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1

Miller, Roger W. Beer, nonalcoholic wine: How close to the real thing? Rockville, Md: Dept. of Health and Human Services, Public Health Service, Food and Drug Administration, Office of Public Affairs, 1987.

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2

Tani, Irene. Le Rime di Bernardo Cappello. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-257-4.

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Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the oldest patrician families of Venice, played an active role in the politics of the Venetian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political career, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 compositions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manuscript (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscellaneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition.
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3

Osipov, Vladimir. Management accounting of expenses of an industrial enterprise. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1206681.

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The monograph comprehensively examines the problems of management accounting of expenses of an industrial enterprise in order to find ways to improve the efficiency of its functioning in the current economic conditions. A detailed description of the process of resource consumption is given, the role of management accounting in ensuring its successful implementation is determined. The composition of the information used in the management of the company's expenses is disclosed. Domestic and foreign management accounting systems are considered, and proposals for their further improvement are put forward. The procedure for monitoring management decisions that determine the costs of an enterprise at certain stages of their existence is studied. Close attention is paid to the economic analysis aimed at finding reserves for improving the efficiency of resource consumption and identifying ways to implement them. For students, postgraduates, teachers and anyone interested in management accounting.
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4

Brenneman, Sylvia. Clone High: Perfect Gift Notebook for Series Fans to Write on, Journal, Composition Book 6x9 - 100 Pages. Independently Published, 2020.

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5

Gonzales, Staci. Star Wars the Clone Wars: Journal/Notebook - Perfect Gift Notebook for Series Fans - Blank Lined Paperback - Journal - Composition Book 6 X 9, 100 Page. Independently Published, 2020.

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6

Moss, Barbara, Diane Lapp y Maria Grant. Close Look at Close Reading. Association for Supervision & Curriculum Development, 2015.

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7

Feaman, Linda y Nancy Geldermann. Unlocking Close Reading. Capstone, 2014.

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8

Feaman, Linda. Unlocking Close Reading. Capstone, 2015.

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9

Maw, David. Improvisation as composition. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0021.

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The close connection between improvisation and composition in the French organ school over several centuries warrants analysis of these practices in similar terms, and the advent of recording has afforded the means for carrying it out. This chapter analyses the work of Charles Tournemire and Louis Vierne, who were amongst the earliest organists to record improvisations. Highly accomplished composers and improvisers, they were also noted teachers, and the terms in which they taught improvisation serve to contextualize analysis of their own practice. Vierne emphasized a schematic approach, while Tournemire focused on spontaneity. This difference is mirrored in the contrast of their compositional styles. However, for both men their improvisational practice demonstrates a need to manifest itself self-consciously by exceeding the bounds of compositional convention.
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10

Ralston, Andrew G. y Mary M. Firth. Close Reading Non-fiction 11-14 with Answers. Hodder Gibson, 2005.

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11

Johnson, Kelly, Barbara Moss, Diane Lapp y Maria Grant. Close Look at Close Reading: Teaching Students to Analyze Complex Texts, Grades K-5. Association for Supervision & Curriculum Development, 2015.

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12

Fisher, Douglas y Nancy Frey. Close Reading and Writing From Sources. International Reading Association, 2014.

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13

Schiff, David. Back to Modernism. Back to Futurism. Back to New York (1948–1975). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190259150.003.0007.

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Carter’s mid-life oeuvre much of it composed in Europe, can be divided into three phases. From the Cello Sonata to the Variations for Orchestra he achieved a synthesis of European modernism, especially as found in the music of Schoenberg, Berg and Bartók, and American ultra-modernism; in all of these works Carter either quoted or alluded to compositions by Charles Ives. The works from the Second Quartet to the Concerto for Orchestra reflect his ambivalent connection with the European avant-garde. While he was particularly impressed with the spatial composition and expansion of percussion found in works of Boulez and Stockhausen, he rejected the algorithmic and aleatoric aspects of their music. After 1968 Carter returned to New York and became a central figure in the “uptown” new music scene. He formed a particularly close association with the new music group, Speculum Musicae.
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14

Ralston, Andrew G. y Mary M. Firth. Close Reading 14-16: Comprehension, Interpretation and Language Activities: With Answers. Hodder Gibson, 2007.

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15

Engagements with Close Reading. Routledge, 2015.

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16

Federico, Annette. Engagements with Close Reading. Taylor & Francis Group, 2015.

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17

Federico, Annette. Engagements with Close Reading. Taylor & Francis Group, 2015.

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18

Federico, Annette. Engagements with Close Reading. Taylor & Francis Group, 2015.

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19

Publishing, Jeryx. I Ain't Perfect But I'm A Stepfather So Close Enough: Unruled Composition Book. Independently published, 2018.

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20

Publishing, Olzo. I Ain't Perfect but I'm a Stepmother So Close Enough: Unruled Composition Book. Independently Published, 2019.

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21

Publishing, Olzo. I'm Not Superwoman But I'm Fighting Psoriasis So Close Enough: Unruled Composition Book. Independently published, 2019.

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22

Publishing, Olzo. I'm Not Superhuman but I'm Fighting Psoriasis So Close Enough: Unruled Composition Book. Independently Published, 2019.

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23

Publishing, Jeryx. I Ain't Perfect but I'm a Step Dad So Close Enough: Unruled Composition Book. Independently Published, 2018.

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24

Publishing, Olzo. I Ain't Perfect but I'm a Bonus Mom So Close Enough: Unruled Composition Book. Independently Published, 2019.

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25

Publishing, Jeryx. I Ain't Perfect But I'm A Stepfather So Close Enough : Composition Notebook: Wide Ruled. Independently published, 2018.

