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Artículos de revistas sobre el tema "Capitolium"

Autor: Grafiati

Publicado: 11 de marzo de 2023

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1

Marchionni, Luca. "Ancora su umbro grabouio- e latino Capitolium/Capitolinus". Aristonothos. Rivista di Studi sul Mediterraneo Antico, n.º 18 (18 de julio de 2022): 167–89. http://dx.doi.org/10.54103/2037-4488/18103.

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Si riconsidera, in questa sede, la questione dell’etimologia dell’epiteto iguvino grabouio-, oggetto negli ultimi due secoli di svariate proposte etimologiche: in particolare, si mette in luce l’opportunità di riprendere in considerazione una proposta di Ugo Bianchi, il quale sospettò che l’epiteto umbro fosse da interpretare alla luce del confronto con il latino Capitolinus. La validità della tesi dello Studioso è qui sostenuta dall’accordo fra i dati linguistici e quelli antiquari e storico-religiosi, inquadrando la spiegazione di grabouioall’interno di un più ampio contesto di condivisione di tratti culturali fra le comunità dell’Italia antica. The etymology of the Umbrian epithet grabouio- has been studied according to a number of etymological proposals over the last two centuries. Among these is Ugo Bianchi’s suggestion to interpret grabouio- in the light of Latin Capitolinus. The merits of the arguments put forward by this scholar are supported through a comparison between the linguistic and the antiquarian and religious evidence. This makes it possible to incorporate grabouio- into the more broadly shared cultural traits of Ancient Italy.

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2

Palombi, Domenico. "L. Calpurnius L.F. Capitolinus = costruttore del Capitolium di Puteoli?" Mélanges de l’École française de Rome. Antiquité 114, n.º 2 (2002): 921–36. http://dx.doi.org/10.3406/mefr.2002.9738.

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3

Quinn, Josephine Crawley y Andrew Wilson. "Capitolia". Journal of Roman Studies 103 (29 de julio de 2013): 117–73. http://dx.doi.org/10.1017/s0075435813000105.

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AbstractCapitolia, temples to the triad of divinities Iuppiter Optimus Maximus, Iuno Regina and Minerva Augusta, are often considered part of the standard urban ‘kit’ of Roman colonies. Their placement at one end of the forum is sometimes seen as schematizing and replicating in miniature the relationship between the Capitolium at Rome and the Forum Romanum below it. Reliably attested Capitolia are, however, rarer in the provinces than this widespread view assumes and there seems to be no relationship between civic status and the erection of a Capitolium. Indeed, outside Italy there are very few Capitolia other than in the African provinces, where nearly all known examples belong to the second or early third century a.d., mostly in the Antonine period. This regional and chronological clustering demands explanation, and since it comes too late to be associated with the foundation of colonies, and there is no pattern of correlation with upgrades in civic status, we propose that the explanation has to do with the growing power and influence of North African élites, who introduced the phenomenon from Rome. Rather than being a form of temple imposed from the centre on the provinces, Capitolia were adopted by provincial élites on the basis of their relationship with Rome.

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4

Walbank, Mary E. Hoskins. "Pausanias, Octavia and Temple E at Corinth". Annual of the British School at Athens 84 (noviembre de 1989): 361–94. http://dx.doi.org/10.1017/s0068245400021055.

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This article considers the identification and attribution of the Temple E, one of the most important monuments of Roman Corinth. It argues against the present general identification of it as the temple of Octavia (referred to by Pausanias) and iherefore a building dedicated to the Imperial cult. The evidence for the form, date and identity is reassessed. It involves a reexamination of the significance and relevance of the numismatic evidence cited in connection with it: a discussion of Octavia as a major recipient of cult and the worship of Jupiter Capitolinus at Corinth. It is argued, as a hypothesis for general consideration, that Temple E is the Capitolium of Corinth.

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5

Gruchalski, Jakub. "Capitolium Vetus: A New Street in Rome?" Classical Philology 116, n.º 4 (1 de octubre de 2021): 599–603. http://dx.doi.org/10.1086/715520.

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6

Strömholm, Stig. "Från Parnassen till Capitolium - en översättningshistorisk studie". Moderna Språk 90, n.º 1 (1 de junio de 1996): 97–98. http://dx.doi.org/10.58221/mosp.v90i1.10018.

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7

Bettegazzi, Nicolò, Han Lamers y Bettina Reitz-Joosse. "Viewing Rome in the Latin Literature of the Ventennio Fascista: Francesco Giammaria’s Capitolium Novum". Fascism 8, n.º 2 (17 de diciembre de 2019): 153–78. http://dx.doi.org/10.1163/22116257-00802002.

