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Artículos de revistas sobre el tema "Character types - fiction"

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Publicado: 25 de julio de 2024

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1

Gultom, Feriyanti Elina. "The Relationship between Theme and Character in Fiction Movie Inside Out." BAHAS 33, no. 1 (2022): 3. http://dx.doi.org/10.24114/bhs.v33i1.35546.

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AbstractTheme is the main idea or thought in writing. Meanwhile character is the actor who experiences events and problems in the story or fiction so that the event become an interesting story. There is a close relationship between theme and character in story.The purpose of this study is to describe: (1) the relationship between theme and character through feelings, (2) the relationship between theme and character through thoughts, and (3) the relationship between theme and character through action. This study used a qualitative approach. The method used is descriptive analysis. Types of data

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2

Bennema, Cornelis. "A Theory of Character in the Fourth Gospel with Reference to Ancient and Modern Literature." Biblical Interpretation 17, no. 4 (2009): 375–421. http://dx.doi.org/10.1163/156851508x329700.

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AbstractBoth literary theory and biblical narrative criticism lack an articulate, comprehensive theory of character. Many Gospel critics perceive character in the Hebrew Bible (where characters can develop) to be radically different from that in ancient Greek literature (where characters are supposedly consistent ethical types). Most people also sharply distinguish between modern fiction and its psychological, individualistic approach to character and ancient characterization where character lacks personality or individuality. In Part I, we examine concepts of character in ancient Hebrew and G

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3

Hnatkovska, Olena. "The Syntax of Unreliable Narrators’ I-Utterances in ‘Gone Girl’ by G. Flynn." Linguaculture 9, no. 1 (2018): 69–83. http://dx.doi.org/10.47743/lincu-2018-1-0114.

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Unreliable narration research raises the problem of truthful information presented in fiction, which is for the most part made up. However, the truth in the fictional world is what the reader believes to be true. Therefore, deliberate deluding or confusing the reader by an untrustworthy character creates an additional fictional layer consisting of false facts. This represents the contradiction between the imaginary and the fake, the latter being untrue in terms of fiction. The paper examines how the author of the best-selling novel Gone Girl realizes her intention of deceiving or misleading th

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4

Namukuru, Milcah, Dr Joseph Musungu, and Felix Orina. "Contemporary Kenyan Contexts and Adult Character types in Select Children’s Literature." International Journal of Research and Innovation in Social Science VII, no. VIII (2023): 839–50. http://dx.doi.org/10.47772/ijriss.2023.7861.

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This present article focuses on the relationship between contemporary Kenyan Context and Adult Character types present in select Kenyan children’s literary texts. The texts include; “Uncle Sese and The Sunday School Project” by Kabaji, and “Naomi and Cindy” and “Naomi in her New School” by Muleka. The study aims at identifying different contexts that give rise to the various adult character types present in the texts. The study shows that there is a close link between the contexts the writers have painted in their works and the characters in those works. This indicates that perhaps there is as

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5

McCorkell, Tobias. "Colonial Australian fiction: character types, social formations and the colonial economy." Journal of Postcolonial Writing 55, no. 2 (2019): 290–91. http://dx.doi.org/10.1080/17449855.2019.1614263.

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6

Ratih, Ni Wayan Nari, Made Buadiarsa, and Gede Primahadi Wijaya Rajeg. "Characterization of the Characters in The Pursuit Of Happyness Movie." Udayana Journal of Social Sciences and Humanities (UJoSSH) 6, no. 1 (2022): 5. http://dx.doi.org/10.24843/ujossh.2022.v06.i01.p02.

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This study intended to identify the types of the main and secondary character and to describe the characterization method used by the author to represent the characters in the movie. This study applied the theory proposed by William Kenney (1966) in the book How to Analyze Fiction and the theory by Pickering and Hoeper (1962) in the book Concise Companion to Literature. The data of this study were analyzed by descriptive qualitative method. The result of this study shows the types of characters, which are Chris Gardner and Christopher. Based on the data analysis, they are can be categorized as

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7

KAYA, Ahmet. "TYPES IN THE NOVEL "A WEDDING NIGHT"‎." RIMAK International Journal of Humanities and Social Sciences 04, no. 02 (2022): 417–25. http://dx.doi.org/10.47832/2717-8293.16.27.

