Tesis sobre el tema "Cinema Service"
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Andrews, Hannah. "Public service broadcasters and British cinema, 1990–2010". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/44037/.
Texto completoHsieh, Ming Chih. "Service provisioning in two open-source SIP implementation, cinema and vocal". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1008195.
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Dutra, Diego Normandi Maciel. "Design para acessibilidade: inclusão de pessoas com deficiência visual ao serviço de cinema". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-16022017-124050/.
Texto completoThe census presented by IBGE in 2010 showed about 45 million people with disabilities living in Brazil, of which 35 million are visually impaired. Despite this fact, persons with disabilities face obvious barriers to cultural and leisure services due to the limitation or lack of attitudinal and environmental inclusion initiatives. From a Design perspective, and based on Service Design methods, this paper presents a research on accessibility in cinemas, considering the complexity that surrounds this experience, the production of films, and the experience itself in projection rooms.
Launey, Stéphane. "Pellicules en uniformes : le cinéma au service des forces armées françaises, septembre 1919 - juin 1940". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H041.
Texto completoThis thesis aims to fill a historiographic vacuum. Namely, it studies the plurality of the use of cinema by the French Armed Forces between the time war cinema was put on hold in September 1919 and the Armistice of June 1940. This work is based on unpublished archives, which were repatriated from Russia. They shed a new light on the link between cinema and the Ministry of War (including the Army), especially for educational purposes. Our study is structured around a double movement, which is at the heart of our research problem: the use of the medium within the military institution, and its inscription in the state landscape of a cinema simultaneously used for education and propaganda ; this plurality attained a certain golden age at that point. The first movement deals with a structural analysis of the Army Cinema Section (ACS), which reemerged in summer 1920, and it includes an overview of its stakes and progress during the interwar period. At the same time, the question of the use of cinema in the French Navy and Air Force reveals a political use, which was focused on meeting structural challenges. In the second part, we study the production of the ACS, including the instructional films at the heart of this filmography, other educational films (such as moral, patriotic, or prophylactic), and propaganda films (particularly colonial). Finally, we explore the mutation of military cinema and its entry into a fully developed age: from the "Phoney War" to June 1940
Castro, Jennifer de. "Le Festival de Cannes et la promotion du cinéma (1946-1972) : le 7ème art, un objet culturel protéiforme au service du prestige national". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA015.
Texto completoThis thesis offers a cultural and historical approach about the Cannes Film Festival by emphasizing the accent on its contrasted role in promoting cinema in France from 1946 till 1972. What images intended the organizers to give about cinema and what images contributed to build the exposure and coverage of Cannes Film Festival in the various media of that time such as television, cinema newsreels and specialised press?It is therefore about to know how Cinema was perceived after the Second World War by the prism of the Festival, to evaluate how it tried to modify in France or modified effectively (which is not necessarily the same point) image, status and functions of Cinema and the relationship with native and international cinema then finally to see how medias approached the film industry current events. The research, essentially engaged from Archives Collections - such as those of Cannes Film Festival Association, television and specialist publications -, allowed to understand the various aspects of the Festival and to perceive the links which maintained the various institutions in charge of the event with Cinema.The first edition of the Festival in 1946 is the starting point of this research. It ends in 1972, twenty-five years later, when the Steering committee has become the only decision-maker of the selected movies. During these twenty-five editions the participants themselves used to select the movies to sent to the « Croisette ». Twenty-five years during which the world social and political context invited itself in Cannes to put to the test the artistic ambitions and the economic and diplomatic interests of the organizers of the Cannes Film Festival. Twenty-five years during which the medias were partially and/or variously the privileged reflections
Brown, James y katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema". Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.
Texto completoBareišis, Audrius. "Dramaturgijos raiška TV laidoje „Nacionalinė paieškų tarnyba"". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20110709_152437-73944.
Texto completoThe television applied dramaturgy expression methods that were nurtured by theater at the beginning and later by cinema and created original drama world whose spectators are people sitting in front of the television. The television dramaturgy takes barely its first steps, compared with theater and cinema which have the experience of decades or even centuries; therefore there are no wider TV drama study. An object of the master thesis is an analysis of Lithuanian radio and television project National search service and research of dramaturgy expression. The show National search service was chosen because of its uniqueness in Lithuanian television channels. The show which helps to find one‘s own flesh and blood dissipated in the world is the broadcast that has no analogues in the programmes of Lithuanian television channels. The goal was to examine how dramaturgy was conveyd in a particular television broadcast, what theatrical and cinematic dramaturgy elements were adopted in TV projects and what impact the dramaturgy elements make on an audience in the television. The objectives of the master thesis were coherent with the analysis of dramaturgy elements applied in television, the description of trends of dramaturgy expression in Lithuanian TV and the evaluation of prospects. The main focus was to determine the significance of drama pieces in television programmes and to summarize TV audience needs and expectations related to dramaturgy. The methods of the study involve... [to full text]
Tabeau, Tiffanie. "Le droit administratif et l'exploitation des oeuvres cinématographiques". Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM1067.
Texto completoThe study of the exploitation of films through the prism of administrative law reveals a little-known side of cinema law. Indeed, far from the preconceptions, research shows how administrative law was first an instrument to preserve and promote movie theaters and how it remains today a powerful means of promoting and distributing cinematographic works.Moreover, at a time when digital cinema distribution methods will totally disrupt the film industry, the thesis confirms that there is no doubt that the legal framework for its development will necessarily be weakened. New challenges will have to be officially recorded by the law, because the cinema hall (movie theater), as the principal medium of the work, is now faced with scanning equipment or planned obsolescence of the current media timeline. All this therefore implies an adaptation or mutation of administrative law if its duty is to retain a central role in regulating the exploitation of cinematographic works. The main intention of this thesis is to reveal and to understand the continued need for a framework formed by the administrative law of cinematographic works. To do this, before showing how administrative law is still a legitimate way to organize and support the distribution-projection of works, it will first be shown that "special" law, although binding, was very quickly essential to the very existence of movie performances and generally speaking, to the maintenance of the French film industry
Graham, Mark A. "Afghanistan and the cinema the politics of representation in Kandahar and Osama /". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.
