Literatura académica sobre el tema "Chinese poetry (Collection)"
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Artículos de revistas sobre el tema "Chinese poetry (Collection)"
Gao, Hang y Li-juan Chen. "Research on the Rhyme Usages in Japanese Chinese Poetry Collection DongYing Poetry Collection (东瀛诗选)". Journal of Chinese Language, Literature and Translation 40 (31 de enero de 2017): 69–94. http://dx.doi.org/10.35822/jcllt.2017.01.40.69.
Texto completoQin, Cai y Cheng Ta Seah. "Chinese Ethnic Minorities and their Oral Poetry: A Perspective from Ethnopoetics". Advances in Language and Literary Studies 12, n.º 5 (31 de octubre de 2021): 6. http://dx.doi.org/10.7575/aiac.alls.v.12n.5.p.6.
Texto completoDreyzis, Yulia Alexandrovna. "Poetic topolectization in the formative years of the Chinese “new poetry”". Ethnic Culture 5, n.º 3 (28 de agosto de 2023): 29–36. http://dx.doi.org/10.31483/r-107456.
Texto completoYue, Li. "Teaching Exploration of Ma Shuilong’s Ancient Chinese Poetry Art Songs – “Spring Silkworms are Dead,” “Loneliness,” and “Falling Flowers”". Journal of Contemporary Educational Research 5, n.º 9 (30 de septiembre de 2021): 16–19. http://dx.doi.org/10.26689/jcer.v5i9.2509.
Texto completoKrenz, Joanna. "Ice Cream in the Cathedral: The Literary Failures and Social Success of Chinese Robot Poet Xiao Bing". Asiatische Studien - Études Asiatiques 74, n.º 3 (1 de septiembre de 2020): 547–81. http://dx.doi.org/10.1515/asia-2019-0024.
Texto completoJia, Jinhua. "The Yaochi ji and three Daoist Priestess-Poets in Tang China". NAN NÜ 13, n.º 2 (2011): 205–43. http://dx.doi.org/10.1163/156852611x602629.
Texto completoProskurina, Elena N. "THE TRADITION OF ANCIENT CHINESE POETRY OF BORIS VOLKOV’S POETIC CYCLE “DRAGON DEVOURING THE SUN”". Culture and Text, n.º 52 (2023): 79–95. http://dx.doi.org/10.37386/2305-4077-2023-1-79-95.
Texto completoКрашенинников, А. Е., Е. В. Нарбут y В. Э. Щептева. "Modern Chinese poetry: problems of study". Modern Humanities Success, n.º 4 (30 de abril de 2024): 21–26. http://dx.doi.org/10.58224/2618-7175-2024-4-21-26.
Texto completoXu, Xiaoxiao. "“Lamp and Candle”: Classical Chinese Imagery in Taixu’s Poetry". Religions 14, n.º 8 (21 de agosto de 2023): 1077. http://dx.doi.org/10.3390/rel14081077.
Texto completoYang, Zhanghui. "Landscape and Seeing in Williams’s Poetry: A Chinese Perspective". William Carlos Williams Review 39, n.º 1 (1 de junio de 2022): 78–104. http://dx.doi.org/10.5325/willcarlwillrevi.39.1.0078.
Texto completoTesis sobre el tema "Chinese poetry (Collection)"
Jung, Woo-Kwang Bian Zhilin. "A study of The Han Garden Collection : new approaches to modern Chinese poetry, 1930-1934 /". Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11086.
Texto completoCroiset, Sophie. "Écrivains chinois d'expression française. Typologie d'un champ littéraire transculturel". Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030074.
