Artículos de revistas: "Chinese Broadcasting"

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Bao, Fengbo, Siti Aishah Binti Hj Mohammad Razi y Megat Al Imran Bin Yasin. "A Case Study on the Transformation of Chinese Opera Radio under the Ecological Environment of Media Integration". Studies in Media and Communication 12, n.º 1 (1 de diciembre de 2023): 124. http://dx.doi.org/10.11114/smc.v12i1.6472.

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Chinese opera is one of the important art forms in Chinese traditional culture that has a long history and rich forms of expression. Media integration in Chinese opera broadcasting refers to the combination of traditional opera art forms with modern broadcasting technologies to meet the communication needs and technological development trends of contemporary society. This study investigated the state of media development based on the media ecology theory. This study explored media integration in Chinese opera broadcasting using case study methodology to describe multimedia communication methods adopted by the broadcasting stations to increase the listening rate. Study subjects were three Chinese opera radio programs. The research results show that Chinese Opera broadcasting has begun to use various media technologies to carry out media integration development, inject new vitality into traditional art forms, and increase the appeal to contemporary audiences. The research also found that with the continuous progress of technology, Chinese Opera broadcasting will have greater space for development in the future and bring better listening experience to the audience.

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2

Yu, Chenjie. "Research on Problems and Optimization Strategies of Chinese Womens Super Football League". Advances in Economics, Management and Political Sciences 3, n.º 1 (21 de marzo de 2023): 334–44. http://dx.doi.org/10.54254/2754-1169/3/2022803.

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The Chinese womens national team won the 2022 Womens Asian Cup, a great opportunity to develop the Chinese Womens Football League. However, the Chinese womens football team has not received widespread attention from society. With the spread of technology, online broadcasting has become an option for more fans and an important match broadcasting and promotion area. Therefore, this paper studies the promotion and broadcasting of the Chinese Womens Super League through the literature research method, survey method, and statistics method, analyses the current situation of the promotion and broadcasting of the Chinese Womens Super League, and proposes development strategies. The Inner Mongolia Football Channel is responsible for broadcasting the Chinese Womens Super League matches. However, with the decline in the frequency of television viewing in China and the popularity of wireless internet TV, Inner Mongolia Football Channel faces low awareness and, consequently, low viewer ship. As a result, there is a need to increase awareness of the channel by bundling it with high traffic content, for example. Broadcasters of matches in the Chinese Womens Super League need to make full use of the interactive nature of the website by setting up interactive sessions such as prize draws and encouraging commentators to answer pop up questions.

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3

Yafeng, Dong. "The Current State and Development Trends of the Radio Broadcasting Industry in China". Theoretical and Practical Issues of Journalism 8, n.º 4 (26 de octubre de 2019): 816–28. http://dx.doi.org/10.17150/2308-6203.2019.8(4).816-828.

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The radio broadcasting industry in China has been operating for more than 40 years. It developed alongside with the policy of reforms and China’s openness, it followed the logic of marketization and institutionalization, it overcame the development boom of the end of the 1980s — the beginning of the 1900s and the period of a decade-long recession on the cusp of the two centuries. The author studied cutting edge literature on the subject of his research and applied such methods as analysis and generalization. The conclusions, concerning the current state and development trends of the radio broadcasting industry in China, have been drawn in relation to four aspects: general background of the branch, market design, ways of monetizing and the development of mass media convergence. To define the market structure in the industry of the radio broadcasting mass media, the author has analyzed the three-level market design, the results of the reforms of the broadcasting and production entities and frequency typing. The analysis of the national policy implementation and of the convergence trends has been taken as a principle to predict trends of development of the mass media convergence in the industry of the broadcasting media. Following the country’s political line, its economic development and the development of new media, Chinese industry of radio broadcasting media shows perfect growth dynamics day by day. In the nearest future, Chinese radio broadcasting will get even closer to convergence with the mobile Internet and other media. The objective of this article is to analyze the current state of Chinese broadcasting industry. The article can be of interest to experts and scientists who specialize in economic research of Chinese broadcasting media and Chinese mass media in general.

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De Giorgi, Laura. "Communication Technology and Mass Propaganda in Republican China". European Journal of East Asian Studies 13, n.º 2 (2014): 305–29. http://dx.doi.org/10.1163/15700615-01302009.

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This article analyses the policies and plans of the Nationalist Party (Guomindang, GMD) regarding wireless radio broadcasting, arguing that they laid the foundations for the development of a national-level modern cultural institution aimed, for the first time in China, at mass propaganda and education. During the Nanjing decade, notwithstanding its limits beyond the most developed urban areas, the Nationalists’ approach was the extensive use of radio broadcasting for the ‘partyfication’ (danghua) of Chinese state structure and the Chinese people’s social and cultural life. Nevertheless, their aspirations were greater than their ability to transform the plan into reality. Unable to impose an effective state monopoly on radio communication and broadcasting infrastructures, the Nationalists’ aims to exert stronger control and to gain a hegemonic position in the Chinese ‘ether’ could be achieved only by resorting to technical, administrative and legal measures whose efficacy was rather limited, because it was subordinated to a capacity to have them implemented. The Nationalists’ main accomplishments were the establishment of a powerful national radio broadcasting station under the control of the Party in Nanjing and of a central-level commission aimed at coordinating the work of the different state, Party and military bureaucracies involved in radio broadcasting propaganda.

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Yu, Sae-Kyung y Yang Gu. "Competition among Chinese Broadcastings, CCTV1, Hunan and Gangso Satellite Broadcasting : The Programming Niche Dimension". Journal of the Korea Contents Association 15, n.º 10 (28 de octubre de 2015): 116–26. http://dx.doi.org/10.5392/jkca.2015.15.10.116.

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Dai, Weiqi. "Problems with Chinese Soccer Development and Corresponding Solutions". Journal of Education, Humanities and Social Sciences 5 (23 de noviembre de 2022): 342–47. http://dx.doi.org/10.54097/ehss.v5i.2973.

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China women ‘s soccer has an increasing influence on Chinese football and the notability of the team had risen significantly. However, there is low participation of women in football in China due to several reasons including lack of sports engagement, lack of education in schools, lack of broadcasting of women football, and lack of funds for development. This essay presents numbers of ways can China Football Association, Government, and social media to execute to encourage more participation of women’s soccer. In terms of China Football Association, encouraging more competition can attracts audience and build positive female model to teenagers. As for government, subsiding schools that lack of money for facilities and education. Turn to social media, broadcasting women’s soccer to different platform can allow more people to notice it. Some previous data shows that these ways can effectively facilitate the development of women’s football in China.