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One of the most important authors of Turkish literature, Adalet Ağaoğlu, the second book in the Dar Zamanlar trilogy, tells the social transformation of the country by focusing on the inner world of the characters. A Wedding Night; describing the people of the period on the brink of social, political, political and historical events; this is a novel that shows us the identity conflict that these people experience. Adalet Ağaoğlu has an important place among contemporary novelists. In his novels, he examined the time period starting from the first generations raised by the Republic until the 19

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8

González-Díaz, Victorina. "‘A patient act of adjustment’: Subjectivisation, adjectives and Jane Austen." Language and Literature: International Journal of Stylistics 30, no. 3 (2021): 276–98. http://dx.doi.org/10.1177/09639470211023245.

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Previous scholarship on Jane Austen has often commented on the moral overtones of her lexical choices; more specifically, the fact that “incorrect” lexical innovations and fashionable words (i.e. new usages) tend to be deployed as part of the idiolect of foolish, gullible or morally reprehensible characters. By contrast, ethically sound characters normally move within the limits of established (‘old’) usages and the “correct” Standard English repertoire. Taking the historical linguistic concept of subjectivisation as starting point, this case-study explores the use of two adjectives ( lovely a

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9

KINSUI, Satoshi, and Hiroko YAMAKIDO. "Role Language and Character Language." Acta Linguistica Asiatica 5, no. 2 (2015): 29–42. http://dx.doi.org/10.4312/ala.5.2.29-42.

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Since Kinsui's (2000, 2003) initial proposal, research on role language has progressed with the topics growing more diverse. In this paper we propose that a peculiar speech style assigned to a certain character in fiction should be treated as character language rather than role language. Role language, which is based on social and cultural stereotypes, is a subset of character language. Given that role language is also a linguistic stereotype, its knowledge should be widely shared by members of the speech community, and its patterns within limits. Character language, on the other hand, allows

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10

Ensslin, Astrid. "The Interlocutor in Print and Digital Fiction: Dialogicity, Agency, (De-)Conventionalization." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 3 (2018): 21–34. http://dx.doi.org/10.14195/2182-8830_6-3_2.

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Digital fiction typically puts the reader/player in a cybernetic dialogue with various narrative functions, such as characters, narrative voices, or prompts emanating from the storytelling environment. Readers enact their responses either verbally, through typed keyboard input, or haptically, through various types of physical interactions with the interface (mouseclick; controller moves; touch). The sense of agency evoked through these dialogic interactions has been fully conventionalized as part of digital narrativity. Yet there are instances of enacted dialogicity in digital fiction that mer

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11

Aksenova, Anastasia A. "Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (2020): 487–96. http://dx.doi.org/10.22363/2312-9220-2020-25-3-487-496.

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The article is devoted to the question of some data obtained by Polish philosopher Roman Ingarden, and primarily to his study of the literary work of art. Development upon Ingardens ideas is associated with use of Russian authors which are rarely treated in phenomenological aesthetics. The dynamic types of the image structure is that appear as potential states and actualize themselves in the readers reception as problem of imageability of fictional entities. Thus the dynamic character of types of an image structure is a transition from non-thematic background into its actual state and back. To

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12

Ramazanov, T., and A. Sadyk. "DIALOGUE IN A LITERARY TEXT: STRUCTURE AND FUNCTIONS." Tiltanym, no. 2 (June 30, 2023): 200–210. http://dx.doi.org/10.55491/2411-6076-2023-2-200-210.

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The paper is dedicated to the structure and function of dialogue in the text of a work of fiction. The human traits have many different characteristics. Each person is known by his/her own character. In a work of fiction, a character remains in the reader's memory along with his appearance and character. The character of every personage in the text of a literary work can be different. That is why the character of the personage leaves a positive or negative, pleasant or unpleasant impression. In the paper, character traits are differentiated and clarified through dialogues.The research paper de

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13

Brauneis, Adrian. "Fiktive Tatsachen, ihre Relativität und deren Angabe." Scientia Poetica 24, no. 1 (2020): 133–72. http://dx.doi.org/10.1515/scipo-2020-005.

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AbstractThe present article is concerned with the term realism. It develops an argument to distinguish between two different types: epistemically reflexive and non-reflexive realism. Wherever a fiction prompts its readers to distinguish between speaker-utterances from utterances not tied to a fictive character realism of the epistemically non-reflexive variety is at hand. Such a fiction posits a reality not to be reduced to the conceptual scheme of its fictive inhabitants. Realism of the epistemically reflexive sort indicates the relativity of the very conceptual fabric by which utterances not

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14

Sen, Erhan, and Sedat Karagul. "A Study of Secondary School Students’ Perceptions of Fictional Characters." International Journal of Educational Methodology 7, no. 3 (2021): 433–46. http://dx.doi.org/10.12973/ijem.7.3.433.

