Literatura académica sobre el tema "Collective tomb"
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Artículos de revistas sobre el tema "Collective tomb"
Xu, Photo by Jennifer. "The Collective Lamentation of the Raggio Tomb". Academic Medicine 94, n.º 7 (julio de 2019): 990. http://dx.doi.org/10.1097/acm.0000000000002716.
Texto completoChoi, Sung-rak y Moonkang Bok. "Discussion on the Terminology of Baekje Tombs". Korean Ancient Historical Society 121 (31 de agosto de 2023): 71–95. http://dx.doi.org/10.18040/sgs.2023.121.71.
Texto completoXu, Jennifer. "Commentary on “The Collective Lamentation of the Raggio Tomb”". Academic Medicine 94, n.º 7 (julio de 2019): 991. http://dx.doi.org/10.1097/01.acm.0000574980.27261.3a.
Texto completoRutkowski, Łukasz y Marta Parol. "The skeletal remains from Umm an-Nar tomb QA 1-1: spatial distribution and anthropological analysis". Polish Archaeology in the Mediterranean, n.º 30/2 (31 de diciembre de 2021): 103–28. http://dx.doi.org/10.31338/uw.2083-537x.pam30.2.27.
Texto completoKim, Dae Hwan. "The Collective Integration Process of Saroguk Based on the Tomb Data". Yeongnam Archaeological Society 97 (30 de septiembre de 2023): 189–211. http://dx.doi.org/10.47417/yar.2023.97.189.
Texto completoMalone, Caroline, Simon Stoddart, Anthony Bonanno, Tancred Gouder, David Trump, Geraldine Barber, Carol Brown et al. "Mortuary Ritual of 4th Millennium bc Malta: the Zebbug Period Chambered Tomb from the Brochtorff Circle at Xaghra (Gozo)". Proceedings of the Prehistoric Society 61 (1995): 303–45. http://dx.doi.org/10.1017/s0079497x0000311x.
Texto completoGapany, Jérôme. "Claiming village commons by “militarizing the ancestors” in urbanizing Fuzhou, China". Focaal 2022, n.º 94 (1 de diciembre de 2022): 72–86. http://dx.doi.org/10.3167/fcl.2022.940105.
Texto completoSyahrun, Syahrun y Basrin Melamba. "Changes in Tolaki People Burial in Southeast Sulawesi: From Boat-Shaped Grave Coffin (Soronga) to Boat-Shaped Islamic Tomb (Koburu Bangga)". Jurnal Sejarah Citra Lekha 7, n.º 1 (28 de mayo de 2022): 1–12. http://dx.doi.org/10.14710/jscl.v7i1.45319.
Texto completoRiggs, Christina. "Shouldering the past: Photography, archaeology, and collective effort at the tomb of Tutankhamun". History of Science 55, n.º 3 (19 de diciembre de 2016): 336–63. http://dx.doi.org/10.1177/0073275316676282.
Texto completoLee, Anru y Wen-hui Anna Tang. "The Twenty-five Maiden Ladies' Tomb and Predicaments of the Feminist Movement in Taiwan". Journal of Current Chinese Affairs 39, n.º 3 (septiembre de 2010): 23–49. http://dx.doi.org/10.1177/186810261003900302.
Texto completoTesis sobre el tema "Collective tomb"
Blin, Arnaud. "La gestion des sépultures collectives du bassin parisien à la fin du néolithique". Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100183.
Texto completoFor one century and an half, around four hundred and fifty collective burials had been discovered in the Paris basin. The archeological information is widely lacunar. The knowledge of the chronological and cultural groups of the end of the Neolithic had been enhanced thanks to the burial deposit. It permitted to define a common phase of building and use of a large majority of the collective burials during the recent Neolithic (3350-3000 av. J.-C). A minority of them had been used during the final Neolithic(2900-2550 av. J.-C.), or even till the beginning of the Bronze Age.In spite of a common chronological horizon, the collective burials of the Paris basin presents a suprising architectural diversity. Two main types of monuments had been identified : the sepulchral galleries and the hypogeums. They coexist with a group of burials formerly named “dolmen” or “burial grave”, two names that we could not use any more. Each archictectural type is characterised by his own building technique, geographical distribution, implantation logic, useful life and deposit concentration. Is this diversity reinforced by some differences on burial practices ? Are the different types of collective burials of the Paris basin distinguished between as well by their functioning ? Could they constitue original characteristic cultural ?
