Artículos de revistas sobre el tema "Chinese artists"
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Meng, Qian. "The Music Image in the Image — On the Visual Representation of the Music Image in the Painting Exhibition of Qiu Xiaofei". Arts Studies and Criticism 3, n.º 2 (6 de julio de 2022): 217. http://dx.doi.org/10.32629/asc.v3i2.919.
Texto completoChai, Fangyuan, Kaiping Peng y Feng Yu. "Pricing Aesthetics: How Cognitive Perception Affects Bidding for Artworks". Social Behavior and Personality: an international journal 44, n.º 4 (18 de mayo de 2016): 541–54. http://dx.doi.org/10.2224/sbp.2016.44.4.541.
Texto completoClunas, Craig. "Chinese Art and Chinese Artists in France (1924-1925)". Arts asiatiques 44, n.º 1 (1989): 100–106. http://dx.doi.org/10.3406/arasi.1989.1262.
Texto completoZhang, Yue. "Governing Art Districts: State Control and Cultural Production in Contemporary China". China Quarterly 219 (24 de julio de 2014): 827–48. http://dx.doi.org/10.1017/s0305741014000708.
Texto completoKyan, Winston. "The queer art of Yan Xing: Towards a global visual language of sex, desire and diaspora". Journal of Contemporary Chinese Art 9, n.º 1 (1 de julio de 2022): 157–75. http://dx.doi.org/10.1386/jcca_00060_1.
Texto completoPan, Gaojie. "Art practices of the Chinese women diaspora: On cultural identity and gender modernity". Journal of Contemporary Chinese Art 9, n.º 1 (1 de julio de 2022): 45–68. http://dx.doi.org/10.1386/jcca_00055_1.
Texto completoKruglova, Maria S. "Trash-art in China and Korea: Struggle for the Cultural Heritage — the Case of Porcelain". Oriental Courier, n.º 4 (2022): 117. http://dx.doi.org/10.18254/s268684310023833-4.
Texto completoTsyaomin, Mi. "Main Intersections in the Approaches of Russian and Chinese Artists to Chinese Landscapes Painting". Культура и искусство, n.º 4 (abril de 2022): 33–46. http://dx.doi.org/10.7256/2454-0625.2022.4.37855.
Texto completoCanbolat, Ayse. "Over Thousands: Ai Weiwei and Antony Gormley in Ceramic Perspective". New Trends and Issues Proceedings on Humanities and Social Sciences 4, n.º 11 (28 de diciembre de 2017): 214–21. http://dx.doi.org/10.18844/prosoc.v4i11.2877.
Texto completoZhang, Lin y Taj Frazier. "‘Playing the Chinese card’: Globalization and the aesthetic strategies of Chinese contemporary artists". International Journal of Cultural Studies 20, n.º 6 (24 de agosto de 2015): 567–84. http://dx.doi.org/10.1177/1367877915600554.
Texto completoVikram, Anuradha. "Spectres of orientalism: Patty Chang and Chinese American art in the pandemic". Journal of Contemporary Chinese Art 9, n.º 3 (1 de noviembre de 2022): 353–85. http://dx.doi.org/10.1386/jcca_00071_1.
Texto completoYang, F. "Exhibition of Chinese Artists’ Plein Air Sketches at St. Petersburg Union Of Artists". Университетский научный журнал, n.º 52 (2020): 127–35. http://dx.doi.org/10.25807/pbh.22225064.2020.52.127.135.
Texto completoFei, Yan. "Xu Beihong and his activities in the field of popularization of Chinese painting abroad". Культура и искусство, n.º 5 (mayo de 2022): 10–18. http://dx.doi.org/10.7256/2454-0625.2022.5.37942.
Texto completoEschenburg, Madeline y Ellen Larson. "The Round Table 03 圆桌: A Conversation with Xu Bing". Contemporaneity: Historical Presence in Visual Culture 4 (3 de agosto de 2015): 201–7. http://dx.doi.org/10.5195/contemp.2015.157.
Texto completoЮаньпэн, Хуан y Цинь Тинтин. "The Yellow River in modern Chinese painting: artistic image and means of its expression". Iskusstvo Evrazii [The Art of Eurasia], n.º 2(25) (30 de junio de 2022): 26–35. http://dx.doi.org/10.46748/arteuras.2022.02.002.
Texto completoKuryanova, Anastasia M. "Russian Artists at the Russian Orthodox Ecclesiastical Mission in Beijing in the 19th Century: Some Research Concerns". Oriental Courier, n.º 4 (2022): 105. http://dx.doi.org/10.18254/s268684310023832-3.