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Abstract This article analyses Francesco Giammaria’s Capitolium Novum, a Latin poem describing a tour of the historic center of Rome in 1933, in its historical, architectural, and intellectual contexts. It offers a detailed analysis of three key sections of the poem, which deal with the Colosseum, the Arch of Constantine, and the Ara dei caduti fascisti respectively. The authors show how Giammaria’s poem responds to urbanistic interventions in the city center during the ventennio, and specifically to the Fascist ‘recoding’ of the city as the ‘Third Rome’, with a narrative emphasizing the historically layered nature of Rome. Giammaria offers his own interpretation of the respective importance and interrelation of the city’s historic layers: the rhetoric of his poem is aimed at superimposing Catholic Rome over pagan Rome, and at framing all historical layers of the city, including the Fascist one, as part of its Christian mission and destiny. Thus, Capitolium novum resonates with efforts of intellectuals gathered around Carlo Galassi Paluzzi’s Istituto di Studi Romani, who aimed to promote a cultural reconciliation between Fascism and Catholicism.

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8

Fortes, José Beltrán y María Luisa Loza Azuaga. "The Capitolium at Baelo Claudia (Bolonia): new data from the sculptures". Journal of Roman Archaeology 33 (2020): 383–400. http://dx.doi.org/10.1017/s1047759420001075.

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The excavations carried out between 1917 and 1921 at Baelo Claudia (Bolonia, Tarifa, province of Cádiz)1 were led by P. Paris and his team2 working with the Anglo-French archaeologist G. Bonsor3 and with A. Laumonier and R. Ricard, as well as with Cayetano de Mergelina4 in 1918-19. Work focused on the N part of the forum where three temples were exposed.5 A minor intervention was carried out in the theatre together with more extensive excavations in the area of the fish-salting factory that included two domus, and in the E necropolis. The outcome was two publications, one on the city,6 the other on the necropolis,7 that are outstanding for those days.

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9

Albo, Carlo. "Il Capitolium di Ostia. Alcune considerazioni sulla tecnica edilizia ed ipotesi ricostruttiva". Mélanges de l’École française de Rome. Antiquité 114, n.º 1 (2002): 363–90. http://dx.doi.org/10.3406/mefr.2002.10702.

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10

Riesco Álvarez, Hipólito Benjamín. "El Capitolio y el templo de Júpiter Capitolino: un posible centro del mundo en Roma". Estudios Humanísticos. Filología, n.º 13 (1 de diciembre de 1991): 11. http://dx.doi.org/10.18002/ehf.v0i13.4307.

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<p>A raíz de la construcción del templo de Júpiter Capitolino, algunos augurios y sucesos extraños mostraron a los ojos de los romanos que el Capitolio iba a ser el centro de un gran imperio. Visto, por ello, probablemente, como 'Centro del Mundo', en la bóveda del templo se dejó un agujero, tal como ocurría -según M. ELIADE- con numerosas construcciones sagradas antiguas identificadas con el centro cósmico.</p><p>As a result of the building process of the temple of Jupiter Capitoline some auguries and extraordinary events made evident in the eyes of the Roman people that the Capitol was bound to become the centre of a great empire. Seen, because of that, as the `Centre of the World', they left a hole in the vault of the temple, as was the habit -according to M. ELIADE- with many ancient sacred buildings devoted to the cosmic centre</p>

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11

Kreuz, Patric-Alexander. "Giuliana Cavalieri Manasse (Ed.): L’area del Capitolium di Verona. Ricerche storiche e archeologiche." Gnomon 85, n.º 5 (2013): 457–61. http://dx.doi.org/10.17104/0017-1417_2013_5_457.

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12

Arramond, Jean-Charles, Jean-luc Boudartchouk, L. Grimbert, L. Llech, H. Molet y Isabelle Rodet-Belarbi. "Le Capitolium de Tolosa ? Les fouilles du parking Esquirol. Premiers résultats et essai d'interprétation". Gallia 54, n.º 1 (1997): 203–38. http://dx.doi.org/10.3406/galia.1997.2997.

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13

Escámez de Vera, Diego M. "Festividad y legitimación política: Domiciano y el Agón Capitolino". ARYS: Antigüedad, Religiones y Sociedades, n.º 13 (5 de octubre de 2017): 127. http://dx.doi.org/10.20318/arys.2017.2747.

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Resumen: A la hora de analizar la justificación religiosa de Domiciano debemos tener en cuenta la gran importancia otorgada al agón Capitolino por parte de su creador. La legitimación de la dinastía Flavia se basó, principalmente, en la elección del emperador por parte de Júpiter ÓptimoMáximo, principal deidad del panteón romano, ya desde época de Vespasiano, que se halló sin ningún tipo de vinculación dinástica con los Julio-Claudios tras su victoria sobre Vitelio en el ano 69. A través de la creación del agón Capitolino, Domiciano muestra la especial vinculaciónentre Júpiter y el emperador, realizando grandes gastos a la hora de construir nuevas estructuras destinadas a albergar dicha celebración.Abstract: When it comes to analyze the religious justification of Domitian we must bear in mind the great importance attached to the agon Capitolinus by its creator. The legitimacy of the Flavian dynasty was mainly based on the election of the emperor by Iuppiter Optimus Maximus, main divinity of the roman pantheon, from the days of Vespasian, who found himself without any dynastic link with the Julio-Claudians after his victory over Vitellius in 69 AD. Through the creation of the agon Capitolinus, Domitian displayed the especial link between Iuppiter and the emperor, spending great sums of money in the building of new structures, in order to host such celebration.Palabras clave: Domiciano, Júpiter, agón Capitolino, legitimación políticaKey words: Domitian, Iuppiter, agon Capitolinus,politic legitimacy

