Tesis sobre el tema "Concertos (Violin with string orchestra)"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 33 mejores tesis para su investigación sobre el tema "Concertos (Violin with string orchestra)".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore tesis sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
Tartini, Giuseppe Burden Michael. "Six concertos for violin and string orchestra, 1733 /". Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.
Texto completoNazor, Craig. "Concerto for solo violin, strings, and percussion /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texto completoKimbler, Chad. "CONCERTO FOR AMPLIFIED MANDOLIN, STRING ORCHESTRA, AND PERCUSSION". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143068097.
Texto completoMoon, Jeong-Hyun. "Concertino for Flute, Timpani and String Orchestra". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279127/.
Texto completoWidstrand, Alex Christopher. "Lev Konstantinovich Knipper's concerto for bassoon and string orchestra: introduction and critical performing edition". Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6338.
Texto completoPlatt, Jessica K. "A methodology of study for Samuel Barber's Concerto for violin and orchestra op. 14". CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1467040.
Texto completoSchool of Music
Reed, Marc Allen. "An historical and stylistic examination of Charles Chaynes' Concerto Pour Trompette and Deuxième Concerto Pour Trompette, with an interview of the composer". Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3924/.
Texto completoYan, Jishuang. "Prokofiev's Eclectic Approach in his Violin Concerto No. 2 in G Minor". Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505201/.
Texto completoHong, Dayeon. "The Semantics of the Motives and Linear Voice Leading in the First and Second Movements of Korngold's Violin Concerto, Op. 35". Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505269/.
Texto completoLewis, Lucy Karelyn. "A model for developing a holistic collegiate curriculum for string performance and pedagogy". Thesis, The University of Iowa, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3638399.
Texto completoThis thesis is directed toward teachers who work primarily with music degree students on the collegiate level. Pedagogy is simply too often "hit or miss" in a student's degree curriculum, and yet the reality is that most musicians will have to teach at some point in their careers, whether they realize it as students or not.
This thesis provides a model for how to holistically integrate pedagogy into all aspects of the performance curriculum, so that string performance students are provided with the necessary tools to be both excellent performers and teachers, regardless of whether they ever take a pedagogy class. This is accomplished through: the examination of survey results regarding how schools are incorporating the National Association for Schools of Music requirements and recommendations for the integration of pedagogy into course curricula; an overview of survey results reporting how string performers and educators feel about the quality of the education they received in regards to preparedness for artist string teaching; and a discussion of how to create a holistic curriculum for performance and pedagogy that encompasses the three main areas of most string performance curriculums (the private studio, chamber music, and orchestra).
The overarching goal of this thesis is to build on the rich tradition of string playing and teaching that already exists, by introducing a curriculum that will holistically educate the student as both performer and pedagogue. At the heart of this approach is the need for fostering a "see one, do one, teach one" mentality in students.
Costa, Anthony J. "A bibliography of chamber music and double concerti literature for oboe and clarinet". Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117551575.
Texto completoTitle from first page of PDF file. Document formatted into pages; contains xiv, 146 p.; also includes musical examples. Includes bibliographical references (p. 142-146). Available online via OhioLINK's ETD Center
Manning, Dwight C. (Dwight Carroll). "A Study of the Oboe Concertos of Johann Friedrich Fasch with a Performing Edition of Oboe Concerto in G Major (Küntzel 8) : A Lecture Recital Together with Three Other Recitals of Selected Works of Handel, Mozart, Bellini, Poulenc, Britten and Others". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278576/.
Texto completoMartens, Hester Susanna. "Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2525.
Texto completoThis study represents a contribution to the subject-didactical review of three prominent compositions for the violin by three prominent South African composers, namely the Sonata on African Motives by Stefans Grové (1985), Luamerava by Hendrik Hofmeyr (2000) and the Concerto for violin and orchestra by Allan Stephenson (2007). The three composers are discussed with reference to biographical detail and broad compositional style, while the works are reviewed according to musicological aspects as well as violin specific didactical aspects. To avoid too much repetition, a chapter concerning technical issues and practice methods pertaining to all three works was added. In the Sonata on African Motives, Stefans Grové merges his “old” compositional style, in this work loosely represented by a lack of tonality and metre, as well as complicated use of rhythm, with his “new” African voice (1984-). The African voice, represented by a melody he overheard a black roadworker sing, ties the work together. The sonata consists of five movements, with the first and fourth movements, and the third and fifth movements linked through content. This work presents challenging ensemble playing, rhythmic detail, diverse timbre changes in the violin part, as well as pitch difficulty due to unusual intervals without tonal context. Hendrik Hofmeyr‟s Luamerava was commissioned by SAMRO for the overseas scholarship. The title refers to the last of the mythical Children of the Lost Star who lived in the Cariba gorge on the banks of the Zambezi river (according to Mutwa‟s description of the oral culture of the people of that region). The piece, like the Grové, is thus linked to Africa. The work was composed for solo violin, Hofmeyr makes the most of the lyrical and sonorous qualities of the instrument. Compared to the other two works studied, Luamerava presents the most advanced technical challenges, with extensive doublestopping being the main challenge. Allan Stephenson‟s Concerto differs significantly from the other two works studied in the sense that it is instantly appealing to the general music lover, mainly because of his use of easy flowing melodies. The concerto has, as is tradition, three movements. Although the work contains ample technical challenges, it is obvious that it was composed by a string player – both the extensive running passages and double stopping are quite possible to play once good fingerings have been found. In the discussion of these works, attempts at solving specific technical problems are made.