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<p style="text-align: justify;">Fictional characters give literary works a sense of reality. The actions of fictional characters play a crucial role in children's personality development. Young readers who lack critical reading skills are more likely to incorporate fictional characters into their lives because they have a hard time telling reality from fiction. Therefore, we should determine how children perceive fictional characters and teach them that they are imaginary figures. In this way, we can help them approach those characters' actions from an external and critical perspective.

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15

Sukalenko, Tetiana. "Verbalization of evaluation in prose and dramatic genres." 89, no. 89 (December 13, 2021): 59–65. http://dx.doi.org/10.26565/2227-1864-2021-89-10.

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The article deals with the study of the peculiarities of linguistic expression of the category of assessment, which as a universal language category operating at different language levels, plays an important role in the choice of native speakers and, consequently, culture, language means of information and is equally important for mental processes of perception, comprehension and acceptance or non-acceptance of this information. The publications in the scientific literature on various aspects of the study of the category of evaluation in terms of language have been reviewed. The analysis of th

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16

Djenar, Dwi Noverini, and Michael C. Ewing. "Language varieties and youthful involvement in Indonesian fiction." Language and Literature: International Journal of Stylistics 24, no. 2 (2015): 108–28. http://dx.doi.org/10.1177/0963947015573387.

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This article explores new functions served by language varieties in fiction. Focusing our analysis on two types of texts in Indonesian – teen fiction and comics – we examine the interplay between standard and colloquial varieties to show how they are used together with non-verbal elements to promote youthful involvement. We identify three ways in which involvement is created in the texts: through free indirect discourse, non-verbal cues, and the gradual building of empathy indicated by shifting perspectives. We show that shifts from narrator’s to character’s perspective are shifts in alignment

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17

CHERKASHYNA, Tetiana, and Bohdan PARAMONOV. "NONFICTIONAL LITERATURE: NATURE, TYPOLOGY, TERMINOLOGY." 6, no. 6 (December 9, 2021): 72–100. http://dx.doi.org/10.26565/2521-6481-2021-6-04.

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The article is devoted to the reviewing of theoretical aspects of nonfiction literature. Similar in semantic content, but not identical terms as nonfictional literature, nonfictional writing, literature of fact, factography, fiction-documentary literature, fiction-documentary prose, fiction-documentary writing, literary nonfiction, literature of non-fiction, nonfictional prose, factual narrative, which have become commonly used in American, Spanish, Ukrainian, French, Slavic terminology, are analyzed. All these terms refer to a set of texts written on the basis of real events without the use o

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18

Fukson, Leonid Yu. "Fiction cosmos as an object of interpretation." Sibirskiy filologicheskiy zhurnal, no. 4 (2021): 49–55. http://dx.doi.org/10.17223/18137083/77/4.

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The degree of comprehensibility of any art creation depends on its perception as a coherent whole. It is one of the axioms of hermeneutics. Nonetheless, the internal links of a fictional text can be divided into two different types by similarity and by contrast. This fact allows for an analogy that is due to the fiction world being somewhat similar to the real world, i.e., arranged quite in line with the doctrine of the ancient Greek philosopher Empedocles. This philosopher thought the complex unity of the cosmos to be organized by two opposite powers - Love (φιλία) and Feud (νέικος). A modern

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19

Khabibullina, Lilia F. "Postcolonial Trauma in the 21st-Century English Female Fiction." Imagologiya i komparativistika, no. 15 (2021): 89–104. http://dx.doi.org/10.17223/24099554/15/5.

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The postcolonial fiction of the 21st century has developed a new version of family chronicle depicting the life of several generations of migrants to demonstrate the complexity of their experience, different for each generation. This article aims at investigating this tradition from the perspective of three urgent problems: trauma, postcolonial experience, and the “female” theme. The author uses the most illustrative modern women’s postcolonial writings (Z. Smith, Ju. Chang) to show the types of trauma featured in postcolonial literature as well as the change in the character of traumatic expe

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20

Stephens, John. "Impartiality and Attachment: Ethics and Ecopoeisis in Children's Narrative Texts." International Research in Children's Literature 3, no. 2 (2010): 205–16. http://dx.doi.org/10.3366/ircl.2010.0108.