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7

Zhao, Shiji y Huacheng Li. "Research on the Innovative Legal Protection of The Broadcasting Right of Sports Events from The Perspective of New Media". International Journal of Education and Humanities 7, n.º 1 (12 de febrero de 2023): 87–91. http://dx.doi.org/10.54097/ijeh.v7i1.5195.

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On January 14, 2021, the General Administration of Sport of the People's Republic of China quoted the article of China Sports News as saying that we should adhere to the construction of the socialist legal system with Chinese characteristics and establish and improve the rule of law norms. This paper is committed to reflecting on the problems existing in the broadcasting right of sports events in China, and on this basis, puts forward reference suggestions for the construction of the legal system of the broadcasting right of sports events. The article is mainly divided into four parts. The first part is the concept, right composition and development process of sports event broadcasting right; The second part is the current situation of the legislative protection of the broadcasting right of sports events from the perspective of new media; The third part is the theoretical reflection on the broadcasting right of sports events from the perspective of new media; The last part is the legal protection strategy of sports event broadcasting right from the perspective of new media.

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8

Yueh, Mei-Heng, Hsiao-Han Huang, Tiexiang Li, Wen-Wei Lin y Shing-Tung Yau. "Optimized surface parameterizations with applications to Chinese virtual broadcasting". ETNA - Electronic Transactions on Numerical Analysis 53 (2020): 383–405. http://dx.doi.org/10.1553/etna_vol53s383.

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9

Song, Jian. "Chinese digital television terrestrial broadcasting standard and its industrialization". JOURNAL OF ELECTRONIC MEASUREMENT AND INSTRUMENT 2009, n.º 9 (17 de diciembre de 2009): 1–6. http://dx.doi.org/10.3724/sp.j.1187.2009.09001.

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Lv, Qin. "COMPARATIVE STUDY ON CHINESE LIVE BROADCASTING INFLUENCE UNDER EPIDEMIC". Malaysian E Commerce Journal 4, n.º 2 (20 de mayo de 2020): 39–41. http://dx.doi.org/10.26480/mecj.02.2020.39.41.

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Under the impact of the new coronavirus epidemic, 2020 will become the most popular year for live streaming influence. This year, various industries, platforms and brands began to sell their products in the form of live broadcast influence. In addition to the super internet celebrity, live broadcast influencers also include entrepreneurs, stars and taobao grassroot bosses. Different identities of influencers have the same purpose, that is to marketing more products. This article will conduct a comparative analysis on the current status of the four types of influencers, and finally make a future outlook and put forward the challenges of live broadcasting influence to the traditional supply chain.

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11

Jeon, donghan. "A Study of K-Contents Scalability in Chinese Broadcasting Market". Journal of Korea Culture Industry 20, n.º 1 (31 de marzo de 2020): 9–19. http://dx.doi.org/10.35174/jkci.2020.03.20.1.9.

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Wenjing, You. "The Background and Present Situation of the Chinese Broadcasting Content". Journal of the Korea Entertainment Industry Association 13, n.º 4 (30 de junio de 2019): 149–55. http://dx.doi.org/10.21184/jkeia.2019.6.13.4.149.

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13

Chokhonelidze, Alexandre. "INTRODUCTION TO THE “CHINESE DREAM” NARRATIVE". EPH - International Journal of Humanities and Social Science 3, n.º 2 (11 de abril de 2018): 11–16. http://dx.doi.org/10.53555/eijhss.v3i2.42.

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New faces bring new policy. In the 21st century, when the "hard power" loses its positions in international relations, the utilization of "soft power" is only due to increase. Political speeches, talk shows, calls and tele-radio broadcasting became the cornerstone of a new type of policy. The US President Donald Trump's Twitter campaign is sufficient example of that. More importantly, the analysis of political messages and slogans and their narrative analysis gained quite a popularity. The special interest towards the “Chinese dream” from the international relations theory and political science standpoint only grew after China initiated “One Belt One Road” (OBOR) strategy.

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14

Lv, Chaohui, Hua Lan, Ying Yu y Shengnan Li. "Objective Evaluation Method of Broadcasting Vocal Timbre Based on Feature Selection". Wireless Communications and Mobile Computing 2022 (26 de mayo de 2022): 1–17. http://dx.doi.org/10.1155/2022/7086599.

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Broadcasting voice is used to convey ideas and emotions. In the selection process of broadcasting and hosting professionals, the vocal timbre is an important index. The subjective evaluation method is widely used, but the selection results have certain subjectivity and uncertainty. In this paper, an objective evaluation method of broadcasting vocal timbre is proposed. Firstly, the broadcasting vocal timbre database is constructed on Chinese phonetic characteristics. Then, the timbre feature selection strategy is presented based on human vocal mechanism, and the broadcast timbre characteristics are divided into three categories, which include source parameters, vocal tract parameters, and human hearing parameters. Finally, the three models of hidden Markov model (HMM), Gaussian Mixture Model-General Background Model (GMM-UBM), and long short-term memory (LSTM) are exploited to evaluate the timbre of the broadcast by extracting timbre features and four timbre feature combinations. The experiments show that the selection of timbre features is scientific and effective. Moreover, the accuracy of the LSTM network using the deep learning algorithm in the objective evaluation of the broadcast timbre is better than the traditional HMM and GMM-UBM, and the proposed method can achieve about 95% accuracy rate in our database.

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15

Huang, Yu y Xu Yu. "Broadcasting and Politics: Chinese television in the Mao Era, 1958–1976". Historical Journal of Film, Radio and Television 17, n.º 4 (octubre de 1997): 563–74. http://dx.doi.org/10.1080/01439689700261001.

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16

Zeng, Wenna y Colin Sparks. "Production and politics in Chinese television". Media, Culture & Society 41, n.º 1 (6 de abril de 2018): 54–69. http://dx.doi.org/10.1177/0163443718764785.

