Tesis sobre el tema "Chinese industrial culture"
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Song, Zhaoxun. "Organizational heroes in storytelling : a fantasy theme analysis of two Chinese companies". HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/537.
Texto completoRasatapana, Nattakan. "Communication and management in a traditional Chinese/Thai poultry company". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2182.
Texto completoLi, Chuang (Austin). "China's skateboarding youth culture as an emerging cultural industry". Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/34372.
Texto completoCheung, Hoi-cheung. "A microeconomic study of China's rural industrialization, 1978-1994 : cultural constraints, institutional changes, and economic efficiency /". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21924053.
Texto completoXi, Jing. "Industrial relations and human resources management : a comparative analysis of cultural barriers in Chinese companies". Thesis, London South Bank University, 2017. http://researchopen.lsbu.ac.uk/1973/.
Texto completoYao, Wenjin. "Approaching Chineseness : investigating the cultural transfer of behavioural factors in and through Chinese industrial design". Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1695/.
Texto completoSun, Bei y Mehdi Poosti. "Long distance design-manufacturing interaction: Perspectives from Chinese manufacturing site". Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Industriell organisation och produktion, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-15571.
Texto completoWong, Susan So Shan. "Development of international business networks : a comparative analysis of internationalizing Australian and Chinese firms in creative industries". Thesis, The University of Sydney, 2012. https://hdl.handle.net/2123/28821.
Texto completoManzoni, Chiara <1987>. "Cultural and Creative Industries as key factors for Chinese economic development. Analysis of Beijing and Shanghai". Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4309.
Texto completoCheung, Hoi-cheung y 張海祥. "A microeconomic study of China's rural industrialization, 1978-1994: cultural constraints, institutionalchanges, and economic efficiency". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B4389432X.
Texto completoYuan, Jianwei y 袁建伟. "Network building, business expansion and cultural innovation-rise of Chinese cross-boundary entrepreneurs during Hong Kong's transition". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44890540.
Texto completoLiu, Joyce Fang Chieh. "Expertise Diversification and the Transformation of the Field of Contemporary Chinese Art: 1979-2012". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:11128.
Texto completoSociology
Kuo, Pei Chun. "L'industrie osseuse préhistorique dans le Nord-Ouest de la Chine : (du Néolithique final au début de l'Âge de bronze)". Poitiers, 2006. http://www.theses.fr/2006POIT5009.
Texto completoThis study is performed to investigate the question of bone industry in the North-West of China. Basically, it has been forgotten by researchers for a while. Likewise, the aim of the study is to make it clear for researchers in who are interested. The content of Gansu, Qinghai and Ningxia, is emphatically implement principal periods of Neolithic later to Bronze Age early time transformation, which is equivalent to somewhere between 3100 BC and 1600 BC. Also, it attempts to highlight the choices of the raw material, the manufacture methods, the evolution, the distribution, and the diffusion of the objects Majiayao and Qijia Culture. Basically, the approach is to find the interactions among the human beings, tools and the cultures. Firstly, the aim is to deal with the techniques of manufacture and the morphology as for bone industry. Initially, we will present the archaeological contexts in the North-West of China, and then classify the parts according to their functions in three categories: production equipments (hunting, fishing, breeding and agriculture), tools for daily or domestic use, and ornaments. Afterward, we will try to analyze the characteristics of the objects as well as their contribution for the knowledge of the prehistoric economy. Finally, we will concentrate on regional specificities starting from some sets of themes, the arrowheads, the shovels, the objects composite, the "cover", the plates, and the arm-bands. We will have the results obtained from the archaeological points of view regarded as the starting point of a wider reflection
Fan, Xiaohong. "L'économie circulaire en Chine". Troyes, 2008. http://www.theses.fr/2008TROY0031.
