Literatura académica sobre el tema "Cinema verite"
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Artículos de revistas sobre el tema "Cinema verite"
Hall, Jeanne. "Realism as a Style in Cinema Verite: A Critical Analysis of "Primary"". Cinema Journal 30, n.º 4 (1991): 24. http://dx.doi.org/10.2307/1224885.
Texto completoPlantinga, Carl. ": Robert Drew and the Development of Cinema Verite in America . P. J. O'Connell." Film Quarterly 47, n.º 1 (octubre de 1993): 60–61. http://dx.doi.org/10.1525/fq.1993.47.1.04a00230.
Texto completoPlantinga, Carl. "Review: Robert Drew and the Development of Cinema Verite in America by P. J. O'Connell". Film Quarterly 47, n.º 1 (1993): 60–61. http://dx.doi.org/10.2307/1213125.
Texto completoJazdon, Mikołaj. "Czerwiec 1956 wiosną 1981. Poznań 1956 (1981) Tadeusza Litowczenki i Mirosława Kwiecińskiego". Poznańskie Studia Polonistyczne. Seria Literacka, n.º 29 (1 de marzo de 2017): 129–46. http://dx.doi.org/10.14746/pspsl.2016.29.9.
Texto completoHubbert, Julie. ""Whatever Happened to Great Movie Music?": Cinema Verite and Hollywood Film Music of the Early 1970s". American Music 21, n.º 2 (2003): 180. http://dx.doi.org/10.2307/3250564.
Texto completoDavis, Kimberly Chabot. "White Filmmakers and Minority Subjects: Cinema Verite and the Politics of Irony in "Hoop Dreams" and "Paris Is Burning"". South Atlantic Review 64, n.º 1 (1999): 26. http://dx.doi.org/10.2307/3201743.
Texto completoAji, Fajar. "STILISTIK REALISME GENRE HOROR SINEMA INDONESIA PASCA REFORMASI: Studi Kasus Film Keramat 2009". Capture : Jurnal Seni Media Rekam 10, n.º 1 (24 de enero de 2019): 101. http://dx.doi.org/10.33153/capture.v10i1.2182.
Texto completoO’Rourke, Andrea. "Cinema Verité: A Love Story". Missouri Review 35, n.º 2 (2012): 176. http://dx.doi.org/10.1353/mis.2012.0054.
Texto completoDE MIRANDA, MARIA y Bruno de Matos Farias. "NELISITA: NARRATIVAS NYANEKA, DE RUY DUARTE DE CARVALHO:". CADERNOS DE ESTUDOS CULTURAIS 2, n.º 26 (26 de octubre de 2022): 153–74. http://dx.doi.org/10.55028/cesc.v2i26.13063.
Texto completoCoates, Jennifer. "Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema". Arts 8, n.º 1 (2 de febrero de 2019): 20. http://dx.doi.org/10.3390/arts8010020.
Texto completoTesis sobre el tema "Cinema verite"
Majoros, Michael A. "Truth and lies in cinema verite". Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/75983.
Texto completoMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Includes bibliographical references (leaf 48).
1985 in partial fulfillment of the requirements for the degree of Master of Science in Visual Studies. This thesis consists of two sections: Truth and Lies, and the making of Everything Must Change. Truth and lies traces several developments made in the evolution of the documentary cinema (both technological and ideological) and explores their effect upon the manner in which the world before the camera has been transformed onto film over the course of the past ninety years. During this period, the documentarian has labored under the constraint of having to present a more or less objective view of his subject, and historically this objectivity has been considered synonymous with "truthfulness"; the filmmaker has not been allowed to present subjective truth. In the eyes of critics, subjectivity and bias were lies. The premise throughout this discussion is that documentaries indeed are subjective statements, and that as the tools available to the documentarian become more and more transparent, this inherent subjectivity becomes increasingly masked. This paper contends that a possible solution to this dilemma might be for filmmakers to include contextual clues to subjectivity within the scope of their work . The second section, the making of Everything Must Change, outlines the process of shooting and editing my thesis movie, and examines how a certain degree of contextualized subjectivity has been included specifically within this work. The thesis is comprised of a written text and a 42 minute video copy of my thesis film, Everything Must Change.
by Michael A. Majoros.
M.S.V.S.
Hrechdakian, Karine. "An experiment in form : the merging of cinema-verite documentary and narrative filmmaking". Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/74969.
Texto completoKilaru, Sunilrao Mohanrao M. ""Tales of My Cities"". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248487/.
Texto completoBaker, Jeremy Charles. "Observational Animation: An Exploration of Improvisation, Interactivity and Spontaneity in Animated Filmmaking". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357315576.
Texto completoKoch, Anna. "Characters as social beings : social performance in the French and Czechoslovak New Waves". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:21a0725e-0028-4ddb-9c9d-4eee40148cc3.
Texto completoMullins, Michael Bryan. "Hildegard On Rubble Mountain". Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3328/.
Texto completoBuckle, Luke. "Contemporary Neorealist principles in Abbas Kiarostami's filmmaking (1997-2005)". Thesis, University of Hertfordshire, 2012. http://hdl.handle.net/2299/9036.
Texto completoVance, Sharie. "Miz Markley". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849604/.
Texto completoVettori, Irene <1996>. "Arte, fotografia e attivismo negli anni Ottanta: tematiche femministe in Barbara Kruger, Cindy Sherman e Verita Monselles". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18252.
Texto completoCaputo, Livio. "Perspectives autour de l'exercice d'un corps au cinéma". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA009.
