Bibliografías temáticas / Cinema

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Literatura académica sobre el tema "Cinema"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Cinema"

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Nazario, Luiz. "O outro cinema." Aletria: Revista de Estudos de Literatura 16, no. 2 (2007): 94–109. http://dx.doi.org/10.17851/2317-2096.16.2.94-109.

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Resumo: Um breve panorama da trajetória percorrida pelo desejo homossexual no cinema, de seu tímido despertar no cinema mudo alemão, passando pelo seu mascaramento em Hollywood e sua estilização no “cinema de arte” europeu, até a constituição de um assumido “cinema gay” nos oásis de liberdade do capitalismo avançado.Palavras-chave: cinema; alteridade; capitalismo avançado.Résumé: Un bref panorama de la trajectoire parcourue par le désir homosexuel au cinéma, de son timide réveil au cinéma muet allemand, en passant par son déguisement à Hollywood et sa estilisation au “cinéma d’art” européen, j
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Bellour, Raymond. "“Cinema, Alone”/Multiple “Cinemas”." Alphaville: Journal of Film and Screen Media, no. 5 (August 1, 2013): 116–43. http://dx.doi.org/10.33178/alpha.5.08.

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This lecture was presented as part of a series of twenty-five conferences on cinema and the arts held between 2001–2002 at the Collège d’Histoire de l’Art Cinématographique, Cinémathèque française. It was first published in French, as “Le Cinéma seul/Multiples ‘cinémas’”. Le Septième Art. Le cinéma parmi les arts. Ed. Jacques Aumont. Paris: Léo Scheer, 2003, 257–80. Print. Some elements of the essay have since been integrated in the introductory chapter of La Querelle des dispositifs. Cinéma – expositions, installations, coll. “Trafic”. Paris: P.O.L, 2012. Print.
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Naficy, Hamid. "Multiplicity and multiplexing in today's cinemas: Diasporic cinema, art cinema, and mainstream cinema." Journal of Media Practice 11, no. 1 (2010): 11–20. http://dx.doi.org/10.1386/jmpr.11.1.11/1.

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Vinogradova, Līga. "CINEMA AUDIENCE HABITS IN TRANSITION: MORE NETFLIX, LESS CINEMA?" Culture Crossroads 27 (June 25, 2025): 29–45. https://doi.org/10.55877/cc.vol27.538.

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The author investigates the evolving habits of Latvian cinema audiences amid increasing digitalization and the growing prominence of streaming platforms. The research addresses key questions about whether streaming services are drawing audiences away from cinemas or complementing the traditional cinematic experience. It aims to examine the interaction between digital and in-person film consumption, with a particular focus on how audience habits have adapted to hybrid viewing models. Using a quantitative survey method, the author analysed data from 650 respondents, gathered through face-to-face
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Guimarães de Oliveira, Luciene. "Opacité et Intermédialité chez le cinéma de Marguerite Duras." Revista FAMECOS 30, no. 1 (2024): e45406. http://dx.doi.org/10.15448/1980-3729.2023.1.45406.

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Le cinéma de Marguerite Duras, notamment ses films des années 1970, s’oppose au cinéma grand public à travers plusieurs procédés, tel que celui de briser l’illusion réaliste et référentielle, ou le principe de transparence. Par exemple, l’apparition du matériel de tournage dans la mise en scène, ou la caméra, met en évidence l’opacité de son cinéma. Nous proposons donc d’interroger le cinéma durassien selon ses procédés dysnarratifs, ainsi que son rapport de nature intermédiale avec la littérature. Opacidade e intermedialidade no cinema de Marguerite Duras Resumo: O cinema de Marguerite Duras,
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GOERG, ODILE. "VISIBILIDADE E INVISIBILIDADE DOS CINEMAS NA áFRICA COLONIAL: revivendo as primeiras cenas." Outros Tempos: Pesquisa em Foco - História 13, no. 22 (2016): 89–102. http://dx.doi.org/10.18817/ot.v13i22.548.

