Tesis sobre el tema "Castral"
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Hébert, Jean-Pierre. "Paysage castral en Bessin et Pays d'Auge du XIVe au XVIe siècle". Paris 10, 2008. http://www.theses.fr/2008PA100125.
Texto completoIn a various geopolitical context, we studied the architecture and the social reasons of the castles in Bessin and Pays d'Auge. After their inventory, we listed them according to the forms, the characteristics of the establishment and the socio-economic level of the sleeping partners. These buildings, despite their ostentatious features, were not that huge. From what exists, with a typological approach, we tried to represent the cultural heritage by taking account of the destruction of the One Hundred Years war and other conflicts. We notice that the settings up of castles were linked to geographic situation (landscapes, climates…) and the agricultural activities. We also observed that the English occupation, the famines, the battles, the epidemics and the socio-economic context, in the XVth century, have highly influenced the construction. Almost monopoly of the nobility in the seigneuries is going to split with the arrival of the enriched middle-class persons who are going to be responsible largely of the burgeoning of buildings observed after the period of conflict. We detailed the contribution of the new techniques of construction, the choices of materials, the presence of privileged rooms like “the upper chamber”, the decoration and the comfort of the residence. A new shape of house is going to appear from the first half of the XVth century in reference to a privileged model, the "house with floor" with new tastes for decorations and, the defence equipment sight especially as a symbol of the social status
Kersuzan, Alain. "Le Réseau castral savoyard de Bresse et de Bugey pendant la guerre delphino-savoyarde : 1282-1355". Chambéry, 2002. http://www.theses.fr/2002CHAML016.
Texto completoCassan, Élodie. "Le bourg castral de Najac au Moyen âge : formation et évolution d'un paysage urbain en Rouergue occidental /". [Villefranche-de-Rouergue] (Musée Urbain-Cabrol, Pl. de la Fontaine, 12200) : Société des amis de Villefranche et du Bas-Rouergue, 2006. http://catalogue.bnf.fr/ark:/12148/cb40972843f.
Texto completoMuller, Vianney. "Le patrimoine fortifié du lignage de Neufchâtel-Bourgogne (XIIIe-XVIe siècles)". Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0130/document.
Texto completoThe seigneurial families are rarely a framework for reflection of the castral phenomenon. The Neufchatel-Burgundy’s lineage is particularly interesting for two reasons. Firstly, for its social rise between the 13th and 16th centuries and secondly, for its 37 castles which are settled through several medieval principalities, from County of Burgundy to the Duchy of Luxembourg. The historical approach allows to decrypt the territorial strategy and the adaptability to manage his familial demography. The archeology of architecture shows family’s role into construction and development of its castles. Both of these methods help for comprehension of the functions of the castles (residence, defense, administration, economy and influence) and their evolutions. Finally, it shows the mechanisms of a castral network and how exchanges between castles can overcome the borders of the principalities
Casaubon, Anaïs. "Le château de Pouancé (Maine et Loire) : évolution d'un site castral des marches de Bretagne (XIIIe-XVe siècle)". Nantes, 2012. http://www.theses.fr/2012NANT3049.
Texto completoLeroux, Estelle. "Les usages des châteaux forts urbains en Bourgogne à l'époque moderne". Phd thesis, Université de Bourgogne, 2011. http://tel.archives-ouvertes.fr/tel-00685493.
Texto completoPauthier, Philippe. "Chasse, pêche, élevage et alimentation : archéozoologie des marges occidentales du Saint-Empire romain germanique, et orientales du Royaume de France". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL015.
Texto completoMy work explores the relationships between man and animal, from the medieval period to the modern period, through the analysis of skeletal remains in Eastern France, in a castral and urban context. This work is based on the analysis of more than 90,000 animal bone remains found on archaeological sites. These remains come from mammals, birds and fish.The aim of my research is above all to draw up a picture of the meat diet of the wealthy sections of the population - the castral nobility or the rich bourgeoisie. The main themes concern the history of butchery, the techniques for processing meat and fish, culinary choices and prohibitions, supplying cities and social characterization through food practices. Possessions of animals as luxury goods, such as dogs constituting a hunting pack, or the importation of exotic animals, also come into play.These analyzes also make it possible to better understand the specialization of each site, and to compare these sites with each other for reflection on a regional scale. The zooarchaeological results are compared with the archaeological context in which they were discovered. The analysis of the faunal spectra obtained makes it possible to observe social distinctions through diet, as well as their evolution. Asking questions about these gaps over time also means checking the sustainability of these privileged social classes
Jeangrand, Estelle. "Les usages des châteaux forts urbains en Bourgogne à l'époque moderne". Thesis, Dijon, 2011. http://www.theses.fr/2011DIJOL024/document.
