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1
Moustaki, Argyro. "Les expressions figées être prép C W en grec moderne". Paris 8, 1995. http://www.theses.fr/1995PA081099.
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Nous traitons dans cette etude des expressions figees avec le verbe support etre en grec moderne. Nous nous placons dans le modele theorique de la grammaire transformationnelle de z. S. Harris, dont le cadre methodologique a ete elabore pour le francais par m. Gross. Les structures etudiees sont prepositionnelles sauf dans le cas ou le substantif autour duquel est construite la phrase est au genitif ou au datif. Apres avoir decrit la structure globale et la composition lexicale de ces expressions, nous les classons dans des tables selon leur structure syntaxique. Dans les 9 tables que nous avons constituees, description est faite a l'aide de matrices binaires, des proprietes distributionnelles et transformationnelles des 2200 expressions figees recensees. Les variantes et operateurs entrant dans ces structures y sont egalement representes : cet ensemble represente le lexique-grammaire de ces expressions dont les entrees ne sont pas des mots, mais des phrases. Notre etude est morphologique car elle decrit le comportement des parties du discours, et syntaxique dans la mesure ou ces relations morphologiques sont traitees syntaxiquementThis study presents "frozen" expressions related to the support verb to be in modern greek. Our approach is based on z. S. Harris'transformational grammar whose methodological frame has been worked out in french by m. Gross. We have mainly studied prepositional structures, but also structures in which the predicate noun is in the genitive or dative case. After having described the global structures and lexical composition of those expressions, we classify them according to their syntactical structure. A description of the distributional and transformational properties of the 2200 collected idioms is given in the 9 binary matrices (tables) that we have worked out. The variables and the operators entailed in the structures are also represented : it thus constitutes the lexicon-grammar of those expressions whoses entries are not words, but whole sentences. Our study is morphological as far as it describes the morphological behaviour of parts of speech ; the study is also syntactical as those morphological relations are treated syntactically
2
Klein, Richard. "Histoire d'une demeure moderne, la villa C, Robert Mallet-Stevens architecte". Paris 1, 2003. http://www.theses.fr/2003PA010598.
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L'étude de l'histoire la villa Cavrois, (Robert Mallet-Stevens architecte) s'étend de 1925 à 2001. Le contexte local de la commande, l'histoire détaillée de la conception et de l'édification, l'analyse de l'édifice et de sa situation dans le contexte des années 30 mettent en évidence la dimension manifeste de la réalisation ainsi que la stratégie professionnelle de Robert Mallet-Stevens dans le Nord de la France. L'usage de l'édifice est étudié dans une durée (1939-1985) qui comprend son occupation militaire, ses transformations, la réception familiale et l'historiographie. Le processus de patrimonialisation (1986-2001) comprend, de manière simultanée, la reconnaissance historique, un changement de propriétaire, la dispersion du mobilier, la dégradation matérielle et les premières protections administratives. Les aléas politico-administratifs du dossier ainsi que l'étude du caractère patrimonial de sa réception terminent le récit qui s'achève avec l'achat de l'édifice par l'État. La problématique ne néglige ni le maître de l'ouvrage ni les usagers en d'impliquant tous les faits et les acteurs proches et lointains de l'oeuvre proposant ainsi des perspectives sur l'histoire de l'architecture.
3
Galand, David. "Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA066/document.
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L’élégie connaît une vogue manifeste à l’aube de notre modernité, au sein de ce qu’il est convenu d’appeler le préromantisme et le romantisme. Mais cet engouement ne va pas sans susciter de profondes interrogations sur la dimension générique de l’élégie. En effet, depuis son acclimatation en français, l’élégie ne peut plus être définie par le seul critère formel, devenu douteux. En outre, dès l’âge classique, deux dangers minent le genre : sa variété thématique qui gêne sa définition et une évolution sclérosante qui le fige en clichés. Émerge donc le souci de rédimer un certain babélisme de l’élégie et d’en refonder le pouvoir expressif par le recours à la notion plus souple d’ « élégiaque ». La modernité de l’élégie s’adosse à cet héritage problématique et réclame une perspective d’étude résolument historique : la vitalité de l’élégie au seuil du XIXe siècle s’autorise d’une nouvelle saisie du genre, qui promeut l’élégiaque au rang de critère premier, ramenant peu à peu l’étiquette d’élégie à la portion congrue. L’œuvre de Millevoye permet de dater ce point de bascule, qui ouvre la voie à l’élégie romantique, attachée à la notion naissante de « lyrisme » et magnifiée par Lamartine sous les auspices de la méditation. Mais en refondant l’élégie sur l’expressivité élégiaque, la modernité romantique l’a soumise aux aléas des sollicitations du sujet par l’histoire, qui le déstabilisent. D’où un déplacement de l’écriture élégiaque durant la seconde moitié du XIXe siècle, dans le repliement intimiste, le dédoublement parodique et humoristique, ou encore la polyphonie, manifestations diverses d’une remise en cause de la source subjective de la plainte élégiaque. Quand revient à la surface du champ littéraire l’élégie revendiquée comme telle, à l’occasion du traumatisme de la Seconde Guerre mondiale, c’est pour cristalliser en un genre labile les doutes, les deuils et les sourires d’un lyrisme incertain de son propre chant comme de l’existence du sujet qui le hante plus qu’il ne le chanteThe elegy was fashionable at the dawn of modernity, during the periods which are known as Pre-Romanticism and Romanticism. But this infatuation with elegy was not without raising deep questioning on its generic dimension. Indeed since the French had appropriated the genre, the elegy can