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14

Kopek, Wojciech. "„...dum Capitolium scandet cum tacita virgine pontifex”. Funkcja figury pochodu w pieśni III, 30 Exegi monumentum Horacego". Roczniki Humanistyczne 69, n.º 3 (5 de abril de 2021): 63–93. http://dx.doi.org/10.18290/rh21693-4.

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Celem artykułu jest semiotyczna analiza motywu „pochodu tanecznego” w Carm. III, 30 Exegi monumentum (w. 7-14) w perspektywie toposu spotkania z bóstwem w liryce Horacjańskiej, rozumianego jako forma rytuału przejścia. Autor poszukuje również odpowiedzi na pytanie, jaką funkcję pełni przywołany motyw w kompozycji tekstu oraz w ukształtowaniu figury podmiotu odautorskiego, ukazanego w roli „poety” (vates). Postawiona problematyka wymagała odniesienia się do semiotycznej definicji tekstu oraz ujęcia toposu spotkania z bóstwem jako tekstu kultury. To z kolei wpłynęło na odniesienie się do badań antropologicznych (pojęcie rytuału) oraz kulturoznawczych (κῶμος, χορός), a także językoznawczych w zakresie semantyki i aspektu czasownika. Po przeprowadzonej analizie autor doszedł do wniosku, że motyw „pochodu tanecznego” w pieśni Exegi monumentum został ukazany dwufazowo jako cykliczny, rytualny χορός, który stał się znakiem jednorazowego κῶμος. W tym sensie motyw ten został ukazany jako figura pamięci, odnosząca się do faktu połączenia przez Horacego miar eolskich z literaturą rzymską. W odpowiedzi na pytanie o konstrukcję podmiotu autor wskazał, że na bazie powyższej figury pamięci nastąpiło ubóstwienie wieszcza, który w przeformułowanym toposie spotkania z bóstwem zajmuje miejsce samego bóstwa, aspirując do roli analogicznej do figury „Anakreonta” w poezji anakreontejskiej (Carm. Anacr. 1 W, 1-3, 11-17).

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15

Boudartchouk, Jean-Luc y Jean-Charles Arramond. "Le souvenir du Capitolium de Toulouse à travers les sources de l'Antiquité tardive et du Moyen Age". Archéologie du Midi médiéval 11, n.º 1 (1993): 3–39. http://dx.doi.org/10.3406/amime.1993.1240.

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16

Marks, Raymond. "Getting Ahead: Decapitation as Political Metaphor in Silius Italicus' Punica". Mnemosyne 61, n.º 1 (2008): 66–88. http://dx.doi.org/10.1163/156852507x195394.

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AbstractIn Silius Italicus' Punica the Second Punic War is cast as a conflict fought over and between heads, and the decapitations in the epic thereby become ways of measuring the different trajectories and ultimate outcomes for each side in the war: the symbolic decapitation of Rome on the occasion of Paulus' death at Cannae in book 10 marks the low-ebb in the city's fortunes while the many decapitations perpetrated by Romans after Cannae reflect Carthage's own slide toward final defeat, an event that entails her symbolic decapitation too. Read in relation to this epic-wide program, Hannibal's abiding enmity toward Jupiter, the god of Rome's head, the Capitolium, gains greater clarity and purpose, as do his identification with Lucan's Pompey and Carthage's with Virgil's Priam toward the end of the epic. This concluding development is also succinctly recapitulated in the epic's final two lines, where an allusion to the final two lines of Bellum Civile 8 invites us to contrast Rome and Jupiter with Lucan's decapitated Pompey and to compare Carthage and Hannibal with him.

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17

Fuchs, Wladek. "Confronting Vitruvius: a geometric framework and design methodology for Roman rectangular temples". Journal of Roman Archaeology 33 (2020): 93–112. http://dx.doi.org/10.1017/s1047759420000938.