Joubert, Émil. "Cartographies de l'éternité - Concevoir l'au-delà et le mobilier d'une sépulture collective du début de la XXIème dynastie égyptienne". Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL002.pdf.
Texto completoAt the beginning of the Third Intermediate Period (1069-664 B.C.), the Egyptian 21st dynasty (1069-945 B.C.) was characterized by the grouping of burials and a restriction of the furniture to a few elements - nested coffins, papyrus and shabtis - closely surrounding the mummy. By studying these objects, we can gain a better understanding of the way in which death and the rites associated with it were inserted in culture. Several lines of enquiry are proposed here, based on the corpus offered by a Theban collective burial site from the first half of the period, which has no archaeological context but housed around ten individuals, including “superiors of the keepers of the writings of the Treasure of the Domain of Amun” (ḥry sȝwty sš.w Pr-ḥḏ Pr-Jmn).Material analysis provides a better understanding of the production processes for this funerary furniture. While illustrating the great variability in practices, both over time and in synchrony, it highlights the attention paid to the layout of the iconotextual programme, whose articulations are reflected in the materiality. The circulation and recomposition of models also highlight the miscellaneity at work in creation and personalization.The importance of these aspects underlines the iconotext as a discourse structured by indexes of vectoriality and the corporeal anchoring of certain motifs. The resonance of scenes and texts from one object to another through their spatialization develops a unique funerary rhetoric, creating a sacralizing cosmogram around the body, sometimes in the image of a temple. The interaction between the inner and outer coffins signals the embedding of the body in the other world, and its inclusion in a wider universe. The different mappings created by the media used - three-dimensional coffins and more linear papyrus - reflect the complex pathways linking the Duat and the daytime world, leading to transfiguration.Access to deceased status is displayed during funeral rites that highlight the stages of glorification and ensure community involvement. The link to prestigious ancestors may be established through references or reuse of antique furniture. The ceremonies demonstrate membership of a social world, whose cohesion and links with royalty are asserted, notably through the probable role of certain members of the corpus in the reburial of past sovereigns and through parallels with the furniture of the women of the reigning family.A study of this corpus suggests the gradual formation, over several generations, of a collective burial around prestigious figures. It illustrates the closeness of these relationships with the afterlife and the way in which they provided access to eternity through integration with a wider world that was both divine and human.Appendices include an illustrated list of the objects in the corpus and a description of the complete coffins set in the corpus
Robson, Benjamina. "Anthropologie historique des telo troky tesaka à Madagascar : des ordres statutaires aux communautés politico-religieuses contemporaines (17e-21e siècle)". Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0176.
Texto completoThe thesis sheds light on "political-religious" tesaka power (Godelier 2007) — in Vangaindrano, South-Eastern Madagascar — by integrating historical and evolutionary considerations. It aims to be a tool for understanding the dialectic of the transformation of the exercise of politico-religious power since the foundation of the tesaka kingdom, likely to have occurred in the 17th century, until the creation of the three contemporary communities of politico-religious order (telo troky) in 1897, and their state nowadays. The main objective is to present the permanent and dynamic aspects of the tesaka social system by highlighting the close interweaving of the political and religious embodied by the keeper of sacrificial worship posts for the invisible sacred beings (pita hazomanga).If during the tesaka royal period, only the king inherits worship posts (fatora) and has the exclusivity of the exercise of the politico-religious power of pità hazomanga, the emergence of telo troky leads to the construction of the Fatora and the appearance of a pità hazomanga specific to each community. From then on, the sacrificial ceremony to the invisible sacred beings (velatry) presents itself as the stable element of the "core of the ritual process" (Bloch 1997 [1992]: 9), revealing the resilience of a system of religious beliefs, and applicable to all grades of local politico-ritual units (troky or fatora, raza or koboro, raibe raiky or trañondonaky, lonaky or traño raiky)
Madigan, Valeri J. "A comparison of tomb art from New Kingdom Egypt and classic period Oaxaca, Mexico". Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1290.
Texto completoBachelors
Sciences
Anthropology
Smithers, Tamara. "Memorializing the Masters: Renaissance Tombs for Artists and the Cults of Raphael and Michelangelo". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/198573.