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Political pressure and censorship are unavoidable conditions for producing an entertainment show in Chinese TV. The relationships between a production team and the government are, however, extremely complex. Based on participant observation in a TV channel and in-depth interviews with related television professionals, this article analyses the tensions between production and politics in Chinese television. The article argues that a centralized and top-down model fails to capture all the aspects of power relations in television production. A more productive starting point is that television production necessarily involves negotiation between different participants. This article analyses relations between the production team, the central broadcasting authorities and local governments. The production team in this case study utilized different strategies to negotiate with multiple levels of government.

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17

Guo, Ke You, Xue Ji Chen y Bin Ji. "The Design of Speed Acquisition and Prompt System Based on STC89C52". Advanced Materials Research 852 (enero de 2014): 347–52. http://dx.doi.org/10.4028/www.scientific.net/amr.852.347.

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It mainly introduces a speed acquisition and prompt system based on STC89C52 in this paper.In the system,STC89C52 is used as the master chip to control the system and the speed is collected by the Hall sensor.The prompt system mainly consists of two parts:the display and broadcast modules.The collected speed is displayed on the LCD and the function of broadcasting is achieved by adopting SYN6288 Chinese speech synthesis chip.The chip will synthesize the speed into speech.Meanwhile,the use of the power amplifier circuit can amplify the speech,and then the speaker output the speech.The system is used on the laboratory’s testing vehicles and can achieve the capability of real-time broadcasting the speed.

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Kim, Insook. "A Study on the ‘Other rights which shall be enjoyed by the copyright owners’ of Chinese Copyright Law". Korea Copyright Commission 35, n.º 2 (30 de junio de 2022): 81–113. http://dx.doi.org/10.30582/kdps.2022.35.2.81.

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The Chinese Copyright Law has an “Other rights which shall be enjoyed by the copyright owners(hereinafter referred to as OR)” in Article 10, No. 17. This clauses enacted in 2001. “OR” was enacted because the Chinese copyright law does not have sufficient economic rights for copyright owner, making it difficult for Chinese courts to judge the use of new works. Actually, The Chinese Court found that “real-time transmission of broadcasting programs, sports broadcasting, and gameplay screens”, “the use of typeface”, “the sale of copyright infringement products” and the other uses. But some decision are not clear on the legal basis for subject to “OR”. There is no definition in Chinese Copyright Law that explains the scope of “OR”. There is only an interpretation of the legislature that it does not include the “Artist’s Resale Right”. “OR” served as the legal basis for implementing international treaties joined by China and supplemented the structural defects of Chinese copyright law. Nonetheless, there is no clear interpretation and application standards. So, The judges create new right in the process of judical judgment, but they can not know how far the limit is. The third revision of Chinese Copyright Law amended for the fair use clauses, so new use of works can included in fair use through court judgment. As a result, it became difficult to distinguish between fair use and copyright infringement. Therefore, when using works in China, we should be careful not to infringe on copyright against our intentions. Korean copyright owners who export works to China must specify the specific scope of ‘OR’ in the contract. Otherwise, there is a problem that the other party’s range of use is randomly expanded. In addition, care should be taken to prevent unnecessary disputes due to differences in the interpretation of ‘OR’.

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19

Du, Jianan. "From Traditional to Digital: An Analysis of New Media Documentary and Its Effects on Domestic Communication in China". Communications in Humanities Research 9, n.º 1 (31 de octubre de 2023): 35–43. http://dx.doi.org/10.54254/2753-7064/9/20231096.

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In response to the burgeoning Chinese Internet and mobile Internet landscape, new media has consistently undergone rapid evolution, subsequently ushering in a novel era for Chinese documentary filmmaking. As the documentary genre coalesces with new media, the emergent works, specifically designed for audiences in the digital age, are termed new media documentaries. These productions distinguish themselves from conventional documentaries in several ways, including investment and production by Internet companies, utilisation of innovative broadcasting techniques, and adoption of unconventional narrative structures. Moreover, new media documentaries strive to expand their business models and audience reach, as well as actively promote Chinese culture and values domestically. In this article, we examine and deliberate the influence of Chinese new media documentaries on the nations cultural landscape.

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Hartono, M. Paulina. "“A Good Communist Style”". Representations 151, n.º 1 (2020): 26–50. http://dx.doi.org/10.1525/rep.2020.151.2.26.

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This essay focuses on the history and politicization of radio announcers’ vocal delivery in China during the mid-twentieth century. It explores how Chinese Communist Party leaders used internal party debates, national policies, and broadcasting training to construct an ideal Communist voice whose qualities would ostensibly communicate party loyalty and serve as a sonic representation of political authority.

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Wang, Yuanyuan. "Research on the Teaching Strategy of Broadcasting and Hosting Specialty in Colleges and Universities from the Perspective of New Media". Review of Educational Theory 2, n.º 3 (2 de julio de 2019): 25. http://dx.doi.org/10.30564/ret.v2i3.896.

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[Abstract] With the continuous development of science and technology and the comprehensive arrival of the information era, new media has gradually emerged and developed, which has had a serious impact on the original media form. Under the background of new media, higher requirements are put forward for the education and teaching activities of broadcasting and hosting specialty in colleges and universities, and the combination of new media technology and Chinese educational practice is the general trend in the current education field, which can effectively improve students’ learning quality and learning effects, and provide a broader space for the development of new media professions. This paper mainly explores the teaching strategies of broadcasting and hosting specialty in colleges and universities from the perspective of new media.

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Song, Jian, Changyong Pan, Jun Wang, Jintao Wang y Zhixing Yang. "Review of Chinese Digital Terrestrial Television Broadcasting Standard, Key Technologies, and Performance". SMPTE Motion Imaging Journal 116, n.º 10 (octubre de 2007): 459–66. http://dx.doi.org/10.5594/j16051.

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Krysko, Michael A. "Forbidden Frequencies: Sino-American Relations and Chinese Broadcasting during the Interwar Era". Technology and Culture 45, n.º 4 (2004): 712–39. http://dx.doi.org/10.1353/tech.2004.0183.

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Zheng, Zi Wei. "Iterative Channel Estimation for the Chinese Digital Television Terrestrial Broadcasting Systems with the Multiple-Antenna Receivers". Advanced Engineering Forum 6-7 (septiembre de 2012): 439–44. http://dx.doi.org/10.4028/www.scientific.net/aef.6-7.439.