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Social movements taken up in children's literature since the 1960s have foregrounded the ethical concerns of changing societies in a range of areas that includes environmental and ecological issues. While philosophers align ethical responsibility with a need to be impartial, fiction will routinely violate impartiality because of social and emotional attachments deemed desirable for personal and general well-being. Such attachments are rendered strongly in children's fiction because of the textual dominance of heavy character focalisation in both first person and third person narratives, and th

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21

Krylova, Maria N. "The preposition of Comparasion vrode in various types of discourse in the modern Russian language: history, morphological status, functioning." Current Issues in Philology and Pedagogical Linguistics, no. 1(2021) (March 25, 2021): 246–55. http://dx.doi.org/10.29025/2079-6021-2021-1-246-255.

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The study raises the issue of the preposition of comparasion vrode functioning in various types of discourse in the modern Russian language. The goal was to identify various ways of introducing a unit into a text, both separately and in combination with other linguistic units, and expanding the possibilities of its use in different discourses. The research was carried out on a representative selection of language material with the employment of the resources of the Russian National Corpus. The preposition vrode, actively used by a native speaker, who with its help makes the comparison more con

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22

S. Green, Mitchell. "From Signaling and Expression to Conversation and Fiction." Grazer Philosophische Studien 96, no. 3 (2019): 295–315. http://dx.doi.org/10.1163/18756735-09603002.

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This essay ties together some main strands of the author’s research spanning the last quarter-century. Because of its broad scope and space limitations, he prescinds from detailed arguments and instead intuitively motivates the general points which are supported more fully in other publications to which he provides references. After an initial delineation of several distinct notions of meaning (Section 1), the author considers (Section 2) such a notion deriving from the evolutionary biology of communication that he terms ‘organic meaning’, and places it in the context of evolutionary game theo

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23

Smoręda, Agnieszka. "The breakthrough character of The X-Files: Genre hybridity and narrative structure." Literatura i Kultura Popularna 24 (April 18, 2019): 173–83. http://dx.doi.org/10.19195/0867-7441.24.13.

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The breakthrough character of The X-Files: Genre hybridity and narrative structureThe X-Files should be considered a breakthrough television series, based on its approach to genre hybridity and narrative structure. The series defies traditional genre classifications, combining elements usually attributed to police procedurals, science fiction, and including elements that can be found in horror and sitcom, as well. The article examines how the series mixes these mainstream and cult genres to create a unique genre hybrid attractive to various types of audience. Furthermore, the article analyzes

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24

Filippova, Olga I. "Frame Analysis of Redundancy Means in a Fiction Text." Nizhnevartovsk Philological Bulletin 9, no. 1 (2024): 123–32. http://dx.doi.org/10.36906/2500-1795/24-1/10.

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The article examines the phenomenon of redundancy, analyzed as one of the main means of highlighting key information in a fiction text. The purpose of the scientific research is to identify the conceptual significance of the cognitive category of redundancy and to substantiate the expediency of using frame analysis in interpreting the means of redundancy in a fiction text. The research uses taxonomic, descriptive-analytical, functional, stylistic, conceptual and frame scientific methods of analysis. The conducted taxonomic analysis revealed the main means of redundancy: various types of repeti

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25

Ripoll, Élodie. "Les chants des oiseaux dans les fables : topoï, types et savoirs zoologiques." Topiques, études satoriennes 6 (February 15, 2023): 1–16. http://dx.doi.org/10.7202/1096699ar.

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From the end of the 17th century, the rich bestiary of the fables offers an ideal field of exploration to test the hypothesis of the topics of sound. Among the many crows, storks, roosters, owls, pigeons, sparrows, eagles, peacocks, nightingales, most of them have a singular, recognisable, imitable voice. All or almost all of them are anthropomorphised, as well as speak and play a major role in fiction. This article seeks to address the following questions based on the fables of La Fontaine, Perrault, Furetière, Fénelon and Mme de Villedieu in addition to Philippe Desprez and Houdar de la Mott

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26

Bayakhmetova, Aysulu Akhmetbekovna, and Zauresh Kalikhanovna Omarova. "Multi-aspect of the use of diminutives in the texts of art works." Bulletin of Toraighyrov University. Philology series, no. 2,2021 (June 1, 2021): 27–36. http://dx.doi.org/10.48081/heqk5677.

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Derivatives in the modern Russian language fulfill a certain functional and stylistic role and, as a rule, express emotional, expressive and evaluative meaning. Appellatives with diminutive formants in works of art are the means of characterizing a character and a message about the emotional state of the characters. This article examines the multifaceted nature of the use of diminutive formants in the texts of works of art. Works of fiction involve the search for a variety of means of expression and depiction. This leads to the creation of different stylistic contexts necessary to convey a par

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27

Anindya, Grace, and Emanuella C. Natalia Mau. "Dian-Tara: A Final Project of Gothic and Tragedy Novelette." International Dialogues on Education Journal 9, no. 1 (2022): 8–19. http://dx.doi.org/10.53308/ide.v9i1.275.