Texto completoThe linear economy is characterized by mass production, mass consumption and mass generation of waste. The consumption of natural resources has exceeded the capacity for regeneration and renewal. Ecosystems have been quickly and severely damaged. Being aware of the environmental problems caused by its rapid development, China has deployed a new strategy: circular economy. The objective is to use resources as efficiently as possible and protect the environment. To reach this objective, China is constructing a regulatory and normative framework. The present research introduces the Chinese initiative of building a circular economy, its essential concepts and its regulatory outcomes. The long-term effectiveness of circular economy, the conditions and obstacles to its success are also discussed. The reforms of the management system of resources and the environment and the related difficulties, as well as the risks induced by the «vein» industries involved in the use of wastes as raw materials or sources are also analyzed. Some of the pilot experiences of circular economy, particularly eco-cities and industrial eco-parks, have been studied. Finally, the researches present a number of thoughts on the perspective of the eco-consumption and eco-culture, and attempts to trace the origins of the circular economy concept back to the roots of the Chinese traditional culture
Falin, Christophe. "La transition du muet au parlant du cinéma chinois : défis économiques, technologiques, culturels et esthétiques". Paris 3, 2008. http://www.theses.fr/2008PA030040.
Texto completoThe arrival of the sound film became economical and technological challenges to Chinese cinema. The first challenges with which the Chinese film industry had to be confronted were to equip the cinemas with sound projection materials. Chinese film companies had spent a lot of money on multitude systems in the sound film production since 1930. From 1930 to 1935, several film genres coexisted: silent films, films with songs, talkies and films accompanied with music. The sound has evolved in these films. In 1935, the sound film was generalized. The arrival of the sound film became also cultural challenges to Chinese cinema. Chinese film companies had to choose a dialect which could be used in the films. There were opposite opinions between the traditionalists who rooted in traditional opera and the modernists who stemmed from occidental theatre. Popular songs or patriotic songs appeared in the films while some critics were against the sound film in the domestic press. Chinese cinema faced also numerous aesthetic challenges with the arrival of sound film. The style of the film directors had been evolved from silent films to sound films while various sound experiments on dialogue, sound effects and music had been carried out
Feng, Xiao Bo. "Stratégie de débitage et mode de façonnage des industries du Paléolithique inférieur en Chine et en Europe entre 1 Ma et 400000 ans : culture de l'Homme de Yunxian et Acheuléen européen : ressemblances et différences". Paris, Muséum national d'histoire naturelle, 2005. http://www.theses.fr/2005MNHN0045.
Texto completoThese stone tools from Yunxian with other Lower Paleolithic sites in South China, for example, the site Lantian ( Shanxi, China ) and the site Bose (Guangxi, China ), indicates that there are many common characteristics among these industries. There are choppers, chopping-tools, picks, hand-axes, cleavers and scrapers. Long ago we thought that there are not hand-axes in China. In fact, there are a lots of hand-axes in China and these hand-axes existed more earlier than those in Europe. The hand-axe appeared in China before 800 000 years old and it barely arrived in Europe before 600 000 years old. The quaternary deposits of the site of Yunxian Hominid ( Hubei, China ) are at least dated to 800 000 years old. A large quantity of lower Paleolithic material was discovered. The types of the tools are choppers, picks, scrapers, hand-axes and cleavers. The pebbles tools make up the majority of the implements. Small flake tools are relatively rare. The lithic industries comparaison of the two regions has help us to know the cultural evolution in China and Europe
Hu, Lian. "Tianjin, un centre majeur de l'industrie culturelle chinoise ?" Paris, EHESS, 2012. http://www.theses.fr/2012EHES0104.
Texto completoThis thesis's motivation is to study the cultural industry's situation in the city of Tianjin. In fact, this choice was made because this city has experienced several cultural renewals in recent years. The objective of this thesis aims to analyze Tianjin's cultural industry's emergence. We study assets of this city, its weakness, ans its position in national stage of culture. We demonstrate that Tianjin is one of the major cultural centers in China. This thesis also defines an evaluation system in order to analyse how Tianjin is a cultural center. Compared to other industrial sectors, not only economic profits matters, cultural industry has tremendous sociological impacts on a country. Howerver, current studies wich evaluate cultural industry focus on GDP (Gross Domestic Product). A new evaluation system is essentially necessary to be established. In this thesis, we study the issues of GDP system, build a theory of evaluations and explain why cultural industry is different from other sectors. With this study, we attain to built up a new evaluation system
Sung, Tzu-Hsuan. "Cosmétiques, beauté et genre en Chine. Une analyse de la presse et des publicités (Fin des Qing - 1930)". Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1039.