Texto completoIn the 20th century, French literary scene has been enriched by authors coming from China. Crossing languages, borders and cultures, they erected, through their productions, singular bridges that illustrate the challenges of globalization. Focused on novels, poetry, passing by theater, the purpose of this research is to advance a typology of this emerging literary field. Encompassing the twenty-four authors composing it, including François Cheng, Gao Xingjian, Dai Sijie, or Ying Chen, the study is based on a referent-concept: the authors’ transidentity. For a better understanding of complexity and diversity of productions, transdisciplinarity – sociological, literary, and linguistic approaches – is instructive. By the prism of cultural identity, the internal study of works is divided into two components: intercultural representations and transcultural (of cross-cultural) poetic. With a constant comparison between works of each author, and between the authors, we figure out recurring characteristics and operate classifications. This allows to question the status of the field in the so-called "Francophone" literature and to raise the issue of the label. Thus through Chinese authors, it is any peripheral writer theoretical status in the francophone space that we are trying to explore and enlighten
Chang, Tsu-Ling y 張慈麟. "A Study of Chinese Ancient Poetry Collections in Taiwan and Mainland China textbooks". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/83559040271617113440.
Texto completo國立臺北教育大學
語文與創作學系語文教學碩士班
99
The study is based on textbooks published in 2008 by six publishers in Taiwan and Mainland China. These six publishers are Nani Press, Kang Shuan Press, and Han Lin Press in Taiwan; Peoples Education Press, Beijing Normal University, and Jiangsu Education Press in Mainland China. Using context analysis to analyze fundamentals, formats, and teaching styles of ancient poetry selected in Taiwan and Mainland China textbooks, the conclusions are summarized below: 1.Quality of ancient poetry collection in Taiwan textbooks is superior to those in Mainland China textbook. Although the number of poems collected in Mainland China textbooks is 5.55 times higher than what was collected in Taiwan textbooks, more classics poems are included in Taiwan textbooks. In contrast, there are more varieties in Mainland China textbooks. 2.Tang Dynasty is the main focus in both Taiwan and Mainland China textbooks: Ancient poems from Tang Dynasty represent the majority of selections in both Taiwan and Mainland China textbooks as poems were the dominant form of literature during Tang Dynasty. There are more poems written in Tang dynasty and the quality of poems from Tang dynasty is also superior to those in other dynasties. As a result, both Taiwan and Mainland China have included more ancient poems from Tang dynasty in their elementary school textbooks. 3.Poems and Seven quatrains are the main focus both in Taiwan and Mainland China textbooks. Additionally, since sentence structure of Seven quatrains is the most complete, and there are more variations in sentence patterns, seven-character regulated verses are widely selected in both Taiwan and Mainland China textbooks. 4.Taiwan textbooks select classic poems and songs that emphasize more on scenery and affection. Mainland China textbooks include more varieties of themes not limited to scenery and affection, but also ambition, aspiration, and affairs. Selections in Mainland China textbooks are more diversified relative to Taiwan textbooks. 5.More details in Taiwan textbooks versus efficient layouts in Mainland China: there is more information in Taiwan textbooks. In addition to a poem itself, notation, summary, vernacular, explication, authors’ backgrounds and what motivated author to write poems are also included. In Mainland China, only poems are included and text layout is simple and concise.
Stasko, Carly. "A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing". Thesis, 2009. http://hdl.handle.net/1807/18109.
Texto completoLibros sobre el tema "Chinese poetry (Collection)"
Gregory, Whincup, ed. The heart of Chinese poetry. New York: Anchor Press, Doubleday, 1987.
Buscar texto completoPassing memories: A collection of Chinese poems on Cold Food Festival. Merrick, New York: Cross-Cultural Communications, 2016.
Buscar texto completoDemi. Dragon kites and dragonflies: A collection of Chinese nursery rhymes. San Diego: Harcourt Brace Jovanovich, 1986.
Buscar texto completoDemi. Dragon kites and dragonflies: A collection of Chinese nursery rhymes. San Diego: Harcourt Brace Jovanovich, 1986.
Buscar texto completoQing ci cong lun: A collection of essays on Ci poetry of the Qing dynasty. Beijing Shi: Beijing da xue chu ban she, 2008.