Texto completoPh.D.
In this study, I argue that the cult of the artist centered on memorial making. From the Quattrocento through the Seicento, the growth in the size and number of memorials for artists parallels the changes that took place regarding the social class, professional position, and economic privilege of practitioners of the three main visual arts, painting, sculpture, and architecture. Similar to portraits, self-portraits, personal emblems, and signatures, tomb effigies and epigraphs were a type of construction of identity that articulated similar notions, serving as a form of popular praise and as a way to preserve one's memory for posterity. Moreover, tombs for artists existed in the public sphere on a grand scale, reaching larger audiences and thus having a greater cultural impact. Additionally, in tandem with contemporary art theory, tomb making became a tangible outlet for the paragon of the arts and for comparison against each other. The funeral ceremony functioned not only as a communal display of local pride but it also served as a vehicle for constructing artist-patron relationships and a way to promote the profession. The faculty to fashion artistic ties through the public spectacle of the funeral and the permanent medium of the memorial proved to be particularly essential for the newly formed art academies in regard to group identity and professional bonding. Publicizing the unification of the three arts was a key concern for the academies, especially in regard to decorating communal burial sites and devising group insignia. The display of emblematic imagery in addition to the erection of inscriptions that link the artist to his master on the tomb memorial became a palpable way to formulate an artistic pedigree for that particular artist and for that associated community of artists. The early art companies in central Italy--I Virtuosi al Pantheon in the 1540s in Rome, the Accademia del Disegno in the 1560s in Florence, and the Accademia di San Luca in the 1590s in Rome--were founded with the intention to properly bury their members. Moreover, for members, establishing ties to Raphael and Michelangelo, who received unprecedented burials, were hailed as symbolic figureheads for the academies, and were venerated as "artistic saints," lies at the center of sixteenth-century memorial making for artists. For some in the profession, as was the case for the followers of Raphael, being buried near their capomaestro solidified real or desired connections. The display of what was believed to be Raphael's skull in the seventeenth-century Roman Academy exhibits the new regard for the artist. The physical being of the artist came to be an object charged with meaning, similar to a holy relic, bringing new meaning to the concept of the "divine artist." For others, viewing the miracle of the unmarred corpse of Michelangelo, their padre delle tre arti, upon the opening of his coffin after it arrived in Florence, left a lasting impression. By exploring the panegyric following of Raphael and Michelangelo with a focus on tomb memorials, this dissertation explores what is meant by the phrase the "cult of the artist," especially in relation to these two masters. In doing so, this study synthesizes and weaves together otherwise disparate sources in order to elucidate a better understanding of the idea of the artist during the Early Modern period in Italy. As it proves, honoring the artist through the creation of memorials was the principal way to publicly pay tribute to those in the trade and provided a new type of artistic camaraderie.
Temple University--Theses
Martins, Ana Teresa Baltazar Cruz. "Regeneração e qualificação de uma estrutura rural em São Tomé e Principe". Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2016. http://hdl.handle.net/10400.5/13568.
Texto completoFormiga, Bárbara Neves. "O centro de artes performativas de São Tomé". Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/16679.
Texto completoSão Tomé evidencia os traços de uma cidade perdida no tempo. O atual abandono percetível não esconde as transformações sociais e espaciais ocorridas ao longo dos séculos, por um lado, nem as necessidades implícitas de dinamização da área urbana, por outro. Neste Projeto Final, pretendeu-se estudar soluções para fazer face às suas descontinuidades e atuais insuficiências, sendo apresentadas sob a forma de uma proposta de intervenção. A inexistência de equipamentos que permitam impulsionar as dinâmicas sociais e as trocas culturais inscreve-se como uma das necessidades mais percetíveis da urbe deste pequeno arquipélago. A proposta teve em consideração não apenas os edifícios de referência para a população enquanto factos urbanos da cidade, mas também as caraterísticas da arquitetura vernacular e os aspetos da cultura são-tomense, procurando integrá-los no desenho das novas estruturas, num ambiente tropical com vocação para o exterior. O arquipélago de São Tomé e Príncipe é exemplo de uma herança rica em tradições, deveras marcada pelos processos de aculturação e influências atávicas enquanto colónia e província ultramarina que foi. O novo Centro de Artes Performativas, complementado pelo novo parque urbano e pelo redesenho da marginal, é apresentado como solução. Este equipamento visa reavivar a característica expressão cultural e artística popular, e afigura-se potencialmente, para o futuro, e além das vantagens económicas inerentes, como novo facto urbano.