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This paper explains the process of creating a novelette entitled Dian-Tara. The novelette was written in one linear plot with external narration using narrative theory or narratology. Tragedy and gothic fiction were chosen as the genres since they could create a sense of eeriness in the audience. The issues and phenomena raised in the novelette were the impact of a broken family on children and also what society can do to help the victims. This undergraduate final work adapted Aristotle’s Poetics by having the three-act structure and catharsis for the resolution. The theory of narrative by Tzv

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28

Atamanchuk, V. P. "MODELLING OF FICTIONAL CONSCIOUSNESS OF THE CHARACTER IN THE DRAMATIC SCENE OF LESYA UKRAINKA “IPHIGENIA IN TAVRIDA”." Literary Studies, no. 61 (2021): 14–19. http://dx.doi.org/10.17721/2520-6346.2(61).14-19.

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The intellectual and aesthetic complexity of Lesya Ukrainka’s dramas forms multidimensional artistic spaces of her works, the appropriate means of interpretation of which are the methods of literary cognitive studies. The aim of the article is to outline the basic principles of modeling the fictional consciousness of the character in the dramatic scene “Iphigenia and Tavrida”, in particular to determine the internal and external dimensions of the construction of fictional consciousness of the heroine. The analysis of the scientific problem is carried out by using the methodology of cognitive l

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29

Revutska, S. K., and S. V. Stadniichuk. "PSYCHOLOGISM IN THE WORKS OF S. LENZ ("THE OLDEST WOMAN")." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 2 (27) (December 30, 2023): 76–81. http://dx.doi.org/10.33274/2079-4835-2023-27-2-76-81.

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Objective. The objective of the article is to identify and characterise the peculiarities of the forms and types of psychologism in the works of S. Lenz translated into Ukrainian (on the basis of “The Oldest Woman” translated by Volodymyr Vasyliuk). Methods. The main scientific results are obtained through a component analysis of the manifestations of the psyche of the characters in the story "The Oldest Woman". The main attention is paid to the psychoanalytic interpretation of emotions, states, feelings of the main character, and the means of expressing the psychological character of the work

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Xie, Zihan. "The Evolution of doppelgangers: Exploring the “Mo Yan” in Mo Yan’s Novels." SHS Web of Conferences 159 (2023): 01003. http://dx.doi.org/10.1051/shsconf/202315901003.

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There are two main types of doppelgangers in Mo Yan’s novels. The first is the use of his own personal experiences in his early works, where he takes on the persona of the main character and portrays him. The second is when Mo Yan takes the initiative to explore the techniques and structure of his novels and chooses to use the metafictional narrative technique, entering the narrative directly under his real name “Mo Yan”, exposing the fiction and confusing the real with the fake. The two doppelgangers have a sequential relationship in time and a progressive relationship in technique.

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Viktorovna, Savenko Olesya. "PERSONAL PROPER NAME IN LITERARY TEXT TO DEPRESENT THE EXTERNAL AND INNER WORLD OF A PERSON." European International Journal of Philological Sciences 4, no. 4 (2024): 31–35. http://dx.doi.org/10.55640/eijps-04-04-07.

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The article gives an interpretation of the term "proper name", defines the types of nouns in the literary text, and examines how the external and internal world of a person is described through the name of a person. Factual material -based on the works of Russian writers, describing a person's appearance through a personal name is an important element of Russian fiction. The analysis of Russian personal names in the texts taken from the works of Russian writers shows that carefully selected names of heroes can serve as an important tool in the development of the inner world, moral qualities an

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Rüsse, Paul, and Karita Nuut. "Rehepapp and Robin Hood: Tricksters or Heroes?" Interlitteraria 21, no. 1 (2016): 130. http://dx.doi.org/10.12697/il.2016.21.1.11.

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In reference books and specialised literature, the traditional distinction between the culture hero and the trickster remains surprisingly unequivocal: the latter mythological character is usually defined as the demonic or comical counterpart of the former. While it might be a useful if rigid description for an encyclopaedia, does it always hold true in works of fiction? The present essay attempts to demonstrate that the interaction of the two types is much more ambiguous, and this complex and contradictory relationship is traced through the juxtaposition of probably the best-known characters

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Matveyeva, Anna A. "The precedent name structure actualization (Based on the names from Macbeth by Shakespeare in BNC and COCA)." Theoretical and Applied Linguistics, no. 7 (2021): 104–15. http://dx.doi.org/10.22250/2410-7190_2021_7_1_104_115.