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Orthogonal frequency division multiplexing is an effective against multipath fading and high data throughput wireless channel transmission technology. Assistance with the inverse fast Fourier transform and fast Fourier transform operation, orthogonal frequency division multiplexing modulation and demodulation operations of the system convenient and convenient hardware implementation, orthogonal frequency division multiplexing, so in the modern digital television terrestrial broadcasting the system is widely used to support high performance bandwidth-efficient multimedia services. Broadband multi-carrier orthogonal frequency division multiplexing with multi-antenna and multi-antenna receiving system, to increase the diversity gain and improve the capacity of the system in different multipath fading channel. Accurate channel estimation in a simple channel equalization and decoding of broadband multi-carrier orthogonal frequency division multiple-antenna receiver and channel estimation accuracy and multiplexing system is very important, is the key to the performance of the overall broadband multi-carrier orthogonal frequency division multiplexing system in the multi-antenna receiver bit error rate. In this paper, iterative channel estimation to plan for digital terrestrial television broadcasting broadband multi-carrier orthogonal frequency division multiple antenna receiver multiplexing system proposal.

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Liu, Shuai, Jing He y Xin Yu Xu. "Different Code Rates of LDPC Decoding Based on CMMB Standard". Applied Mechanics and Materials 433-435 (octubre de 2013): 527–30. http://dx.doi.org/10.4028/www.scientific.net/amm.433-435.527.

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In this paper, we present different code rates of LDPC decoding on Chinese Mobile Multimedia Broadcasting standard (CMMB). There are two different code rates (0.5 and 0.75) of LDPC in CMMB standard.In this paper, we use LLR-SPA algorithm to decode and make a simulation. Simulation results show that the higher code rate (0.75) of LDPC code in CMMB standard provides a better performance.

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Li, Wen Qi, Hong Wu, Nan Zhang, Yuang Jin y Kai Guo. "A Range Measurement Scheme for Chinese Terrestrial Television Broadcasting Signals Included Positioning Systems". Advanced Materials Research 429 (enero de 2012): 253–58. http://dx.doi.org/10.4028/www.scientific.net/amr.429.253.

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This paper proposed a simple scheme for range measurement between the receiver and CTTB (Chinese Terrestrial Television Broadcasting) TV tower not depending on other aids. CTTB signals are used for range measurement and they are transmitted from CTTB TV tower. The scheme suits for any CTTB included positioning system. Simulated CTTB signals transmitted from CTTB TV tower are used to evaluate the performances of the proposed scheme. Simulations are done under both AWGN (additive white Gaussian noise) channels and real measured urban channels. And as a multipath fading exists in urban environment, we use a multipath rejection method to improve the range measurement accuracy. Our simulation results show that this range measurement scheme is effective in AWGN channels, and also in urban channels with the multipath rejection method. From the simulation results, we also know that the clock accuracy of the receiver affects the precision of this range measurement scheme.

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Jiang, Xinxin. "Parenting Practices and Gender Roles in the Modern Chinese Family: Interculturalism in Where Are We Going, Dad?" Television & New Media 20, n.º 5 (29 de mayo de 2018): 460–75. http://dx.doi.org/10.1177/1527476418777729.

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This article employs textual analysis to identify intercultural tensions in terms of parenting practices and gender roles in the reality TV series Where Are We Going, Dad? (2013–present, season 3). This article particularly explores authoritarian and authoritative parenting practices, parenting practices in interracial marriages, and new fatherhood and gender roles in modern Chinese families. I argue that the series is an ideal cultural site to witness the discourse of the changing parenting practices and gender roles in contemporary China and the broadcasting of it helps Chinese audiences understand both the merits and the weaknesses of traditional parenting practices as well as the importance of the father’s role in child-rearing and family construction.

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Ma, JiaShuang y Eun hee Lee. "The Effect of the Characteristics of the Influencer of Public Officials and Internet Live Broadcasting in China on Local Agricultural Products’ Brand Image, Purchase Intention, and Word-of-Mouth Intention". Family and Environment Research 60, n.º 4 (30 de noviembre de 2022): 643–63. http://dx.doi.org/10.6115/fer.2022.043.

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This study aimed to understand the effect of the characteristics of the influencer of public officials and the characteristics of internet live broadcasting in China on the brand image of local agricultural products, purchase intention, and word-of-mouth intention. A survey was administered to Chinese consumers who had purchased local agricultural products after watching live broadcasts on the internet by influencers of government officials. A total of 317 questionnaires were collected and the data were analyzed using SPSS 26.0 and AMOS 28.0. The key results were as follows. First, regarding the characteristics of the influencer of public officials, reliability, attractiveness, and expertise had a positive effect on the brand image of local agricultural products. Second, among the characteristics of internet live broadcasting, interaction and information had a positive effect on the brand image of local agricultural products, but entertainment did not. Third, the brand image of local agricultural products had a positive effect on purchase intention and word-of-mouth intention. Finally, the mediating effect of local agricultural brand image was evident in the reliability, attractiveness, and expertise characteristics of the influencer of public officials and purchase intention and word-of-mouth intention. Finally, the mediating effect of local agricultural brand image was evident in the interaction and information characteristics of internet live broadcasting and purchase intention and word-of-mouth intention.

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Sun, Wanning y Jing Han. "If You Are the One and SBS: the cultural economy of difference". Media International Australia 175, n.º 1 (22 de febrero de 2020): 6–19. http://dx.doi.org/10.1177/1329878x20906894.

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If You Are the One ( IYATO) is China’s most popular television dating show. Since Australia’s Special Broadcasting Service (SBS) bought it 6 years ago, the show has attracted a cult following among English-speaking viewers. SBS subsequently purchased several other Chinese reality shows, and the Seven Network launched its own version of IYATO. But none of these programmes have proven to be as enduringly popular as IYATO. Taking an industry studies approach, this article draws on the inside knowledge of one of the authors, and on interviews with several other SBS employees, to shed light on the media industry’s thinking behind importing cultural products from China, particularly against the backdrop of fear and anxiety about China’s influence. We also ask why IYATO has endeared itself to Australia’s English-speaking viewers in ways that the majority of Chinese media content has not, despite the Chinese government’s myriad soft power initiatives.