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O cinema tem o seu apogeu nos anos 1950-1970, mas o que nós sabemos sobre as modalidades de sua difusão a partir do iná­cio do século XX? Este artigo discute o sucesso precoce do cinema, vindo na bagagem de conquista colonial, por meio dos vestá­gios deixados pelos relatos de viajantes, pela imprensa ou pelas memórias de espectadores. Empresários, africanos ou europeus, desempenharam um importante papel de intermediários da modernidade para garantir o fluxo de imagens em movimento. Eles são fotógrafos, engenheiros, comerciantes. Inicialmente, eventos efêmeros que ocorrem no interior de concess
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Hermawan, Vera, Dhini Ardianti, and Desi Oktaviani. "ANALISIS WACANA BERITA PEMKOT BANDUNG OPERASIKAN KEMBALI BIOSKOP PADA MEDIA ONLINE PIKIRANRAKYAT.COM EDISI 09 OKTOBER 2020." Paradigma POLISTAAT: Jurnal Ilmu Sosial dan Ilmu Politik 4, no. 1 (2021): 13–26. http://dx.doi.org/10.23969/paradigmapolistaat.v4i1.5127.

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The results show that, in the text dimension pikiranrakyat.com provides more explanation about the process of opening a cinema from various stages prepared by the government for cinema entrepreneurs, as well as describing the regulations that must be applied in the cinema, the news text is also equipped with comments and responses from authorities on the policy of opening cinemas in Bandung city to strengthen news information. In the dimension of social cognitions, pikiranrakyat.com constructs news from various perspectives, starting from the policy of opening cinemas, the government, and the
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Tessougue, Moussa dit Martin. "Loisirs Urbains: Essor et Déclin des Salles de Cinéma à Bamako au Mali de 1960 à 2022, Fréquentation en Baisse et Fermenture des Salles." European Scientific Journal, ESJ 19, no. 2 (2023): 115. http://dx.doi.org/10.19044/esj.2023.v19n2p115.

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Les liens entre le cinéma, le tourisme et l’urbanisation sont bien évidents. L’urbanisation africaine est antérieure à la colonisation européenne. Néanmoins, ce sont les activités commerciales, industrielles, administratives et récréatives de la colonisation européenne qui ont favorisé, l’expansion de plusieurs villes en Afrique. La colonisation a aussi équipé, les villes africaines en salles de cinéma, d’où la naissance des loisirs urbains en Afrique pour l’épanouissement des activités touristiques. En adoptant, une méthodologie incluant des recherches bibliographiques et des enquêtes par int
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Lévy, Denis, and Alain Badiou. "Badiou and Lévy on the Art of Cinema." Journal of Continental Philosophy 5, no. 2 (2024): 313–47. https://doi.org/10.5840/jcp20245260.

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The following two texts—“Alain Badiou on Cinema” and “The Art of Cinema”—transcribe a seminar delivered by Alain Badiou and Denis Lévy at the Université Paris 8 Vincennes à Saint-Denis on April 7, 2016, at the invitation of Suzanne Liandrat-Guigues (Professor of Cinema, Université Paris 8). The original French text is available at http://www.artcinema.org/IMG/pdf/-4.pdf. Lévy first provides a personal account of Badiou’s historical engagement with the art of cinema, outlining his central conceptual and critical contributions while focusing on work undertaken (often together) from the late-1970
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Dima, Vlad. "Waiting for (African) Cinema: Jean-Pierre Bekolo’s Quest." African Studies Review 62, no. 1 (2018): 49–66. http://dx.doi.org/10.1017/asr.2017.153.

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Abstract:Throughout his career, Cameroonian director Jean-Pierre Bekolo has been searching for cinema; not African cinema, just Cinema. In order to explain properly this claim, the essay will first consider Bekolo’s work within the context of the ever-ongoing conversation regarding the framing and aesthetics of African and Third Cinemas. Second, for a closer perspective on what will be termed “neurotic cinema,” the essay will key on Bekolo’s latest effort, Naked Reality (2016), a purposely unfinished work that echoes absurdist theater, mimics frantic contemporary thought, and proposes that cin
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Tesis sobre el tema "Cinema"

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Codó, Martínez Jordi. "El cinema com a espai intercultural. La influència asiàtica en el cinema d'Occident: contextos, conceptes i casos." Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/104535.

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En un món social cada cop més nodrit per les interconnexions culturals, el cinema - expressió artística que és filla inequívoca del seu temps- es conforma des dels seus inicis a través de la integració i la interacció de formes expressives diverses i allunyades. Els darrers tres lustres han vist un impuls en la referida tendència, promoguda per la globalització de la indústria fílmica i, en bona mesura també, pel creixement (i/o la voluntat exportadora) dels cinemes asiàtics. La influencia d'aquests cines en el mainstream internacional (ja sigui el de l'entreteniment o el d'
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Manzo, Liliana <1988&gt. "Il cinema indipendente in Cina." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3540.

