published, solo vocal songs of 25 living American composers. Through this project, visibility will be given to a significant amount of contemporary literature that is currently unknown and / or underused by many singers and voice teachers today. Exposure to the literature in this project will encourage singers and teachers to give deserving attention to a wealth of contemporary American song literature, and will help to stimulate the study, practice and performance of other contemporary songs and composers. I have selected 25 livin
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Bosch, Sánchez Lluís. "La traducció al català de poesia en llengua anglesa (1990-2010): anàlisi formal i retòrica." Doctoral thesis, Universitat de Girona, 2017. http://hdl.handle.net/10803/666592.

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This PhD dissertation attempts to describe and value the translation into Catalan of English language poetry during the period that comprises the years 1990 to 2010. It is the aim of this thesis to consider a theoretical approach regarding the study of poetry translation based on rhetoric. As far as twenty translations are studied in order to offer quite an assorted, large and diverse collection of samples that supports the fulfillment of the pursued objective. All the English language poets that belong to the corpus have mostly published their work during the twentieth and twenty-first centur
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Elias, Joan-Ignasi. "La Poètica del silenci i la poesia catalana del segle XX." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/383062.

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El plantejament del treball es fa partint de dues constatacions: l'estudi del silenci requereix una visió interdisciplinària i parlar-ne constitueix una paradoxa en si mateix. L'aproximació es realitza tenint en compte la seva gran rellevància en l'art en general i en la poesia en particular, en què la seva influència ha estat decisiva, especialment a partir del segle XX. Al llarg d’aquest treball volem ressaltar el silenci poètic o, millor dit, la seva capacitat d’eloqüència, el seu dot de suggeriment, la seva idoneïtat per expressar l’inefable com a veu de misteri i com a codi d’enigma, i
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Libros sobre el tema "Contemporary Catalan literature"

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Pérez, Janet. Modern and contemporary Spanish women poets. Twayne Publishers, 1996.

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Jonathan, Swift. Gulliver's travels: With an introduction and contemporary criticism. Ignatius Press, 2010.

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Jonathan, Swift. Gulliver's travels: Complete, authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives. Bedford Books of St. Martin's Press, 1995.

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Martines, Vicent. Character and Gender in Contemporary Catalan Literature. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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Martines, Vicent. Character and Gender in Contemporary Catalan Literature. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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Character and Gender in Contemporary Catalan Literature. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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Boada-Montagut, Irene. Women Write Back: Contemporary Irish and Catalan Stories. Irish Academic Press, 2002.

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(Editor), David George, and John London (Editor), eds. Contemporary Catalan Theatre: An Introduction (Anglo-Catalan Society Occasional Publications). Sheffield Academic Press, 1996.

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Absinthe : World Literature in Translation : Vol. 25 : Barings // Bearings: Contemporary Women's Writing in Catalan. Michigan Publishing Services, 2019.

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Duprey, Jennifer. Aesthetics of the Ephemeral: Memory Theaters in Contemporary Barcelona. State University of New York Press, 2014.

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Capítulos de libros sobre el tema "Contemporary Catalan literature"

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Keown, Dominic, and Jordi Larios. "Contemporary Catalan literature." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxiv.09lar.

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King, Stewart. "Under Construction: Literature and Identities in Contemporary Catalan Culture." In The Rise of Catalan Identity. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18144-4_18.

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Lunati, Montserrat. "Calligraphies of Illness in Contemporary Catalan Culture." In Latin American and Iberian Perspectives on Literature and Medicine. Routledge, 2015. http://dx.doi.org/10.4324/9781315741796-12.

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Ortega, Julio, and Heike Scharm. "A Postnational Critique of Language." In Postnational Perspectives on Contemporary Hispanic Literature. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054940.003.0004.

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This chapter argues that the Spanish language, including its literatures and cultures, is inherently postnational. For this reason, critical approaches based on transatlantic exchanges may unlock the creative potential of Hispanism’s multilingualism. These transatlantic dialogues aim to reconfigure the spatial organization of the world through a postnational language that reflects a paradigm of mixture (more so than mestizaje) and offers a cultural model based on heterogeneity. By citing examples of authors and literary works from the Middle Ages to the twenty-first century written on both sides of the Atlantic, Ortega reminds us that the Spanish language and its literatures are not only the product of a melting pot of Iberian regionalisms (Galician, Basque, Catalan) but also of the indigenous languages of the Americas. In light of the challenges of globalization and a globalized market, this cultural territory establishes itself as a potential promise of compatibility and a new kind of modernity.
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Gallén, Enric, and Miquel M. Gibert. "Catalan and Spanish Drama in Contact (1890–1939)." In Iberian and Translation Studies. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800856905.003.0016.