Texto completoStudy the urban fortresses of Burgundy means interesting in the relationships between, on the one hand, these buildings and their occupants and, on the other hand, the society in which they are located. A city with a castle isn’t necessarily a castral town. The castle can generate, move or expand a city. Its representation also reflects its place in society. The genesis of the city often has consequences throughout the modern times on relationships between the castle and the city. In wartime, the castle can be the ruin or the salvation for the city. In peacetime, it’s most often a dead weight : it must be maintained, sometimes its garnison must be maintained too. But in the dialectic cities/castles, the second ones are heavily defeated, which takes the form of redeployments, abandonments, or more often destructions of urban castles
Bosch, Casadevall Josep Maria. "L’escenari del feudalisme a la frontera del comtat de Barcelona. Anàlisi territorial dels assentaments, l’espai obert i els camins del terme castral d’Olèrdola (segles X -XI)". Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/525826.
Texto completoNowadays the historiographical debate on the formation of feudalism in Catalonia fluctuates between the Pierre Bonnassie’s breaking model and Gaspar Feliu’s continuity model. The present level of knowledge does not yet allow for a clear positioning one way or another. Thus, we still accept, not without nuances, that everything changes when, in the 10th Century, the county of Barcelona borderland, after several centuries of depressive tendency, becomes a land coveted by count elites. Related to the desire to own the land, this thesis explores in its own small scale the decisions made the day after the conquest in determining the size of castral boundaries, the execution of land demarcation, the selection of the type of bordered land and the choice of the number of settlements per boundary, as well as the constants of introduction of castles and churches. The aim of this analysis is to find out the kind of relationship that occurs on the one hand between the pre- existing ones in the land, and castles and churches on the other hand. In other words, the goal is to obtain evidence about the extent to which these decisions are the result of simple chance or if they have already been determined, that is to say, conditioned only by behaviours engraved in the subconscious under the form of archetypal ideas adapted to the territory conditions, or else models that are applied regardless of these conditions. In short, this thesis aims to clarify the nature of the scenario in which count elites impose a new social and political order to ensure their continued channelled income from the land revenues.
Aumasson, Ludovic. "Chassingrimont : de la maison-forte au chastel : étude d'un site castral sur les confins du Berry et du Poitou, de la fin du Moyen âge à l'époque moderne /". Châteauroux (90 Av. F. Mitterrand, 36000) : CREDI éd, 2008. http://catalogue.bnf.fr/ark:/12148/cb41275415r.
Texto completoSun, Jessica. "The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/16863.
Texto completoPaloumbas, Dimitri. "Du castrum à la maison : villages castraux et habitats en vicomté de Turenne (Xe siècle-milieu du XIVe siècle)". Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20114.
Texto completoEstienne, Marie-Pierre. "Les réseaux castraux et l'évolution de l'architecture castrale dans les Baronnies de Mevouillon et de Montauban de la fin du Xe siecle à 1317". Aix-Marseille 1, 1999. http://www.theses.fr/1999AIX10077.
Texto completoRamos-Murga, Flórez Christofer, Miguel Ángel Revatta, Fernando Revatta, Elena Moscol y Jeniffer Ramos-Murga. "Edificio multifamiliar: las terrazas de Castrat". Universidad Peruana de Ciencias Aplicadas - UPC. Escuela de Postgrado, 2009. http://hdl.handle.net/10757/273962.
Texto completoFern, Terry L. (Terry Lee). "Adaptation of Handel's Castrato Airs for Bass: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W. Mozart, M. Ravel, G. Finzi, R. Schumann, A. Caldara, G. Handel, H. Wolf, H. Duparc, C. Ives and S. Barber and an Operatic Role by Verdi". Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc332021/.
Texto completoKouba, Lina. "Castrer avant de se faire castrer : relation névrotique entre père et fils". Paris 13, 2011. http://scbd-sto.univ-paris13.fr/secure/ederasme_th_2011_kouba.pdf.
