Bibliografías temáticas / Civil war – russia – fiction

Literatura académica sobre el tema "Civil war – russia – fiction"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Civil war – russia – fiction"

1

Ingemanson, Birgitta. "The Political Function of Domestic Objects in the Fiction of Aleksandra Kollontai". Slavic Review 48, n.º 1 (1989): 71–82. http://dx.doi.org/10.2307/2498686.

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During the winter of 1922-1923 when she was just beginning her diplomatic career, Bolshevik activist Aleksandra Kollontai wrote two novels and several short stories that were immediately published in Russia and subsequently combined into two volumes under the titles Liubov’ pchel trudovykh and Zhenshchina na perelome. They were dismissed as mere autobiographical romances, indulging in unhealthy introspection and dangerously divorced from the “real” demands of society. At a time when Soviet Russia was facing enormous challenges connected with the reconstruction after the civil war and with the partial return to a market economy under the New Economic Policy (NEP), Kollontai's focus on domestic relationships and the status of women seemed narrow and excessively private.
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2

Юмашев, Валентин Викторович y Марина Альбертовна Хатямова. "Premonition of the Civil War in the journalism of L. Andreev". Tomsk state pedagogical university bulletin, n.º 1(231) (26 de enero de 2024): 123–31. http://dx.doi.org/10.23951/1609-624x-2024-1-123-131.

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Тема Гражданской войны в России находится под пристальным вниманием историков и философов; национальной катастрофе в судьбе страны посвящены многочисленные художественные произведения писателей разных мировоззренческих и эстетических представлений. Несмотря на то что публицистика Гражданской войны огромна, особый и менее исследованный пласт в ней составляют статьи и эго-документы писателей. Предметом настоящего исследования является осмысление Л. Андреевым важнейших событий – революций 1917 г. и Гражданской войны в России. Публицистические статьи писателя, публиковавшиеся в эсеровской газете «Русская воля» (1917–1919 гг.), дают возможность проследить эволюцию его восприятия ключевых событий в истории России ХХ в. В статьях первой половины 1917 г. Л. Андреев выражает вдохновение событиями Февральской революции и стремится передать это состояние читателям. С изменением политической ситуации в России к середине 1917 г. меняется и тон статей писателя. Андреев опасается возможной гибели России из-за изменения вектора развития революции, поэтому прибегает в своих статьях к борьбе словом – убеждениям, призывам и лозунгам, чтобы побудить своих читателей к продолжению борьбы за свободу страны. К сожалению, мы можем говорить лишь о предвидении писателем будущей трагедии в истории страны, так как жизнь Л. Андреева оборвалась в 1919 г., когда Гражданская война уже шла на территории России, но носила локальный характер, а главные события 1919–1920 гг. были еще впереди. Однако эволюция взглядов Леонида Андреева, авторитетного писателя, ставшего символом революции 1905 г., окажется близкой многим представителям творческой и научной интеллигенции в России. Как показало исследование, в своих статьях 1917–1919 гг. Андреев прозорливо предвидел и эмоционально-страстно стремился предотвратить наступление братоубийственной войны. The comprehension of the lessons and consequences of the Civil War in Russia is under the close attention of historians and philosophers; numerous works of fiction by writers of different ideological and aesthetic ideas are devoted to the national catastrophe in the fate of the country. Despite the fact that the journalism of the Civil War is huge, a special and less researched layer in it consists of articles and egodocuments of writers. The subject of this research is L. Andreev’s comprehension of the most important events – the revolutions of 1917 and the Civil War in Russia. The writer’s journalistic articles published in the Socialist-Revolutionary newspaper “Russian Will” (1917–1919) make it possible to trace the evolution of his perception of key events in the history of Russia of the twentieth century. In the articles of the first half of 1917, L. Andreev is inspired by the events of the February Revolution and seeks to convey this state to readers. With the change in the political situation in Russia by the middle of 1917, the tone of the writer’s articles also changed. Andreev fears the possible death of Russia due to a change in the vector of development of the revolution, so he resorts in his articles to the struggle of the word – beliefs, appeals and slogans to encourage his readers to continue the struggle for the freedom of the country. The death of the writer in 1919, when the Civil War was already underway on the territory of Russia, but was of a local nature, and the main events of 1919–1920 were still ahead, allows us to speak only about the writer’s foresight of the future tragedy in the history of the country. However, the evolution of the views of Leonid Andreev, an authoritative writer who became a symbol of the 1905 revolution, will be close to many representatives of the creative and scientific intelligentsia in Russia. As the study showed, in their articles of 1917–1919 Andreev foresaw and emotionally and passionately sought to prevent the onset of fratricidal war.
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3