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Rinchinov, Artem B. "PRC's digital media amid the trade war with the United States: Conditions within the country and prospects for expansion". Vestnik Tomskogo gosudarstvennogo universiteta, n.º 474 (2022): 153–60. http://dx.doi.org/10.17223/15617793/474/17.

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The article aims to highlight some of the features of Chinese information policy and state regulation in order to survey the current state of Chinese media theory within the country. In the sphere of China's foreign relations, the aim was to find evidence that, under conditions of economic pressure, China is moving from a policy of “soft power” towards its partner countries to the practice of building direct economic and infrastructural dependence. The theoretical part of the article is mainly based on the materials of the Chinese Tsinghua Institute. When studying the situation abroad, data from the Australian Institute for Strategic Policy and similar think-tanks in North America were used. According to the current Chinese media theory, all information sources inside the country make up three major groups with more than six subdivisions inside each group. Another point of Chinese media theory, which includes the “six forces” concept, brings much more controversy. According to it, “government” and “party force” are different actors while “capital force” has only limited influence over media content. This concept may be disputed by example of “Southern Model”, when one of the Chinese provinces used a lot of autonomy in its broadcasting policy. The autonomy came to an end, when the state-owned company SMC gained control over the province's broadcasting in 2007. This is one of the examples of how party, state and capital forces' acts combined and merged into one. Correlation analysis shows the interdependence between capital and state forces within the country. The article examines activities of Chinese media, government-organized non-governmental organizations (GONGO), and communications corporations abroad. According to open-source data, the hugest economic intervention in media markets of developing countries made by China so far is united under the Digital Silk Road initiative. During the trade war, many Chinese companies, like Huawei, lost their western customers and markets access. By maintaining Chinese media market shut for foreign capital and by expanding own communication network beyond borders through the web of GONGO and favored contracts, Beijing gains an advantage in the ongoing trade war. Such impermanence shows the incompleteness of media theory in China. While being recent, it struggles to describe objective reality without notion that in highly monopolized and regulated spheres, like Chinese media market, the forces of national capital and government may act on behalf of each other. China, despite the lack of a sophisticated theoretical basis, gains control over the media policy in developing countries. The Chinese-built communication infrastructure, which allows controlling internet and mobile media, becomes fundamental for countries in Africa, South-East and Central Asia. Such a situation may lead these countries to fall into the Chinese sphere of influence.

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Zheng, Zi-Wei. "Channel Equalization With Phase Error Mitigation for the Chinese Digital Television Terrestrial Broadcasting Systems". IEEE Transactions on Broadcasting 56, n.º 4 (diciembre de 2010): 570–76. http://dx.doi.org/10.1109/tbc.2010.2058390.

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Atykanova, J. A. "CONTEMPORARY MEDIA IN KYRGYZSTAN: STATUS AND CHALLENGES IN THE COVERAGE OF INTER-ETHNIC RELATIONS (1990-2010)". Herald of KSUCTA n a N Isanov, n.º 4-2020 (23 de diciembre de 2020): 537–43. http://dx.doi.org/10.35803/1694-5298.2020.4.537-543.

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The article contains up-to-date information on the history of the formation of the media market covering inter-ethnic relations in Kyrgyzstan. During the period of recent history, an information field has been formed in the republic, which has a clear position in the submission of information for its key audience. The media around the world play a key important role in stabilizing inter-ethnic relations in a multi-ethnic state, Kyrgyzstan is no exception. Kyrgyzstan allows representatives of ethnic groups currently residing in the Republic to have access to information in their mother tongue. Along with traditional print media, television and radio stations, Internet publications, news agencies, social media pages and messengers are actively pursuing information policy. In addition to domestic Kyrgyz-language media, the media broadcasting in Russian, Uzbek, Kazakh, Chinese, Turkish, Korean, Dungan are actively working in the republic. Each of them is a local or foreign mass media funded from abroad. All these forms of broadcasting and coverage of the political, economic and socio-cultural life of the republic form public opinion both at home and abroad.

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Ren, Bingze. "The Dilemma of Live Streaming Economy from the Perspective of Digital Divide - Taking Huangshaping as an Example". Advances in Economics, Management and Political Sciences 20, n.º 1 (13 de septiembre de 2023): 63–71. http://dx.doi.org/10.54254/2754-1169/20/20230174.

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Tiktok is a very popular streaming video media that is popular with many Chinese viewers. The Chinese government is currently promoting the policy of rural revitalization. With the advancement of internet technology, more and more villagers are promoting their hometowns through short videos and live streaming video, and using them to sell their agricultural products. However, there are many drawbacks to this, such as poor information and literacy level make it more challenging to promote their videos. Through qualitative and quantitative research methods, this research examines factors affecting the effectiveness of the rural area broadcasting economy from some specific perspectives. In this research, data analysis and interviews are both included. The results have shown that the long-term existence of this vicious cycle of low illiteracy and low quality of agricultural goods will have a negative impact in the long run.

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Sosnovskaya, Nadezhda Igorevna. "Practices of television media education of family values in China". Pedagogy. Issues of Theory and Practice 9, n.º 4 (19 de abril de 2024): 340–48. http://dx.doi.org/10.30853/ped20240043.

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The aim of the research is to summarize the Chinese experience in popularizing family values through media education to study the possibility of extrapolating the ideas, content and structure of Chinese television media in domestic conditions. The paper presents an analysis of Chinese television programs aimed at mainstreaming family values. The content of Chinese television programs on family topics is described and typologized according to the relayed value categories of parenthood, kinship, marriage, neighborhood and joint households presented in the studies. The scientific novelty of the paper lies in the fact that it is the first to specify the content of media education of family values based on Chinese television programs about the family. The sociocultural specifics and dominant family values of Chinese television programs are determined. As a result, it was revealed that the largest number of programs on central and regional television channels, as well as the main Internet broadcasting channels, are aimed at developing the values of parenthood, kinship and marriage among the viewing audience, which is due to the social order of society and the state policy of the PRC. Family-oriented television content provides relatively controlled socialization of members of society through familiarization with the values of family life in modern sociocultural conditions of China, determined by the increasing importance of large families, filial piety, responsible parenthood, marital relationships and personal development in the family.

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Lau, Tuen‐yu. "Audience Preference of Chinese Television: A Content Analysis of Letters to the Editor in the Chinese Television Broadcasting Magazine , 1983‐1986". Journal of Popular Culture 24, n.º 4 (marzo de 1991): 161–76. http://dx.doi.org/10.1111/j.0022-3840.1991.2404_161.x.