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26

Publishing, Olzo. I Ain't Perfect but I'm a Coach Mom So Close Enough: Unruled Composition Book. Independently Published, 2019.

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27

Publishing, Jeryx. If You Can Read This My Girlfriend Says You're Too Close: Unruled Composition Book. Independently Published, 2018.

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28

Publishing, Olzo. I Ain't Perfect but I'm a Coach Grandma So Close Enough: Unruled Composition Book. Independently Published, 2019.

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29

Publishing, Jeryx. I Ain't Perfect but I'm a Electrician Dad So Close Enough: Unruled Composition Book. Independently Published, 2018.

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30

Publishing, Jeryx. I Ain't Perfect but I'm a Coach Dad So Close Enough: Unruled Composition Book. Independently Published, 2018.

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31

Publishing, Olzo. I Ain't Perfect but I'm a Bonus Grandma So Close Enough: Unruled Composition Book. Independently Published, 2019.

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32

Publishing, Olzo. I Ain't Perfect but I'm a Step Grandma So Close Enough: Unruled Composition Book. Independently Published, 2019.

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33

Publishing, Jeryx. I Ain't Perfect but I'm a Bonus Dad So Close Enough: Unruled Composition Book. Independently Published, 2018.

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34

Publishing, Olzo. I Ain't Perfect but I'm a Step Mom So Close Enough: Unruled Composition Book. Independently Published, 2019.

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35

Blachowicz, Camille y Sunday Cummins. Close Reading of Informational Texts: Assessment-Driven Instruction in Grades 3-8. Guilford Publications, 2013.

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36

Blachowicz, Camille y Sunday Cummins. Close Reading of Informational Texts: Assessment-Driven Instruction in Grades 3-8. Guilford Publications, 2012.

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37

Publishing, Greenyx. I Am Not Superhuman but I'm Fighting Spina Bifida So Close Enough: Unruled Composition Book. Independently Published, 2019.

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38

Publishing, Greenyx. I Am Not Super Human but I'm Fighting Adhd So Close Enough: Unruled Composition Book. Independently Published, 2019.

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39

Publishing, Greenyx. I Am Not Perfect but I'm a Dance Mom So Close Enough: Unruled Composition Book. Independently Published, 2019.

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40

Desings, Strawberry. Keep Close to the Earth: Strawberry Notebook Journal Composition Blank Lined Diary Notepad 120 Pages Paperback. Independently Published, 2019.

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41

Publishing, Engy. I'm Not a Superhero but I'm Fighting Polycystic Ovary Syndrome So Close Enough: Unruled Composition Book. Independently Published, 2018.

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42

Publishing, Engy. I'm Not a Superhero but I'm Fighting Polycystic Kidney Disease So Close Enough: Unruled Composition Book. Independently Published, 2018.

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43

Cummins, Sunday. Close Reading of Informational Sources, Second Edition: Assessment-Driven Instruction in Grades 3-8. Behavioral Tech, LLC, 2019.

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44

Cummins, Sunday. Close Reading of Informational Sources, Second Edition: Assessment-Driven Instruction in Grades 3-8. Guilford Publications, 2019.

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45

Cummins, Sunday. Close Reading of Informational Sources, Second Edition: Assessment-Driven Instruction in Grades 3-8. Guilford Publications, 2019.

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46

Cummins, Sunday. Close Reading of Informational Sources, Second Edition: Assessment-Driven Instruction in Grades 3-8. The Guilford Press, 2019.

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47

R., M. Daniel Carroll. The Book of Amos. Wm. B. Eerdmans Publishing Co., 2020. http://dx.doi.org/10.5040/bci-008e.

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In this commentary on the book of Amos, Daniel Carroll combines a detailed reading of the Hebrew text with attention to its historical background and current relevance. What makes this volume unique is its special attention to Amos’s literary features and what they reveal about the book’s theology and composition. Instead of reconstructing a hypothetical redactional history, this commentary offers a close reading of the canonical form against the backdrop of the eighth century BCE.
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48

Beaster-Jones, Jayson. Dil Chahta Hai Soundtrack. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501388699.

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The2001 buddy filmDil Chahta Hai(dir. Farhan Akhtar), hadarguably the first rock soundtrack in Bollywood. The award-winning soundtrack is an entry point into the relationship between Bollywood film songs, Hindi language music, and the Indi-pop movement of the '80s and '90s. Beaster-Jones draws from reviews by music critics and fans, industry interviews, and his own close analysis of the music and the film to trace the role of theDil Chahta Haisoundtrack in transforming both the sound and production practices of Bollywood cinema in the new millennium. These songs emerged from the rock band and live performance aesthetic of writing trio Shankar-Ehsaan-Loy. Their collaborative compositional approach for this soundtracks and later soundtracks reveals the changing tastes of India’s urban youth audiences and how that taste fueled the rise of the rockstar narrative in Hindi films. The music for this soundtrack was the second Bollywood soundtrack composed by the superstar trio Shankar-Ehsaan-Loy (i.e. Shankar Mahadevan, Ehsaan Noorani, Loy Mendonsa), with lyrics penned by the inimitable Javed Akhtar. The songs from this soundtrack paved the way for the rock and EDM-oriented compositions of Hindi-language cinema that came to dominate the first decades of the 21st century, makingDil Chahta Haiamong the most influential soundtracks in Indian cinematic history.
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49

Fisher, Douglas, Nancy Frey, Marisol Thayre y Heather L. Anderson. Text-Dependent Questions, Grades 6-12: Pathways to Close and Critical Reading. Corwin Press, 2014.

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50

Publishing, Engy. I May Not Be a Superhero but I'm a Color Guard So Close Enough: Unruled Composition Book. Independently Published, 2018.

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