ABSTRACT: São Tomé shows the traces of a city lost in time. The actual abandonment doesn’t hide the social and spatial transformations occured over the centuries, nor the implicit needs of dynamization of the urban area, on the other hand. In this Final Project, it was intended to study solutions to face its discontinuities and current shortcomings, presented in the form of a proposal for an intervention. The lack of equipment to boost social dynamics and cultural exchanges is one of the most sensitive needs of this small island. The proposed intervention considered not only the reference buildings for the population, but also the characteristics of the vernacular architecture and the aspects of the São Tomé culture, trying to integrate them in the design of the new structures, in a tropical environment with vocation for the exterior. The archipelago of São Tomé and Príncipe is a good example of a heritage rich in traditions, marked by the processes of acculturation and influences as an overseas colony. The new Center of Performative Arts, complemented by the new urban park and the redesign of the waterfront, is presented as a solution. This equipment aims to revive the characteristic popular culture and the artistic expression of the population. Beyond the inherent economic advantages it aims for the future as a new urban fact.
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Maino, Elisabetta. "Le kaléidoscope identitaire : anthropologie historique de São Tomé e Príncipe". Paris, EHESS, 2004. http://www.theses.fr/2004EHES0128.
Texto completoThe metaphor of the kaleidoscope illustrates the multiplicity of movables identities that form this insular society marked by five centuries of Portuguese colonisation. The cut out of temporalities follows the transformation of social strategies. I am the Other, is a phase of similarity with the coloniser, organised by the religious principle and the individualisation of the positions. I am ANother, is the phase of identity ruptures and the emerging of diversities organized by the ethnic and racial hierarchy. Finally, I am myself, the affirmation of subjectivity guided by the self-determination principle, opens the way to the autonomous identity. This process is a practice of power that mobilises in a selective or instrumental way the collective memory. The rearrangement of the symbolic code legitimizes the various registers of individual narrations. Land and work constitute the signs of the Santomean political identity, itself defined by an integrating territoriality of pluralities
GRATSON, SCOTT D. "A STRATIFICATION OF DEATH IN THE NORTHERN RENAISSANCE: A RECONSIDERATION OF THE CADAVER TOMBS OF ENGLAND AND GERMANY". Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/587512.
Texto completoPh.D.
This analysis is on the function of cadaver or transi tombs in the south of England and Germany from the fifteenth to early sixteenth centuries, at particular moments when theological and cultural shifts related to Church reforms and the Reformation were tethered to new considerations about death, memorial, and changing concepts of the soul and matter. The study begins with a focus on the tombs of Henry Chichele (1364–1443) in Canterbury Cathedral in Canterbury, England, and Alice de la Pole (1404–1475) of Saint Mary’s Church in Ewelme, Oxfordshire, England. Additionally, the memorial relief of Ulrich Fugger (1441–1510) in Saint Anna's Church in Augsburg, Germany, acts as a bridge to Hans Holbein’s painted Dead Christ in the Tomb (1521) in the Kuntsmuseum Basel, in which Christ is simultaneously portrayed as an effigy, transi, and resurrected body. This was also an extended period when notions of visuality changed, along with preferences for different media and pressures on images and objects. As the demands of verisimilitude and discourses about presence and matter changed, media progressed from three-dimensional sculpture and carved relief to oil paint on wood. Transi tombs embodied this trajectory, altering uses and impressions of materials as they progressed from metal to stone to relief carving and paint. Transi tombs, in particular, structured time as a malleable construct, through the incorporation of varying images and their configuration in different visual strata and degrees of vividness and decay. By merging motifs of the dead with the Resurrected Christ, the transi tomb phenomenon situated death in relation to the viewer’s experience of mortality, memorial, and remembrance. Through these changing images and media, public perception of death was inextricably transformed, coinciding with the advent of the Reformation.
Temple University--Theses
Viegas, Beatriz Cristiane Pinheiro Ramos. "O (re)desenho identitário dos mercados como elemento de qualificação do Riboque, São Tomé e Príncipe". Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20400.