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Studies of design principles of Roman temples typically have been based on Vitruvius, which inspired a belief that the colonnade was at the core of the geometric framework of every temple and that the lower column diameter (D) was used as a module to plan all other aspects, both horizontally and vertically. Archaeological evidence, however, shows that most extant temples do not match the Vitruvian model.1 Scholars have tried to explain the discrepancies in different ways: for example, by claiming that Vitruvius did not describe the actual state of Roman architecture but “what it should be”,2 that architects had to make “adjustments” to the “Vitruvian ideal” to create a particular effect, or that they had to make on-site corrections.3 A few studies have shown that also other design principles must have been at play. P. Barresi, based on the geometric analyses of several temple-podia of the 5th to 1st c. B.C. in central Italy, argued that they were designed and built relative to a square grid.4 He derived the size of each grid-module from the proportions of the rectangles of the temples' bases. He later reached the same conclusion for the temples of the Capitolium at Sufetula,5 while J.-N. Bonneville presented a similar theory for temples at Baelo Claudia.6 M. Wilson Jones observed that the principal parts of the façades of the Temple of Portunus at Rome and the Maison Carrée at Nîmes formed square contours,7 which he considered a reason for the “irregularities” (relative to Vitruvian principles) in the intercolumniations. He also presented other examples of simple geometric shapes in the compositions of the façades of Roman buildings.

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18

Turfa, Jean MacIntosh y Alwin G. Steinmayer. "The comparative structure of Greek and Etruscan monumental buildings". Papers of the British School at Rome 64 (noviembre de 1996): 1–39. http://dx.doi.org/10.1017/s0068246200010333.

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LA STRUTTURA COMPARATIVA DEGLI EDIFICI MONUMENTALI GRECI ED ETRUSCHISe esaminati da un punto di vista ingegneristico, gli edifici monumentali greci presentano sostanziali differenze con quelli di origini etrusco/italica. La tecnica greca comprendeva l'uso di imponend architravi in pietra atti a resistere al carico imposto lateralmente dai pesand tetti in tegole di terracotta. Gli Etruschi risolsero lo stesso problema grazie all'uso di travi su cui veniva scaricata la tensione. L'uso di travi di tensione in Italia rese possible la copertura a tetto di strutture con campate molto ampie (senza colonne interne) e con ampi aggetti, stabilendo così la caratteristica configurazione del tempio toscano. Calcoli basati sulle misure dei tempi greci ed etrusco/italici hanno evidenziato come la trave di tensione toscana fosse più efficiente rispetto alle tecniche greche dell'epoca. Gli architetti greci, in virtù dell'abbondanza di utile materiale da costruzione e di lavoro stagionale, non erano forse stimolati allo sviluppo di nuove tecniche, o forse non riuscirono mai a risolvere il problema delle giunture di tensione.In contrasto con i metodi moderni, che fanno uso intensivo del metallo, gli antichi ingegneri etruschi erano costretti ad usare giunture di collegamento in legno nelle strutture di legno del tetto, al fine di porre una resistenza al carico laterale dei tetti in tegole. Questa pratica potrebbe già essere stata introdotta nell'VII secolo a.C., quando le tegole di terracotta furono introdotte nelle città etrusche. Tale tecnica è attestata dalle campate di grandi edifici quali l'edificio sudest di Murlo (c. 630–600 a.C), il tempio Portonaccio a Veii ed il tempio A di Pyrgi, e viene data per scontata per il Capitolium a Roma (dedicate nel 509 a.C). Le travi di tensione continuarono ad essere usate per vari secoli, rendendo possibile la costruzione delle basiliche romane della media e tarda repubblica, nonché i tipi successivi.

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19

Christie, Neil. "G. Cavalieri Manasse (Ed.), L'Area del Capitolium di Verona. Ricerche Storiche e Archeologiche. Verona: Soprintendenza per i Beni Archeologici del Veneto, 2008. Pp. 728, 167 colour pls, illus, CD-Rom. No ISBN." Journal of Roman Studies 99 (noviembre de 2009): 285–86. http://dx.doi.org/10.3815/007543509789744701.

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20

Tucci, Pier Luigi. "A funerary monument on the Capitoline: architecture and painting in mid-Republican Rome, between Etruria and Greece". Journal of Roman Archaeology 31 (2018): 30–52. http://dx.doi.org/10.1017/s104775941800123x.

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The debate on the relationships between Rome, Italy, and the Mediterranean world in the Archaic and mid-Republican periods remains very lively. Complementing the most recent discoveries and interpretations, I present two unknown mid-Republican documents from the Arx, the N summit of the Capitoline hill (fig. 1). Excavations for the Monument to Victor Emmanuel II brought to light after 1887 many walls and artifacts, which have been studied almost exclusively to produce archaeological maps or catalogues of objects, but the structures sealed beneath the basilica of Santa Maria in Aracoeli toward the end of the 13th c., rediscovered in the 1980s and surveyed by the present author since 2001, shed new light on a number of religious, historical, topographical, architectural and art-historical issues.The new archaeological evidence may be summarized as follows. In the 1st c. B.C., an aristocratic domus set on three levels occupied the NW sector of the Arx; it was remodeled in the Flavian and Severan periods (figs. 2-3). Apparently a location of the temple of Juno Moneta on the site of the Aracoeli must be ruled out. Among the structures still preserved beneath the basilica, which include an Imperial-era wall with huge curvilinear spurs that can be associated with the Iseum Capitolinum, we may mention an ashlar wall in blocks of Grotta Oscura tuff (a stone available after the defeat of Veii in 397 B.C.) that constituted the façade of a monument with a false arch dating from the 4th c. B.C. (fig. 2).