Texto completoSource: Masters Abstracts International, Volume: 45-06, page: 2696. Typescript. Abstract precedes thesis as 1 leaf (iii). Includes bibliographical references (leaves 137-145).
Gonzales, Antonio. "Images et imaginaires cinéma et histoire au service d'une "néo-mythologie"". Besançon, 1990. http://www.theses.fr/1990BESA1022.
Texto completoHellio, Jean-Michel. "L'ambivalence baroque : une esthétique picturale au service d'une représentation cinématographique". Caen, 2002. http://www.theses.fr/2002CAEN1355.
Texto completoBaptista, Valdir. "Registro audiovisual da omissão do estado brasileiro nas políticas públicas de saúde segundo depoimento de lideranças indígenas". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/6/6136/tde-05122016-142523/.
Texto completoMethod: This is a qualitative research that uses the documentary audio-visual like a place of installation register statements of native indigenous leaders of Acre, Brazil. The objective is to analyze records of indigenous leaders from experiences about their living conditions as a contribution to public SUS policies. And present an interventional proposal from the documentary video potentiality. Results: The indigenous population, for a number of reasons, it is certainly the Brazilian population, on which there is less specific data that allow the establishment of effective public health policies. Although there have been significant advances in knowledge of indigenous issues and a growing empowerment of indigenous leaders in the struggle for their basic rights of citizenship, the situation is still below expectations. Relevant topics approached:1. Participation in public authoritys instances / indigenous rights. 2. Traditional medicine - externality of the disease. 3. Difficulties with SUS. 4. Health care in villages. 5. Food security and malnutrition. 6. Water quality and basic sanitation. 7. Logistics. 8. Vaccination coverage. 9. Indigenous women\'s health. 10. Ecology and biodiversity. 11. Death of indigenous children. Conclusions: 1. the systematic omission of governments in qualify indigenous health workers with regard to the individual and collective health interventions and the exercise of social rights. 2. Lack of commitment of the SUS in hiring professionals with specialized training to compose the teams and directions of the Health System that work in the villages and in the outposts of health in the territory. 3. Difficulties in communication between SUS teams and indigenous peoples. There are barriers to language, culture and perception of the health-disease process
Toscano, Luca. "Migration strategies from IPv4 to IPv6 in a complex service provider environment". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/4482/.
Texto completoJohansson, Jesper. "Success at the box office in the age of streaming services : An examination of how streaming services have impacted the dynamics of successful movies in the cinema". Thesis, Internationella Handelshögskolan, Jönköping University, IHH, Nationalekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-50486.
Texto completoKoutou, Jean Emmanuel. "Contribution à l'étude de la fixation des prix dans le tertiaire immateriel : le cas des prestateurs de films au cinéma". Lyon 3, 1992. http://www.theses.fr/1992LYO3A002.
Texto completoJacometti, Marco Alexander Azon. "Enhancing ecosystem services in vineyards to improve the management of Botrytis cinerea". Phd thesis, Lincoln University. Bio-Protection and Ecology Division, 2007. http://theses.lincoln.ac.nz/public/adt-NZLIU20070126.115223/.
Texto completoDilly, Monique. "Les magazines de cinéma à la télévision française de 1952 à 200 : histoire, dispositifs et contenus". Metz, 2006. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2006/Dilly.Monique.LMZ0604.pdf.
Texto completoInformative film reviews were very common on early French television but gradually made way for more commercial slots that promote films rather than provide any real information on the film itself. What concerns us here is why did the shift from the initial artistic to the now commercial aspirations of these programmes take place? Based on an analysis of the discourse of the media, on the one hand, and a study of the history of television, on the other, we establish the premise that television has changed because its main functions have changed. These changes in main functions, in turn, lead to a transformation of television's strategic functions and the content of its informative programmes, thus contributing to a new image of cinema. Informative film reviews can be broken down into three periods, corresponding to the distinct developments that have taken place over the course of French television history: the first period, from 1952 to 1975, where television conforms to the role public service and where its remit is to inform, entertain and educate. The world of cinema is one of craft and values, something to be imitated, it is an art; the second period, from 1975 to 1985, sees the disintegration of the ORTF and a move away of television from the example set by the cinema; film-making is an art and a business. The main function of television is to inform and entertain; the third and final period, from 1985 to 2000, sees the privatisation of TF1 in 1986; television now uses the cinema as a means of promoting itself. Cinema is now a platform whose strategic function is to entertain. Will critical and insightful programmes on cinema exist in the future? The ratings race and obsession with cost -effectiveness will not make this a likely scenario. Nevertheless, this type of programme will probably reappear on cable television, which has channels entirely devoted to the seventh art
Hamery, Roxane. "Jean Painlevé (1902-1989) : un cinéaste au service de la science". Rennes 2, 2004. http://www.theses.fr/2004REN20016.
Texto completoJean Painlevé, short film director and documentarist, usually associated with the specialized genres of scientific cinema and educational film, has, throughout his long career, produced an impressive amount of work which remains for a large part scarcely known. He was however an ardent promoter of an instructive yet popular cinema, an eminent member of the institutions of the seven arts and a major pioneer of the avant-garde of the twenties. Up to now, this eclecticism may have impeded the attempts to draw up all these various activities into a coherent panorama and to understand the complex personality of the strongly independent man behind them. The aim of this thesis is the reassessment of this original cinematographic career; it will follow Painlevé's works step by step and will also examine his aesthetic evolution in a contextual analysis. This contrasted portrait fits a never satisfied artist involved with the same passion in the making of films or in militant struggles as well
Peña, Javier (Peña López). "Analysis of the services as a performance factor in high-level volleyball and beach volleyball". Doctoral thesis, Universitat de Vic, 2013. http://hdl.handle.net/10803/128269.