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The article aims to investigate the peculiarities of the precedent name structure actualization on the material of the British National Corpus and the Corpus of Contemporary American English. Such components of the precedent name structure as relevant features (appearance, character, precedent situation) and attributes are under analysis. The frequency of the reference to each component of the precedent name structure has been calculated. It turned out that the precedent names of Shakespeare's “Macbeth” are most often actualized through the connection with the precedent situation and the least

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Demina, Elena Anatolyevna. "Linguistic markers of represented speech in science fiction novels: a polyphonic approach." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 88–92. http://dx.doi.org/10.20339/phs.4-21.088.

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This paper aims to investigate the linguistic aspect of represented speech in the novel “The Martian Chronicles” by Ray Bradbury within the framework of M. Bakhtin’s concept of polyphony. The article provides a classification of linguistic signals of voices, determines their frequency, types of represented speech, the number of voices. The results of the study show that fragments with represented speech in the novel are few; as a rule, there are two voices in them. In other passages, despite the presence of several voices, the dialogical perspective is not expressed. Moreover, one linguistic m

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Markulyak, Larysa Vasylivna. "Means of Character Portraying in Mykhailo Kotsiubynsky's Literary Works." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 36–43. http://dx.doi.org/10.34079/2226-3055-2021-14-24-36-43.

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The article examines a portrait as a means of creating a character in the works of Mykhailo Kotsiubynsky, an outstanding Ukrainian writer of the fin de sièclе period. It is traced that an important category of poetics is the portrayal of a character. It helps to better understand the writer's intention, to reveal his creative individuality, to understand the problems of prose. Various types of portraits are identified, and the features of portraying in the novels of M. Kotsiubynsky's works are analysed. It is proved that the portrait is an emphasis on the anthropocentrism of fiction. The signi

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Hauswald, Rico. "Fiktive Figuren als Träger von Wissen und als epistemische Autoritäten." Journal of Literary Theory 13, no. 2 (2019): 161–84. http://dx.doi.org/10.1515/jlt-2019-0006.

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Abstract This essay examines the question of whether and under what conditions a fictitious character can be an epistemic authority for (real) readers; more precisely: it asks whether and under what conditions readers can acquire (propositional) knowledge from the character, thus learning something from it. In answering this question, the essay brings together two debates that have so far hardly been related to each other: an epistemological debate on the concept of epistemic authority and a literary-theoretical debate on aesthetic cognitivism, i. e., the discourse about what can be learned fr

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Cavaliere, Mauro. "Metaficción historiográfica y autoficción: diferentes compromisos con la referencialidad en Estação das Chuvas de José Eduardo Agualusa y Soldados de Salamina de Javier Cercas." Interlitteraria 24, no. 2 (2020): 479–94. http://dx.doi.org/10.12697/il.2019.24.2.16.

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Historiographic metafiction and autofiction: different commitments with the referentiality in Estação das Chuvas by José Eduardo Agualusa and Soldiers of Salamina by Javier Cercas. This article offers a comparative analysis of the novels Estação das Chuvas (1996) by the Angolan writer José Eduardo Agualusa (born in 1960) and Soldados de Salamina (2001) of the Spaniard Javier Cercas (born in 1962). The two novels belong to different geographical and cultural contexts. Nevertheless, a common sensibility – due perhaps to the same generational affiliation or to the prevalence of topics in force in

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Oberyukhtina, M. V. "Speech portrayal of a PR officer as a means of artistic expression (based on the material of Christopher Buckley's novels)." Vestnik of Samara University. History, pedagogics, philology 28, no. 1 (2022): 126–32. http://dx.doi.org/10.18287/2542-0445-2022-28-1-126-132.

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A lot of research is devoted to both the language of advertising and politics and a character`s image in the works of fiction, respectively. However, some issues related to the specificity of PR officers' work regarding public relations as a separate form of business different from advertising or marketing practices might require some clarification. In the present article the author concentrates, in particular, on the determination of types of stylistic means and other means of artistic expression in the speech of a particular character, as well as on the formation of speech portrayal of a spe

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Hall, Leo, and Simon Grennan. "Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women’s Professional Lives." Journal of Victorian Culture 24, no. 3 (2019): 380–97. http://dx.doi.org/10.1093/jvcult/vcy070.