Zalesskaya, Olga V. y Alena V. Orobii. "Image of a Chinese Revolutionary in the Era of the Civil War in the Far East: An Ideological Aspect (Based on the Novel My Great Brother by Ilya Chernev)". Izvestia of the Ural federal university. Series 2. Humanities and Arts 25, n.º 1 (2023): 43–57. http://dx.doi.org/10.15826/izv2.2023.25.1.003.

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The aim of this interdisciplinary article is to analyse the image of a Chinese character, as well as reflect the historical facts of the presence of the Chinese in Russian fiction. The article focuses on the ideological context. The authors refer to My Great Brother (1954), a historical and revolutionary novel by Ilya Chernev. The novel highlights the main stages of the revolutionary struggle of the Amur and Trans-Baikal proletariat. Most of the key characters in the novel are Chinese people. In the article, following H. Gьnther, the authors single out four diverse characters, the Chinese, that reflect the participation of foreign revolutionaries during the civil war: a proletarian, a warrior, a victim, and a politician. The “historical” component of the article confirms that workers who were subjects of other states and stayed on the territory of Russia were recruited into armed formations to fight counter-revolutionary forces, taking an active part in the partisan movement, and supplying the partisans with food, medicines, and ammunition. The article identifies the reasons why the Chinese joined the revolutionary associations: liberation from exploitation, socialisation, but at the same time, the ideological instability of the Chinese revolutionaries due to the motley social composition and poor knowledge of the Russian language. The article discusses the artistic means Chernev employs to portray the Chinese characters. It is proved that the novel is an example of a work commissioned by the state. Even though the novel My Great Brother has not gained fame, its value is determined by the material itself underlying its artistic canvas. The participation of Chinese citizens in the civil war remains one of the little-studied topics of Russian history, and in literature, the novel My Great Brother is the only work of fiction on this topic.
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4

Авдашкин, А. А. "“Chinese Worker in Russia Takes the Rifle”: Formation and Development of the Image". Диалог со временем, n.º 86(86) (3 de abril de 2024): 289–305. http://dx.doi.org/10.21267/aquilo.2024.86.86.019.

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Статья посвящена изучению образа китайца-красноармейца на фронтах Гражданской войны в России. Внимание фокусируется на следующих ключевых сюжетах: создание образа, его постепенное «умолчание» в 1930-е гг. на фоне внутриполитических преобразований и обострения военно-политической ситуации на восточных рубежах, активное использование в условиях сближения СССР и КНР в 1950-е гг., переосмысление в современной России. Применение исторической имагологии как основного методологического подхода позволяет увидеть, как на примере китайцев, участвовавших в военных действиях, работали механизмы социальной инклюзии и эксклюзии. Источниковую базу составили материалы советской периодической печати, агитационные плакаты белого движения, произведения художественной литературы о Гражданской войне и современные российские киноленты, содержащие упоминания о китайцах в России того времени. Ключевой аргумент автора в том, что динамика репрезентации образа китайца красноармейца отражает амбивалентное отношение российского общества не только к китайским мигрантам, но и применительно к проблемам миграции в целом. В зависимости от состояния российско-китайских отношений и этапов присутствия китайцев в России происходит переосмысление образов «китайских красноармейских интернациональных отрядов». The article is devoted to the formation and development of the image of the Chinese Red Army soldier on the fronts of the Civil War in Russia. The author's attention is focused on the following key subjects: the creation of the image, its gradual “silence” in the 1930s against the background of internal political transformations and the aggravation of the military-political situation on the eastern borders, active use in the context of rapprochement between the USSR and China in the 1950s, rethinking in modern Russia. The main methodological approach is historical imagology. This scientific approach allows us to see how the mechanisms of social inclusion and exclusion worked in the example of the Chinese. The source base consisted of materials from Soviet periodicals, propaganda posters of the white movement, works of fiction about the Civil War and modern Russian films. The author’s key argument is that the dynamics of representation of the image of a Chinese Red Army soldier reflects the ambivalent attitude of Russian society not only towards Chinese migrants, but also towards migration problems. Rethinking the images of the “Chinese Red Army international detachments” at a turning point in Russian history depends on the state of Russian-Chinese relations and the stages of the presence of the Chinese in Russia.
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5