Buscar texto completoQing ci cong lun: A collection of essays on Ci poetry of the Qing dynasty. Beijing Shi: Beijing da xue chu ban she, 2008.
Buscar texto completoTian ya shi lu: Zhongguo dang dai hai wai shi ren zuo pin hui cui = POETIC ODYSSEY : A FINE COLLECTION OF POEMS BY OVERSEAS CHINESE. Beijing Shi: Xian dai chu ban she, 2014.
Buscar texto completoJialing lun shi cong gao: A Collection of essays on shi poetry by Jialing. Beijing Shi: Beijing da xue chu ban she, 2008.
Buscar texto completoLiu, Xiaobo. Liu Xiaobo wen ji =: A collection of essays by Liu Xiaobo. [Xianggang]: Xin shi ji chu ban ji chuan mei you xian gong si, 2010.
Buscar texto completoYeh, Chia-ying. Jialing lun ci cong lun: A collection of essays on Ci poetry by Jialing. 8a ed. Beijing Shi: Beijing da xue chu ban she, 2008.
Buscar texto completoCapítulos de libros sobre el tema "Chinese poetry (Collection)"
"Poems from the Orchid Pavilion Collection". En Chinese Poetry, 2nd ed., Revised, 134–39. Duke University Press, 1997. http://dx.doi.org/10.1215/9780822382096-029.
Texto completo"Poems from the Orchid Pavilion Collection Preface (in part) by Wang Hsi-chih". En Chinese Poetry, 2nd ed., Revised, 134. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382096-026.
Texto completoNappi, Carla. "Poems (1848)". En Translating Early Modern China, 173–219. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198866398.003.0007.
Texto completo"FROM THE YÜEH-FU COLLECTION OF BALLAD-SONGS OF THE BUREAU OF MUSIC IN THE HAN DYNASTY". En Chinese Poetry, 2nd ed., Revised, 75–98. Duke University Press, 1997. http://dx.doi.org/10.2307/j.ctv11cw5z2.8.
Texto completoDyakonova, Elena M. "The Role of Commentaries in the Formation of the Japanese Literary Tradition". En Translation, Interpretation, Commentary in the Eastern and Western Literature, 415–39. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0710-6-415-439.
Texto completoBachner, Andrea. "World-Literary Hospitality". En The Making of Chinese-Sinophone Literatures as World Literature, 103–21. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888528721.003.0006.
Texto completoHeine, Steven. "Historical and Rhetorical Foundations of Xuedou’s 100 Odes". En Xuedou's 100 Odes to Old Cases, 3–22. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197676561.003.0001.
Texto completo"Collective Bibliography". En Reading Medieval Chinese Poetry, 289–306. BRILL, 2015. http://dx.doi.org/10.1163/9789004282063_012.
Texto completoStamy, Cynthia. "Quotation, Curio-Collecting, and the Privileging of Detail". En Marianne Moore and China, 164–95. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198184607.003.0007.
Texto completoStamy, Cynthia. "Useful Travel: Moore’s Imaginative Forays Abroad". En Marianne Moore and China, 28–56. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198184607.003.0002.
Texto completoActas de conferencias sobre el tema "Chinese poetry (Collection)"
Dyakonova, Elena. "THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”". En 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.38.
Texto completoKravtsova, Marina. "“A LOST TREASURE”: ON FOLK ORIGINS OF THE VERSES OF CHU (CHUCI)". En 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.17.
Texto completoSolomennik, Viktoria. "“THE SUN MISSLESS” - THE FIRST COLLECTION OF TRANSLATIONS OF CHINESE POETS, PUBLISHED IN THE AMUR BOOK PUBLISHING: ON THE OCCASION OF THE 60TH ANNIVERSARY OF PUBLICATION". En Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2020. http://dx.doi.org/10.48344/bspu.2020.33.14.116.
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