Tesis sobre el tema "Carrington"
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Martinez, Fanny. "Remedios Varo et Leonora Carrington en miroir : images croisées". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30043/document.
Texto completoThis PhD dissertation focuses on a literary and pictorial comparative analysis of European-born artists Remedios Varo (1908-1963) and Leonora Carrington (1917-2011) who, in the 1930s, participated in the Surrealist group in Paris and then went into exile in Mexico during World War II. The purpose of this study is to identify points of convergence and divergence in the creative process of these two artists. Equally important, this thesis will endeavor to enable a dialogue between their artworks and to examine their creative collaboration while focusing on the concept of images. The standpoint of this dissertation is at the same time comparative and multidisciplinary, for it is formulated at the junction of art history, literary analysis, pictorial analysis, and history.The notion of image, the conceptual contours of which are explained in the preamble 2 is to be understood in almost all of its significations – from pictorial and verbal image to mind-made image, in which oneiric image is to be included – and is seen as a conceptual intersection point par excellence.The first part of this study questions the construction of images or, using a metaphor borrowed from the alchemical language, the image laboratory. Chapter 1 introduces and theorizes the notion of surrealist image in order to reveal the ways in which both artists integrated into their works the surrealist state of mind, being an invitation to question the visible world, and went beyond it through the elaboration of “world models”, by analogy with specific alchemical and occultist processes. Chapter 2 not only considers exile as a historical and cultural context that gave way to profound mutual and dynamic influences, but also as a pivotal notion that enables to comprehend, in their productions, phenomena of reappropriation, hybridization, creative transfusion and transgression.The second part delves deeper into the comparison of images realized by both artists – an analysis that follows a dialectical pattern that combines the concepts of image-reflections and image-distortions. Chapter 3 analyzes female self-representations and is dedicated to reveal the way in which these representations challenge the images of the feminine as elaborated by male surrealist creators. Notions of transvestism and masquerade are examined and presented as inseparable from the quest to self-discovery.Finally, Chapter 4 pays attention to both artists’ “mirrors of relation” and “relation to mirrors”. On the one hand, this analysis addresses the creative friendship that unites both artists in their work, more specifically in their written expression, and the mechanisms of fictionalization pertaining to it. The mirror effects that are at play in the images of both artists who created fourhanded works and the pictorial motif of the mirror are also focused on in this research. Indeed, the mirror may be considered as an emblem of Remedios Varo’s and Leonora Carrington’s creative approach, not only as a specular tool but also and more importantly, as an object of symbolism and magic
DELESALLE, MARYVONNE. "La maladie de carrington : a propos de trois observations". Lille 2, 1989. http://www.theses.fr/1989LIL2M145.
Texto completoMARTIGNY, PASCAL. "Les poumons eosinophiles : a propos d'un cas de pneumonie chronique idiopathique a eosinophiles de carrington". Reims, 1990. http://www.theses.fr/1990REIMM071.
Texto completoFox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Texto completoHervy-Thiebaut, Catherine. "La maladie de Carrington : à propos d'un cas et revue de la littérature". Bordeaux 2, 1991. http://www.theses.fr/1991BOR2M008.
Texto completoObradovic, Tamara y Ivana Skopljakovic. "Förväntningsgapet ur två perspektiv". Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-21320.
Texto completoRehberg, Gerlinde. "Treacherous mirrors and the quest for the self in the work of Leonora Carrington". Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300489.
Texto completoMaugein, Véronique. "La pneumopathie chronique idiopathique à éosinophiles : maladie de Carrington, à propos de deux observations". Bordeaux 2, 1991. http://www.theses.fr/1991BOR2M074.
Texto completoLoedolff, Janine. "Love between the lines : paradigmatic readings of the relationship between Dora Carrington and Lytton Strachey". Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2504.