Texto completoThis study explores the related issues of cosmetics, the female body, and consumption in Chinese urban culture from the end of nineteenth century to 1930. I propose to examine the subjects as follows: the definition and the use of cosmetics, the difference between cosmetics and makeup products, shaping the culture of female consumption, and the discursive construction of the "beautiful body". The first chapter studies the transformation of the word “cosmetic”, from the traditional definition to its modern-day meaning. The participation of the media, notably the newspapers, will be introduced with the emergence of the Western-style pharmacy. The next two chapters address how cosmetics became an industry. This part will offer an explanation of how the consumer was created by the Chinese cosmetic companies. Finally, the last three chapters examine: 1) the concept of a woman’s (or women’s) beauty; 2) the concept of the beauty of women. How does this issue belong to women? And what kind of women are part of this reflection? By probing these questions, the difference between cosmetics and makeup products will be examined, and will reveal the extent of “women’s” participation. Today, the culture of using cosmetics is a manifestation of women’s common sense. Further, this study illustrates that the culture of “beauty” not only embraces a personal dimension, but also a national and international dimension
Burlacu, Gabriela. "Supervisor-Subordinate Directional Age Differences and Employee Reactions to Formal Performance Feedback: Examining Mediating and Moderating Mechanisms in a Chinese Sample". PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/662.
Texto completoMazé, Dominique. "Déploiement de la stratégie des groupes chinois dans les pays émergents et en développement : analyse contextuelle et culturelle. Comment les fleurons chinois s'emparent de territoires et préemptent le long terme". Thesis, Brest, 2016. http://www.theses.fr/2016BRES0080/document.
Texto completoThe rising power of industrial firms and conglomerates from Asia, Latin America, Central and Eastern Europe, the Middle East, and Africa, shakes up the agendas of many global companies and opens the door to further academic research. We argue that it challenges the sustainability of the multinational corporations of Anglo-Saxon inspiration. The Periphery of the global economy composed of emerging and developing countries is likely to shift to the Center in the mid- and long-term. Both Chinese State and private enterprises are reshuffling the cards within and outside the Periphery to gain and, ultimately, preserve a strong leadership in the next 50-100 years. Empirical studies dedicated to emerging market multinationals (EMMs) have failed to create a new theory so far, thus providing material for the advocates of evolutionism. Dunning, Kim and Park (2008) viewed the internationalization of EMMs as the contemporary version of the patterns implemented by developed country multinationals in the late 1970s. According to these authors, the strategies of EMMs, and their execution in the host countries, are “an old wine in new bottles”. The content is similar; only the container is different. Our research aims at decoding the strategic, transactional, and operational dynamics at stake in the maneuver warfare waged by Chinese multinational companies in emerging and developing economies. Our five empirical studies strived to shed a new light on how Chinese multinationals conquer new territories, on how they dismantle invincible positions held by historic players, and on how they preempt the long term in countries of the Periphery. Our survey demonstrates that they leverage an unrivalled collection of specific levers and assets that help them wage the war (war-fighting capabilities) and conquer global leadership positions (war-winning capabilities). Unlike the evolutionist trend, we found out that the Chinese expansion strategies and footprint are unique. They are driven by China’s existential questions (critical masses of resources) and long history. The case studies show that the institutional preemption of the flawed, moth-eaten governance of the host countries, skillfully orchestrated by the Chinese State, is the favorite mode of entry of the Chinese dragons in emerging and developing countries. They also show that the latter invest heavily in voids of all natures (1), and that they deploy liquid strategies named ‘water strategies’ as opposed to ‘stone strategies’ (2). Facing water strategies, the ‘stone strategies’ of Western multinationals appear vulnerable. Our research makes it clear that water wins over the stone. Our findings rehabilitate the role of culture in the field of international strategy, and lead to a new theoretical paradigm: IFLC (Institutionalize – Fill – Leverage – Combine). The IFLC model could pave the way to brand new agendas and practices in strategic management
Ahn, Ogcheong. "La mondialisation des produits audiovisuels coréens : la réception de deux feuilletons télévisés, Sonate d’hiver et Taejanggŭm, auprès des publics japonais, coréens et chinois". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0084.