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Xu, Qingru, Andrew Billings, Hua Wang, Rui Jin, Sitong Guo y Mingming Xu. "Women, men, and five Olympic rings: An examination of Chinese Central Television’s broadcast of the 2018 PyeongChang Winter Olympics". International Review for the Sociology of Sport 55, n.º 6 (30 de mayo de 2019): 747–66. http://dx.doi.org/10.1177/1012690219849950.

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This study conducts a content analysis on Chinese Central Television’s broadcasting of figure skating, short track speed skating, and freestyle skiing—the three most popular winter sports in the People’s Republic of China—at the 2018 PyeongChang Winter Olympics from the perspective of biological sex. A full examination of 100% (over 37 h) of Chinese Central Television’s broadcast coverage was analyzed in terms of clock-time, name-mentions, and descriptors. In each sport examined, female athletes received less clock-time and fewer name-mentions compared to their male counterparts. However, in the analysis of 7765 descriptors, relatively few significant differences between depictions of male and female athletes were uncovered, potentially explained by the Communist legacy of erasing women’s feminine characteristics and the relatively equal number of male and female commentators in Chinese Central Television’s sports newsrooms. Also, compared to many Western countries, male figure skaters in the People’s Republic of China received more clock-time and name-mentions, possibly attributed to cultural differences in defining ideal masculinity across East Asia and the West.

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37

Song, Jian, Zhixing Yang, Lin Yang, Ke Gong, Changyong Pan, Jun Wang y Youshou Wu. "Technical Review on Chinese Digital Terrestrial Television Broadcasting Standard and Measurements on Some Working Modes". IEEE Transactions on Broadcasting 53, n.º 1 (marzo de 2007): 1–7. http://dx.doi.org/10.1109/tbc.2007.891835.

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Stockmann, Daniela. "Greasing the Reels: Advertising as a Means of Campaigning on Chinese Television". China Quarterly 208 (diciembre de 2011): 851–69. http://dx.doi.org/10.1017/s0305741011001032.

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AbstractThis article examines a major change in campaigning through the means of mass media during the reform era. As the media commercialized and partially privatized, the state has tried increasingly to involve societal actors in the production of public service advertisements (PSAs) on television. Today, PSA campaigns are initiated by state and Party units, but their funding, production and broadcasting is made possible by a collaborative effort between broadcasters, advertising companies and commercial enterprises who voluntarily support their further development. I conducted 27 in-depth interviews with officials, broadcasters and producers in Beijing to tap into the policy rationale behind the use of public service advertisements in campaigning and the incentive structure facilitating collaboration between companies and state units. Interviews with judges of PSA competitions and content analysis of price-winning advertisements reveal the standards of the central government to employ public service advertising as a means of campaigning.

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Ji, Haoming. "Research on the Economic Impact of the NBA Business League". Advances in Economics, Management and Political Sciences 42, n.º 1 (10 de noviembre de 2023): 148–51. http://dx.doi.org/10.54254/2754-1169/42/20232099.

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The NBA is the acronym for the National Basketball Association, and is also the four major professional sports organizations in the United States, including the baseball league, the football league, the hockey league and the basketball league, with the strongest leadership, the highest level of globalization and the greatest international influence. This paper explains the connection between basketball and the economy, such as the broadcasting of basketball games and how it drives the formation and growth of the market for related products such as sneakers and jerseys, as well as analyzing how the NBA is profitable and, using the NBA as a template, whether Chinese basketball needs to learn from foreign countries. Through a search and review of relevant literature, this paper identifies strategic suggestions that the CBA, as an emerging local Chinese basketball league, can draw from the development history of the NBA.

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40

Du, Wenwei. "Xiaopin: Chinese Theatrical Skits as Both Creatures and Critics of Commercialism". China Quarterly 154 (junio de 1998): 382–99. http://dx.doi.org/10.1017/s0305741000002071.

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Nowadays, when one mentions the word xiaopin in China, everybody understands it as meaning “theatrical skits performed on stage or television,” although the term itself indicates a number of different things. The term “xiaopin” is said to have first appeared in the Jin Dynasty; it referred to the simplified or abridged versions of Buddhist scriptures. Later, the term meant, in a broad sense, “a literary or artistic creation, short in length or small in size and simple in style.” “Xiao” the first Chinese character of the term, means “little,” and the second character can be understood as “a product of good quality” or as a verb meaning “to savour.” When this term is followed by other terms denoting various literary or artistic genres, the meaning becomes more definite. For example, “xiaopin wen” is understood as “short, familiar essays”; “guangbo xiaopin” means “short pieces for broadcasting”; “meishu xiaopin” denotes “artistic sketches.” Since the mid-1980s, however, the popularity of theatrical skits has caused the term to be understood by most Chinese people as simply “short and comic theatrical performances.”

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41

Ma, Shang-Chun, Ching-Ya Su, Sheng-Fong Chen, Shintaro Sato y Shang-Ming Ma. "Analysis of COVID-19-Related User Content on the Baseball Bulletin Board in 2020 through Text Mining". Behavioral Sciences 13, n.º 7 (2 de julio de 2023): 551. http://dx.doi.org/10.3390/bs13070551.

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The world engaged in online sport watching during COVID-19. Fortunately, in Taiwan, the pandemic was stably controlled in 2020, allowing for the continuation of the Chinese Professional Baseball League (CPBL); this attracted international attention and encouraged relevant discussions on social media in Taiwan. In the present study, through text mining, we analyzed user content (e.g., the concepts of sports service quality and social identity) on the Professional Technology Temple (PTT) baseball board—the largest online bulletin board system in Taiwan. A predictive model was constructed to assess PTT users’ COVID-19-related comments in 2020. A total of 422 articles and 21,167 comments were retrieved. PTT users interacted more frequently during the closed-door period, particularly during the beginning of the CPBL in April. Effective pandemic prevention, which garnered global attention to the league, generated a sense of national identity among the users, which was strengthened with the development of peripheral products, such as English broadcasting and live broadcasting on Twitch. We used machine learning to develop a chatbot for predicting the attributes of users’ comments; this chatbot may improve CPBL teams’ understanding of public opinion trends. Our findings may help stakeholders develop tailored programs for online spectators of sports during pandemic situations.