Nakhlik, Olesya. "VERBALIZATION OF RUSSIAN-UKRAINIAN WAR IN POLISH LITERARY REPORTS: THE TRAGEDY OF MAN IN THE POST-TRUTH ERA". Polish Studies of Kyiv, n.º 38 (2022): 241–58. http://dx.doi.org/10.17721/psk.2022.38.241-258.

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The Revolution of Dignity and the war in the East of Ukraine caused the active emergence and formation of a whole segment of the new national literature, in which a special place was occupied by non-fiction: reportages, memoirs and recollections of the direct participants of these landmark events in the recent history of Ukraine. On the other hand, the appearance of collections of Polish literary reports by P. Pieniążek and T. Grzewaczewski about the Russian-Ukrainian war in the Donbass, about existence on the front line, as well as in other quasi-republics on the territories of post-Soviet states, resulted in an active public discussion also in Polish society about the causes and cardinal and irreversible consequences of armed conflicts in the life of a person, family, nation. The article analyzes for the first time in Ukrainian literary studies the way in which the vivid language of witnesses of dramatic events in the territories over which the „shadow” of Russian imperialism still hangs, conveys their deep personal stories of struggle for their own „truth”, painful losses, daily reconstruction of the destroyed reality, evacuation and preservation of home as the place of the only refuge. The article discusses in general the way of awareness, structuring and acceptance of a new reality through a non-artistic presentation of reality. Separate research attention has been focused on the reporters’ and their co-interlocutors’ reflections on the complex process of identity formation in the struggle against Soviet nostalgia, ideological manipulation and Russian propaganda, regional contradictions and under the influence of traumatic experiences of loss. This is the first attempt to explore the insightful observations and conversations the two reporters had about the war’s touching of human relations – the civil- ian population living in the basements of bombed-out houses, and the military, defending the front lines (on both sides). With careful use of literary metaphors and comparisons, the reportages by P. Pieniążek and T. Grzywaczewski are yet another important voice in the literature on the war caused by Russia, in addition to Ukrainian self-reflection.
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6

Ponomareva, E. G. "The World War II and its falsification in the Russian youth representations". RUDN Journal of Sociology 20, n.º 2 (15 de diciembre de 2020): 307–22. http://dx.doi.org/10.22363/2313-2272-2020-20-2-307-322.

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The events of the World War II play a special role in the contemporary social discourse as the basis of collective memory and civil culture. The current attempts of some Western countries to misrepresent and rewrite the history of the World War II and to belittle the role of the Red Army in the rout of Nazism pursue serious geopolitical goals. Effective opposition to the falsification of history depends on the quality of youths knowledge about that period (active historical memory) and the younger generations emotional association with the war winner. The article presents the results of the sociological study conducted on the eve of the 75th anniversary of the Great Victory. First, there was a survey at the Moscow State Institute of International Relations (students aged 18-23) to identify the level of historical knowledge and assessments, sources (fiction and movies) of representations, ideas about reasons for the falsification of the World War II history and measures to oppose it. The questions were divided into three groups: historical (the level of basic knowledge), cultural-pedagogic, or emotional (questions about books and movies) and evaluative-predictive (reasons for the falsification of history and measures to oppose it). The study also aimed at comparing the results of the survey with all-Russian opinion polls and foreign surveys. Second, the author analyzed estimates of the reasons for the falsification of the war history and suggestions to oppose this negative trend, which were provided by leading experts from Russian and foreign universities and analytical centers. The comparison of the students and experienced researchers opinions revealed both similarities and differences in generational estimates, and allowed to identify some general ways to resist the intensified trend of the falsification of the war history.
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7

Gorbenko, Alexander Yu y Vikentiy V. Chekushin. "‘Siberian Notes’ Journal as a Metatext: the System of Ideological Implications (1918–1919)". Вестник Пермского университета. Российская и зарубежная филология 15, n.º 4 (2023): 107–16. http://dx.doi.org/10.17072/2073-6681-2023-4-107-116.