Texto completoBernard had an image of himself as a loser. He started refusing any interaction with the family and the society. He isolated himself, and had doubts about his sexual identity. He suffered from a depression. Karl devoted his youth to trying to find the Father and the truth. He took refuge in a monastery. He became psychosomatic. Amine, for fear of excessive and aggressive masculinity, hid behind femininity. His uncontrollable reactions lead him to prison. He became an offender. The three are young people who suffer from neurotic, harrowing relations, and hide several ambivalent feelings towards their fathers. But the fathers themselves have an interesting story with their fathers too and so on, from a generation to another the issue develops and gets worse. The relation father-son is an ambivalent one: a relation of force, rivalry, pride and support. What does this shower of very strong, yet very expressive feelings hide? Does it hide a perverted neurotic and incestuous relationship ? Why does the father fear his son especially his eldest? Also, why does the son want to beat his father who is for him the beloved ? What does this castration issue consist of ? Is this an issue that is passed from a generation to another ? If yes, in which form ? And how is this passed on?
Ekstrum, Dave. "Naples and the Emergence of the Tenor as Hero in Italian Serious Opera". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157563/.
Texto completoCaycho, Cesar. "Clase Maestra Faber-Castell". Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656819.
Texto completoDesuó, Ivan Cesar [UNESP]. "Variação morfofisiológica das castas da vespa enxameante neotropical Polybia (Trichothorax) ignobilis durante sua ontogenia colonial (Hymenoptera, Vespidae, Epiponini)". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/99555.
Texto completoUniversidade Estadual Paulista (UNESP)
A família Vespidae é um grupo chave para o entendimento da origem do comportamento social nos Hymenoptera, pois inclui desde espécies solitárias que não apresentam qualquer grau de socialidade até espécies que são altamente sociais como os Epiponini (Hymenoptera:Vespidae). A separação em castas é uma das pedras fundamentais da evolução dos insetos sociais, pois a presença de uma grande diferenciação entre as castas indica um maior grau de socialidade. Neste contexto, as vespas neotropicais pertencentes à tribo Epiponini despertam grande interesse em estudos de evolução de castas, pois além de apresentarem colônias poligínicas pode se observar um grande espectro de variação ocorrendo desde espécies com castas morfologicamente incipientes até distintas. Além disso, para uma dada espécie, o perfil de diferenciação morfológica entre as castas pode variar ao longo do ciclo colonial, evidenciando uma grande flexibilidade adaptativa frente às diferentes situações enfrentadas pela colônia ao longo de seu desenvolvimento. Diferenças morfofisiológicas entre as castas de 6 colônias em diferentes fases do desenvolvimento colonial de Polybia (Trychothorax) ignobilis foram analisadas. Para determinar as diferenças morfológicas entre as castas, foram medidas 13 varíaveis corporais externas provenientes da cabeça, mesossoma, metassoma e asa. Os ovários foram fotografados e esquematizados, a inseminação, idade relativa, a quantidade de tecido gorduroso e a condição morfológica da glândula de Richards foram analisadas. As fêmeas apresentaram uma seqüência gradual no padrão de desenvolvimento ovariano, desde ovaríolos...
The Vespidae family is a key group in evolutionary studies of sociality in Hymenoptera due to the occurrence of every step of social organization including species whose do not present any degree of sociality until those which are highly social, such as the Epiponini (Hymenopter: Vespidae). The separation into castes is one of the most important features of social insects and the presence of a higher level of caste differentiation indicates a well defined reproductive division of labor and consequently a higher degree of sociality. Morphological studies of caste differentiation in Neotropical social wasps concentrate mainly in the Epiponini tribe, once it’s ecologically abundant in Neotropics and presents a wide spectrum of variability of caste systems ranging from species with a slightly caste differentiation to those with conspicuous body differences. Besides, patterns of caste differentiation may vary according the colony cycle mainly in response to environmental changes which may affect the colony dynamics. Morphological and physiological differences between castes of 6 colonies of Polybia (Trychothorax) ignobilis were analyzed. Measurements were taken from 13 morphometric variables regarding the head, metasoma, mesosoma and wing... (Complete abstract click electronic access below)
Sowle, Jennifer. "The castrato sacrifice was it justified /". Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/August2006/Open/sowle_jennifer_ruth/index.htm.
Texto completoPinto, Elisabete Alves. "Vila de Castro". reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/28942.