Texto completoThe ultimate goal of this Dissertation was to identify critical aspects of the use of service in high-level volleyball and beach volleyball. To address this purpose four studies on different aspects of service performance, framed into the field of performance analysis, were conducted. The results of our investigation show that service is a very important skill in volleyball disciplines but it cannot explain by itself the result of a match. Nevertheless, it seems a key element in preventing an effective attack. Service behavior and its ability to impair the opponent’s game is clearly influenced by jump abilities. The successful execution of the service is a complex issue, and has a physical, technical, strategic and tactical component. Proper use of this technical skill is capital in making the result of a match uneven. However, some other aspects have been identified as relevant to success in a volleyball or beach volleyball match.
Aguilar, Esteban Rudy, Zavalaga Jessica Guija, Reyna Marco Polanco y Huamanchumo Javier Rosales. "Calidad en el servicio en el sector cines en Lima". Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/9580.
Texto completoQuality of service is one of the most relevant aspects for the organizations, however, there's not a validated method for the evaluation of it, in the same way there aren't investigations referring to the SERVQUAL model beyond practical descriptive applications. This research sought to validate the model, particularly in the Metropolitan Lima cinemas sector. A survey was carried out on a representative sample of users of the service where information regarding their perception and expectation was obtained. Later, we proceeded to analyze the relationships between dimensions and service quality by contrasting hypotheses to finally validate the model using the technique of linear regression. The research provides information on the service delivered in the cinemas sector in Metropolitan Lima and a description of the result in a quantitative way, where a final qualification of the sector was provided, which for purposes of applications serves as general diagnosis, in addition offers a series of conclusions and recommendation practices with respect to the sector to be used by companies that have a business model that suits those who have been involved in the researchhave been involved in the research
Tesis
Grando, Mattia. "Cambiamento organizzativo del processo dell' offerta di servizi informatici: il caso CINECA". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019.
Buscar texto completoVidal, Thales Miguel Gaspar. "Tu não te moves de ti? sobre o bruto encontro com o envelhecimento". Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19890.
Texto completoMade available in DSpace on 2017-03-29T12:26:05Z (GMT). No. of bitstreams: 1 Thales Miguel Gaspar Vidal.pdf: 1397048 bytes, checksum: e30288163806c7a8e6d83cb0c80477ce (MD5) Previous issue date: 2017-03-21
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The general purpose of this study is to carry out an interpretation of the film narrative of Olivier Assayas’s Clouds of Sils Maria, 2014, to discuss the potentiality of a conceptual articulation between the fields of Psychoanalysis, Gerontology and Arts in order to address the aging process from both subjective and social points of view. The specific objectives outlined are: 1) to reflect upon “the contribution of cinema to dealing with existential, social and political themes” (ROSA apud DUNKER & RODRIGUES, 2015, p. 12), and thereby highlight the function of fiction in the difficult and daily task of reinventing oneself; 2) to identify, in the analysis of the film, how it translates an enquiry and an answer about what aging is. From this perspective, to determine the elements of confrontation and defenses brought into play to question the spectator about this process and its double translation: subjective and social; 3) to problematize the alienating face implied in the adoption of the chronological criterion as a marker of entry into old age; 4) to contribute to the strengthening of an interdisciplinary perspective on the studies about the human aging. This work is justified as it seeks to address the issue posed by Messy (1999, p.14): "when does one get old outside of the social repertoire?". He does so by referring the focus of the reflection to the film protagonist’s drama, a 40-year-old woman who suddenly sees herself as old because someone else has offered her that image. In this drama, her defenses against the identification with the stigmatizing social images associated with old age are heavily featured. The methodology used was the interpretation of the film narrative taking concepts deployed in a bibliographic review that articulated the aforementioned fields as reading operators. As a result, the subjective effect produced by the brutal (MESSY, 1999) encounter with aging itself was identified and discussed, a position avoided by the protagonist of the film in question, who has always attributed a range of negative characteristics to old age, as if these were strange to her. From such reflection, I could conclude that there is a remarkable complexity in the subjective process of aging which is substantially increased in the excessively narcissistic contemporary societies
O objetivo geral deste estudo é empreender uma interpretação da narrativa fílmica de Clouds of Sils Maria (Acima das Nuvens), de Olivier Assayas, 2014, com o intuito de colocar em discussão a potência de uma articulação conceitual entre os campos Psicanálise, Gerontologia e Artes, para abordar o processo de envelhecimento do ponto de vista subjetivo e também social. Os objetivos específicos delineados são: 1) refletir sobre “a contribuição do cinema no trato de temas existenciais, sociais e políticos” (ROSA apud DUNKER & RODRIGUES, 2015, p. 12) e, desse modo, lançar luz à função da ficção na difícil e cotidiana tarefa de reinvenção de si mesmo; 2) identificar, na análise do filme, de que modo ele traduz uma indagação e uma resposta sobre o que é envelhecer. Nessa perspectiva, identificar os elementos de enfrentamento e defesas colocados em jogo para inquirir o expectador sobre esse processo e sua dupla tradução: subjetiva e social; 3) problematizar a face alienante implicada na adoção do critério cronológico como marcador da entrada na velhice; 4) contribuir para o fortalecimento de uma perspectiva interdisciplinar nos estudos sobre o envelhecimento humano. Este trabalho se justifica na medida em que procura enfrentar a questão lançada por Messy (1999, p. 14): “quando é que se fica velho fora do repertório social?”. Ele o faz remetendo o foco da reflexão para o drama da protagonista do filme, uma mulher de 40 anos que, de repente, se vê como velha porque outro alguém lhe ofereceu essa imagem. Nesse drama, aparece com força suas defesas contra a identificação com as estigmatizantes imagens sociais investidas na velhice. A metodologia utilizada foi a da interpretação da narrativa fílmica tomando como operadores de leitura conceitos mobilizados numa revisão bibliográfica que articulou os campos antes referidos. Como resultado, identificou-se e discutiu-se o efeito subjetivo produzido pelo brutal (MESSY, 1999) encontro com o próprio envelhecimento, posição evitada pela protagonista da película em questão, que sempre atribuiu à velhice uma gama de características negativas, como se essas lhe fossem estranhas. De tal reflexão, pude chegar à conclusão de que há uma complexidade marcante no processo subjetivo do envelhecimento que se recrudesce substancialmente nas sociedades contemporâneas, excessivamente narcísicas
Mussi, Luciana Helena. "Reflexão sobre a angústia existencial do cinema de Ingmar Bergman no envelhecer diante da ameaça iminente de morte e do desejo de vida". Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/12396.