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Abstract Discussions of the conception of that exemplar of late-nineteenth-century and early-twentieth century urban modernity, the flâneur, have focused on both critique of the figure’s masculinity and more radical and nuanced conceptions of women’s flânerie. This article considers both the re-gendering and ungendering of flânerie in the character of three flâneuses in fiction published in the 1870s, 1880s and 1910s: Madame Sidonie, Henrietta Stackpole, and Elsie Bengough, and related dissonances and synergies in the career and work of London actress and cartoonist Marie Duval, active 1869–18

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Qasim, Hafiz Muhammad, Mubina Talaat, Qamar Khushi, and Musarrat Azher. "Linguistic Choices in Hamid’s Moth Smoke: A Transitivity Analysis." International Journal of English Linguistics 8, no. 3 (2018): 303. http://dx.doi.org/10.5539/ijel.v8n3p303.

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The present study is aimed at an investigation of how meanings are construed in a literary text. The main theoretical framework employed for the data analysis was transitivity, which finds its roots in Halliday’s (1994) Systemic Functional Grammar. 21 texts from Hamid’s novel, Moth Smoke (MS) were selected as data. A sample size of 1100 complex clause sentences containing different processes, participants and circumstances was drawn for analysis. The focus of the study was the identification of transitivity patterns associated with the main characters of the novel following Simpson (2004) who

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Petel, Adir H. "Moral Geometries." Common Knowledge 26, no. 3 (2020): 453–551. http://dx.doi.org/10.1215/0961754x-8521645.

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The literary and critical discourse about characters and characterization in Anglophone drama and fiction since the Renaissance shows a persistent but underrecognized presence of three idioms and vocabularies, two highly developed and one nascent, that either derive from the rhetoric of mathematics in classical antiquity or participate in its modern afterlife. Those discourses—which this article studies in detail—are, first, an explicitly Theophrastan one, in which taxonomies of character are constructed; second, an explicitly Euclidean one, in which characterization is discussed and accomplis

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Bazhenova, Elena A., and Ekaterina E. Dymont. "Plotand Event-Driven Functions of Perfect Verbs in a Fiction Text." Vestnik Tomskogo gosudarstvennogo universiteta, no. 468 (2021): 5–14. http://dx.doi.org/10.17223/15617793/468/1.

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The article examines the role of Russian perfect verbs in text formation. Based on the texts of modern Russian writers (S. Vasilenko, D. Granin, E. Limonov, V. Pelevin, T. Tolstaya, V. Tokareva, L. Ulitskaya), the functions of the verb forms with perfect meaning in the plot organization of a fiction text are considered. The principal attention is paid to the analysis of the functions of 1) regression of the narrative, 2) progress of the narrative with a pause in the external environment or in the inner world of the character, 3) pause in the narrative. Narrative regression is interpreted as a

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Episiana Sari, Misnawati Misnawati, Lazarus Linarto, Petrus Poerwadi, and Ibnu Yustiya Ramadhan. "Nilai Pendidikan Karakter Dalam Novel Si Anak Savana Karya Tere Liye Dan Implikasinya Pada Pembelajaran Sastra Di SMA." PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA 2, no. 1 (2023): 83–107. http://dx.doi.org/10.55606/mateandrau.v2i1.223.

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This study aims to describe (1) the value of character education in Tere Liye's Novel Si Anak Savana (2) the implications for learning literature in high school.This study uses qualitative methods and types of library research. Qualitative research was used to describe the value of character education in Tere Liye's Novel Si Anak Savana and to describe its implications for teaching literature in high school. The results of the study were 14 values of character education and 28 quotes of character education values in Tere Liye's novel Si Anak Savana by Tere Liye. The 14 values of character educ

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Stan, Petruța. "Genurile biograficului, între timpul trăirii și timpul mărturisirii – invitație la re-lectură." Revista de Istorie și Teorie Literară 17 (December 30, 2023): 98–109. http://dx.doi.org/10.59277/ritl.2023.17.10.

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This paper refers to the way in which the critic Eugen Simion customises the diary into a wider and quite problematic category of writing with a biographic nature (character), always placed at the fragile border between clandestinity and publicity, establishing the fact that this type of writing, despite rejecting the literary conventions, builds its own system of rules which makes it functional, turning itself into a “fiction of nonfiction”. We identify a series of essential questions which refer to the necessity of an intimate diary, to its function, to the existence of a poetics of a diary.