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21

Maia Neto, José Raimundo. "O delito capitolino". Aletria: Revista de Estudos de Literatura 23, n.º 1 (30 de abril de 2013): 58–71. http://dx.doi.org/10.17851/2317-2096.23.1.58-71.

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Tito Lívio relata em detalhes a ascensão e queda de Marco Mânlio Capitolino nos tempos heroicos da república romana. O caso capitolino era bem conhecido entre os antigos, tendo sido citado por Cícero em discursos políticos e retomado e examinado por Plutarco na Vida de Camilo. Séculos depois, no Renascimento, para ilustrar filosofias políticas contrárias, o delito capitolino é destacado por Maquiavel em seu comentário de Tito Lívio e citado por Montaigne nos Ensaios. Enfim, pouco mais de um século depois, o caso ainda inspira uma tragédia de Antoine de Lafosse d’Aubigny, frequentemente encenada na França até a primeira metade do século 19. Este artigo é um exercício de literatura e filosofia comparada entre estes relatos e o romance Dom Casmurro de Machado de Assis.

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22

Gleba, Margarita. "The Capitoline Wolf". Archaeological Reports 55 (noviembre de 2009): 120–21. http://dx.doi.org/10.1017/s0570608400001411.

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23

Tucci, Pier Luigi. "The Capitoline theatre". Mélanges de l'École française de Rome. Antiquité, n.º 134-2 (1 de enero de 2022): 387–414. http://dx.doi.org/10.4000/mefra.13777.

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24

Martini, Marco y Anna Galli. "Thermoluminescence Analysis of the Clay Core of Bronze Statues: A Re-Appraisal of the Case Studies of Lupa Capitolina and Other Masterpieces in Rome". Applied Sciences 11, n.º 17 (25 de agosto de 2021): 7820. http://dx.doi.org/10.3390/app11177820.

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In this work, we present some new results in applying thermoluminescence (TL) dating to the clay core of bronze statues. This is very important, due to the impossibility of directly dating a metal. Very few cases of indirect dating of clay cores by TL are reported in the literature. We re-considered three cases of dating of clay core from important bronzes in Rome. The parameters to be considered were not easy to calculate in the case of the Lupa Capitolina. However, its traditionally reported Etruscan origin is definitely ruled out, even if the accuracy in the dating is too low to precisely propose a date of the casting. The comparison with radiocarbon results shows good agreement for a Medieval dating. Two other bronze statues were analysed in order to date their casting by TL; a horse from Musei Capitolini resulted to have been cast in the Greek classical period, excluding its casting in the Rome imperial period. A third study shows that, in particularly favourable situations, TL dating of clay core can give rather precise results. This is the case where in the clay core are present materials that behave like good dosimeters, as generally happens in dating ceramics. Furthermore, the possibility of measuring all the parameters influencing the calculation of the dose rate is essential; both the external radiation sources and the radiation reduction by the water content must be taken into account. This was the case of Saint Peter in the Vatican that turned out to be a cast from the beginning of the XIV century.

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25

Młynarczyk, Jolanta. "Roman-period pottery from a trench by the northern city wall in Beit Ras/Capitolias". Polish Archaeology in the Mediterranean, n.º 29/2 (31 de diciembre de 2020): 577–602. http://dx.doi.org/10.31338/uw.2083-537x.pam29.2.25.

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One of the trenches opened by the team of the PCMA during 2015–2016 at the site of Beit Ras (ancient Capitolias) in the governorate of Irbid, northern Jordan, revealed remains of the defensive city wall. Neither the foundation nor the earliest walking level connected with the wall could have been reached; however, the archaeological exploration allowed to identify three upper floors, all posterior to the construction of the city wall. The analysis of the ceramics from under the floors permitted to establish the repertory of the local, regional and some imported wares in the Roman-period Capitolias and, at the same time, provided an insight into the chronology of the defenses of ancient Capitolias.

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26

GIUSTI, ENRICO. "ELEMENTS FOR THE RELATIVE CHRONOLOGY OF GALILEI'S DE MOTU ANTIQUIORA". Nuncius 13, n.º 2 (1998): 427–60. http://dx.doi.org/10.1163/182539198x00491.

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Abstracttitle RIASSUNTO /title L'ordine di composizione dei quattro testi raccolti sotto il nome collettivo di DE MOTU ANTIQUIORA stato oggetto di discussione tra gli studiosi galileiani, che hanno proposto differenti soluzioni. Sulla base di un confronto dettagliato dei passi comuni a due o pi degli scritti in questione, si portano dei nuovi argomenti a sostegno della successione Dialogo, Trattato in 23 capitoli, Trattato in 2 capitoli, Trattato in 10 capitoli.