Texto completoThis thesis focuses on the relationship between Dora Carrington and Lytton Strachey and offers three models for reading their unconventional relationship. Carrington was in love with the homosexual Strachey and the two lived together at Tidmarsh, and later Ham Spray House, for more than fourteen years. The three models make extensive use of primary sources, namely the letters and diaries of Carrington and Strachey. Furthermore, I draw on two seminal biographies of Carrington and Strachey written by Gretchen Gerzina and Michael Holroyd respectively. The first model I examine is a form of pederasty. I argue that, soon after they met, Carrington and Strachey began a friendship which was based on his educating her in a variety of ways. He served as a mentor both intellectually and sexually. Strachey was familiar with the concept of pederasty as a result of his involvement with the Cambridge Conversazione Society, better known as the Apostles, and used his knowledge to induct a rather naïve Carrington into new ways of thinking. This pederastic relationship also allowed Carrington a certain amount of freedom as it enabled her to pursue her art without the demands a heterosexual male would make of her. The second model for reading their relationship is that of parody. While Carrington and Strachey’s relationship resembles a heteronormative relationship, it can, at times, be read as parodic. I argue that they both subvert heteronormativity in humorous ways as a means to critique their parents’ Victorian marriages and to interrogate notions of masculinity vi and femininity. I discuss the roles they played within their domestic environment, and pay particular attention to how this intersected with Carrington’s artistic endeavours. This parodying of heteronormativity was, I suggest, also one of the only ways they could find of expressing the love they felt for one another. The last model I offer draws on theories of kinship. I examine how Carrington and Strachey resorted to familial constructions of descent as a means to veil the love they had for one another and to avoid criticism and ridicule from the Bloomsbury group and beyond. When they established a home at Tidmarsh, they altered their form of kinship to utilise principles of alliance. However, another shift took place with the introduction of Ralph Partridge, Carrington’s husband, and I argue that the terms they used to address each other changed to constructions, once again, of descent, at least until the dissolution of the Carrington-Partridge marriage. Carrington and Strachey’s relationship is often viewed as unconventional and she is often depicted as being utterly subservient towards him. However, the three models I have used demonstrate that their love was mutual. The models also reveal their relationship to be quite conventional in the manner in which Carrington and Strachey expressed their love for one another and how these expressions of love developed during the different phases of the life they spent together.
Mussells, Samantha Jane. "In the shadow of Bloomsbury, representing Vanessa Bell and Dora Carrington in the writing of art history". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37994.pdf.
Texto completoSalazar, Gómez Viridiana. "Tesis: El surrealismo en México a través de la obra Las distracciones de Dagoberto de Leonora Carrington". Tesis de Licenciatura, UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO, 2017. http://hdl.handle.net/20.500.11799/67037.
Texto completoBailey, Hannah Emily. ""Handing Down Remarkable and Interesting Circumstances": Elizabeth Carrington and Female Intellectual Inheritance in the Early American Republic". W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539626728.
Texto completoTurner, M. K., of Western Sydney Nepean University y School of Contemporary Arts. "Representation and womens art". THESIS_XXX_CAR_Turner_M.xml, 1998. http://handle.uws.edu.au:8081/1959.7/732.
Texto completoMaster of Arts (Hons)
Carroll, Rachel Louise. "The return to the body in the work of Sylvia Plath, Angela Carter, Leonora Carrington, and Flannery O'Connor". Thesis, University of Newcastle Upon Tyne, 1996. http://hdl.handle.net/10443/299.
Texto completoVodermayer, Sohl Melinda Anna. "Claves de representación corporal en las poéticas de las pintoras surrealistas: Frida Khalo, Leonora Carrington y Remedios Varo". Doctoral thesis, Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/17798.
Texto completoVodermayer Sohl, MA. (2012). Claves de representación corporal en las poéticas de las pintoras surrealistas: Frida Khalo, Leonora Carrington y Remedios Varo [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/17798
Palancia
Lusty, Natalya. "Surrealism, feminism and psychoanalysis : the crisis of representation in the work of Leonora Carrington, Claude Cahun and Cindy Sherman". Thesis, The University of Sydney, 2001. http://hdl.handle.net/2123/1685.
Texto completoTurner, M. K. "Representation and womens art". Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/732.
Texto completoPlunkett, Tara Emma. "Self and desire : surrealism in the images and texts of Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington". Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602786.
Texto completoRyd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska". Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.
Texto completoDeffebach, Nancy. "Images of plants in the art of María Izquierdo, Frida Kahlo, and Leonora Carrington : gender, identity, and spirituality in the context of modern Mexico /". Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Texto completoFerentinou, Victoria. "Women Surrealists and hermetic imagery : androgyny and the feminine principle in the work of Ithell Colquhoun, Leonora Carrington and Remedios Varo". Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442510.