Texto completoSão Tomé é uma cidade esquecida no tempo, cujo traçado urbano e a própria estrutura do edificado apresentam-se marcadas pelo seu passado. Com uma economia frágil, baseada no turismo e no comércio, como meio de subsistência, os espaços urbanos destinados a estas actividades assumem uma enorme importância na cidade. A estrutura urbana que hoje existe na cidade de São Tomé apresenta um traço predominante informal, originando questões como a organização espacial, as formas de viver o espaço, a habitação, a salubridade, entre outras, tendo tal em conta, o presente trabalho pretende estudar o crescimento da cidade, e a existência de equipamentos que possam potencializar, não só as questões económicas como também as questões sociais. Como proposta assiste-se ao (re)desenho de uma parte da cidade que funciona como “charneira” entre a cidade formal e informal, criando uma ligação entre o passado e um presente, entre edificados históricos e novas propostas, visando a identidade do lugar, tomando como partida uma regeneração de um todo, propondo novos equipamentos, restruturando outros, e uma nova habitação.
ABSTRACT:São Tomé is a city forgotten in time, whose urban layout and its building structure are marked by its past. With a fragile economy, based on tourism and commerce, as a means of subsistence, urban spaces for these activities assume an enormous importance in the city. The urban structure that exists today in the city of São Tomé presents a predominantly informal trait, giving rise to issues such as spatial organization, ways of living space, housing, healthiness, among others, taking this into account, the present work intends to study the growth of the city, and the existence of facilities that can enhance not only economic but also social issues. As a proposal, it follows by the (re) design of a part of the city that functions as a “hinge” between the formal and informal city, creating a link between the past and the present, between historical buildings and new proposals, aiming at the identity of the place , starting with a regeneration of the whole, proposing new equipment, restructuring and a new housing.
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Libros sobre el tema "Collective tomb"
author, Coppens Filip, Vymazalová Hana author y Český egyptologický ústav, eds. Abusir XIX: Tomb of Hetepi (AS 20), Tombs AS 33-35 and AS 50-53. Prague: Charles University, Philosophical Faculty, 2010.
Buscar texto completoBash, Tami. Lethal gunfire and collective punishment in the wake of the massacre at the Tomb of the Patriarchs. Jerusalem: B'tselem, 1994.
Buscar texto completoWilson, Christopher Samuel. Beyond Anıtkabir: The funerary architecture of Atatürk : the construction and maintenance of national memory. Farnham, Surrey, England: Ashgate, 2013.
Buscar texto completoNavarro-Remesal, Víctor y Óliver Pérez-Latorre. Perspectives on the European Videogame. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726221.
Texto completoUngerer, Tomi. Musée Tomi Ungerer: La collection. Strasbourg: Musées de Strasbourg, 2007.
Buscar texto completoMuḥammad, Muḥsin. Sariqat Malik Miṣr. al-Qāhirah: Markaz al-Ahrām lil-Tarjamah wa-al-Nashr, Muʻassasat al-Ahrām, 1985.
Buscar texto completoMuḥammad, Muḥsin. Sariqat Malik Miṣr. 8a ed. al-Qāhirah: Markaz al-Ahrām lil-Tarjamah wa-al-Nashr, Muʼassasat al-Ahrām, 1985.
Buscar texto completoJanet, Baker. Seeking immortality: Chinese tomb sculpture from the Schloss collection. Santa Ana, Calif: Bowers Museum of Cultural Art, 1996.
Buscar texto completoManenti, Luca G. y Fabio Todero. "Si scopron le tombe": Ricordare, commemorare, evocare i caduti della Grande Guerra. Trieste: Istituto regionale per la storia della Resistenza e dell'età contemporanea nel Friuli Venezia Giulia, 2018.
Buscar texto completoFrance), Musée historique (Strasbourg, ed. Collection des jouets mécaniques métalliques: Donation Tomi Ungerer. Strasbourg: Editions Les Musées de la Ville de Strasbourg, 1993.
Buscar texto completoCapítulos de libros sobre el tema "Collective tomb"
King, C. Richard. "Of Tombs, Reservations, and Museums". En Colonial Discourses, Collective Memories, and the Exhibition of Native American Cultures and Histories in the Contemporary United States, 3–15. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003249115-1.