Texto completoConselho Nacional de Desenvolvimento Científico e Tecnológico
This paper aims to reflect on Ingmar Bergman existential anguish towards aging before the imminent threat of death and the desire to live. The main question was: how to live under such a devastating anguish being, at the same time, aware of our finitude and of our desire to live? To probe these existence questions, The Bergman Island documentary, focusing on the films The Seventh Seal and Wild Strawbwerries, the Greek Goddess Demeter s path and her transformation forms and the philosopher Cicero s reflections on aging were used. Bergman and his films, dealt with in an enigmatic atmosphere, led this research to the existential anguish scenery built, woven and understood by means of feelings resulting from the documentary images, words and dialogs. Crossing the researcher s experience and feelings with the filmmaker s report on the Island of Farö, the composition of such anguish was created: the Imminent Threat of Death and the Desire to Live as events to make us search understanding of the enigma of life and death. However, on the way we came across a God whose word silences, as God s true Silence. The One who repudiates Finitude as Awareness of Death. The Seventh Seal faithfully portraits the silence of such God in the face of the evil as an unquestionable and frightening event. If, at old age, the probability of imminent death is higher and the awareness of finitude is even higher, in Wild Strawberries we come to face the perspective of the end itself. Recollecting the character and Bergman, we come across the Travel into Solitary Old Age, in a time that seems to be over, through the trails of Old Bergman Existential Memories. The Existential Trialogue within the Gap of Time described a fictional meeting among Bergman, the filmmaker, Cicero, the thinker and the researcher. Aiming at getting past time effects, defeating sovereignty of the years that separate the three ones involved through gathering of the arts cinema, philosophy and science considering all as understanding and reflection on what death/life means at aging. Cinema, art that brings closer to one s life, that portraits reality and life movement, referring to our own experiences, life vivid recalls, deep memory excavations, through a permanent trip between youth and old age. Biographies crossing one another in the line of time, oscillating between death pains and life setbacks
Este trabalho tem como objetivo refletir sobre a angústia existencial do cinema de Ingmar Bergman no envelhecer diante da ameaça iminente da morte e do desejo de vida. A pergunta central foi: como viver com esta arrasadora angústia quando nos sabemos finitos e, ao mesmo tempo, sedentos de vida? Para pensar estas questões da existência, foram utilizados o documentário A Ilha de Bergman, focando os filmes O Sétimo Selo e Morangos Silvestres, a trajetória da Deusa Grega Deméter e seu caminho de transformação e as reflexões do filósofo Cícero sobre o envelhecer. Bergman e seus filmes envoltos numa atmosfera enigmática, conduziram esta pesquisa ao cenário da angústia existencial construída, tecida e entendida por sensações provocadas por imagens, palavras e diálogos do documentário. Cruzando impressões e experiências da pesquisadora com o relato do cineasta na Ilha de Farö, nasceu a composição desta angústia: a Ameaça Imimente de Morte e do Desejo de Vida como acontecimentos que nos levam à busca por conhecimento do enigma de vida e morte. Mas nesta caminhada, encontramos um Deus que se cala, num verdadeiro Silêncio de Deus. Aquele que denuncia a Finitude como Consciência da Morte. O Sétimo Selo retrata fielmente esse Deus que se omite e cede espaço à maldita como fato indiscutível e apavorante. Se na velhice a probabilidade de morte iminente é maior e a consciência de finitude ainda mais, chegamos no enfrentamento da perspectiva do próprio fim em Morangos Silvestres. No rememorar do personagem e de Bergman, nos deparamos com a Viagem pela Velhice Solitária, num tempo que parece se esgotar, na trilha das Lembranças Existencias do Velho Bergman. O Triálogo Existencial na Brecha do Tempo descreveu um encontro ficcional entre Bergman, o cineasta, Cícero, o pensador e a pesquisadora. Teve por propósito driblar o efeito do tempo, anular a soberania dos anos que separam os três envolvidos através do encontro das artes cinema, filosofia e ciência tudo pela compreensão e reflexão do que significam morte/vida no envelhecer. Cinema, arte que aproxima ao viver de cada um, que retrata a realidade e o movimento da vida, nos remetendo às nossas próprias experiências, lembranças das fases vividas, escavações profundas na memória, numa viagem constante entre juventude e velhice. Biografias que se cruzam na linha do tempo oscilando entre as dores da morte e os reveses da vida
Robert, Marc-André. "L'Office du film du Québec : vitrine de l'État dans la Cité : la communication des services de l'administration publique québécoise par le cinéma, 1961-1976". Doctoral thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66294.
Texto completoBetween 1961 and 1976, the Quebec Film Board (OFQ) was the government agency responsible for the production, purchase and distribution of cinematographic resources for all departments and services of the Québec administration. A new incarnation of the Cine-Photography Service founded in 1940, the OFQ is then in continuity and in rupture with the first initiatives in the field, which go back as far as the 1920s. These films, short films halfway between the documentary and the educational film, are used for communication of the activities and services of the state towards its citizens, and to preserve a visual trace of the governmental news of Quebec. The purpose of this thesis is to analyze the political and administrative contexts that motivated the development of such a communication strategy for Québec government services in order to understand how and for what purposes these cinematographic activities were managed and administered. It reveals the importance and necessity of the role played by the Quebec Film Board in the midst of the Quiet Revolution, arole supported and defended by public servants, and often in spite of political support: that of a liaison officer between the administrative apparatus of the Quebec State and the entire civil society.