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27

LiCalsi, Lynn. "Provincia Iudaea: Eliana, Masada, Aelia Capitolina". Journal of Classics Teaching 22, n.º 43 (2021): 68–70. http://dx.doi.org/10.1017/s2058631021000118.

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Provincia Iudaea is a supplementary reader for beginning and intermediate Latin students. It includes three stories set in first-century Judaea. The stories explain the confrontation between Romans and Jews at this time. The first story unfolds through the eyes of the main character, a young Jewish girl named Eliana. After the destruction of the Second Temple in 70 CE, Eliana and her mother escape to Masada. Many years later, 132 CE, another character, Naomi, completes the narrative about the final struggle between Romans and Jews during the Bar Kochba Revolt. The book concludes with Hadrian's proclamations. Illustrations abound in this reader, giving students an anchor for understanding the narrative. Vocabulary is provided on facing pages so that students can read without the burden of looking up words. Some words appear in the dictionary entry format, whereas others are simply glossed. The reason for this is not to burden students with grammatical details

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Silajdžić, Tarik y Salmedin Mesihović. "Votive ara of the Iupiter Capitolian". Godišnjak Centra za balkanološka ispitivanja 43 (2014): 121–26. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-43.40.

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Peleg, Orit. "Roman Intaglio Gemstones from Aelia Capitolina". Palestine Exploration Quarterly 135, n.º 1 (enero de 2003): 54–69. http://dx.doi.org/10.1179/peq.2003.135.1.54.

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Arata, Francesco Paolo. "Osservazioni sulla topografia sacra dell’Arx capitolina". Mélanges de l'École française de Rome. Antiquité, n.º 122-1 (15 de septiembre de 2010): 117–46. http://dx.doi.org/10.4000/mefra.338.

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Márton, András. "A lupa Capitolina újabb ábrázolása Aquincumból". Archaeologiai Értesitö 127, n.º 1 (1 de marzo de 2003): 135–47. http://dx.doi.org/10.1556/archert.127.2002.1-2.4.

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32

Ratigan, Angela Marie. "3D Applications in Conservation and Connoisseurship: Investigating and Supplementing the Scholarly Catalogues of the Red Faun". Studies in Digital Heritage 1, n.º 2 (14 de diciembre de 2017): 123–64. http://dx.doi.org/10.14434/sdh.v1i2.23579.

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Focusing on the Capitoline Red Faun, this paper concerns the 3-dimensional digital model (3DDM) and its potential utility in creating accurate conservation condition reports. Tradition condition reports verbally express information about the state of a work of art, such as its preservation or past restorations, and are often supplemented with photographs or drawings. The various historical catalogues that have appraised the condition of the Capitoline Red Faun, more aptly referred to as “scholarly catalogues” demonstrate the potential for ambiguity within this practice; of the five accounts appraising the state of the Red Faun, no two agree on which parts are ancient and which belong to the eighteenth-century restorations of Bartolomeo Cavaceppi and Clemente Bianchi. Given that this sculpture is included within the art historical canon of Hellenistic sculpture, a new condition report is timely. This paper undertakes an exhaustive analysis of the various joins and offers another condition report, this one illustrated with an interactive, annotated 3DDM. When served to the public and scholars alike, these interactive condition reports can act as a critical tool, garnering interest in and facilitating re-appraisals of status such as the Capitoline Red Faun.

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33

Patapan, Haig. "I CAPITOLI: Machiavelli's New Theogony". Review of Politics 65, n.º 2 (2003): 185–207. http://dx.doi.org/10.1017/s0034670500049937.

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The article considers Machiavelli's terza rima poems on Ingratitude, Ambition, Fortune and Occasion, generally called I Capitoli, in the context of Renaissance hermeticism, cabbala, erotic magic, and astrology. It argues that these poems, taken together and read as a whole, reveal Machiavelli's playful yet subversive cosmology that ousts the old gods by instituting a new theogony. At the same time, I Capitoli, addressed and dedicated to his friends, discloses Machiavelli's own ambitions and desires, delineating the subtle link between Niccolò the poet and Niccolò the prophet and benefactor.

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Roth, Ulrike. "The Gallic Ransom and the Sack of Rome". Mnemosyne 71, n.º 3 (24 de abril de 2018): 460–84. http://dx.doi.org/10.1163/1568525x-12342339.

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AbstractThe article challenges the widespread view that the Gallic ransom mentioned in a number of sources for the events traditionally known as the Sack of Rome in 390BCshould be understood as evidence that the Gauls did not take Rome in its entirety. The article shows in contrast that, whatever happened in the night when the geese suffered from insomnia on the Capitoline Hill, a ransom is a perfectly suitable element in a story of a Gallic take-over of Rome—hill and all; and that it cannot be taken as evidence that an alternative narrative to the successful defence of the Capitoline Hill never existed.