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Questa tesi propone un’analisi dettagliata del rapporto tra i registi Zhang Yuan, Wang Xiaoshuai e Jia Zhangke, tre dei maggiori esponenti della generazione underground/indipendente della Cina moderna, con la censura cinese e i festival cinematografici internazionali. Prendendo in esame ogni singolo regista ho indagato il quadro generale della situazione che vede i registi indipendenti cinesi a cavallo tra il cinema mainstream e quello underground.
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Carter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Turajlic, M. "Cinema Komunisto : cinema as a memory site." Thesis, University of Westminster, 2015. https://westminsterresearch.westminster.ac.uk/item/9qx73/cinema-komunisto-cinema-as-a-memory-site.

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Cinema Komunisto is a documentary film about the use of the cinematic image in the creation of the political narrative of socialist Yugoslavia, taking as its starting point an abandoned film studio that had once been the crown-jewel of the Yugoslav film industry. An intensive five-year research process resulted in a story told through a montage of clips from fiction films and exclusive documentary archive, interspersed with interviews with key filmmakers, actors and studio bosses, as well as President Tito’s personal projectionist. In the introduction, a brief historical overview establishes t
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Silva, Iomana Rocha de Araújo. "Cinemas fluidos: análise das interrelações entre cinema independente experimental brasileiro e arte contemporânea no contexto pós-cinema." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/13154.

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Submitted by Amanda Silva (amanda.osilva2@ufpe.br) on 2015-04-14T15:43:38Z No. of bitstreams: 2 TESE Iomana Rocha Silva.pdf: 4759189 bytes, checksum: ffcc86f029c864933a471f33fef6f33a (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5)<br>Made available in DSpace on 2015-04-14T15:43:38Z (GMT). No. of bitstreams: 2 TESE Iomana Rocha Silva.pdf: 4759189 bytes, checksum: ffcc86f029c864933a471f33fef6f33a (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Previous issue date: 2014<br>A partir da observação do contexto atual da produção do cin
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Xue, Fei <1993&gt. "Cinema cinese e società ——Traduzione e commento traduttologico di tre capitoli del libro Il cinema asiatico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15385.

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Abstract Chinese film has a history for more than a century. The Chinese film records the great changes in politics, economy, and culture within the hundreds of years of history. Chinese filmmakers, have spread the Chinese culture to all parts of the world. Nowadays Chinese movies have gradually become an indispensable part on the important international film festival, they are constantly updating people’s understanding of China all over the world. The first chapter of the thesis focuses on the social changes in China and its impact on the development of Chinese film, the role o
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Benoski, Diogo Albino. "Cinema." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/102239.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Gradução em História.<br>Made available in DSpace on 2013-07-16T00:24:47Z (GMT). No. of bitstreams: 1 212596.pdf: 2022407 bytes, checksum: 64fed3ba42724bd32159aa5d7f07ad27 (MD5)<br>O objetivo deste trabalho é analisar a figura do doente mental construída pelo cinema. Nesta perspectiva, o estudo responde a uma série de indagações: o que é loucura, o que é cinema, e como se estabelecem as relações entre história e cinema. Pelo lado da loucura, podemos dizer que ela é definida
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Ozdil, Yilmaz. "La construction visuelle des identités kurdes : cinema turc, cinéma kurde." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030165.

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Dans les quatre pays dominant le Kurdistan, (Turquie, Iran, Irak et Syrie), la question kurde se traduit avant tout sous forme de visibilité/ invisibilité, autour de la question de la reconnaissance des Kurdes en tant que Nation déniée. Notamment en Turquie, le premier des pays à avoir imposé aux Kurdes son modèle d'Etat-Nation, cette question renvoie aux politiques négationnistes étatiques menées contre la culture et l'identité kurdes, considérées dès 1924, comme des obstacles au processus de création d'une identité nationale turque. Dans ce rapport conflictuel entre le nationalisme turc et l
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Gontijo, Rodrigo Corrêa 1974. "Live Cinema : práticas expandidas do cinema experimental." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284494.