Texto completoVafadar, Bahador. "Castrix : Utveckling av webbsidan Sundsvall42". Thesis, Mittuniversitetet, Institutionen för informationsteknologi och medier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-16884.
Texto completoMattant, de Biliotti Patrice. "Les castrats, essais d'histoire sociale". Paris 4, 1997. http://www.theses.fr/1997PA040167.
Texto completoUnlike the people of antiquity, who emasculated their slaves to protect their women or for licentious pleasures, European society in the modern era used castration generally only for three purposes: as a therapy, for ascetic reasons, and for euphony. Ablation of the testicles, used as a therapy since the observations of Hippocrates, continued to be employed as a treatment for many diseases until the end of the 18th century. This medical use aside, civil and canon law condemned all other uses of the practice. Although civil and religious society censured and disciplined Christians who confused voluntary asceticism and castration, they did tolerate the emasculation of thousands of children for reasons of euphony. Theologians of the Catholic Church went so far as to demonstrate the licit nature of this mutilation, for the glory of god and of the community. The use of castration for reasons of euphony was discovered, it would appear, in the countries of Iberian Peninsula at the time of the Reconquista. The first castrati singers appeared in Italy in 1550-1560. In churches throughout Italy and in court chapels, they soon replaced falsetto singers and children, who were prone to having their voices change -two groups who used to sing the soprano line in the place of women, who were not allowed to sing where religious services were held. The castrati were also talented and renowned virtuosi of secular music for more than two centuries in all the countries of Europe. Although most castrations where performed in Italy, other countries emasculated children too. The children of poor families, either clerical or secular, these singers would earn security or even wealth, after receiving training at a renowned conservatory. The philosophy of the enlightenment, spread throughout Europe by the French revolution, seems to be one of the reasons for the public's disaffection with these singers
Castel, Franck Atalla Noureddine Sgard Franck. "Modélisation numérique de matériaux poreux hétérogènes application à l'absorption basse fréquence /". Villeurbanne : Doc'INSA, 2006. http://docinsa.insa-lyon.fr/these/pont.php?id=castel.
Texto completoThèse soutenue en co-tutelle. Titre provenant de l'écran-titre. Bibliogr. p. 197-202.
Gilgenkrantz, Claire. "L'espace faubourien : territorialisation des enjeux et acteurs locaux, l'exemple de castres (tarn)". Toulouse 2, 1990. http://www.theses.fr/1990TOU20030.
Texto completoBy castres's exemple, a middle town of france (s. O. ), this study tried to find out the suburban's stakes for next years. Three points have ben studied : - the suburban's definition in space by looking for the urban growth from time to time ; - how people who live there, perceive their neighbowrhood by asking them on place ; - what are the economic activities and the weight they carry on to the entire communal context. Thus, the suburban's part can be evoked with regard to the whole town and specially to the city's center
Fritz, Hans. "Kastratengesang : hormonelle, konstitutionelle und pädagogische Aspekte /". Tutzing : H. Schneider, 1994. http://catalogue.bnf.fr/ark:/12148/cb357192424.
Texto completoWarynski, Serge. "Les castrats chanteurs : histoire, aspects médicaux". Université Louis Pasteur (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR1M153.
Texto completoMartins, Vítor Manuel dos Santos. "Um outro Ferreira de Castro". Master's thesis, Universidade de Aveiro, 1999. http://hdl.handle.net/10773/18518.
Texto completoViceiro-Filgueira, Javier. "Enrique Saavedra Castro: obra compositiva". Doctoral thesis, Universidade de Aveiro, 2018. http://hdl.handle.net/10773/23754.
Texto completoEste trabalho tem por objectivo servir de veículo para divulgar a obra do maestro Enrique Saavedra Castro. Para além do estudo da sua criação composicional, chegada aos nossos dias, procede-se à realização da edição crítica e gravação das obras do seu catálogo que o autor deste trabalho considera mais representativas. O documento está dividido em quatro partes claramente diferenciadas: A primeira delas consiste numa contextualização que pretende ilustrar o entorno musical espanhol que rodeava Enrique Saavedra Castro. Na segunda parte realiza-se uma revisão biográfica e a observação da sua criação composicional, com vista a proceder à elaboração do catálogo da sua obra. Uma terceira parte encarrega-se de tratar diversos aspectos relacionados com a interpretação da obra de Saavedra, através da descrição e documentação dos processos que conduziram à gravação e aos concertos públicos levados a cabo no âmbito deste Doutorado. Por último, a quarta parte acolhe a edição crítica de vinte e duas obras deste compositor.