Bogard, Rick. "The Trumpet in Selected Solo and Chamber Works of Paul Hindemith : Elements of Trumpet Technique and Their Relationship to the Gebrauchsmusik Concept, a Lecture Recital, Together with Three Recitals of Selected Works of J.N. Hummel, A. Jolivet, C. Chaynes, and Others". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278128/.
Texto completoTartini, Giuseppe 1692-1770. "Six concertos for violin and string orchestra, 1733". 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.
Texto completoBurden, Michael. "Six concertos for violin and string orchestra, 1733 Giueseppe Tartini". Thesis, 1987. http://hdl.handle.net/2440/103147.
Texto completoHart, Hilary Brain Dennis Conlon Frank Sato Erika Rakers Michelle A. "Dedications for Dennis Brain a musical exploration of his additions to the repertoire of the French horn". 2007. http://hdl.handle.net/1903/9734.
Texto completoDouglas, David James. "Inquiry into J.S. Bach’s method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology". Thesis, 1997. http://hdl.handle.net/2429/6473.
Texto completoCrane, Emily Hanna Kowalsky Frank Bolcom William. "A performer's approach to William Bolcom's Concerto in D for violin and orchestra". Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-04032007-235850/.
Texto completoAdvisor: Frank Kowalsky, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-21-2007). Document formatted into pages; contains 92 pages. Includes biographical sketch. Includes bibliographical references.
Yeo, Lisa Lorraine Gartrell. "Copland’s clarinet concerto : a performance perspective". Thesis, 1996. http://hdl.handle.net/2429/4810.
Texto completoJiang, Yuli Baltzer Rebecca A. Gratovich Eugene. "The Chinese violin concerto "The butterfly lovers" by He Zhanhao (1933) and Chen Gang (1935) for violin and orchestra". 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3128861.
Texto completoDavis, Rachelle Marie Gratovich Eugene Buhler James. "Walter Piston's Concerto no. 1 for violin and orchestra thematic and motivic transformation, style, and violinistic issues /". 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3127083.
Texto completoDavis, Rachelle Marie. "Walter Piston's Concerto no. 1 for violin and orchestra: thematic and motivic transformation, style, and violinistic issues". Thesis, 2004. http://hdl.handle.net/2152/1139.
Texto completoDavis, Rachelle Marie 1972. "Walter Piston's Concerto no. 1 for violin and orchestra : thematic and motivic transformation, style, and violinistic issues". 2004. http://hdl.handle.net/2152/12946.
Texto completoJiang, Yuli. "The Chinese violin concerto "The butterfly lovers" by He Zhanhao (1933) and Chen Gang (1935) for violin and orchestra". 2004. http://hdl.handle.net/2152/12694.
Texto completo"Instrumental Vibrato: An Annotated Bibliography of Historical Writings Before 1940". Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.14581.
Texto completoDissertation/Thesis
D.M.A. Music 2012
Crawford, Heather A. "Joan Tower's Violin concerto an organic approach to composition /". 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3075612.
Texto completoLockard, Douglas Todd 1965. "A stylistic and analytical discussion of Jean Rivier's Concerto for saxophone and trumpet and Concerto for trumpet". 2001. http://hdl.handle.net/2152/11341.
Texto completoKim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"". 2006. http://hdl.handle.net/1903/9756.
Texto completoCawrse, Anne Rebecca Goldsworthy Peter Rossetti Christina Georgina. "Portfolio of original compositions and exegesis a personal exploration of modal processes /". 2007. http://digital.library.adelaide.edu.au/dspace/handle/2440/49470.
Texto completoCawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes". 2008. http://hdl.handle.net/2440/49470.
Texto completoThesis (Ph.D.) - University of Adelaide, Elder Conservatorium of Music, 2008
Cawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes". Thesis, 2008. http://hdl.handle.net/2440/49470.
Texto completoThesis (Ph.D.) - University of Adelaide, Elder Conservatorium of Music, 2008
"A portfolio of music compositions". 2006. http://library.cuhk.edu.hk/record=b5896515.
Texto completoThe giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo "Qin sheng qu" : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II "Fu su er" : for pipa and Chinese orchestra -- Volcanicity "Yuan, shi" : for sheng and Chinese orchestra.
Tang Lok-yin.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2006.
Librettos (1st work) in English ; abstracts in English and Chinese.
Chapter Composition 1 --- "The Giving Tree for Soprano, Tenor, Violin, Cello and Piano"
Chapter Composition 2 --- Duo (琴 II 曲〉 for 2 Harmonicas
Chapter Composition 3 --- Clarinet Duet for Clarinet and Live Electronics
Chapter Composition 4 --- Playing Game for Orchestra
Chapter Composition 5 --- Sculpture II {{214753}塑二〉 for pipa and Chinese Orchestra
Chapter Composition 6 --- Volcanicity 《原´Ø始)for Sheng and Chinese Orchestra