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The article analyzes the changes in the ideological implications of the Siberian Notes journal that occurred in 1918–1919 (the journal ceased to exist in December 1919). At that time, the views of the key editorial staff members on the large-scale socio-political shifts taking place in Russia underwent significant evolution. After the outbreak of the Civil War and the dissolution of the Siberian Regional Duma, the modality of the texts changed noticeably. In fiction works, the authors of the journal continued to discuss the socio-political situation using the arsenal of nature metaphorics. However, in contrast to the period of 1916–1917, the present and the future were described pessimistically. The authors used the trope of spring as a sign of change, traditional for Siberian Notes, but this metaphor was devoid of those exclusively positive connotations that had dominated before. In addition, both fictional and non-fictional texts repeatedly introduced a combination of white and green as a color dominant. This was driven by the fact that the white-and-green banner became the flag of the Siberian Republic, which existed from June to November 1918 and was controlled by the Provisional Siberian Government, with the publisher and editor of the journal Vl. M. Krutovsky being the Minister of Internal Affairs. Apparently, this was the way the journal’s staff manifested their ideological affiliation and commitment to the ideas of regionalism. This is most perfectly exemplified in the last issue of Siberian Notes for 1918, where the intensity of the use of the white and green reached its peak. The issue opened with the program poem The Anthem of Siberia, in the first verse of which the white-green colors of the regionalists’ banner were compared with the colors of two key components of the Siberian space – ‘the white-green sea of the taiga’ and ‘the white quiet expanse’.
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8

Panchenko, Alexey. "The Former and the Forthcoming Apocalypse. Refl ection of Civilization Downfall in the Silver Age Fiction". Almanac “Essays on Conservatism” 2 (15 de agosto de 2023): 401–15. http://dx.doi.org/10.24030/24092517-2023-0-2-401-415.

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The fi rst third of the twentieth century was the time of fundamental changes in Russian history, which many perceived as the death of civilization. At the same time, the presentiment of tragic events was typical for many cultural fi gures of the Silver Age. That is why the description of the doom of Atlantis became a widespread subject, which was present in the works of various genres, including fantasy. But if initially the interpretation of the myth of Atlantis was within the classical tradition, then gradually it began to be used as an allegorical description of the Russian Revolution, the Civil War and emigration. The general sense of impending anxiety was also refl ected in the works related to the prediction of the future, which was often seen as tragic. In a number of works the destruction of civilization was described through the destruction of the capital - either as the result of a natural cataclysm, or due to the actions of people, which was akin to the descriptions of the doom of Atlantis. Thus in the fi ction of the Silver Age the eschatological expectations characteristic of all society of this era were refl ected.
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9

Smith, Michael G. "Cinema for the “Soviet East”: National Fact and Revolutionary Fiction in Early Azerbaijani Film". Slavic Review 56, n.º 4 (1997): 645–78. http://dx.doi.org/10.2307/2502116.

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Before the eyes of the vast, ignorant masses of the eastern nationalities, the fast-moving frames of cinema will reproduce the many achievements of human knowledge. For the illiterate audience, the electric beam of the magic motion-picture lamp will define new concepts and images, will make the wealth of knowledge more easily accessible to the backward mind.Bakinskii rabochii, 18 September 1923Pictures, so the first Bolsheviks believed, speak louder than words. Visual propaganda was essential in their campaign to reach the illiterate and poorly literate masses, to engage them in a new Soviet style of life. By the end of the civil war, every leading member of the Central Committee of the Russian Communist Party valued the political uses of film. As commissar of nationalities, Iosef Stalin recognized its potential; in his simple expression, film was “the greatest means of mass agitation.” Like cinema, the Bolsheviks appeared at the confluence of two worlds, the traditional and the modern. For them, film was the perfect medium by which to critique the old and celebrate the new. Film viewed the world as they did, with one measure of hard realism, another of soft utopianism.
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10

Larisa V., Zandanova y Kulakova Yana V. "Organization of Students’ Work with Sources on the History of Native Land During the Training of a History Teacher". Scholarly Notes of Transbaikal State University 15, n.º 5 (noviembre de 2020): 40–47. http://dx.doi.org/10.21209/2658-7114-2020-15-5-40-47.