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Stewart, Andrew. "A Tale of Seven Nudes: The Capitoline and Medici Aphrodites, Four Nymphs at Elean Herakleia, and an Aphrodite at Megalopolis". Antichthon 44 (noviembre de 2010): 12–32. http://dx.doi.org/10.1017/s0066477400002057.

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The Capitoline Aphrodite (fig. 1) counts among the most copied statues of antiquity. In 1951, Bianca Felletti Maj collected 101 replicas of the type compared with 33 for the Medici Aphrodite (fig. 2) and a mere five for the so-called Aphrodite of the Troad; and many more examples have surfaced since.’ Yet despite the Capitoline type's popularity, the date, location and authorship of its original remain clouded, as does its relation to these other ‘pudica’-type Aphrodites, especially the Medici. Leaving aside the Aphrodite of the Troad, this article presents new evidence that may resolve one of these problems and sheds some new light upon some of the others.

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Millozzi, Sara. "MORALEE, JASON (2018). Rome’s Holy Mountain. The Capitoline Hill in Late Antiquity. Oxford: Oxford University Press". ARYS. Antigüedad: Religiones y Sociedades, n.º 18 (14 de diciembre de 2020): 435. http://dx.doi.org/10.20318/arys.2020.5694.

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Quintana Guerrero, Ingrid y María Cecilia O'Byrne Orozco. "The void in Chandigarh’s Capitol Complex: a legacy at an eastern scale". LC. Revue de recherches sur Le Corbusier, n.º 3 (25 de marzo de 2021): 27. http://dx.doi.org/10.4995/lc.2020.14233.

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<div data-canvas-width="293.4990666666667">La inclusión de 17 obras arquitectónicas realizadas por Le Corbusier en la lista patrimonial de la UNESCO, en Julio de 2016, levantó controversias que hacen eco de las críticas lanzadas por el historiador de la arquitectura Manfredo Tafuri (Roma, 1935 - Venecia, 1984) acerca del conjunto del Capitolio en Chandigarh (India) - único proyecto urbano incluido en el dosier de la UNESCO. La crítica se enfocó en la vastedad de la escala abordada, en la primacía visual del proyecto y en la supuesta ausencia en este de un concepto unitario. Este artículo refuta el mero entendimiento del conjunto del Capitolio desde su arquitectura y desde un imaginario urbano occidental. Los prejuicios acerca del urbanismo moderno, la condición inacabada de la obra y su estado actual impiden que muchos de sus detractores reconozcan el diálogo que en ella se da entre el trasfondo cultural de Chandigarh, la recepción del Capitolio por parte de los habitantes de la ciudad, y la distancia que allí el propio Le Corbusier tomó en relación con la primera fase de su teoría urbana.</div>

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38

Renga, Dana. "È stata Roma: La criminalità capitolina dal ‘poliziottesco’ a Suburra, Matteo Santandrea (2019)". Journal of Italian Cinema & Media Studies 8, n.º 3 (1 de junio de 2020): 472–74. http://dx.doi.org/10.1386/jicms_00046_5.

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39

Mancini (book author), Albert N. y Paul Colilli (review author). "I "Capitoli" letterari de Francesco Bolognetti". Renaissance and Reformation 26, n.º 3 (3 de febrero de 2009): 258–59. http://dx.doi.org/10.33137/rr.v26i3.11849.

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Mestre Martí, M., P. M. Jiménez Vicario y M. A. Ródenas-López. "La construcción del Capitolio de La Habana". Informes de la Construcción 71, n.º 556 (10 de diciembre de 2019): 319. http://dx.doi.org/10.3989/ic.66826.

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Este año (2019), la Oficina del Historiador de la Ciudad de La Habana ha finalizado la restauración del Capitolio Nacional de Cuba. Este artículo describe los métodos constructivos utilizados en su ejecución, entre 1926 y 1929, poniendo énfasis en las proezas que lograron finalizar la obra en un plazo de ejecución brevísimo para las condiciones y técnicas del momento: tan solo tres años. Ello ha sido posible gracias a un proyecto de cooperación internacional subvencionado por la Universidad de Alicante, que permitió varias estancias de investigación allí. Se consultaron las pocas publicaciones históricas que existen en los archivos cubanos, así como los escritos y planos originales del Capitolio, realizados a mano, y se realizaron múltiples visitas in situ, para elaborar un análisis del estado de conservación de la obra y del método constructivo empleado, que ha permitido conocer y valorar mejor la obra y facilitar el proceso de intervención arquitectónica.

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41

Bader, Nabil y Jean-Baptiste Yon. "Une inscription du théâtre de Bayt Ras / Capitolias". Syria, n.º 95 (31 de diciembre de 2018): 155–68. http://dx.doi.org/10.4000/syria.6489.