no longer be just defined by a formal criterion which has become disputable. Furthermore, as early as the classical period, two dangers have been subverting the genre: its wide range of themes which is an obstacle to our grasping its quintessence and an evolution at a standstill condemning it to stereotyped perceptions. And from this came the worry to amend the confusion existing around the elegy as well as the urge to revivify its expressive power around the more flexible notion of "elegiac". The modernity of the elegy relies on this problematic heritage and requires a study in historical perspective: the vitality of the elegy at the beginning of the XIXth century allowed itself to provide a new interpretation of its genre that promoted the elegiac as a decisive criterion. Millevoye’s works enables us to date this turning point which paved the way to the romantic elegy linked to the rising notion of "lyricism" and glorified by Lamartine under the auspices of meditation. But while revivifying the elegy on elegiac expressiveness, romantic modernity compelled with the subject having to respond to historical vagaries that were eventually unsettling. Hence a shifting away from elegiac writing during the second half of the XIXth century into intimist withdrawal, parodic splitting or polyphony, all of them being various utterances of a questioning of the elegiac complaint’s subjective source. When the elegy as such resurfaced the literary scene owing to the trauma of the Second World War, it featured a shifting genre to crystallize the doubts, mournings and smiles of a lyricism as uncertain of its own song as the very existence of a subject that haunted its lines more than he inhabited them
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Roynard, Michaël. "Generic programming in modern C++ for Image Processing". Electronic Thesis or Diss., Sorbonne université, 2022. https://theses.hal.science/tel-03922670.
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C++ est un langage de programmation multi-paradigme qui permet au développeur initié de mettre au point des algorithmes de traitement d'images. La force de langage se base sur plusieurs aspects. C++ est haut-niveau, cela signifie qu'il est possible de développer des abstractions puissantes mélangeant plusieurs styles de programmation pour faciliter le développement. En même temps, C++ reste bas-niveau et peut pleinement tirer partie du matériel pour fournir un maximum de performances. Il est aussi portable et très compatible ce qui lui permet de se brancher à d'autres langages de haut niveau pour le prototypage rapide tel que Python ou Matlab. Un des aspects les plus fondamentaux où le C++ brille, c'est la programmation générique. La programmation générique rend possible le développement et la réutilisation de briques logiciel comme des objets (images) de différentes natures (types) sans avoir de perte au niveau performance. Néanmoins, il n'est pas trivial de concilier les aspects de généricité, de performance et de simplicité d'utilisation. Le C++ moderne (post-2011) amène de nouvelles fonctionnalités qui le rendent plus simple et plus puissant. Dans cette thèse, nous explorons en premier un aspect particulier du C++20 : les concepts, dans le but de construire une taxonomie des types relatifs au traitement d'images. Deuxièmement, nous explorons une autre fonctionnalité ajoutée au C++20 : les ranges (et les vues). Nous appliquons ce design aux algorithmes de traitement d'images et aux types d'image, dans le but résoudre les problèmes liés, notamment, à la difficulté qu'il existe pour customiser les algorithmes de traitement d'image. Enfin, nous explorons les possibilités concernant la façon dont il est possible de construire un pont entre du code C++ générique statique (compile-time) et du code Python dynamique (runtime). Nous fournissons une solution hybride et nous mesurons ses performances. Nous discutons aussi les pistes qui peuvent être explorées dans le futur, notamment celles qui concernent les technologies JIT. Étant donné ces trois axes,nous voulons résoudre le problème concernant la conciliation des aspects de généricité, de performance et de simplicité d'utilisationC++ is a multi-paradigm language that enables the initiated programmer to set up efficient image processing algorithms. This language strength comes from several aspects. C++ is high-level, which enables developing powerful abstractions and mixing different programming styles to ease the development. At the same time, C++ is low-level and can fully take advantage of the hardware to deliver the best performance. It is also very portable and highly compatible which allows algorithms to be called from high-level, fast-prototyping languages such as Python or Matlab. One of the most fundamental aspects where C++ really shines is generic programming. Generic programming makes it possible to develop and reuse bricks of software on objects (images) of different natures (types) without performance loss. Nevertheless,conciliating the aspects of genericity, efficiency, and simplicity is not trivial. Modern C++ (post-2011) has brought new features that made the language simpler and more powerful. In this thesis, we first explore one particular C++20aspect: the concepts, in order to build a concrete taxonomy of image related types and algorithms. Second, we explore another addition to C++20, ranges (and views), and we apply this design to image processing algorithms and image types in order to solve issues such as how hard it is to customize/tweak image processing algorithms. Finally, we explore possibilities regarding how we can offer a bridge between static (compile-time) generic C++ code and dynamic (runtime) Python code. We offer our own hybrid solution and benchmark its performance as well as discuss what can be done in the future with JIT technologies. Considering those three axes, we will address the issue regarding the way to conciliate generic programming, efficiency and ease of use
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Moreno, Sacchi Hugo M. "Le paradigme argentin : conflits sociaux et luttes politiques : essai d'interprétation de l'argentine moderne (1930-1980)". Paris 8, 1990. http://octaviana.fr/document/182110117#?c=0&m=0&s=0&cv=0.