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The article is written on a relevant topic, about the training of students in the direction of “Pedagogical education (with two training profiles)” profile “History-Social Studies” for local history research at school. The research is based on the competence-based approach, taking into account the system-activity approach to the organization of training. Considerable attention is paid to the formation of source study knowledge by organizing work with such sources on the history of the native land as chronicles, sources of personal origin and fiction during the teaching of the discipline “Local history at school”. One of its parts, laying down basic knowledge and skills, is the section “Sources and historiography of the study of the region history”, consisting of a series of lectures and practical exercises. The authors presented the methods of organizing the educational activities of students with local history literature: compiling chronological tables, biographical and bibliographic dictionaries, annotated lists, note-taking skills of scientific publications, developing excursion routes, quizzes, project implementation, etc. Methodological techniques for the formation of the corresponding skills and abilities of students are demonstrated on the example of the topic “Civil War in Russia”. It is concluded that such a multifaceted theoretical and practical work with sources on the history of the native land contributes to the formation of professional competencies of the future history teacher, prepares him for local history work and the organization of local history research at school.
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Tesis sobre el tema "Civil war – russia – fiction"

1

Croll, Neil Harvey. "Mikhail Tukhachevsky in the Russian Civil War". Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/1577/.

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Much has been written about Mikhail Nikolaevich Tukhachevsky. His development of the “Deep Battle” military theory in the late 1920s and 1930s, the attendant mechanisation of the Red Army and his role in the development of the Soviet military/industrial complex have been well-researched. The “Tukhachevsky Affair”, the discussion surrounding his execution in the military purge of 1937, continues to attract interest. However, a detailed analysis of his early life and Civil War command career has never been completed. This gap is filled by this thesis. Tukhachevsky’s early life is explored to provide background, but also to provide a biographical account and to illustrate who he was when he joined the Red Army and Bolshevik Party in 1918. The thesis demonstrates that he was not a communist at this stage. However, his command experiences during the Civil War, combining military tactics of continuous manoeuvre warfare with constant frontline mobilisations, political agitation and repression, allowed him to develop a theory of class warfare and saw his conversion to a belief in the efficacy of Marxist principles when applied to military methods. Tukhachevsky’s success in the Civil War is compared to his failure in the Polish-Soviet War and the basis for the latter is that his continuation of class warfare methods were unsuitable for the conflict in Poland. The success of Tukhachevsky’s class warfare methods is explained by their relevance to the situation and social fabric of Russia at the time. The retention of these principles to form the basis of the operational side of “Deep Battle” is argued, as is Tukhachevsky’s openness to innovation in weaponry and tactics gleaned during his Civil War command. Tukhachevsky’s role in the early Red Army formulation is detailed, as is his development of the concept of “unified command” involving the creation of Red Commanders. The Communist Party leadership’s use of Tukhachevsky as a “troubleshooter” to deal with prioritised areas during the Civil War, leading to his service on every major Front at crucial stages is highlighted, as are the connections he made on the Civil War battlefields, friendly and hostile. It is shown that during his Civil War commands he met with those with whom he would later work and that their collaboration and experimentation began almost immediately.
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2

Biglin, Brent Alexander. "Discipline and DIsorder in Women's Fiction Through the Lebanese Civil War". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366296039.

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3

Kelsey, John M. "Lev Trotsky and the Red Army in the Russian Civil War, 1917-1921". Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/105.

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A study of Lev Trotsky's leadership role in constructing the Red Army during the Russian Civil War. Beginning with his appointment in March 1918, Trotsky transformed the Bolsheviks' military policy to adopt more conventional fighting techniques.
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4

Wayson, Donald Wayne. "“Woodrow Wilson’s Diplomatic Policies in the Russian Civil War”". University of Toledo / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1241638204.

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Zevitz, Richard Gary y Michael Braswell. "Long Road Home : The Trials and Tribulations of a Confederate Soldier". Digital Commons @ East Tennessee State University, 2012. http://amzn.com/0828324654.

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A disgraced officer and an enlisted man forge an unlikely friendship through the desperate river battles waged along the Mississippi between Union forces and outnumbered Confederate defenders. Following their surrender, the two friends along with the other defeated Rebels are incarcerated in Northern prisoner of war camps where new challenges await them. Only one will survive. Based upon ten years of historical research, Long Road Home explores the trials and travails of George Spears and his friend, Eli Forrest.
https://dc.etsu.edu/etsu_books/1004/thumbnail.jpg
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6

Cooper, Valerie Y. "The crying of the blood : a collection of short stories". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337191.