Texto completoSince the late 1990s, South Korean popular culture such as movies. TV dramas and pop music became popular in the neighboring Asian countries. More recently, this phenomenon called "Korean wave", hallyu in Korean, has also been gradually gaining ground in Europe and America as well. Although the Korean wave is part of the globalization of cultural exchanges, the Korean society-tends to apprehend it in a national sense. The nationalist media discourse may induce a feeling of anti-Korean wave in countries affected by this phenomenon and especially to ignore the complexity and the dynamism of transnational cultural exchanges. In this thesis, the author tries to demystify this nationalist vision of the Korean wave and to propose a different perspective on this phenomenon, by giving voice to the audience of television series. The thesis explores two aspects of the hallyu : on the one hand, it focuses on how the Korean wave is represented and interpreted through the main Korean newspapers to know the place accorded to this phenomenon by Koreans themselves. On the other hand, it examines the reception of two Korean soap operas, Winter Sonata and Taejanggum, in the way they were appreciated and consumed by audiences from three countries in East Asia - Japan, Korea and China. It attempts to answer the questions about this new form of cultural proximity between these Asian countries
Wang, Xiaohui. "Relationships among organizational learning culture, job satisfaction, and organizational commitment in Chinese state-owned and privately-owned enterprises". 2005. http://catalog.hathitrust.org/api/volumes/oclc/144643383.html.
Texto completoChih-Fei, Chang y 張智斐. "Improvement of the Cooking Environment in Chinese Cooking Culture Households of Today-Based on the Methods of Industrial Design". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/z3ruc6.
Texto completo大葉大學
設計暨藝術學院碩士班
103
Although influenced by Western contemporary home cooking equipment and food culture, the cooking methods and cooking habits of Chinese cuisine still retain much on their traditional style. However the today’s typical kitchen equipment doesn’t really support Chinese cooking habits and culture. The contemporary Chinese cooking methods in private households are a starting point for the re- design of a culinary environment. This work is passing through Western and Chinese cooking environment and history, food culture and cooking methods and also is collecting other information like observing Chinese cooking habits of the contemporary family, analyzing contemporary family-related issues in the cooking process and considers the real needs of Chinese cooking environment. Based on the methods of industrial design, a task list has been developed and design guidelines have been set up, conducting the practical design procedure, ending up in a scale model as a seminal example. Then interviews of experts and kitchen users conclude the research process.
蕭宸伃. "The Cultural and Creative Industries in Taiwan As Fostered by Chinese Elements". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/44270627682394792546.
Texto completo"Publishing and reading in the Chinese cultural revolution: hegemony, cultural reproduction, and modernity". 2002. http://library.cuhk.edu.hk/record=b5891259.
Texto completoThesis (M.Phil.)--Chinese University of Hong Kong, 2002.
Includes bibliographical references (leaves 139-169).
Abstracts in English and Chinese.
CONTENTS --- p.1
TABLES AND FIGURES --- p.2
Chapter I. --- INTRODUCTION --- p.3
Problem of Culture in the Cultural Revolution --- p.3
History of Print and Read in the Cultural Revolution: A Social Prelude to Maoism --- p.14
Chapter II. --- HEGEMONY AND BOOK PRINTING IN COMMUNIST CHINA --- p.26
Ideological Determination and Book Industry --- p.26
Book Printing in the Cultural Revolution --- p.32
Chapter III. --- SOCIOLOGY OF KNOWLEDGE IN THE PRC --- p.44
Knowledge in the PRC --- p.44
Inefficacy of cultural reproduction in the cultural revolution --- p.52
Chapter IV --- HISTORY OF READING IN THE CULTURAL REVOLUTION --- p.74
Collective Memory and the Cultural Revolution --- p.74
Chinese Reading Myth: Simply Read Marx ? --- p.81
What People Read ? Alternative Reading in Communist China …… --- p.97
How People Read? The Way and War to Knowledge --- p.115
Construction of Intellectual Network in the Cultural Revolution --- p.122
Chapter V --- CONCLUSION --- p.134
BIBLIOGRAPHY --- p.139
Chen, Shih-Sheng y 陳詩聖. "Strategies for Developing Chinese Cultural and Creative Industries in Taiwan: A Case of Franz Collection". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/98676643039734295261.