Texto completoBlancard, Marie. "Les spectacles intérieurs de Leonora Carrington, Frida Kahlo, Gisèle Prassinos, Dorothea Tanning et Unica Zürn. : Dialogue entre écriture et arts plastiques". Cergy-Pontoise, 2006. http://biblioweb.u-cergy.fr/theses/06CERG0296.pdf.
Texto completoThis dissertation intends to study the creative imaginative worlds of five twentieth-century artists linked to the Surrealist movement : Leonora Carrington, Frida Kahlo, Gisèle Prassions, Dorothea Tanning and Unica Zürn namely. By focalizing on their double practice, i. E. Their literary and visual art practice, our study aims to define the originality of their “inscapes”. Their works, which are focused on self-representation, question the notions of reflection and identity and the fact of belonging to a particular gender. Deeply influenced by traditional or conventional codes and models, these artists emphasize the difficulties to define one’s position in a world still largely dominated by patriarchal discourses
Blancard, Marie Achour Christiane. "Les spectacles intérieurs de Leonora Carrington, Frida Kahlo, Gisèle Prassinos, Dorothea Tanning et Unica Zürn. Dialogue entre écriture et arts plastiques /". [S.l.] : [s.n.], 2008. http://biblioweb.u-cergy.fr/theses/06CERG0296.pdf.
Texto completoTurner, M. K. "Representation and womens art". View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.113709/index.html.
Texto completoHerrera, Adriana. "Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas)". FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.
Texto completoGutierrez, Menez Evangelina. ""No se nace mujer, la mujer se hace:" la autoconstrucción del personaje principal en la novela Leonora de Elena Poniatowska". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43025.
Texto completoGauthier, Michaël. "Chargé du sortilège de la lumière (poèmes) ; : suivi de S'éprouver, se transformer, écrire-- la création comme rite de passage (essai)". Thesis, Université Laval, 2009. http://www.theses.ulaval.ca/2009/26397/26397.pdf.
Texto completoAsif, Noor A. "Women Surrealists: Muses or Seekers?" Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/826.
Texto completoMarquié, Hélène. "Métaphores surréalistes dans des imaginaires féminins : quêtes, seuils et suspensions : souffles du surréel au travers d'espaces picturaux et chorégraphiques : parcours dans les oeuvres de Leonora Carrington, Leonor Fini, Dorothea Tanning, Martha Graham, Doris Humphrey et Carolyn Carlson". Paris 8, 2000. http://www.theses.fr/2000PA081713.
Texto completoBisson-Fradet, Rachel. "Dialogues entre les genres, les voix et les arts : l'écriture fictionnelle d'Elena Poniatowska (Querido Diego, te abraza Quiela ; Tinisima ; Leonora)". Thesis, Normandie, 2019. http://www.theses.fr/2019NORMR114.
Texto completoFrom a corpus composed of three novels by Elena Poniatowska, Querido Diego, te abraza Quiela (1978), Tinísima (1992), Leonora (2011), we are exploring the main characteristics of Poniatowskia’s fiction writing that puts women at the centre of her narrative world. Our study highlights the generic hybridity of these three works from the study of the book as an object, and then from the analysis of thresholds. We are showing that the writer recreates the lives and works of three foreign artists exiled in Mexico, in a text space where historical reality and novelistic fiction entangle. Then in a second time, we are exploring Poniatowska’s making of the text through the writing process based on sticking heterogeneous pieces of speech together. We are emphasizing the originality of her writing, for in the way of a mosaic, she links the protagonists’ writings, some excerpts from the author’s own works and from other writers, as well as intermedial references, that transforms the act of reading into an act of exploring relationships between different media. Besides, the resolutely polyphonic approach of the novels starts a dialogue between the voices and the texts, showing a global view on women artists in the 20th century. Finally, the third part aims at underlining the making of the female characters. The novels root the three women’s paths and choices in an androcentric society, and at the same time highlight the effects of the male characters on their transgressive developments. The texts (re)present views on traditionally hostile circles to women, and on the journeys of exceptional individuals in Mexico’s artistic history
Bradley, Diana Margaret. "Carrington's : a novel with complementary discourses". Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/324246/.