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Orientador: Francisco Elinaldo Teixeira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T16:52:45Z (GMT). No. of bitstreams: 1 Gontijo_RodrigoCorrea_M.pdf: 5812359 bytes, checksum: cd7a7f5f45e32b02c16bbe3c8ff67565 (MD5) Previous issue date: 2013<br>Resumo: Com mais de dez anos de existência, as performances de Live Cinema apontam para diversos caminhos com o surgimento de novas ideias e experimentações que foram impulsionadas pelo resgate de propostas desenvolvidas ao longo da história do audiovisual. A primeira parte
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Francisco, Maria Patrícia. "Um outro cinema - cinema documentário e memória." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-29052009-152808/.

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A dissertação tem como proposta uma reflexão sobre o processo de realização de um documentário, a partir de minhas reflexões como realizadora. O trabalho tem como marco teórico e prático a memória na proposição de uma forma documental. Parto de conceitos literários sobre a memória subsidiada com referências fotográficas na invenção do conteúdo do documentário. Assim, entre filme e texto, tenho como propósito a apresentação de um pequeno panorama da história do cinema, focando alguns pontos referenciais que resultaram em mudanças para a linguagem do documentário contemporâneo. Na finalização do
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Libros sobre el tema "Cinema"

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Musée d'arts africains, océaniens, amérindiens de Marseille., ed. Cinéma =: Cinema. Musées de Marseille, 1992.

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Gormley, Kirstie. Taiwan cinema = Le cinéma taiwanais. Asiexpo, 2009.

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Kirstie, Gormley, ed. Indian cinema: Le cinéma indian. Asiexpo Edition, 2008.

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Marianne, Thys, and Cinémathèque royale de Belgique, eds. Belgian cinema =: Le cinéma belge. Ludion, 1999.

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Invernizzi, Franca Santi. Cinema, oh cinema! Fuoridallerotte, 2007.

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Vîjeu, Titus. Cinema, cinema, cinema: Dialoguri cu Dan Pița. Noi Media Print, 2014.

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Penzi, Marco. Cinema e storia: Cinéma et histoire. Pensa multimedia, 2012.

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Italy) Altri sguardi (Film festival) (4th 2002 Cesena. Cinema Kazakho: Kazakh cinema. Società Editrice "Il Ponte Vecchio,", 2002.

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Deleuze, Gilles. Cinema. University of Minnesota, 1986.

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Monenembo, T. Cinema. Seuil, 1997.

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Capítulos de libros sobre el tema "Cinema"

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Hill, John. "Cinema." In The Media in Britain. Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27556-4_5.

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Thies, Sebastian. "Cinema." In The Routledge Handbook to the Culture and Media of the Americas. Routledge, 2020. http://dx.doi.org/10.4324/9781351064705-25.

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Irwin, Stacey O. "Cinema." In Survey of Media. Routledge, 2024. http://dx.doi.org/10.4324/9781003397588-4.

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Marguet, Damien. "Cinema." In Arts, Ecologies, Transitions. Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-12.

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Rizov, Vladimir. "Cinema." In Palgrave Studies in Crime, Media and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12978-0_2.

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Marks, Peter. "Cinema." In The Palgrave Handbook of Utopian and Dystopian Literatures. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88654-7_18.

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Miko-Schefzig, Katharina. "Cinema." In Creativity and Sociology. Routledge, 2025. https://doi.org/10.4324/9781003434122-16.

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Punzi, Corrado. "Cinema." In Creativity and Sociology. Routledge, 2025. https://doi.org/10.4324/9781003434122-8.

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Jin, Dal Yong. "Korean Cinema and Hallyu Cinema." In Understanding the Korean Wave. Routledge, 2023. http://dx.doi.org/10.4324/9781003393016-11.

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Nagib, Lúcia. "Realist cinema as World Cinema 1." In The Routledge Companion to World Cinema. Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-26.

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Actas de conferencias sobre el tema "Cinema"

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Tóthová, Barbora, and Miriam Šebová. "Community cinemas in urban regeneration: a case study of cinema Úsmev in Košice." In XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-59.

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The paper is focused on the role of cinemas in culture-led urban regeneration, their potential in the process of place-making and community building. Existing research has shown that there is a link between social and spatial identities based on small town cinemas and that community needs to be at the centre of the regeneration process for it to be sustainable. The paper follows the debate with its objective being to explore this link using a mixed method approach based on a case study. The case study deals with a local community cinema project located in the centre of Košice, Slovakia. It sta
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Medeiros, Thaís Dias, and Samile Andréa de Souza Vanz. "Mapeando a pesquisa sobre cinema, audiovisual e animação estudo de coocorrências de palavras-chave na Scopus." In 9º Encontro Brasileiro de Bibliometria e Cientometria - EBBC. Instituto Brasileiro de Informação em Ciência e Tecnologia, 2024. http://dx.doi.org/10.22477/ix.ebbc.314.