Texto completo國立交通大學
管理學院科技管理學程
99
Cultural and creative industries, which are fed with cultural contexts and creative ideas, have caught people’s eyes with the raising of knowledge-based economies. Cultural and creative industries could be viewed as a futural trend of national policies and local economy. They are a part of the economic foundation and also full of political issues. One characteristic of recent studies about cultural and creative industries of the whole world stresses on the influences of cultures and creativity on entire economies. The emphases about these studies are put on the relationships between cultural and creative industries and the other economical activities, and identify the roles which cultural and creative industries play in the present age. The unfair situations still exist in the international competition of cultural resources. The competitive strength of its cultural and creative industries is relevant to the country’s comprehensive competence during the times of globalization because it actually represents the country’s “soft power”. How to identify Taiwan’s own cultural ground and power? How can Taiwan use its own advantage strength well and find the chances to display its talent? How Taiwan compete with its neighboring countries with similar cultural backgrounds or initate other new battlefront around the industries? These above-mentioned would be the problem over which Taiwan need to think while every county is seeking to grab the profits from these emerging industries one after another. Two purposes of this study are as follow: (1) Researching into the developing situations of cultural and creative industries in United Kingdom, Korea and China, comparing with these countries to find their advantages and taking lessons in them if possible; (2) Exploring the opportunities to expand and exploit Taiwan’s cultural and creative industries based on Chinese culture through the successful story of Franz Collection. Our research indicates that Franz Collection’s experiences provide an excellent example for developing Taiwan’s cultural and creative industries. The most available way for Taiwan is, to put itself in a position where Taiwan can use international vocabulary, thinkings and experiences to re-process the contents of Chinese culture with Taiwan’s own rich creativity.
Yang, Ya-Chun y 楊雅鈞. "A Study on the Development of Taiwan Cultural Creative Industries―Take the Chinese Character Festival as an Example". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68707372628561833798.
Texto completo淡江大學
漢語文化暨文獻資源研究所碩士班
100
The Chinese characters belong to an exclusive linguistic system which encompasses morph, sound, and meaning and differs from the Ping-yin system which only marks sound and meaning. Moreover, the hieroglyphic part is the most innovative and imaginative facet of Chinese culture. The Chinese characters have come a long way and been under dramatic evolutions. Those changes reflect the contemporary innovation and creativeness and are actually cultural creativeness in their own right. Therefore, cultural creativeness is not temporary product. The present study aims to explore and analyze how the Chinese characters and cultural industry can be intertwined in this time when cultural industry is on the rise. The present study, “A Study on the Development of Taiwan Cultural Creative Industries―Take the Chinese Character Festival as an Example”, focuses on the culture-innovation industrial development of Chinese characters. Chapter II, “Cultural Creative Industry” and Chapter III, “The Culture of Chinese Characters”serve as fundamental theories. The next chapter draws three public activities, “Chinese Character Festival of Taipei"、“The Delight of Chinese Character Festival of Kaohsiung"、“Chinese Character Art Festival of Taiwan and China"as case analyses. Finally, there are some conclusions and suggestions made in Chapter V. It is hoped that this paper has sorted and analyzed the pros and cons of the cultural creative industry of Chinese characters. Chinese characters not only can stimulate our nation’s industrial development, but also bring us closer due to their cultural uniqueness and artistry. Chinese characters are one of the important features of Taiwan, and it is anticipated that they can be promulgated worldwide which would pave the way for Taiwan with its creative products.
"Testing an integrated emotional regulation strategies model among Chinese service employees: an investigation of the role of service culture and emotional expressivity". Thesis, 2006. http://library.cuhk.edu.hk/record=b6074255.
Texto completoStudy 2 was conducted to provide additional support to the integrated model, including an emotional expressivity training program and a longitudinal validation on the emotional regulation strategies model. In the emotional expressivity training program, 155 participants who had completed the questionnaire survey in Study 1 were recruited. Among them, 131 participants had joined a half-day emotional expressivity training program while 24 participants were assigned into the control group. The objective of the program was to enhance participants' positive expressivity and reduce negative expressivity and impulse strength. Results showed that the training was effective in maintaining participants' authentic self. In particular, authentic self did not change across time among training group. However, authentic self in the control group decreased significantly 3 months after the training program (T2) when it was compared to the pre-training period. In the longitudinal validation study, a longitudinal model was devised to measure changes on emotional expressivity at T1 and T2 and its relations to emotional regulation strategies among the training group (n = 131). The significant associations between perception of service culture, organizational emotion control, and emotional regulation strategies in Study 1 were also found in Study 2. Quality of work life at T2 was related to surface acting at T2 and quality of work life at TI. The longitudinal model was also applied to predict psychological distress. Deep acting, surface acting, and emotional expressivity at T2 as well as psychological distress at TI were significantly related to psychological distress at T2. Limitations, suggestions for future research, and practical implication to organizations are discussed in Chapter 6.