Texto completoSalmerón, Cabañas Julia. ""Errant in time and space" : a reading of Leonora Carrington's major literary works". Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:11073.
Texto completoWen, Fang-Lan y 溫芳蘭. "Reclaiming the Matriarchy─A Study of the Paintings by Leonora Carrington". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/39732482399627141463.
Texto completo國立成功大學
藝術研究所
93
This paper mainly discusses paintings of the English Surrealist painter Leonora Carrington. Carrington’s art is famous for the tendency of the occult, and her reputation is based on the restoration of Goddess worship. Her paintings reveal a fusion of the matriarchy myth and hermeticism, and magically revive the old matriarchies. This paper will focus on Carrington’s horse paintings in early period, images of Goddess worship in middle period and her crone paintings in the later stage. I will try to deduce that Carrington’s art successfully lives up to Goddess worship religion. Meanwhile, I will also provide Carrington’s autobiographic evidences as supplement to interpret her paintings. From the perspective of feminism, I will set up the importance of Carrington in art history by analyzing visual images by her and demonstrate her contributions to the human world. In analyzing the transformation of the Goddess images in her early, middle and later stage, this paper will highlight Carrington’s extraordinary achievements of subverting the patriarchy in three strategies: the masquerade, the Goddess worship, and the crone image. In using these three tactics, Carrington finally collapses the construction of the patriarchy and attains the restoration of matriarchy in her marvelous surrealist paintings.
Tate, Judith A. T. "Collegiality at Carrington Heights Junior Primary School : an investigation with particular reference to staff perceptions". Thesis, 1999. http://hdl.handle.net/10413/2829.
Texto completo蘇雋詞. "The Mysterious Images by Women Surrealist Artists :A Study of the Works of Leonora Carrington and Remedios Varo". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/24848376385771816612.
Texto completo臺北市立教育大學
視覺藝術研究所
95
This thesis is aimed to explore the mysterious images which was created by two female Surrealist artists, Leonora Carrington and Remedios Varo. Leonora Carrington and Remedios Varo develop a school of themselves in man's leading surrealism. Their works are full of reactions against patriarchy system, and represent the aspiration of seeking the subjects of women. This thesis is trying to use iconology, Feminism and analytic psychology to analyse the images of the two female Surrealist artists. It is expected to find out the meaning and compatibility of the pictures from three parts : the early works in surrealism, the alchemy works in Mexico, and the transition works. Leonora Carrington and Remedios Varo who get rid of the constraint in the patriarchy system and develop the self- life pictures. We can experience further from the paintings which the two artists' soul shift, the insist and the identification with themselves.
Carrington-Smith, Denise. "The origin and selection of evolutionary knowledge: the descent and ascent of ideas". Thesis, 2013. https://researchonline.jcu.edu.au/38286/1/38286-carrington-smith-2013-thesis.pdf.
Texto completoBusby, Ashley Lynn. "Picturing the cosmos : Surrealism, astronomy, astrology, and the Tarot, 1920s-1940s". 2013. http://hdl.handle.net/2152/23252.
Texto completotext
陳韻如. "The Hybrid Creatures in Leonora Carrington’s Paintings". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/39902428071954933263.
Texto completo國立彰化師範大學
美術學系
100
My paper mainly discusses the paintings of Leonora Carrington, an England Surrealistic artist. The hybrids about animals, plants, and human beings have been playing an important role in Carrington’s paintings. With imagination, Carrington created hybrid creatures which have become a great tool for her to subvert the traditional patriarchal world and establish the motherhood world of the worship of the goddess. I start my paper from Carrington’s early paintings, the hybrid creatures of horses. From the artist’s family background, family relationships, the disputes with Ernest, stimulated by the war, assimilate different cultures in Mexico, the status of a mother, and the processes of becoming old, I try to investigate how she showed the appearances and the symbolic meanings of her works in different stages. I will explore her works with the images of the hybrid creatures and demonstrate how she used various species mixture to pass her feminist consciousness. Carrington created her world of goddess and focused on the relationships between people and nature. Her works show the unity and harmony of all things.
Ljubic, Maria Christina. "Recognition Denied: An Examination of UK and US Foreign Policy towards the Republic of Croatia". Thesis, 2013. http://hdl.handle.net/1828/4593.
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