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O estudo tem por objetivo caracterizar a produção científica internacional sobre Cinema, Audiovisual e Animação na Scopus através da análise da coocorrência de palavras-chave. Analisa os termos com até 30 ocorrências dos 3.713 documentos encontrados sobre a temática entre 1980 e 2023. Os termos em Keywords têm foco temático sobre questões técnicas dos cinemas analógico e digital. Em Authors Keywords, os termos referem-se a questões ligadas aos cinemas nacional e transnacional. “Cinema” é usado como termo genérico em conjunto com termos mais específicos. Conclui que as novas tecnologias têm imp
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Li, Hui, Sourav S. Bhowmick, and Aixin Sun. "CINEMA." In the 16th International Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2452376.2452415.

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Purvis, Martin K., and Andrew L. S. Long. "Software cinema." In Proceeding of the 24th ACM SIGPLAN conference companion. ACM Press, 2009. http://dx.doi.org/10.1145/1639950.1640079.

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Healy, Kevin J. "CINEMA tutorial." In the 17th conference. ACM Press, 1985. http://dx.doi.org/10.1145/21850.253084.

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Healy, Kevin J. "CINEMA tutorial." In the 18th conference. ACM Press, 1986. http://dx.doi.org/10.1145/318242.318299.

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Lew, Michael. "Live cinema." In ACM SIGGRAPH 2004 Sketches. ACM Press, 2004. http://dx.doi.org/10.1145/1186223.1186369.

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Kelliher, Aisling. "Everyday cinema." In the 1st ACM workshop. ACM Press, 2004. http://dx.doi.org/10.1145/1026633.1026647.

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Maia, Paulo. "Imaginário no cinema curto no Brasil: democracia, cinema, periferia." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3417.

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Ilicic, M. "Digital cinema projectors." In 47th International Symposium ELMAR, 2005. IEEE, 2005. http://dx.doi.org/10.1109/elmar.2005.193647.

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Informes sobre el tema "Cinema"

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Trifon, Maria, Bogdan Pălici, Alin Savu, and Cristian Georgescu. The cinema infrastructure and activity in Romania. National Institute for Cultural Research and Training, 2023. http://dx.doi.org/10.61789/pub.cdi.cnm.en.23.

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This publication presents an overview of the cinema network in Romania, starting from the relevant statistical data in the field. The chapters provide a more detailed picture of the dynamics of the population’s access to cinemas and the transformations of the domestic cinema sector, presenting the territorial distribution of cinemas and the evolution of indicators related to their infrastructure and activity.
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Berres, Anne Sabine, and James Paul Ahrens. Compression of the cinema database. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1215816.

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Fenimore, Charles, and Mary Floyd. Digital cinema 2001 conference proceedings:. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6591.

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Fenimore, Charles, and Alexei Nikolaev. Software for viewing and converting digital cinema materials. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6814.

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Ruiz-Moreno, Sandra. Representations of the armed conflict in Colombian cinema. Revista Latina de Comunicación Social, 2010. http://dx.doi.org/10.4185/rlcs-65-2010-915-503-515-en.

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Kares, Robert John. In-Situ Visualization Experiments with ParaView Cinema in RAGE. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1223763.

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Girardi, Gherardo. Extended Case Study: Teaching and learning economics through cinema. The Economics Network, 2008. http://dx.doi.org/10.53593/n178a.

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Gelfeld, Vicki. What Boomers Want: Insights into Cinema Experience Preferences and Behaviors. AARP Research, 2018. http://dx.doi.org/10.26419/res.00223.001.

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Ledo Andión, M., AM López Gómez, and M. Pérez Pereiro. European cinema in the languages of stateless and small nations. Revista Latina de Comunicación Social, 2016. http://dx.doi.org/10.4185/rlcs-2016-1097en.

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Gil Gascón, Fátima, and Salvador Gómez García. Women, engagement and censorship in the Spanish Cinema. 1939-1959. Revista Latina de Comunicación Social, 2010. http://dx.doi.org/10.4185/rlcs-65-2010-912-460-471-en.

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