Texto completoThe spectator’s body is at the centre of a recurring antinomy in the theories of Art, the work must first move the mind and, in its relation with its observer,the body which is a mere medium not to be too much appealed to.However,some works of Art seem to challenge this relation and alter the spectator’s status by trying to surprise the mind to move the body. Defining cinema as the paradigm of a fictional immersion device, inscribed in a chronology outside any historical specificity,makes it possible to consider differently the face to face position between the projected work and its spectator by including them within the structure of the same device. The projected work looks like the variable of a closed system which is itself a laboratory for the exercise of human perception whose experimental conditions come close to real-life conditions in some particular cases. The study of three distinct sensations isolates some specific cases and leads to establish and observe different alterations undergone by the spectator’s status whose body is also part and parcel of the reception of the work.From the analysis of vertigo,defined as a complex sensation , the relation of the explored paradigm rises as well as the ability to get round that cartesian dichotomy.Tears and their duality,laughter and sadness,redefined as a symbol of complex sensations draw attention to a potential double apprehension of a work of Art, both psychologically physiologically.Lastly, disgust, a simple sensation,sets a borderline case in which the spectator’s mind is trapped and where only his body enables him to grasp the world he is submerged in
Libros sobre el tema "Cinema verite"
Merali, Shaheen, ed. Cinema Verite Redux. Bangalore, India: Gallery Sumukha and Vadehra Art Gallery, 2010.
Buscar texto completoRobert Drew and the development of cinema verite in America. Carbondale: Southern Illinois University Press, 1992.
Buscar texto completoCinema Verite: Iran International Documentary Film Festival y Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī, eds. Ḥaqīqat dar qāb-i mustanad: Majmūʻah-i maqālāt darbārah-i sīnimā-yi mustanad. Tihrān: Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī, 2008.
Buscar texto completoItaly) Convegno internazionale di studi cinematografici (12th 2008 Rome. Immagini dal mondo: Cinema, rappresentazione, verità. Roma: Fondazione ente dello spettacolo, 2008.
Buscar texto completoMadrignani, Carlo A. Verità e visioni: Poesia, pittura, cinema, politica. Pisa: Edizioni ETS, 2013.
Buscar texto completoLa sfida della verità: Il cinema di Francesco Rosi. Firenze: Aida, 2005.
Buscar texto completoCinema e ceci: Romanzo verità sul mondo dello spettacolo. Pavona di Albano Laziale (Roma): Iacobelli, 2010.
Buscar texto completoLuigi Nono e il cinema: "un'arte di lotta e fedele alla verità". Lucca: Libreria musicale italiana, 2017.
Buscar texto completoScaringi, Francesco. Verità e cinema d'inchiesta: I film su Benito Mussolini, Salvatore Giuliano, Enrico Mattei, Aldo Moro e le stragi. Lucca: Tralerighe libri, 2021.
Buscar texto completoMortenson, Denis. Cinema Verite. PublishAmerica, 2003.
Buscar texto completoCapítulos de libros sobre el tema "Cinema verite"
Vykoupil, Libor. "Botrys neboli esej o záludnostech historikovy práce (rozprava o metodě)". En Filosofie jako životní cesta, 182–91. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-14.
Texto completo"Cinema Verity". En Women With Attitude, 207–18. Routledge, 2003. http://dx.doi.org/10.4324/9780203218099-16.
Texto completoMacDonald, Scott. "Fred Wiseman at the Brattle Theater with Hospital, July 19, 2010". En The Sublimity of Document, 113–24. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052126.003.0005.
Texto completoRyan, Susan. "Blurring Lines and Intersecting Realities in Barbara Kopple’s Fictional Work". En ReFocus: The Films of Barbara Kopple, 159–77. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0010.
Texto completoCarrier, Scott. "That Jackie Kennedy Moment". En Reality Radio, Second Edition. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469633138.003.0003.
Texto completoWang, Qi. "Personal Documentary". En Memory, Subjectivity and Independent Chinese Cinema. Edinburgh University Press, 2014. http://dx.doi.org/10.3366/edinburgh/9780748692330.003.0005.
Texto completoMargulies, Ivone. "Ascetic Stages". En In Person, 141–82. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190496821.003.0006.
Texto completoMarrone, Gaetana. "Operatic Microhistory". En The Cinema of Francesco Rosi, 121–52. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0004.
Texto completoMargulies, Ivone. "Neorealist Reenactment as Postwar Pedagogy". En In Person, 37–76. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190496821.003.0003.
Texto completoMargulies, Ivone. "A Sort of Psychodrama". En In Person, 113–40. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190496821.003.0005.
Texto completoActas de conferencias sobre el tema "Cinema verite"
Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example". En COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.
Texto completoKruger, Eduardo, Solange Leder y Ticiana Trento. "Variação na percepção visual sob vidros cinza e verde". En XIX ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFRGS, 2022. http://dx.doi.org/10.46421/entac.v19i1.2041.
Texto completo"ESPAÇO SALA VERDE AUTAZES: INSTRUMENTO DE EDUCAÇÃO AMBIENTAL NO AMAZONAS". En I Congresso Nacional On-line de Conservação e Educação Ambiental. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1777.
Texto completoInformes sobre el tema "Cinema verite"
Reisch, Bruce, Avichai Perl, Julie Kikkert, Ruth Ben-Arie y Rachel Gollop. Use of Anti-Fungal Gene Synergisms for Improved Foliar and Fruit Disease Tolerance in Transgenic Grapes. United States Department of Agriculture, agosto de 2002. http://dx.doi.org/10.32747/2002.7575292.bard.
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