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From the end of the nineteenth century to the first three decades of the twentieth century, the will to modernize Catalan literature favoured the translation of contemporary Spanish drama from Galdós to Casona into Catalan, and its performance. In the same period, some Catalan authors such as Àngel Guimerà, Santiago Rusiñol, and Josep M. de Sagarra were translated into Spanish and also performed on stages in Madrid. However, the exchange that took place between both Iberian dramas received a heavy blow with the establishment of Franco’s dictatorship in 1939. While emphasizing the importance of cultural promoters, playwrights, translators, and critics for contact between Catalan and Spanish drama, this chapter studies the presence of the latter in literary and dramatic collections translated into Catalan and, in turn, that of Catalan drama in the same type of collection translated into Spanish during a time marked by an unusually fruitful ‘complicity’ between both theatrical scenes.
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CASADO-GUAL, NÚRIA. "Changing the face of Catalan theatre: New portraits of old age in two contemporary dramatic comedies." In The Bloomsbury Handbook to Ageing in Contemporary Literature and Film. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350204362.ch-025.

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Duprey, Jennifer. "Memory and Urban Landscapes in Contemporary Catalan Theater." In New Spain, New Literatures. Vanderbilt University Press, 2010. http://dx.doi.org/10.2307/j.ctv17vf6x8.7.

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Ojeda Caba, Júlia. "Ideología lingüística e identidad nacional en tríptico de Marta Rojals." In Novela postcrisis en la España plurilingüe. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-870-5/004.

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This chapter examines key cultural, political, and literary issues intertwined within the postcrisis Catalan context. Through a detailed study of Marta Rojals’ novels, it offers a cross-analysis of formal literary elements with concepts from sociolinguistic studies and the framework surrounding the Normalització pujolista project and its connection to the culture of Spain’s Transition to democracy. The chapter sheds new light on some of the most prominent social and political conflicts in contemporary Catalonia since the collapse of the real estate bubble and the onset of the Catalan independence movement. Simultaneously, the author seeks to identify the elements driving the re-politicization of current Catalan narrative, considering factors such as linguistic conflict, national identity, and gender. The chapter also expands the understanding of what can be considered political in other literatures of the Spanish State.
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Herb, Guntram H. "The Geography of Peace Movements." In The Geography of War and Peace. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195162080.003.0024.

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Geographers have not been prominent in studying peace movements. This is not surprising, given the strong foundations of the discipline in warfare and imperialism. To date, the only general geographic survey of peace movements appears to be Brunn’s 1985 study, a catalog of peace organizations and their activities that covered mainly the United States. Other studies by geographers are few and focus on individual antiwar campaigns or disarmament strategies. However, more recently, geographers have made significant contributions to the analysis of the broader theoretical context of peace movements. These works offer spatial conceptualizations of social movement mobilization. A general appraisal of the geographic dimensions of peace movements is still missing. This chapter represents a tentative step in this direction. The examination is conducted in four steps. The first section deals with general characteristics of peace movements. It discusses problems of definition and presents the intellectual and philosophical foundations of peace activities. The second section approaches the geography of peace movements from a historical perspective. It examines the development of organized peace groups from their origins in the nineteenth century to the present. Different scales of the changing geopolitical and societal contexts will frame the discussion. Such a geohistory will allow us to identify and interpret changing intensities of activism. The third section addresses the geography of contemporary peace movements from a conceptual viewpoint. Armed with theoretical concepts from the recent literature on social movements, it examines the places and spaces of mobilization. The 1980s peace movement against nuclear armaments will serve as a case study to illustrate the insights that can be gained from a geographic approach. Finally, I will present the major implications that stem from the geohistorical and conceptual discussions in the conclusion. Peace is more than the absence of war. Though it is traditionally defined as the opposite of war, peace scholars and activists now embrace a notion of peace that includes the conditions necessary to bring about a nonviolent and just society at all levels of human activity. Contemporary peace movements not only seek to abolish the overt violence of war, but also struggle to transform the social structures responsible for death and human suffering.
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