Bellucci, Lucia. "Le droit promotionnel et les aides d'État à la production cinématographique en Italie et en France, à la lumière de la construction européenne et des négociations sur le commerce international des services". Paris 1, 2004. http://www.theses.fr/2004PA010016.
Texto completoCummins, Isabelle. "Le Moulin à images de Robert Lepage et Ex machina : le traitement des images au service de l’histoire". Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29406/29406.pdf.
Texto completoPérez, Pérez Kevin Jefferson y Palomino Ingrid Katherine Vargas. "Calidad de servicio en la empresa de entretenimiento Cineplanet, de la ciudad de Chiclayo, 2016". Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2017. http://tesis.usat.edu.pe/handle/usat/1476.
Texto completoTesis
Mendoza, Ascurra Alicia Alejandra. "Elementos atmosféricos y calidad del servicio como determinantes de la satisfacción del consumidor de restaurantes con temática de cine en Lima Metropolitana". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655190.
Texto completoExperiential marketing has been and continues to be important for brands to achieve that customers live unique experiences. For this reason, they are concerned every day to implement this type of strategies in their processes and, in this way, consumers live experiences around services and products; with the aim of creating lasting relationships and emotional ties between brands and customers. In this way, the brands that, today, are at the forefront of the implementation of experiential marketing, are the theme restaurants (cinema, sports, music, among others). Because they are characterized by “moving” the client to another space, unlike a traditional restaurant, thanks to the personalized service they provide, and the theme and concept they choose to possess. In this sense, this study encompasses experiential marketing within cinema-themed restaurants, based on atmospheric elements and quality of service. Which have been considered as factors to determine customer satisfaction. For development, quantitative and qualitative techniques have been applied, which have been a great support in achieving the results of this study.
Trabajo de investigación
Armada, Ros Eduardo. "La satisfación del usuario como indicador de calidad en el Servicio Municipal de Deportes : percepción, análisis y evolución". Doctoral thesis, Universidad de Murcia, 2016. http://hdl.handle.net/10803/362931.
Texto completoThe research on the quality of sports services provide a basis for organizational structures to give an answer to new tendencies and necessities regarding sports and the physical exercise of the population, procuring new management models that optimize resources and guide actions towards quality (Gálvez y Morales Sánchez, 2010, own translation). The first step in assessing the deployment of a quality system which insures the best service for citizens with “added value” is knowing the users' opinion regarding the received service and knowing the key to user fidelity. A longitudinal study will be conducted which can be useful for the benchmarking of future public sports managers. The objectives of this study will be determining the degree of present user satisfaction with communal sports services offered by the city council of Cartagena, analyzing the development of user satisfaction over time in order to update quality levels offered by those services and providing a practical example of management that is quality oriented. In order to carry out the study a questionnaire compiled by a sociology expert in 1990 with a later approval in accordance with methodologies accepted in the scientific bibliography (Dunn, Bouffard & Rogers, 1999), using Aiken's V statistic was distributed to a sample of 552 users in 1991 and a sample of 677 in 2015. The results confirmed that the average value of satisfaction is high. It can be observed that the assessment of the performed activity is slightly higher at present even though no statistically significant differences with the exercise of 1991 can be perceived. The global analysis of the dimensions of the survey for 2015 shows that all resources of the communal sports services determine the quality although some are more important that others concerning the satisfaction of the citizens. In 2015 the users give more importance to the facilities and activities offered by the municipality. However, according to user satisfaction, the most important part of the organization at both times are the people who provide the service. In general, people of all professions deem very important that the communal facilities are well cared for regarding maintenance, cleaning and materials. The degree of satisfaction varies in all evaluated factors. The data will ensure that decisions will be made to enhance those aspects that were rated the worst by the users and that systems will be applied to secure quality, satisfaction and citizen loyalty to the communal sports services.
Fernández, Jara Laura. "El documental periodístico como género garante de la función de servicio público de la comunicación. Estudio de los programas Documentos TV y En Portada de la 2 de Televisión Española". Doctoral thesis, Universidad de Murcia, 2013. http://hdl.handle.net/10803/123213.
Texto completoThis doctoral thesis is a study on the television of public service in Spain arisen from a new television context that emerged in 2010. The approval of the Law 7/2010, General of the Audio-visual Communication, eliminates any obligation of public service on the part of the private chains as well as the multiplication and fragmentation of the offer of contents that supposes the consolidation of the Digital Terrestrial Television; have generated a new television ecosystem in which the programming of La 2 stands out. Its contribution to the safeguard of the public service develops across different formats. Nevertheless there exists an informative genre, the journalistic documentary, which returns guarantor of the fulfillment of the legal requirements that govern the obligatory of the public service of the communication. The above mentioned informative audio-visual genre is principally issued across programs as Documentos TV and En Portada. Objectives 1. Characterize the genre: journalistic documentary . 2. Linking documentary journalism to public service communication. 3. Analyze scheduling TVE-2 in the context of National Television Digital. Methodology The dissertation studies five television seasons at different stages: Research 1 focuses on the documentary analysis issued between 2007 and 2012. Investigation 2 concentrates on the 2011-2012 season. Research 3 studies six cases from the 2011-2012 season. At all stages, the analysis focuses on factuals documentary Documentos TV and En Portada from La 2. The methodology chosen to accomplish these objectives include various methods used to measure different aspects of the object of study. On the one hand, we have chosen statistical methodologies such as the probing and content analysis. On the other, non-statistical methodologies such as the exploratory analysis and in-depth interview were developed. The tool for the analysis of the documentary has been the program SPSS. Conclusions The main conclusion of this research is as follows: "Drawing on the results from this study, we conclude that the documentary itself is a genre of journalism guarantor of public service function of communication as it meets most of the requirements contained in the regulations ". As such, we propose a self-definition: "The journalistic or informative documentary is an informative audiovisual genre own television age different from today. It was born in paleotelevision and its foundational characteristics remains intact. Through argumentative discourse, it promotes the defense of social values that are identified with public service communication. Its duration is superior to other television news genres, ranging between 40 and 60 minutes, on average. Recording consists of current affairs-either immediately or permanently, deepening its analysis and the clarification of the causes and consequences of the events it narrates. As a general rule, it includes the critical interpretation or controversy regarding the subject matter, as in many cases it deals with a situation of social injustice, an idea that links the fulfillment of public service communication. The variety of scenarios and diversity of recording sources, generally contradictory to each other, gives objectivity to the genus status an aspect which is generally assumed"
Blistène, Pauline. "Voir et faire voir le secret de l'État : fonctions et enjeux de la fiction d’espionnage contemporaine". Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H219.