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The Crying of the Blood is a collection of short stories with the two characters Mariah and Mary, born one hundred years apart, who deal with the challenges of life dealt them. Through descriptive language and the strong presence of place and setting, the author explores the under-girding strength of human nature in dealing with the external and internal pressures of the various forms of war and its aftermath. By examining the effects of the human condition through inherited and acquired traits passed to succeeding descendents of the characters, the author exposes the foibles of human nature. People live a specific way and repeat patterns of thinking and choosing without knowing why or stopping to consider the ensuing results of their actions. The collection of stories reveals the dark shadows of the Civil War that continue to shape the Southern culture and also the enduring strength and charm of the people and their traditions.This collection of stories is a work of fiction. Names, characters, places, and incidents are either a figment of the author's imagination or used in a fictitious manner. Resemblances to actual people, settings, and events are purely coincidental.
Department of English
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7

Saeger, J'Leen Manning. "The recuperation of historic memory recognizing suppressed female voices from the Spanish Civil War and Francoist repression /". Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=1&did=1957395191&SrchMode=2&sid=12&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1270050392&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.
Includes abstract. Title from first page of PDF file (viewed March 31, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 267-283). Also issued in print.
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8

Clary, Eric Michael. "Using the Syrian Civil War to Measure Hierarchy: Regional Power Transition in the Middle East". PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4359.

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In 2018, the Syrian Civil War will enter into its ninth year of conflict. From an international relations perspective there are few, if any, studies on state actors in regional sub-state systems. What can an intrastate conflict teach us about future dynamics of the regional interstate hierarchy? It is worthwhile to examine The Syrian Civil War for three reasons. First, Syria lies in the heart of the Middle East lending proximity to regional actors. Second, the breakdown of order in Syria represents a microcosm of the global anarchic environment. Third, Syrian Civil War is an intrastate war that encapsulates both state and non-state actors. This paper intends to provide a clear regional hierarchical analysis with future possibilities and perspectives. For the last century realism then neorealism dominated the field of international relations, yet they are unfit theories for analyzing the Middle East's hierarchy. To address anomalies realists and neorealists incorporated preference and satisfaction, which undermined the core tenets of their theories. Power Transition Theory (PTT) incorporates satisfaction while maintaining structural organization. The addition of power and satisfaction give PTT the necessary tools to assess regional hierarchies and estimate the likelihood of conflict. This PTT theoretical framework will be used to assess the global hierarchy, the status quo set by the United States, and Syria's relation to the status quo. A synopsis of the Syrian Civil War will be provided to contextualize the actors and dyadic comparisons between actors before and after the Iranian-Russian-Syrian victory in Aleppo. The dyadic comparison indicates power and satisfaction among interested parties and if they change during the course of the conflict. Conclusions indicate that the actors and the environment in the Syrian theater are suitable for Power Transition Theory and the data acquired by researching the Syrian Civil War affirms Yeşilada and Tanrikulu's assessment that Russia tops the Middle East's hierarchy with Turkey and Iran following at near parity. The findings reveal the veracity of Lemke's claim that PTT can be utilized for intrastate conflict. The findings substantiate my claim that intrastate conflict can inform us of a region's hierarchy.
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Flink, Isak. "The Kremlin and Washington in the Levant : A most similar comparative case study of the actions by the United States and Russia in the Syrian civil war". Thesis, Linnéuniversitetet, Institutionen för statsvetenskap (ST), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-99858.

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Ever since the outbreak of the Syrian civil war two countries have been outspoken about the situation, Russia and the United States. As the conflict has developed these two actors have been active within the conflict both militarily and diplomatically. This outlines the research problem, why these actors have had an interest in Syria. The aim of this research is to find explanations of why the two countries have acted like they have in the conflict. The actions and events are analyzed through several concepts drawn from two international relations theories, namely neoliberalism and neorealism. Some core concepts of the theories are operationalized into several indicators which make up the model used in the analysis. Furthermore, the thesis is considered as being a most similar comparative case study using qualitative methods. The main findings in the analysis shows that many of the actions by both Russia and the United States can be explained through both theories. Neorealism shows of being more suitable when explaining military events and neoliberalism is found to be better at explaining diplomatic or non-military matters.
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Beeler, Connie. "Miscegenated Narration: The Effects of Interracialism in Women's Popular Sentimental Romances from the Civil War Years". Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc67958/.