This work aims to serve as a vehicle to disseminate the work of the maestro Enrique Saavedra Castro. In addition to the study of its compositional creation, which is nowadays, we proceed to the critical edition and recording of the works of his catalog that the author of this work considers most representative. The document is divided into four clearly differentiated parts: The first one consists of a contextualization that intends to illustrate the Spanish musical environment that surrounded Enrique Saavedra Castro. In the second part, a biographical review and the observation of its compositional creation are carried out, in order to proceed with the preparation of the catalog of his work. A third part is responsible for dealing with various aspects related to the interpretation of Saavedra's work, through the description and documentation of the processes leading to the recording and the public concerts carried out within this Doctoral program. Finally, the fourth part hosts the critical edition of twenty-two works by this composer.
Beirante, Cândido. "Castro Soromenho : um escritor intervalar /". Lisboa : Instituto nacional de investigação científica, 1989. http://catalogue.bnf.fr/ark:/12148/cb35447500n.
Texto completoPassos, Edvard. "Castro Alves, Teatro e Teatralidade". Escola de Teatro, 2016. http://repositorio.ufba.br/ri/handle/ri/19704.
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CAPES
O objeto dessa pesquisa é o conjunto de relações que o poeta Castro Alves desenvolveu com as artes cênicas: como dramaturgo, como crítico de peças de teatro, como empreendedor de sua própria obra dramática e como performer de aparições públicas espetaculares. Procura-se apresentar Castro Alves como um artista cênico e investigar a importância das múltiplas relações desenvolvidas com as artes cênicas para edificação de seu mito. O primeiro capítulo trata da teatralidade e da espetacularidade (segundo as definições do professor Armindo Bião) que estão presentes desde a infância e adolescência do poeta. Dezessete aparições públicas espetaculares são identificadas e apresentadas enquanto performances, tomando como suporte teórico Paul Zumthor. Busca-se com isso reposicionar o poeta na contemporaneidade, através da análise de sua atuação a partir de ferramentas teóricas de hoje. O segundo capítulo trata do contexto do teatro no século 19, valendo-se do conceito de cronótopo de Mikhail Bahktin. Discute-se a importância do teatro e da atriz portuguesa Eugênia Câmara nos rumos da vida de Castro Alves, de sua campanha abolicionista e republicana e apresentam-se as obras dramáticas escritas por ele. O terceiro e último capítulo trata da experiência prática de montagem da peça inédita e inconclusa de Castro Alves, A Prole dos Saturnos, ocorrida em residência artística no projeto Fafe Cidade das Artes, em Portugal. Palavras Chave: Castro Alves, Teatro, Teatralidade, Performance, Artes Cênicas.
ABSTRACT - The object of this research is the set of relations that the poet Castro Alves developed with the performing arts: as a playwright, as a critic of plays, as an entrepreneur of his own dramatic work and as a performer of spectacular public appearances. This work seeks to present Castro Alves as a scenic artist and investigate the importance of multiple relationships developed with the performing arts for building his myth. The first chapter discusses the theatricality (according to the teacher's settings Armindo Bião) present since childhood and adolescence of the poet. Seventeen spectacular public appearances are identified as performances, taking as theoretical support Paul Zumthor. The intention is repositioning the poet in the contemporary world, through the analysis of its performance from today’s theoretical tools. The second chapter is focused on theatre context in the 19th century, based on the concept of chronotope from Mikhail Bahktin. It discusses the influence of the theatre and the Portuguese actress Eugênia Câmara in Castro Alves's life, in his abolitionist and Republican campaign and presents the dramatic works written by him. The third and final chapter reveals the practical experience of staging the unfinished and never seen dramatic work of Castro Alves, The Offspring of Saturns, held during the artist residency on Fafe City of Arts Project, in Portugal. Keywords: Castro Alves, Theatre, Theatricality, Performance, Performing Arts.
Arias, Núñez Cristián. "Centro cultural municipal de Castro". Tesis, Universidad de Chile, 2014. http://repositorio.uchile.cl/handle/2250/142786.