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Šmerda, Martin. "Quirinus and his Role in Original Capitoline Triad". Sapiens ubique civis 1, n.º 1 (1 de diciembre de 2020): 57–64. http://dx.doi.org/10.14232/suc.2020.1.57-64.

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This article is focused mainly on ancient Roman god Quirinus and his origin, character and role in the First Capitoline Triad of ancient roman religion. This article enumerates theories and views of Roman authors on the origin and character of Quirinus as one of the oldest members of ancient Roman pantheon. The available evidence from literary sources pertaining to Quirinus, his priests and festivals is also considered. Author of this article evaluates the similarities between Mars and Quirinus and their priests (Salii and flamines) and possible warlike competences of Quirinus – his connection to war.

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43

Weigel, Richard D. "Meetings of the Roman Senate on the Capitoline". L'antiquité classique 55, n.º 1 (1986): 333–40. http://dx.doi.org/10.3406/antiq.1986.2190.

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44

Arnould-Béhar, Caroline. "L'espace urbain d'Aelia Capitolina (Jérusalem) : rupture ou continuité ?" Histoire urbaine 13, n.º 2 (2005): 85. http://dx.doi.org/10.3917/rhu.013.0085.

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45

D’Encarnação, José. "[Recensão a] La Collezione Epigrafica dei Musei Capitolini". Conimbriga: Revista de Arqueologia 29 (1990): 160–62. http://dx.doi.org/10.14195/1647-8657_29_14.

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46

Lampe, Peter. "An early Christian inscription in the Musei Capitolini". Studia Theologica - Nordic Journal of Theology 49, n.º 1 (enero de 1995): 79–92. http://dx.doi.org/10.1080/00393389508600163.

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47

Meunier, Nicolas L. J. "Marcus Manlius Capitolinus entre Rome et le Latium". Mélanges de l'École française de Rome. Antiquité, n.º 131-1 (30 de junio de 2019): 65–80. http://dx.doi.org/10.4000/mefra.6952.

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Młynarczyk, Jolanta. "Beit Ras (Capitolias): the archaeological project (2014–2016)". Polish Archaeology in the Mediterranean 26, n.º 1 (9 de julio de 2018): 473–504. http://dx.doi.org/10.5604/01.3001.0012.1802.

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Polish excavations at the site of Beit Ras (ancient Capitolias) in the governorate of Irbid, northern Jordan, investigated an area in the northern part of the ancient town, to the west of the Roman-age theater. Three seasons of fieldwork were conducted, starting in 2014 with a survey using the electric resistivity method to detect ancient structures. The presence of architectural features was noted, dated by surface finds spanning a period from the 1st–2nd through the 12th–13th centuries AD. In the next two seasons, in 2015 and 2016, excavation of three archaeological trenches led to the discovery of the remains of a winery and a section of the city wall, as well as a sequence of floors. This established a chronology of usage from the Roman to the early medieval period and proved that this part of the town was mostly domestic in character, at least during the Byzantine and early Islamic periods. Evidence of destruction of a nearby church was also found, tentatively attributed to a Sassanian raid in AD 614 or soon after.

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Novello, Alberta. "Subhan, Zein, & Garton, Sue (a cura di). (2019). Early language learning and teacher education. Bristol, England: Multilingual Matters." EuroAmerican Journal of Applied Linguistics and Languages 7, n.º 1 (20 de febrero de 2020): 152–56. http://dx.doi.org/10.21283/2376905x.10.182.

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Viene di seguito proposta la recensione alla curatela di Zein e Garton, Early Language Learning and Teacher Education, una raccolta di 14 capitoli dedicati all’apprendimento precoce di una lingua straniera o seconda. Gli autori dei contributi riportano diverse situazioni di apprendimento, analizzandone le caratteristiche principali e mettendone in evidenza i punti di forza e le criticità. Si tratta per lo più di focus group o ricerche molto ristrette che descrivono ambiti educativi molto diversi tra loro seppur riguardanti l’insegnamento delle lingue a giovani apprendenti. La recensione introduce il contesto di riferimento e descrive, poi, i contenuti dei singoli capitoli, proponendo, in conclusione, alcune considerazioni sul volume.

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Paredes Martín, Enrique. "Diego M. Escámez de Vera, Propaganda y justificación religiosa en época Flavia: Júpiter Óptimo Máximo y el Capitolio en Roma, Madrid, Ediciones Complutense, 2018, 554 pp. [ISBN: 978-84-669-3586-9]." Gerión. Revista de Historia Antigua 38, n.º 1 (31 de marzo de 2020): 358–60. http://dx.doi.org/10.5209/geri.68605.

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Reseña del libro de Diego M. Escámez de Vera, Propaganda y justificación religiosa en época Flavia: Júpiter Óptimo Máximo y el Capitolio en Roma, Madrid, Ediciones Complutense, 2018, 554 pp. [ISBN: 978-84-669-3586-9].

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