Texto completoWhat is the political, moral and philosophical value of “spy fiction”? This dissertation examines this question using an innovative methodology that combines an analysis of contemporary television series (Homeland, Le Bureau des Légendes) and interviews with intelligence practitioners (CIA, DGSE) along with entertainment professionals (showrunners, screenwriters). My thesis is that there is a change in the ontological and epistemic status of spy films and TV series due to the involvement of real spies in their creation. The political and philosophical importance of spy fiction manifests itself in the impact of spy fiction on the political and social reality: the “realism” of spy fiction that I define here departs from common conceptions of correspondence to reality and replaces it with an approach that locates agency at the heart of the analysis. This approach does not stipulate the blurring of fact and fiction, but instead reaffirms its importance as a hypothesis for the production and reception of cultural artifacts. In a context where the demand for information concerning clandestine activities of the state keeps growing, the interactions between intelligence and entertainment professionals allow the former to stage their own disclosure without revealing their real activities. Far from contributing to the abolition of the frontier of secrecy, such practices contribute to its displacement, thus allowing a renewal of secrecy under the appearance of transparency. State secrets are never revealed but only signified
Barrière, Virginie. "Gestion des bio-agresseurs et réduction des pesticides en culture de laitue sous abris froids : apports croisés d’expérimentations factorielles et systémiques". Thesis, Avignon, 2015. http://www.theses.fr/2015AVIG0668/document.
Texto completoThe reduction of pesticide reliance in lettuce cropping systems is a short term objective sharedby public authorities and by the stakeholders of lettuce market. Reaching this goal implies thesubstitution of pesticides by others techniques which may limit pest and pathogen damage. Thesetechniques can be intended to mitigate pest and pathogen invasion or propagation, to increaseplant defenses or to remove pests and pathogens from the crop. The improvement of currentcropping systems relies on i) the demonstration of the ability of alternative techniques to managediseases and pests when they are combined and integrated during the crop cycle; ii) theassessment of the socio-economic and environmental impacts of alternative strategies in a stringentcommercial and regulatory context. The objective of this thesis was to design alternativestrategies for pest and pathogen management of lettuce grown in winter under shelter, with fewerpesticide applications, and to assess their agronomic, economic and environmental performancesso as to ensure the sustainability of production.Based on currently available techniques, two alternative strategies, called intermediate andlow-input, were designed, and tested in two farms and an INRA experimental station duringtwo winters and compared to a conventional strategy representing current practices. The alternativestrategies enabled to reduce pesticide applications by 32% and 48% respectively. Theywere efficient enough to obtain similar yield and quality as compared to the conventional strategy.The environmental benefits of their implementation were also demonstrated. However, thesestrategies required a 10-13% extra production costs, almost exclusively due to biological controlproducts.In parallel, two original technical orientations, which efficacy had not been previously described,were examined. In a first set of experiments, the impact of lettuce genotype and growthconditions on plant susceptibility to two major pathogens, Botrytis cinerea and Sclerotinia sclerotiorum,was investigated. The use of a genotype displaying low susceptibility to these fungi,associated with an optimization of the ratio of fructose : sucrose in plants, appeared to reducethe symptoms after inoculation. A second experimental approach, dealing with biological controlagainst the aphid Nasonovia ribisnigri, highlighted the inability of Aphidius parasitoids tocontrol aphid populations at the end of the crop cycle, when the canopy structure becomes toocomplex.In addition to a contribution to cropping systems improvement, the scientific method used,combining analytical and integrative approaches enabled us to highlight the effect of techniquesacting on several pests and/or pathogens, such as the reduction of nitrogen fertilization or theoptimization of plant spacing, which could improve the management of fungi causing basal rotas well as aphids
Fagelson, William Friedman Abzug Robert H. Schatz Thomas. ""Nervous out of the service" 1940s American cinema, World War II veteran readjustment, and postwar masculinity /". 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3143740.
Texto completoFagelson, William Friedman. ""Nervous out of the service" : 1940s American cinema, World War II veteran readjustment, and postwar masculinity". 2004. http://hdl.handle.net/2152/12768.
Texto completoLe, Tien Thanh y 黎進成. "The relationship between service quality, customer satisfaction and customer loyalty:A case study of movie theatre and cinema in Vietnam". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/9pd88q.
Texto completo國立高雄應用科技大學
製造與管理外國學生碩士專班
102
In the recent open and developing years, there are many opportunities emerge and come with much different ways to create and manage a successful, expendable model business in Vietnam. One of those ways which is broadly considered as an effective model is the cinema and movie theater industry. However, the young marketplace in Vietnam is still not easily predictable with many competitors from both domestic and foreign origins. Besides, it’s reported that a very great amount of attention and interest have come into the industry recently. In order to win the battle and accomplish a successful cinema chain system, managers and investors should focus in some important foundation constructs. There are not many research and study that compromise the secrets behind a long-term successful scheme for cinema and movie theaters. For those reasons, this research determines to uncover the factors and their vital roles in the triumph of a successful cinema chain system. This research tries to investigate three considered important construct (service quality, customer satisfaction and customer loyalty) based on observation and survey method. These constructs is suspected to have essential parts to play in the progress of making a long-term successful cinemas and movie theaters. To gather the data needed for research, a total of 243 surveys are contingent mailed to customers of some of the principal cinema brands in Vietnam marketplace (CGV Cinema, Lotte Cinema, Galaxy Cinema and so on). The result outcome presents the influencing positive relationship among three fractions and demonstrates that the service quality and customer satisfaction are significantly associated with customer loyalty.