Texto completoCostes, Pierre. "Naissance et développement d'une ville polycentrique en milieu lagunaire: Martigues". Phd thesis, Université de Provence - Aix-Marseille I, 2010. http://tel.archives-ouvertes.fr/tel-00960168.
Texto completoVIEIRA, MARCIO DA SILVA. "INFORMATION SYSTEMS AND SUPPLY CHAIN MANAGEMENT: THE CASTROL DO BRASIL LTDA`S CASE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7343@1.
Texto completoThe Supply Chain Management (SCM) is a new concept of enterprise business processes management that surpasses the limits of the companies to also include its main clients and suppliers. With this concept the integration and information exchange among companies has become more and more important for these companies performance and their supply chains systems. The SCM consolidation in different industries has been developed with the Information Systems (IS) assistance. In this context, the current dissertation aims to map and analyse the main businesses processes of Castrol do Brasil Ltda (which is a British multinational subsidiary of Petroleum segment - BP) under the perspective of its Information Systems (IS). The dissertation will consider either those systems limited to this company boundaries, as well as the systems responsible for this company`s interface with some of its most important supply chain members, focusing, however, on productive part and logistic operations (outbound). From this study, a critic can be elaborated to Castrol do Brasil Ltda SCM, under IS perspective.
BITTENCOURT, ROBERTO NUNES. "INES DE CASTRO: MYTH AND MEMORY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9988@1.
Texto completoCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Inês de Castro: relicário da Saudade é uma dissertação que discute aspectos histórico-culturais da simbologia da saudade advinda do episódio dos amores de Pedro e Inês de Castro. Pela força da criação literária - capaz de transformar a História - fatos e ficções envolveram-se em brumas. Passados 650 anos da morte da mísera e mesquinha, o Ano Inesiano da Cultura reavivou reflexões em torno de questões como Alma Nacional, Identidade Cultural e Sentimento Português. No presente estudo, privilegiar-se-ão alguns textos históricos, filosóficos e líricos portugueses, que abordam aspectos de uma cultura que faz da Saudade a sua força vital.
Ines de Castro: Myth and Memory (original title Ines de Castro: relicário da Saudade) is an essay that intends to discuss description- cultural aspects of saudade symbology from the love affair between Pedro and Ines de Castro. By the force of the literary creation - capable to transform History - facts and fictions had been involved in mists. Passed 650 years of the death of poor and stingy, the Inesiano Year of Culture revived reflections around the National Soul, Cultural Identity and Portuguese Feeling, contents of a culture that makes saudade its reward.
Rey, de Castro Alarco Álvaro Santiago. "Respuesta de Alvaro Rey de Castro". Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/114926.
Texto completoBotta, Patrizia. "Inés de Castro y el romancero". Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/103116.
Texto completoHenry, Drew A. "Democracy in a Post-Castro Cuba /". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2004. http://library.nps.navy.mil/uhtbin/hyperion/04Dec%5FHenry.pdf.
Texto completoGislason, Donald Garth. "Castil-Blaze, De l'opéra en France and the feuilletons of the Journal des débats (1820-1832) /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb370597819.
Texto completoLeandro, Jose Augusto. "Palco e tela na modernização de Castro". reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24678.
Texto completoLee, Guat Ling. "Targeting AMACR to treat castrate-resistant prostate cancer". Thesis, University of Bath, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687367.
Texto completoJevglevskis, Maksims. "Targeting AMACR to treat castrate-resistant prostate cancer". Thesis, University of Bath, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681034.
Texto completoBouvard, André. "Les peuplements castraux de la montagne du Doubs". Nancy 2, 1997. http://www.theses.fr/1997NAN21027.