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42

Meng, Zhang. "TV Channel “CGTN-Russian” on Video Hosting YouTube in the Context of Comparison with Other International Channels". Theoretical and Practical Issues of Journalism 12, n.º 2 (23 de junio de 2023): 347–59. http://dx.doi.org/10.17150/2308-6203.2023.12(2).347-359.

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Currently, the interaction of international television channels with YouTube is a topical research issue. This is primarily due to the expansion of opportunities to attract the audience, the formation of the country’s image and competition for the right to speak. The article presents the results of the analysis of the Chinese TV channel “CGTN in Russian” on the video hosting site YouTube. The channel is analyzed in the context of comparing it with other international TV channels, which have Russian-language broadcasting. In particular, this refers to “BBC News — Russian Service” and “Euronews in Russian”. In the period from December 16, 2016 (channel registration date) to January 5, 2023, all videos with more than 100,000 views on the YouTube channel “CGTN in Russian” were studied and classified by views, video duration and subject matter. In total, the author analyzed 171 materials. The results of the study showed the following: 1. Based on the obtained data, the TV channel does not understand the specifics of YouTube and the processes of convergence well enough. 2. From the point of view of Russian-language YouTube accounts, there is still a gap between CGTN and media in developed countries. 3. In order to increase video views and attract more viewers on the YouTube platform, China's Russian-speaking channel is actively developing content, integrating current and local events of Russian-speaking countries, and bringing exclusive content to the local audience. 4. One of the most obvious goals of international broadcasting is propaganda. CGTN channel's content strategy includes promoting Russian-Chinese friendship and China's image. 5. As China's official TV channel, CGTN should more often use the method of “embedding opinions into materials” and express its position and proposal by reporting and interpreting international hotspots.

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Dewojati, Cahyaningrum y Rosalita -. "CONTESTATION OF NEWSPAPER DISCOURSES IN THE NOVEL PEROESOEHAN DI KOEDOES: A CRITICAL DISCOURSE ANALYSIS PERSAINGAN WACANA AKHBAR DALAM NOVEL PEROESOEHAN DI KOEDOES: SATU ANALISIS WACANA KRITIS". Jurnal Pengajian Melayu 35, n.º 1 (25 de abril de 2024): 18–37. http://dx.doi.org/10.22452/jomas.vol35no1.2.

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Newspapers are the primary medium of moulding discourse on significant events, including the anti-Chinese riots in Koedoes, also known as Kudus, Central Java in 1918. Some publications even created conversations to further their goals of broadcasting news to the public. Hence, this study aims to examine discourse conflicts featured in newspapers highlighted by the novel Peroesoehan di Koedoes by Tan Boen Kim (TBK). A qualitative descriptive approach was utilised in this study, with an emphasis on the identification of news cuttings featured in the novel. Data was processed using Teun A. Van Dijk’s critical discourse analysis theory, focusing on social context, text structure and social cognition. Findings indicated that the contestation of discourse in the newspaper cuttings was an attempt to influence public opinion. Sin Po, a Chinese newspaper, focused on protecting Chinese victims, whereas De Locomotief, a Dutch periodical, focused on the hazardous propaganda by indigenous groups. Conversely, Sinar Hindia, a Bumiputera newspaper, focused on the protection of residents and the Islamic Union (SI). The outlet also wrote a clarification to relieve the Bumiputera of responsibility. In addition, specific newspapers could have potentially displayed ulterior motives. TBK’s choice of stories might also indicate his aim to denounce the rioters’ crimes against ethnic Chinese. Future research can explore other TBK works through critical discourse analysis as well to map his tendencies during the production of discourse. Keywords: contestation of discourse; newspaper; Peroesoehan di Koedoes; indigenous; Chinese

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PROSKURNOVA, EVGENIYA L., WAN ZHU y IRINA I. VOLKOVA. "EXPERIENCE OF POSTING NEWS IN THE FORMAT OF SHORT VIDEOS BY CHINESE TV CHANNELS ON DOUYIN". Art and Science of Television 19, n.º 4 (2023): 233–69. http://dx.doi.org/10.30628/1994-9529-2023-19.4-233-269.

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Due to the sanctions imposed on Russia in 2022, the broadcasting of state-owned Russian TV channels was banned in many countries. In response to the changing media environment, Russian TV companies are compelled to explore new markets worldwide to provide information about the Russian Federation. The authors identify China as a key alternative to the lost markets, given the booming Chinese media industry that offers a variety of news consumption options to the audience. Among these options, short online videos have gained significant popularity, with Douyin emerging as one of the most successful short-video platforms. This article analyzes the evolution of this phenomenon in the People’s Republic of China (PRC) and aims to observe the reasons behind the format’s popularity among the Chinese audience. The relevance of this paper lies in the necessity to study effective and legitimate methods of news production on Chinese internet platforms for Russian TV companies. Analyzing a total of 5765 posts, the authors focus on the topics, length, and content creation methods used by three television companies (CCTV, Henan TV, Shanghai Dragon TV) when posting news on the social media platform Douyin. Additionally, a review of the regulations governing the work of Chinese and foreign media in China has been carried out. The study describes the distinctive features and development strategies of the accounts of these TV channels and concludes with recommendations that Russian media can utilize in adapting news content for well-known Chinese online platforms.

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Lei, Qu, Teo Miaw Lee y Candida Jau Emang. "Presentation of Chinese Rural Society in Documentary Films on Rural Revitalization: An Analysis". Journal of Research in Social Science and Humanities 2, n.º 10 (octubre de 2023): 43–54. http://dx.doi.org/10.56397/jrssh.2023.10.06.