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Ragachewskaya, Marina S. "MYSTICAL DISTANCE IN D.H. LAWRENCE’S SHORTER FICTION: THE SPIRIT OF PLACE AND THE LANDSCAPES OF THE HEART." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, no. 4 (2021): 42–63. http://dx.doi.org/10.18522/2415-8852-2021-4-42-63.

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This article uses the Jungian archetypal theory to analyze a selection of shorter fictions by D.H. Lawrence (the novellas The Princess (1924), St Mawr (1925), The Woman Who Rode Away (1928), The Escaped Cock (1929) and a few short stories) where the enigmatic aspect of place and distance plays an important role in the narrative, character development and personality individuation. I single out four types of the mystical distance in D.H. Lawrence, and focus on the spatial aspect. The paper shows that each novella or short story treats “the spirit of place”, albeit in a deferent light: the place

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Lee, Chae-eun. "Multilayers of Masculinities and Male Gender Practice in the ‘Hwejeol Fiction(Stories about Men Breaking His Faith)’ of the Late Joseon Dynasty." Research of the Korean Classic 64 (February 28, 2024): 261–300. http://dx.doi.org/10.20516/classic.2024.64.261.

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In the late Joseon Dynasty, a group of novels called ‘Hwejeol Fiction(Stories about Men Breaking His Faith)’ appeared. They shared the narrative that the heterosexual sexuality of the male character is confirmed through tests. This narrative means the process of confirming the heterosexual sexuality of individual men and granting them membership in the homosocial communities. This work was examined the homosocial between mens through three works of Hwejeol Fiction: ‘Jibong-jeon’, ‘Oyuran-jeon’, and ‘Samseon-gi’. First, in ‘Jibong-jeon’, a dominant man who rejects heterosexual sexuality a

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Mbewe, Ian. "Application of Political Satire in Mission to Kala and Devil on The Cross." Journal of Law and Social Sciences 5, no. 1 (2022): 69–83. http://dx.doi.org/10.53974/unza.jlss.5.1.793.

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The study attempted to demonstrate how political satire is applied in a pre-independence African fiction Mission to Kala and a post- independence African fiction Devil on the Cross. Satire, mild or bitter, has a history of being used to expose the negative socio-economic and political realities perpetrated by both the sympathisers of colonialism and later the agents of neo-colonialism in the post-independence phase. The study employed the Marxist literary theory and Literary Onomastics through stylistic analysis and demonstrated how satire exposed the evils and how a ‘training camp’ in the col

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Utebekova, A. S., Zh Kh Salkhanova, and O. A. Valikova. "Invariant art forms in the essays of Gerold Belger." Bulletin of the Karaganda university Philology series 104, no. 4 (2021): 110–15. http://dx.doi.org/10.31489/2021ph4/110-115.

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The article contemplates the genre of the essay and its invariant forms. The authors of the article point out that the essay is a genre that has a close proximity with scientific, journalistic and fiction literature, however, it does not apply entirely to any of them. From the perspective of the authors, the structure-forming principle of the essay is the leading part of the personality of the author’s production. The author-essayist can act in several roles: a real author, a social person, a private person. The entirely building of the text, its form, composition, vocabulary, and techniques a

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Chemodurova, Zinaida. "The Art of Storytelling in the Digital Age: A Multimodal Perspective." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 6 (December 2022): 110–20. http://dx.doi.org/10.15688/jvolsu2.2022.6.9.

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Using Dan Brown's Wild Symphony, Craig Silvey's The Amber Amulet, and Jon McGregor's In Winter the Sky as its case studies, this article attempts to explore a number of mechanisms and strategies contributing to the multimodal fiction construction and posing challenges for modern readers of all ages. The article proposes to examine multimodal resonance as a cognitive mechanism enhancing the emotional impact of multimodal stories on recipients and triggering the receptive mechanism of narrative empathy. Various semiotic resources, both free resources, such as photos, maps, and illustrations, and

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Dieter, Daniel G., and Elyse C. Gessler. "A preferred reality: Film portrayals of robots and AI in popular science fiction." Journal of Science & Popular Culture 4, no. 1 (2021): 59–76. http://dx.doi.org/10.1386/jspc_00025_1.

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The increasing frequency and depth of human interaction with robots and artificial intelligence (AI) prompts this research study into how media-framed portrayals of technology in popular visual media might construct social reality. Cinema serves as an important and influential form of media, and portrayals of technology in film media can influence public perceptions, specifically confirming or creating perceptions of artificial or robotic intelligence. Previous research identifies frequent portrayals of robots and AI as deceptive, aggressive monsters in films like Fritz Lang’s Metropolis and J

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