Texto completoThis thesis is part of a research programme at the University of Nancy under the supervision of M. Bur. By associating both ground and textual study, it aims to make a thorough list of the castle settlements in the Doubs, a district bordering Switzerland and whose make-up is 75% mountains. In the first volume, the author strives to bring underline the main features of the grouping together around a castle phenomenon which took place after the year thousand. Except for Montbeliard which appears in the 10th century, and, a few other sites (Rougemont, Vercel. . . ), the dates are generally the thirteenth and beginning of the fourteenth century. These can be explained by the late development of the mountains and the plateau, and, by the initiatives of some noble lineages Chalon, Montfaucon and later Neufchatel exploit the lack of county and episcopal power from the end of the 12th century onwards. Consequently most of these burghs undergo a difficult development exacerbated by the choice of site, characterized in 90% of cases by dominant relief. Sub-equipped religiously speaking, a little better off commercially speaking, they are characterized by extreme modesty, 57% of them are smaller than two hectares. There is only one town, Montbeliard. The other places are just big villages which will become district country towns. Such conditions make it difficult to talk about the set-up of a second urban network. These burghs are very fragile: almost one out of two (45%) are abandoned between the end of the 15th. And the beginning of the 19th century. The three other volumes present the 71 sites selected according to a structure which is always identical: firstly a topographical summary or a map to a scale of 1/2500e, based on the present cadaster, then a note including a description of the site, a body of texts and pictures followed by historical background and finally a bibliography
CIPRIANI, GIULIA. "Ardea: le fortificazioni urbane e del Castrum Inui". Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1216.
Texto completoThe thesis concerns the study of the fortifications of Ardea and Castrum Inui - the city harbour - which, being characteristic elements of the ancient town-planning, allowed a reinterpretation of the city and region transformations. The job consists of three sections. The first introductory section is focused on the geomorphology of the sites and on the retrace of the history of former studies and researches. In the second part were analyzed the transformation of the two sites from the earliest archaeological statements – dating back to Bronze Age in the urban area and to archaic age in the Castrum – to the imperial age. The analysis of each phase is introduced by a study on the historical context in order to determine what were the events, not only related to Ardea but more generally to the cities of Latium Vetus, which might have generated the urban transformation. From time to time were examined the issues relating to defence works and their relations with the organization of the city and its port. The opportunity to explore a formerly unpublished monument like the opus quadratum fortification of Castrum Inui has provided important elements of confrontation that led to recognize the existence of different construction phases even in the city walls, never identified up to now. Finally, the third section is the filing of the fortifications and includes the analysis of currently visible rests, made by describing the construction characteristics with particular emphasis on metrology data, which has been used for the chronological definition of the various construction phases. The study is therefore supplemented by tables containing measurements and information regarding the blocks and their installation. The thesis is finally accompanied by two appendices: the first one collects quotations pertaining Ardea coming from literary sources, the second one is a large photographic collection including both the documentation of the remains in its present state of preservation, and the archival records which helped to analyze the characteristics of destroyed traits.
Sustiel, Tal. "Estudio de las complejidades de la gestión urbana en un encuadre neoliberal : el caso de la ciudad de Castro". Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/153030.
Texto completoDahlkvist, Viveka. "En narratologisk studie av Stefan Castas ungdomsromaner". Thesis, Högskolan Kristianstad, Sektionen för Lärarutbildning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-8152.
Texto completoMANNARINO, ANA DE GUSMAO. "AMILCAR DE CASTRO AND THE NEOCONCRETE PAGE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9864@1.
Texto completoCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Amilcar de Castro e a página neoconcreta trata do projeto gráfico realizado pelo escultor para o Jornal do Brasil, em especial para o Suplemento Dominical do Jornal do Brasil, nos últimos anos da década de 1950. A diagramação do suplemento é voltada, sobretudo, para experimentação plástica, acima de aspectos funcionais ou do ideal de transformação do cotidiano pela arte. Aproxima-se do pensamento neoconcreto e da fenomenologia de Merleau-Ponty, no que diz respeito à indissociação entre inteligível e sensível. O projeto gráfico para o suplemento esteve sempre em transformação, unindo concepção e realização no processo contínuo do fazer. Em suas páginas, a visualidade do signo gráfico foi intensamente explorada, estreitando a relação entre o jornal e as poesias concreta e neoconcreta, freqüentemente publicadas no suplemento. Muitas das questões trabalhadas por Amilcar de Castro em suas esculturas e desenhos são, de modo semelhante, exploradas pelo artista na diagramação do jornal, um dos meios no qual exercitou a sua poética. Nesse sentido, destacam-se a conjugação entre pensamento e fazer na sensibilidade do olhar; a utilização sempre do mínimo de elementos, priorizando as relações entre eles; a experimentação do espaço e do tempo como dimensões indissociáveis, vivenciadas a partir da motricidade e da operacionalidade.