Texto completoYang, Fei. "Individual Approaches of Chinese Artists to Landscape Painting". Университетский научный журнал, n.º 61 (2021): 265–79. http://dx.doi.org/10.25807/22225064_2021_61_265.
Texto completoJiehong, Jiang. "Contemporary Chinese artists in the globalized art world". Journal of Contemporary Chinese Art 5, n.º 1 (1 de marzo de 2018): 3–6. http://dx.doi.org/10.1386/jcca.5.1.3_2.
Texto completoMerlin, Monica. "Cao Fei: Rethinking the global/local discourse". Journal of Contemporary Chinese Art 5, n.º 1 (1 de marzo de 2018): 41–60. http://dx.doi.org/10.1386/jcca.5.1.41_1.
Texto completoXiangsheng, Feng. "A Conversation between Chinese Artists and Mexican Painter David Alfaro Siqueiros". ARTMargins 9, n.º 1 (febrero de 2020): 92–99. http://dx.doi.org/10.1162/artm_a_00257.
Texto completoVostrikova, Ekaterina. "THE НWAJOHWA GENRE (BIRD-AND-FLOWER PAINTING)IN KOREAN TRADITIONAL PAINTING OF THE LATE CHOSŎN PERIOD (18th - EARLY 20th CENTURIES)". Scientific and analytical journal Burganov House. The space of culture 17, n.º 3 (10 de septiembre de 2021): 31–49. http://dx.doi.org/10.36340/2071-6818-2021-17-3-31-49.
Texto completoWang, Yang. "Envisioning the Third World: Modern Art and Diplomacy in Maoist China". ARTMargins 8, n.º 2 (junio de 2019): 31–54. http://dx.doi.org/10.1162/artm_a_00234.
Texto completoCao, Jing. "Introduction to “A Conversation between Chinese Artists and Mexican Painter David Alfaro Siqueiros”". ARTMargins 9, n.º 1 (febrero de 2020): 83–91. http://dx.doi.org/10.1162/artm_a_00256.
Texto completoLizun, Damian, Teresa Kurkiewicz, Bogusław Szczupak y Jarosław Rogóż. "A Multi-Analytical Investigation of Liu Kang’s Colour Palette and Painting Technique from the Shanghai Period (1933–1937)". Applied Sciences 13, n.º 4 (13 de febrero de 2023): 2414. http://dx.doi.org/10.3390/app13042414.
Texto completoOng, Emelia Ian Li. "Resistance and Representation: The Making of Chinese Identity in the Art of The Yiyanhui and the Equator Art Society in 1950s Singapore". Wacana Seni Journal of Arts Discourse 19 (31 de diciembre de 2020): 13–27. http://dx.doi.org/10.21315/ws2020.19.2.
Texto completoLeibenluft, Michael y Maja-Stina Johansson Wang. "Spiritual Farming: Performance at Shanghai's Downstream Garage". TDR/The Drama Review 58, n.º 1 (marzo de 2014): 24–41. http://dx.doi.org/10.1162/dram_a_00326.
Texto completoValjakka, Minna. "Parodying Mao’s Image: Caricaturing in Contemporary Chinese Art". Asian Studies, n.º 1 (1 de diciembre de 2011): 87–114. http://dx.doi.org/10.4312/as.2011.-15.1.87-114.
Texto completoConceison, Claire. "What's New-and Renewed-Onstage in China". TDR/The Drama Review 47, n.º 1 (marzo de 2003): 74–80. http://dx.doi.org/10.1162/105420403321250008.
Texto completoXing, Nizhen. "Associations of Chinese Artists in the World and Promotion of Chinese Art Abroad". Университетский научный журнал, n.º 65 (2022): 163–72. http://dx.doi.org/10.25807/22225064_2021_65_163.
Texto completoFong, Mary H., Marsha Weidner, Ellen Johnston Laing, Irving Yucheng Lo, Patricia Fister y Lucy Lim. "Views from Jade Terrace: Chinese Women Artists 1300-1912". Woman's Art Journal 17, n.º 1 (1996): 41. http://dx.doi.org/10.2307/1358528.
Texto completoZhang, Suixin. "Chinese Artists Living Abroad: Art, Cultural Identity and Hybridity". Advances in Social Science and Culture 4, n.º 1 (27 de febrero de 2022): p39. http://dx.doi.org/10.22158/assc.v4n1p39.
Texto completoLee, Joohyun. "Chinese Artists visiting North Korea during the Korean War". Journal of Korean Association of Art History Education 30 (31 de agosto de 2015): 187. http://dx.doi.org/10.14769/jkaahe.2015.08.30.187.