Wan-ChenWu y 吳宛真. "Adopting Cultural Experiential Marketing on Service Design and Planning of Local Cinema –A Case Study of Chen-Men Theater". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/6r2j92.
Texto completo國立成功大學
工業設計學系碩博士班
100
As the worldwide economic shifts from manufacturing orientation to knowledge and service orientation, the scope of innovation has been broaden to adapt to a variety of market demand. There have been significant changes in the focus of innovation. Enterprises begin to innovate by emphasizing customer experiences, rather that the product or service itself. Besides, the Cultural and Creative Industry has been considered to replace IT industry as the new engine of economic growth. Taiwan government has been actively supporting various cultural and creative activities and affairs. In Taiwan, the film industry is one of the Cultural and Creative Industry, which are encountered operational difficulties because of the changing policy that Taiwan joined the WTO in 2002. Hence, the import of cinema complex and the changing consumption habits also bring the enormous effect to exhibition part of local film industry. In Taiwan, Cultural and Creative Industries and Tourism Industry have a close relationship. And cultural tourism needs to consider “experience” in the future. Hence, this study employs case study method and takes the Chen-Men Theater, which has been established since 1950, as the target in this study. We adopting “Cultural Experiential Marketing (incorporating tourism industry element into Schmitt (1999)’s Experiential Marketing framework)” to explore the service design principle of local cinemas. There are four main empirical steps of this study: (1) This study use questionnaire survey to understanding the exiting service of the Chen-Men Theater. (2) This study selected the interviewees from Chen-Men Theater consumers through the involvement survey; these interviewee were then interviewed through ZMET (Zaltman Metaphor Elicitation Technique) and open-question design. (3)The feelings about Chen-Men Theater of the interviewees and their opinions about the services provided by Chen-Men Theater were then summarized through a framework proposed in this study – the Cultural Experiential Marketing Grid. (4) Research findings were proposed based on above results. Followings are conclusions of this study. (1) The local cinema in Taiwan must abandon the current decision-making way of “by the intuition of manager”; (2) The local cinema in Taiwan must improve the current way of acquiring customer’s opinion by only using “text-based” method, such as questionnaire design; (3) The abstract factors of human, such as customer personal background, must be considered in developing the services of Cultural and Creative Industries.
ZIH-YU, CHEN y 陳姿妤. "The effect of Service Quality、Perceived Value and Customer Satisfaction on Repurchase Intentions–the case study of Blossom Cinema". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/nc6w2u.
Texto completo國立臺北商業大學
國際商務系碩士班
104
This thesis is to Blossom Cinema as the research object. Nowadays, the customers have many choices of cinemas and many methods to see movies. Therefore, to study the cinema service quality, the consumer perceived value and the customer satisfaction to influence in consumers choice or not.Expected the results can provide a reference to the operator of Blossom Cinema and for follow-up study.The study is base on the consumer questionnaire of Blossom Cinema, and the interviewee all were consumers of Blossom Cinema.The study used the method of convenience sampling and recovered 309 valid questionnaires. Empirical analysis by statistic software of IBM SPSS Statistics 20.0 and Amos 21.0 for this research. The result are summarized as follows: 1.Service quality of the theater has a significant positive impact on consumers perceive valueand customer satisfaction. 2.Consumers perceive value has a significant positive impact on customer satisfaction and repurchase intentions. 3.Customer satisfaction has a significant positive impact on repurchase intentions. 4.Consumers perceive value does not have an impact on repurchase intentions.
LI, SHIH-CIAN y 李世乾. "Applying Kano two-dimensional model and IPA analysis to explore the cinema’s service quality- A case study of Vieshow Cinemas Taipei Hsin Yi". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/v55w8j.
Texto completo聖約翰科技大學
工業工程與管理系碩士班
102
The main purpose of this research is using Kano’s two-dimensional quality model and the importance-performance analysis (IPA) to evaluate the service quality of Vieshow Cinemas Taipei Hsin-Yi. Via a questionnaire survey, this study found that there existed a significant difference between the expected quality and the perceived quality of the customers of Vieshow Cinemas Taipei Hsin Yi. And, the service quality elements were divided into four dimensions: “Convenience benefits dimension”, “Timely convenience dimension”, “Professional reliable dimension”, and “Business strategy dimension”. The various selection factors of the "Business strategy dimension" had significant differences in customer’s satisfaction. Such as, “Having good lighting effects” got a higher satisfaction than “Price reasonable”. In the characteristics of consumption, people who using the Citi Privileges® Card to buy the movic ticket were mainly in the age of 31-35 years old, or a business owner. Generally, the customer didn’t like to get the movie ticket via group booking. Under Kano two-dimensional quality model, “according customer’s individual needs to provide different care” was an attractive quality. In the refined Kano model, “providing a convenience ticket booking procedure” was a high value added quality. Via IPA, “in a sudden emergency situation, can give an immediate services” located in the “opportunity quadrant”. The results of this study may provide a good reference for the cinemas to improve the service quality.
Bolduc, Anne-Catherine. "Le métier de premier assistant réalisateur au Québec contemporain". Thèse, 2015. http://hdl.handle.net/1866/13691.
Texto completoThis memoir in Film studies has been written in a context of research-creation and is about the first assistant director’s work in Quebec. A documentary (HD 27 min.) directed and edited by Anne-Catherine Bolduc goes along the master. The interviews footage (20 hours) is the reference for the executive summary of the documentary’s interviews and for this study of the first assistant director’s unknown job. Filmed in 2014, the documentary presents the viewpoint of ten professionals about the first assistant director’s job. The two documents describe and analyze the first assistant director’s job in evaluating the functions as well as the organizational and creative impacts on the realization. They address two main questions, namely what is the first assistant director’s job currently in Quebec and do the first assistant director have a creative influence on the film or television production.
Lin, Chun-Chih y 林俊智. "A Study on Service Quality, Customer Satisfaction and Customer Loyalty – An Example of Vie Show Cinemas". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/95323132537539151221.