Amilcar de Castro and the Neoconcrete Page deals with the sculptor's graphic design project for the news daily Jornal do Brasil, and especially for the Suplemento Dominical do Jornal do Brasil (the paper's Sunday supplement) during the late 1950s. Above all else, the supplement's layout reflected visual experimentation beyond any mere concern with functionality or the idealized tranformtion of everyday life by art. Insofar as it touches upon the indissociation between intelligibility and sensibility, it contains a number of commonalities with neoconcretist thought and the phenomenology of Merleau- Ponty. During the period in question, the supplement's graphic design project changed continuously, blending concepts and execution within its ongoing creative process. The visuality of the graphic sign was intensely explored in its pages, strengthening the newsaper's relationship with the concretist and neconcretist poetry published by the supplement. Similarly, many of the problems explored by Amilcar de Castro in his sculptures and drawings were also dealt with by the artist in the newspaper's layout as one of the mediums according to which he forged his poetics. To this end, we shall highlight associations between thought and production as results of the sensitivity of the gaze; the artist's minimalist use of elements that focus on inter-relationship; and the experimental use of space and time as indissociable dimensions experienced and based on motion and operationality.
Cardoso, Patricia da Silva. "Ines de Castro ou a morta luminosa". [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270260.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Este trabalho faz uma leitura do episódio histórico protagonizado por Inês de Castro, D. Monso IV, rei de Portugal, e seu filho, D. Pedro. A partir de oito versões literárias sobre esse episódio, é analisada e discutida a permanência do tema inesiano no imaginário português, sendo o problema da irreversibilidade das a ções humanas o fio condutor da leitura. A escolha desse fio condutor deve-se ao cruzamento do interesse individual com o interesse coletivo, a força que está por trás da more de Inês de Castro. Quando morre a amante do então infante D. Pedro, ele se vê obrigado a reagir. Mais do que vingança, sua reação revela-se uma tentativa de reverter o assassinato de Inês. Dessa reação, focalizada das mais diferentes maneiras pelas versões literárias, resultará uma imagem de soberano diferente. As diferenças na compreensão do sentido da reação de Pedro apresentadas pelas versões literárias são importantes para que se pensem algumas questões relativas à identidade cultural portuguesa, em cuja constituição a figura do bom govemante tem papel de destaque, uma vez que ela se estrutura em tomo da disposição daquele que ocupar o cargo para a defesa da autonomia nacional. Para tanto, um peso considerável é dado à necessidade de ação. Adotando a perspectiva da irreversibilidade, é possível perceber o amplo alcance do tema, que extrapola o âmbito do amor infeliz, em que costuma ser enquadrado quando se procura o motivo para seu sucesso entre o público
Abstract: This work offers a reading of the historical episode involving Inês de Castro, D. Afonso IV, Portugal's king, and his son, D. Pedro. Taking into account eight literary versions for this episode, I analyse and discuss the permanence of Inês de Castro as a ticcional theme in portuguese literature. The problem of the irreversibility of human actions links all eight versions. The reason why such link was chosen is related to the crossing of individual and collective interests, the force that determined Inês de Castro' s death. When she dies, Pedra, her lover, is forced to react. This reaction must be understood as an attempt to revert Inês's murder, more than a revenge. Each literary version focuses on a different aspect of Pedro's reaction; the result is a multiplicity ofimages ofPedro as a king. AlI these different appraaches reveal a new interest in an episode which popularity is always associated with the unhappy ending of this love history. In fact, there is an identity interest promoting the success. Since portuguese people are very concerned about their self-governrnent it is of great importance to them that their leaders know how to act to assure the independency. In such a context Pedra is taken as a kind of a parameter
Doutorado
Literatura Portuguesa
Doutor em Teoria e História Literária
Mol, Elias Perigolo 1980. "Amilcar de Castro : confronto com a matéria". [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279114.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Este estudo analisa a obra do artista mineiro Amilcar de Castro (1920-2002) e busca as relações existentes entre as suas diferentes produções: o desenho, a pintura, a gravura, sua atuação à frente da reforma gráfica no Jornal do Brasil e o restante de sua produção escultórica
Abstract: This study examines the work of artist Amilcar de Castro (1920-2002). It investigates the relationships between his various activities: drawing, painting, printmaking, his role leading the redesign of Jornal do Brasil as well as his sculpture production
Mestrado
Historia da Arte
Mestre em História
Centeno, R. I. "Cuban communism under Raúl Castro (2006-2014)". Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/12244/.
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