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On January 1, 2011, in order to promote a better global understanding of China, China Central Television’s Documentary Channel began broadcasting 24 hours a day worldwide. With the launch of the documentary channel, documentaries officially entered the field of vision of ordinary Chinese citizens, serving as a medium to record the lives of the Chinese populace and presenting their authentic everyday lives and personal stories to the world. This also left behind precious social memories in the rapidly developing China (Wu Haili, 2013). As an agricultural powerhouse, rural areas constitute a significant component of Chinese society, retaining rich historical and cultural traditions. Farmers carry immense spiritual strength and touching narratives, prompting numerous socially responsible documentary filmmakers to turn their cameras towards China’s countryside and its people. This effort has led to the creation of a substantial number of outstanding documentary films centered on Chinese rural themes. Chinese rural-themed documentary films have emerged as prime artistic samples reflecting rural societal conditions and transformations. This paper focuses on the rural society portrayed in documentary films with rural themes and analyzes how these films depict various aspects of China’s rural society, such as economic production, living environment, education, and employment, within the context of rural revitalization documentaries. Through the analysis and examination of this theme, the paper elucidates the genuine face of China’s rural society and its monumental changes depicted in these documentary films, providing a comprehensive perspective and a macroscopic view for the creation of related documentary works (Mao Yurong, 2022).

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Lin, Yi Wei, Can Yi Duan y Xiao Nan Zhang. "Power Fiber to the Home will Open a New Era of Information". Applied Mechanics and Materials 380-384 (agosto de 2013): 2524–28. http://dx.doi.org/10.4028/www.scientific.net/amm.380-384.2524.

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The advent of information epoch and the establishment of the smart home and city have cultivated and accelerated the formation of the power fiber to the home (PFTTH). The analysis on the development course of fiber to the home (FTTH) in both China and abroad, as well as the problems of Chinese broadband and its solutions all illustrate that PFTTH is the best solution of energy conservation, environmental protection, resources optimization and breaking the deadlock of the integration of three networks. The success and the rapid popularization of the PFTTH pilots in many places of China push the integration of the four networks forward. Meanwhile, the vigorous development of the smart grid makes the PFTTH fall into place. The huge fiber network formed by the grid has the function of Infobahn. And through the open transportation of the pipeline route, telecom and the broadcasting, building an informative network with Chinese characteristics begins to show effects. Supported by the related policies of the government, PFTTH is bound to open a new era of information.

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Wang, Yang y In Sik Shin. "A Symbol Mark Study of the Signs of Korean, Chinese and Japanese National Broadcasting and Television Companies". Treatise on The Plastic Media 22, n.º 3 (31 de agosto de 2019): 260–71. http://dx.doi.org/10.35280/kotpm.2019.22.3.29.

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Landsberger, Stefan. "Harmony, Olympic Manners and Morals—Chinese Television and the 'New Propaganda' of Public Service Advertising". European Journal of East Asian Studies 8, n.º 2 (2009): 331–55. http://dx.doi.org/10.1163/156805809x12553326569632.

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AbstractOver the past three decades, Chinese media have moved away from the tight controls under which they were kept since 1949. This forced those responsible for popular education to reconsider how their messages can be presented best to the public. Written propaganda, as published in newspapers, reached less and less people and was seen as boring and ineffective; the propaganda posters of the past could not compete with the many moving images and the glossy commercial messages that entered China. Television was seen as the most effective medium to present a modernized type of propaganda. As a result, the Party became a producer of 'public service advertising' (PSA, gongyi guanggao). Commercial advertising has inspired contents and forms of these PSA in major ways. Despite their important function in the wider framework of thought work, the production of PSA is hampered by three partially interrelated problems: financing, production and broadcasting. In the run-up to the Beijing 2008 Olympic Games, the number and intensity of PSA increased.

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Fang, Zhiyu. "Contemporary Chinese Sculpture Promoting the “Idea of China” (the case of Cao Chunsheng and Deng Ke)". Scientific and analytical journal Burganov House. The space of culture 18, n.º 6 (10 de diciembre de 2022): 95–100. http://dx.doi.org/10.36340/10.36340/2071-6818-2022-18-6-95-100.

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Ever since the beginning of the Reform Era, China rapidly and steadily walks the path of socialism with Chinese characteristics. Moving towards the new era, the Chinese government and society do not forget about their values and guidelines, the "Idea of China" is developed in art. Art pieces aim to promote Chinese cultural traditions, patriotism, the fighting spirit of Chinese nation. Sculpture is actively involved in this process as one of the art forms that allows broadcasting ideas about beauty and justice. Over the years, sculptors have persisted in exploring different genres and styles, which has gradually improved the creation of contemporary “China's theme” in sculpture and formed a distinctive diversity. Among the sculptors that contributed to this process, the most representative and prominent artists are Cao Chunsheng and Deng Ke, who both have formed unique and distinctive styles. Cao Chunsheng as a sculptor from older generation, has undergone the influence of the “Soviet school” and has a vast experience in large-scale monument sculpture. In his art he mainly focuses on major historical themes. Deng Ke belongs to the emerging generation of sculptors who grew up in the Reform Era. Most of her works are small and medium-sized easel sculptures, and her favoured topic is life and society in the new times. Both sculptors work in different styles and genres, but together they form the face of contemporary sculpture promoting the “Idea of China” that this paper seeks to explore.

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Zhan, Yun. "Research on the Marketing Strategy of Chinese Television Dramas in the Digital Era". Highlights in Business, Economics and Management 23 (29 de diciembre de 2023): 149–56. http://dx.doi.org/10.54097/nr22n276.

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The rapid evolution of the Chinese television industry in the digital era has necessitated innovative marketing strategies to captivate diverse audiences. This study delves into the dynamic interplay between online streaming services, social media engagement, influencer collaborations, fan interactions, and crossover collaborations in the context of Chinese television dramas. The research background highlights the industry’s transition from conventional broadcasting to online platforms, emphasizing the growing significance of digital marketing strategies. Recognizing the pivotal role of youths as a valuable audience category, this paper addresses the challenges digital marketing faces in attracting and engaging this demographic. The research results reveal that while online streaming services and social media platforms enhance accessibility, content saturation, and content dispersion across platforms pose challenges in maintaining engagement. The integration of influencers and fan engagement has driven viewership and cultivated a sense of belonging; however, authenticity concerns and managing fan expectations remain key issues. Crossover collaborations and product placements exhibit potential for synergies between e-commerce and entertainment industries, though incongruity with storyline and execution challenges needs careful consideration. The research findings hold significant implications for Chinese television industry stakeholders, offering a comprehensive understanding of effective marketing practices, challenges, and solutions, thereby enhancing the business value of Chinese television dramas through informed decision-making, sustainable growth, and a global reach. The findings empower content creators, production houses, marketers, and streaming platforms to tailor strategies that resonate with audiences and enhance viewer engagement, crafting effective marketing strategies in the digital era.

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