Texto completoLuo, Yun, Pengcheng Xiang y Bo Li. "Research on Sustainable Development Model of Chinese Artist Village". Buildings 13, n.º 1 (9 de enero de 2023): 164. http://dx.doi.org/10.3390/buildings13010164.
Texto completoYi, Gu. "The “Peasant Problem” and Time in Contemporary Chinese Art". Representations 136, n.º 1 (2016): 54–76. http://dx.doi.org/10.1525/rep.2016.136.1.54.
Texto completoXing, Nizhen. "Associations of Artists of “Greater China” in the System of Creative Unions of the Chinese Artists". Manuskript, n.º 12 (diciembre de 2021): 2876–81. http://dx.doi.org/10.30853/mns20210499.
Texto completoFurmanik-Kowalska, Magdalena. "Which tradition is mine? Chinese women artists and cultural identity". Journal of Contemporary Chinese Art 6, n.º 2 (1 de septiembre de 2019): 305–19. http://dx.doi.org/10.1386/jcca_00009_1.
Texto completoSur, Heui-yeon. "A Study on the Art Strategy of Wenda Gu". Korean Society of Calligraphy 41 (30 de septiembre de 2022): 213–45. http://dx.doi.org/10.19077/tsoc.2022.41.09.
Texto completoYui, Wei. "Chinese Women’s Art". Культура и искусство, n.º 5 (mayo de 2022): 86–95. http://dx.doi.org/10.7256/2454-0625.2022.5.38062.
Texto completoHuang, Yuanpeng y Galina Alekseeva. "The Image of the Yellow (Huang He) River in Chinese Painting". Bulletin of Baikal State University 31, n.º 4 (28 de diciembre de 2021): 546–52. http://dx.doi.org/10.17150/2500-2759.2021.31(4).546-552.
Texto completoLu, Sa. "The role of the "plum blossom" in the development of traditional landscape painting in China". Философия и культура, n.º 7 (julio de 2022): 139–47. http://dx.doi.org/10.7256/2454-0757.2022.7.38534.
Texto completoCooper, Sarah. "Decolonial gesture and the screening of the botanical artist in Miasma, Plants, Export Paintings (Bo Wang and Pan Lu, 2017)". Alphaville: Journal of Film and Screen Media, n.º 23 (15 de julio de 2022): 93–110. http://dx.doi.org/10.33178/alpha.23.05.
Texto completoFan, Liu. "Lijiang river image in painting of Chinese 20TH century artists". Humanities science current issues 2, n.º 39 (2021): 33–41. http://dx.doi.org/10.24919/2308-4863/39-2-6.
Texto completoГрачева, С. М. "Creative mutual influences of contemporary St. Petersburg and Chinese artists". Iskusstvo Evrazii [The Art of Eurasia], n.º 4(23) (29 de diciembre de 2021): 86–101. http://dx.doi.org/10.46748/arteuras.2021.04.007.
Texto completoKelly, Niamh Ann. "Chinese Whispers: A Portfolio of Irish Residencies for Visual Artists". Circa, n.º 93 (2000): 15. http://dx.doi.org/10.2307/25563607.
Texto completoQin, Xiaofeng y Natalia A. Fedorovskaya. "Specifics of Russian-Chinese Cross-Cultural Communication in the Field of Fine Art of the Second Half of the 20th — Early 21st Century". Observatory of Culture 17, n.º 6 (10 de febrero de 2021): 582–93. http://dx.doi.org/10.25281/2072-3156-2020-17-6-582-593.
Texto completoPedone, Valentina y Federico Picerni. "Body and language as carriers of transculturality in two Sinophone transnational artists". Journal of Contemporary Chinese Art 9, n.º 1 (1 de julio de 2022): 133–55. http://dx.doi.org/10.1386/jcca_00059_1.
Texto completoEdwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons". Journal of Asian Studies 72, n.º 3 (20 de junio de 2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.
Texto completoByrnes, Corey. "Chinese Landscapes of Desolation". Representations 147, n.º 1 (2019): 124–60. http://dx.doi.org/10.1525/rep.2019.147.1.124.
Texto completoLiveri, Angeliki. "Fu-lin dances in medieval Chinese art - Byzantine or imaginary?" Zbornik radova Vizantoloskog instituta, n.º 56 (2019): 69–94. http://dx.doi.org/10.2298/zrvi1956069l.
Texto completoHamlyn, Nicky. "London Avant-Garde Round-Up". Film Quarterly 61, n.º 2 (2007): 46–55. http://dx.doi.org/10.1525/fq.2007.61.2.46.
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