Texto completoStévart, Tariq, Gilles Dauby, Davy U. Ikabanga, Olivier Lachenaud, Patricia Barberá, Faustino de Oliveira, Laura Benitez y Maria do Céu Madureira. "Diversity of the Vascular Plants of the Gulf of Guinea Oceanic Islands". En Biodiversity of the Gulf of Guinea Oceanic Islands, 249–71. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06153-0_10.
Texto completoShikata, Masahito y Hiroshi Ezura. "Micro-Tom Tomato as an Alternative Plant Model System: Mutant Collection and Efficient Transformation". En Plant Signal Transduction, 47–55. New York, NY: Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4939-3115-6_5.
Texto completo"Collective Tomb". En Encyclopedic Dictionary of Archaeology, 303. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_30753.
Texto completoBonilla, Marta Díaz-Zorita, Charlotte A. Roberts, Leonardo García Sanjuán y Víctor Hurtado Pérez. "Tomb 3 at La Pijotilla (Solana de los Barros, Badajoz, Spain):". En Current Approaches to Collective Burials in the Late European Prehistory, 1–10. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/jj.15136009.7.
Texto completoJans, Greta y Joachim Bretschneider. "A COLLECTIVE MIDDLE BRONZE AGE II TOMB AT TELL TWEINI FIELD A". En About Tell Tweini (Syria), 201–42. Peeters Publishers, 2019. http://dx.doi.org/10.2307/j.ctv1q26pt4.11.
Texto completoTamir, Yael. "Pro Patria Mori!" En The Morality of Nationalism, 227–42. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195103915.003.0014.
Texto completoGuzzon, Edoardo. "EXAMINING THE COFFINS FROM THE COLLECTIVE TOMB FOUND BY ERNESTO SCHIAPARELLI IN THE VALLEY OF THE QUEENS:". En Ancient Egyptian Coffins, 337–48. Peeters Publishers, 2018. http://dx.doi.org/10.2307/j.ctv1q26z97.23.
Texto completoMorozova, Yulia G. "Bethlehem and Its Symbolism in the Works of Ivan Bunin". En I.A. Bunin and his time: Context of Life — History of Work, 900–923. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-900-923.
Texto completoMAYER, ROBERT y PIERRE HAMEL. "ACTION COLLECTIVE ET NOUVELLE CULTURE POLITIQUE". En Problèmes sociaux – Tome II, 429–46. Presses de l'Université du Québec, 2001. http://dx.doi.org/10.2307/j.ctv18ph386.22.
Texto completoActas de conferencias sobre el tema "Collective tomb"
Тимофеева, Т. П. "THE TOMB OF THE NATIVITY MONASTERY IN THE COLLECTION OF GSMZ". En Археология Владимиро-Суздальской земли. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-304-6.153-168.
Texto completoKabakchieva, Dora. "MEMORIAL TOURIST RESOURCES - MATERIALIZED PLACES OF THE COLLECTIVE MEMORY". En TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.157.
Texto completoFonseca Alvarado, Maritza Carolina, Drago Vodanovic Undurraga y Gonzalo Gutierrez Astete. "Mapping como herramienta de pensamiento visual para la toma de decisiones proyectuales". En Jornadas sobre Innovación Docente en Arquitectura (JIDA). Universitat Politècnica de Catalunya. Iniciativa Digital Politècnica, 2022. http://dx.doi.org/10.5821/jida.2022.11649.
Texto completoLiu, Jiahui, Toru Kizaki, Shogo Yamaura y Naohiko Sugita. "Establishment of Mode Shape Database for Machine Tool and its Application in Estimating System Dynamics". En ASME 2022 17th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/msec2022-83881.
Texto completoSoust-Verdaguer, Bernardette, Juan Carlos Gómez de Cózar y Antonio García-Martínez. "El cálculo de la huella de carbono en herramientas digitales de diseño: reflexiones sobre experiencias docentes". En Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2023. http://dx.doi.org/10.5821/jida.2023.12371.
Texto completoNóbrega, Lívia. "O MEDO MOVE: Diferentes experiências de urbanidade no Festival Jane’s Walk Recife 2016, 2017 e 2022". En Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12621.
Texto completoAnifowose, Titilayo. "Significance of cultural heritage assets in the definition of urban morphology. A case of Egba-Ake in South-West Nigeria". En Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/fxzs7229.
Texto completoInformes sobre el tema "Collective tomb"
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