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Critical work on popular American women's fiction still has not reckoned adequately with the themes of interracialism present in these novels and with interracialism's bearing on the sentimental. This thesis considers an often overlooked body of women's popular sentimental fiction, published from 1860-1865, which is interested in themes of interracial romance or reproduction, in order to provide a fuller picture of the impact that the intersection of interracialism and sentimentalism has had on American identity. By examining the literary strategy of "miscegenated narration," or the heteroglossic cacophony of narrative voices and ideological viewpoints that interracialism produces in a narrative, I argue that the hegemonic ideologies of the sentimental romance are both "deterritorialized" and "reterritorialized," a conflicted impulse that characterizes both nineteenth-century sentimental, interracial romances and the broader project of critiquing the dominant national narrative that these novels undertake.
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Libros sobre el tema "Civil war – russia – fiction"

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Prilepin, Zakhar. Patologii: Roman. Moskva: Ad Marginem, 2008.

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Aksu, Sergeĭ. Neotmazannye: Oni umirali pervymi : [roman]. Moskva: ĖKSMO, 2006.

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Goncharov, Vladimir. Nachalo. Minsk: Sovremennai͡a︡ lit-ra, 1995.

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I͡Arov, Maksim. Boevik. Minsk: Sovremennai͡a lit-ra, 1995.

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Prilepin, Zakhar. Patologii: Roman. Moskva: Ad Marginem, 2006.

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Konstantinov, Andreĭ. Rota: Dozhitʹ do vesny. Sankt-Peterburg: Neva, 2004.

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Chechenskiĭ shram: Rasskazy i povesti. Kaliningrad: I͡A︡ntarnyĭ skaz, 2002.

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Prokhanov, Aleksandr. Idushchie v nochi: Roman. Moskva: Vagrius, 2008.

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Prokhanov, Aleksandr. Idushchie v nochi: Romany. Moskva: ITRK, 2000.

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Tretʹi︠a︡ terroristicheskai︠a︡: [roman]. Moskva: Izd-vo ĖKSMO, 2003.

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Capítulos de libros sobre el tema "Civil war – russia – fiction"

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Litvin, Alter L. "The Civil War". En Writing History in Twentieth-Century Russia, 57–70. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9781403913890_4.

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Swain, Geoffrey. "Trotsky and the Russian Civil War". En Reinterpreting Revolutionary Russia, 86–104. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230624924_6.

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Ward, Christopher J. y John M. Thompson. "Revolution, Civil War, and the Founding of the Soviet State, 1917–1928". En Russia, 184–208. 9a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003015512-11.

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Adami, Elisa. "The Truth of Fiction: Some Stories of the Lebanese Civil Wars". En Civil War and Narrative, 109–27. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61179-2_7.

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Read, Christopher. "Experiencing Civil War: April 1918–March 1921". En War and Revolution in Russia, 1914–22, 138–67. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29568-2_7.

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Getzler, Israel. "Lenin’s Conception of Revolution as Civil War". En Regime and Society in Twentieth-Century Russia, 107–17. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27185-6_7.

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Christian, David. "Civil War and the Origins of a New Social Order". En Imperial and Soviet Russia, 207–33. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25661-7_9.

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Rodwell, Grant. "Slavery, the civil war and reconstruction". En The Power of Neo-Slave Fiction and Public History, 107–39. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003375524-5.

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Harwood, Mark. "Malta–Russia Relations and the Libyan Civil War". En The Future of Europe, 75–77. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95648-6_19.

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Read, Christopher. "The Bolsheviks and Cultural Life during the Civil War". En Culture and Power in Revolutionary Russia, 94–141. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11003-2_3.

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Actas de conferencias sobre el tema "Civil war – russia – fiction"

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Khodyakov, M. V. "Chinese Eastern Railway during the Civil War". En Civil War in the East of Russia (November 1917 – December 1922). FUE «Publishing House SB RAS», 2019. http://dx.doi.org/10.31518/978-5-7692-1664-0-266-271.