Texto completoCHEN, YU-YEN y 陳宥諺. "A Study of Value-Added Mobile Services for Film Festival-Using 2014 KFF Cloud Cinema as an example". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6bsgs6.
Texto completo世新大學
廣播電視電影學研究所(含碩專班)
105
Nowadays people can watch movies in different devices because of technology advancement and smartphone popularity. This phenomenon also brings some opportunities to film or video industries to provide video on different platforms. New business models become an important issue. Unlike other film festivals, Kaohsiung Film Festival (KFF) not only provided movies in theaters, but also launched the “KFF Cloud Cinema” app (both iOS & Android systems) in 2014. In this app, pay-per-view (PPV) & video on demand (VOD) services was provided to the audiences. This app attracted over 22,000 downloads and the entries received over 500,000 clicks. KFF 2014 not only created the highest participation rate in Taiwan’s film festival history, but also set a new model for Taiwan’s film festival development. This qualitative study was designed to investigate the present and future feasible business models and user acceptance for short-film-oriented film festivals apps. KFF Cloud Cinema app was adopted as an example. Relevant roles like the festival curator, contestants and audiences were interviewed to gather research data. Total nine respondents from the above three roles were interviewed, and in-depth interview was adopted. A semi-structured interview guide was developed based on the cognitive attributes of innovation, innovativeness of adopters, and priorities of innovation acceptance in the diffusion of innovations theory. The results shown that: (a) KFF Cloud Cinema was designed to adopt a business model of lower profit for promoting short films and encouraging users to pay and watch those films online; (b) instead of the profit sharing model commonly practiced by streaming video platforms, KFF Cloud Cinema charged the broadcast fee to license movie broadcast during the festival period, which is the same licensing model as in traditional film festivals; and (c) both the KFF Cloud Cinema users and KFF entrants had high acceptance of this innovation featuring a complement between the virtual film festival and the physical film festival. Keywords:Kaohsiung Film Festival, KFF Cloud Cinema APP, Diffusion of Innovations Theory, Virtual Film Festival
林雅慧. "The impact of service quality perception on Brand Equity in O2O commerce Mode - VISHOW CINEMAS as an example". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/8yp98j.
Texto completo國立彰化師範大學
企業管理學系行銷與流通管理碩士班
104
Owing to the rapid development of Internet, people's lifestyle produces a new revolution. The Internet is an important conduit of information propagation; furthermore, it makes turbulence in our life, cultures and the way of thinking. With the rising awareness of consumers and emerging patterns of business opportunities, the service quality of e-commerce has become a significant factor for customer. In addition, It attached important to the service quality of e-commerce cause of a great potential for development. Hence of the change in Consumer purchase behavior, the retail market is in a transitional period of consolidation situation. In order to establish e-commerce environment (EC3.0), the government also actively implemented the development of e-commerce value chain in cloud-based, action-oriented, and innovation-oriented. Therefore, electronics Business of Taiwan in the goods and services has been more competitive.
cheng, Cheng yu y 鄭丞淯. "Consumer's characteristic and service quality to the research of cultural creativity industry consumer's satisfaction-take wonderful cinemas as an example". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/96625368004684075539.
Texto completo亞洲大學
國際企業學系碩士班
96
A procedure is this thesis develops of observe the last few years Taiwanese consumption market, the rise of cultural creativity industry, is hard neglect of emerging forces. And from amused, published, personality store, life type, recreation tasty...etc. to see, can find rising trend appropriately. Cultural creativity industry is government and folks is greatly newly arisen industry directions in Taiwan of expansion in the last two years. Along with Taiwanese society industrialization, will turn of footstep, take into a week to rest a performance for 2 days, culture from life in taking out to leave out, become one of the industry of "can consume". The back in cultural creativity industry, this name, , how attract customer consumption, is the problem that have to consider, this research takes this as to study motive and try is tidied up an influence cultural creativity industry consumer's satisfaction by the consumer's characteristic, service quality theories, and match with the way of substantial evidence to identify, and put forth a main research purpose as follows: (1)inquire into the influence of the characteristic of consumer uponcultural creativity industry consumer's satisfaction (2)inquire into the influence of the service quality upon cultural creativity industry consumer's satisfaction. (3)inquire into that the consumer consumes quality and service quality in cultural creativity industry up to the consumer have definitely of influence. At research object's part, main inquisition of maternal is the ten thousand well-known generation blessing cinema of Taichung region is the object of this research, this research is to adopt a convenient sampling method, choose with ten thousand blessing cinemas of cultural creativity operator in Taichung of consumer be used as the object of the issuing of questionnaire to collect sample data through consuming related consumer in its movie theater, obtain related information, inquire into the relation between service quality and consumption satisfaction to identify the scholar's standpoint.The questionnaire totally issues 500 to be used as a research and aim at questionnaire data to carry on describing a covariance analysis, factor after its recall analytical, variation number analysis, regression analysis. Study a result part: (1)cultural creativity industry service quality has notable positive influence to consumer's satisfaction. (2)the cultural creativity industry consumer of different census taking variable has the difference of notable on the satisfaction. (3)the consumer is on cultural creativity industry consumption quality and the service quality to the consumer have definitely of influence.
Zunino, Mario. "Quand le journal télévisé fait son cinéma : le cas du JT de TF1 : une mise en scène cinématographique au service de la marchandisation de l'information?" Mémoire, 2013. http://www.archipel.uqam.ca/5311/1/M12801.pdf.
Texto completoTustin, Deon Harold. "The relationship between above-the-line advertising and below-the-line promotion spending in the marketing of South African products and services". Thesis, 2002. http://hdl.handle.net/10500/593.
Texto completoBusiness Management
D. Com. (Marketing Communication)
Tustin, D. H. "The relationship between above-the-line advertising and below-the-line promotion spending in the marketing of South African products and services". Thesis, 2002. http://hdl.handle.net/10500/593.
Texto completoBusiness Management
D. Com. (Marketing Communication)