Cheung Yue Lok.
"July 2006."
Adviser: Catherine S. K. Tang.
Source: Dissertation Abstracts International, Volume: 68-03, Section: B, page: 1970.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2006.
Includes bibliographical references (p. 172-189).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in English and Chinese.
School code: 1307.
Gou, YI y 郭怡. "Cluster Analysis of Cultural and Creative Industrial Quarters in Small and Medium Sized Cities in Mainland Chinas: The Case of "Canal V" in Jiangsu Changzhou". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/r53vg5.
Texto completo世新大學
傳播管理學研究所(含碩專班)
104
Nowadays, the economic development has entered globalization, the cultural and creative industries have become a new target of national and regional competition. In addition to the pursuit of material life, people also begin to pay attention to the enjoyment that culture and creativity bring. Britain first proposed the concept of creative industries, American focus their culture industries on copyright, Korean lock their eyes in the worldwide markets overseas, Taiwan conceived "five creative and cultural quarters". Chinese mainland has followed this trend and the whole country began to set strategic plans in order to promote industrial clusters. Gathering the outstanding cultural and creative businesses and individuals to specific areas and locations, which named as cultural and creative industrial quarters is a big trend in recent years. Advanced countries and regions have some successful examples. Large cities in Chinese mainland like Shanghai and Beijing lead the development of cultural and creative industrial quarters, a number of quarters of Hangzhou, Nanjing, Shenzhen and other cities are becoming one of the city's tourism places. This study selected the case of cultural and creative block "Canal V" in Jiangsu Changzhou to analyze the industry cluster situation. Changzhou belongs to small and medium sized cities, "Canal V" is based on industrial relics and old factory buildings and intents to reform the old factories and activates the use of space, also the block wants to take advantage of culture of World Heritage, Changzhou Grand Canal. The block is looking forward to integrating effective resources to achieve industry cluster, and create business value in the protection of relic’s basis. But the study found that brand "Canal V" still lacks of influence, and businesses and enterprises in the block have a high homogeneity, which is not beneficial to play diversification and the play of industrial cluster effect. Also we hope to provide some reference through this research.
CHEN, LAN-SHIN y 陳蘭馨. "A Research on the Fundamental Literacy of Cultural and Creative Industries Education in University-Taking as Example the Analysis of Chinese Language Examinations in Recent Years General Scholastic Ability Test (GSAT)". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/vj6tb3.
Texto completo國立屏東大學
文化創意產業學系碩士班
106
The 21st century is dominated by knowledge-based economic competition. The globalization trend has led to a new triangle combination of knowledge-based labor, culture and innovation as a national competitiveness. The output value and external benefits of the cultural and creative industries will soon become one of the important industries that will drive the economic growth of Taiwan in the future. There is a necessity and urgency of talent education in Taiwan's cultural and creative industries. Culture, creativity, and industry are three elements of the cultural and creative industries, and university education is the focus of national talent eduaction. It cannot accomplish someone’s cultural and aesthetic literacy in short time, but it takes a long time to maintain and lay a solid foundation in the high school education stage. It helps to enter the university to learn and play in creativity and industry. The General Scholastic Ability Test is a necessary test for entering a university; the author takes as object the examination questions of Chinese subject and Chinese courses in high school, in order to investigate the impacts of the teaching objectives, main teaching materials and learning effects of the Chinese subject on cultural, aesthetic, creative and iudustrial literacies of the students in departements of cultural and creative industries.
Nguyen, Tien Cuong. "Work Integrated Learning: A Case Study of Chinese Students in an Australian University". Thesis, 2020. https://vuir.vu.edu.au/41794/.
Texto completo