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Kolonitskiy, Boris I., Konstantin V. Godunov y Konstantin A. Tarasov. "“Civil War”: The Political Use of the Term and the Cultural Preparations for the Civil War in 1917". En The Civil War in Russia: Exit Problems, Historical Consequences, Lessons for Modernity. Novosibirsk: Parallel, 2022. http://dx.doi.org/10.31518/978-5-98901-255-8-344-360.

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Surzhikova, Natalya V. "Prisoners of War and Refugees of the First World War in Russia, 1918–1922". En The Civil War in Russia: Exit Problems, Historical Consequences, Lessons for Modernity. Novosibirsk: Parallel, 2022. http://dx.doi.org/10.31518/978-5-98901-255-8-158-170.

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Sinichenko, Vladimir y Galina Tokarevа. "«Firm Prices» for Sugar in Eastern Russia During the First World War and Civil War". En Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.20.

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The article states that in the conditions of war, first the royal government, then the provisional government, moved to impose fixed food prices. The introduction of «firm prices» for food products has caused shortages. The shortage of goods led on the one hand to hyperinflation and depreciation of money, on the other hand to the growth of smuggling operations and saturation of the Far East market with smuggled food from abroad.
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Soyegov, M. "About three Turkmen officers participating in the Civil War in Russia". En Civil War in the East of Russia (November 1917 – December 1922). FUE «Publishing House SB RAS», 2019. http://dx.doi.org/10.31518/978-5-7692-1664-0-424-430.

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Venkov, Andrey V. "The Exit of the Don Cossacks from the Civil War". En The Civil War in Russia: Exit Problems, Historical Consequences, Lessons for Modernity. Novosibirsk: Parallel, 2022. http://dx.doi.org/10.31518/978-5-98901-255-8-282-293.

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Kondrashin, V. V. "Controversial issues of the peasant movement in Russia during the Civil War". En Civil War in the East of Russia (November 1917 – December 1922). FUE «Publishing House SB RAS», 2019. http://dx.doi.org/10.31518/978-5-7692-1664-0-16-23.

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Morozov, S. D. "DISCUSSIONS CONTINUE: TO THE 100TH ANNIVERSARY OF THE CIVIL WAR IN RUSSIA". En A glance through the century: the revolutionary transformation of 1917 (society, political communication, philosophy, culture). Vědecko vydavatelskě centrum «Sociosfera-CZ», 2017. http://dx.doi.org/10.24045/conf.2017.1.32.

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Khaziev, Rustem A. "“Alternative Economy” of the During the Civil War in the Urals". En The Civil War in Russia: Exit Problems, Historical Consequences, Lessons for Modernity. Novosibirsk: Parallel, 2022. http://dx.doi.org/10.31518/978-5-98901-255-8-122-131.

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Krestyannikov, E. A. "From the history of the judiciary in Siberia during the Civil War". En Civil War in the East of Russia (November 1917 – December 1922). FUE «Publishing House SB RAS», 2019. http://dx.doi.org/10.31518/978-5-7692-1664-0-116-123.

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Informes sobre el tema "Civil war – russia – fiction"

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Khomenko, Tetiana y Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, marzo de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, namely: fixation of losses, propaganda of the Ukrainian culture in the world, expert evaluation of the restitution possibilities, and filling of the culture material with patriotic sense. The full-scale invasion of Russia into Ukraine on the 24th of February 2022 led to the numerous loss of life, ruination of the military, civil and infrastructure objects. But the state-aggressor destroys and robs our culture in this war. Since the beginning of the war mass media have been actively informing about the situation in the regions, which happened to be at the line of the Russian troops attack. The information was in particular about the fact that different educational establishments, libraries and their funds, museums with valuable collections, theatres, religious buildings and historic buildings had been ruined. To tell the truth the information was incomplete due to the limited opportunities to monitor the situation. However, later it has been systematized. The work of journalists and experts contributed to this since they stated the criminal acts of Russia, informing about the ruination facts of historic, sacral, cultural monuments, devastation of many museum collections, destruction of library and archive funds. Digitalization of the Russian war crimes against Ukrainian culture became one more important work aimed at preservation of the Ukrainian cultural heritage. It was done by means of interactive maps of the Ukrainian cultural losses and it enables documenting crimes of the occupant army and spreading this information at the international level. Key words: culture, cultural front, cultural losses, cultural values, cultural heritage, war, media.
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