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Essai d'interpretation de l'argentine moderne(1930-1980), il s'agit d'une recherche centree sur l'histoire sociale envisagee dans une optique interdisciplinaire qui articule l'histoire, l'economie, la sociologie, la science politique. Le peronisme, phenomene specifique de l'histoire argentine est la question centrale de cette etude. En utilisant de facon flexible les outils theoriques du marxisme critique, elle essaye de rendre compte des contradictions du nationalisme peroniste et des raisons de son emprise pendant un demi-siecle sur la classe ouvriere argentine. L'analyse de la structure economique, de la dynamique des affrontements sociaux et de l'histoire politique moderne du pays permettent de cerner la specificitre du "paradigme argentn" dans le cadre general du capitalisme dependant en amerique latine. Le but de l'analyse est de demontrer qu'il n'y a pas de fatalite historique, que la crise et la degradation de la societe argentine est le produit d'un "choix" social et politique. Cette recherche s'appuie sur une abondante bibliographie mais egalement sur une experience personnelle qui a traverse trente ans de l'histoire sociale et politique de l'argentineWe are dealing here with a research on argentina's social history envisaged under an interdisciplinary aspect, centered around the history, the economy, the sociology, and the political science. The central question of this research is "peronism", a specific aspect of orgentina's history. Using, in a very flexible way the theoriticalustensils of critical marxism, this study tries to report the contradictions of peronist nationalism and the reasous of it's impact on argentina's working class for half a century. The analyses of the economical structure, of the dynamic of social struggles and of the modern political history of the country permit to center the specific aspects of the "argentina paradigme" and this within the dependant capitalism in latin america. The qoal of this study is to demonstrate that there is no historical fatality and that the crisis and degrading of the argentina society are the result of a social and political "choice". This research is based upon an abondant bibliography as well as on a personal experience which underwent thirty years of social and political history in argentina
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Dimitriou, Stéphanos. "Le conflit de la modernité : formes et limites de la critique post-moderne de la raison". Paris 8, 1998. http://octaviana.fr/document/184742641#?c=0&m=0&s=0&cv=0.
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Afin de faire face aux exigences modernes et de prouver qu'elles sont des illusions, la pensee post-moderne se refugic obligatoirement dans l'usage des criteres moraux qu'en realite elle dedaigne et n'insere pas dans son arsenal conceptuel. L'argument' a propos du piege conservateur sense etre' a la base de l'idee du progres devoile simplement le noyau essentialiste de la pensee post-moderne, car, pour que la transformation puisse etre caracterisee comme illusion, il faut bien que celui qui la caracterise ainsi dispose egalement la cle de l'authenticite, a savoir de connaitre l'essence de la transformation vraie et de former l'image normative d'un monde capable de contenir une existence authentique qui soit conciliee avec son essencePostmodernism -in order to prove that modern demands are self - delusions- is obliged to resort to the use and selective projection of moral criteria. However, according to its declarations, postmodernism rejects moral criteria and does not include them in this ideological and conceptional armament of its arguments. The assertion that modernity is incircled in the idea of progress reveals essensialist core of post-modernism. Because, only the one who knows the concept of authenticity, that is, who knows the meaning of real change and have formed the image of a world able to include an authentic existence reconceled to its essence, can characterize a change as self-delusion
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Ferron-Ouellet, Sandrine. "La diversité des opinions publiques sur le durcissement des peines en droit criminel". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37568.
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Ayant été au pouvoir pendant près de 10 ans, les années conservatrices se distinguent par leur engagement clair pour une justice plus répressive. Selon ces derniers, ce sont les attentes du public canadien qui justifient ces mesures. Qu’en est il vraiment de l’opinion publique canadienne? À partir du cadre conceptuel de la rationalité pénale moderne (RPM), cette étude vise à observer et décrire la diversité des opinions présentes dans les mémoires soumis au Comité permanent de la justice et des droits de la personne (CPJDP), lors de l’étude des projets de loi C-9 (Loi modifiant le Code criminel (emprisonnement avec sursis)) et C-10 (Loi sur la sécurité des rues et des communautés). Par l’analyse de contenu, les 71 mémoires ont été codifiés pour faire ressortir les idées associées à la RPM et celles qui présentent des innovations cognitives. Les opinions émises dans ces mémoires peuvent être classées dans trois grandes catégories. Tout d’abord, nous retrouvons les opinions de groupes appuyant le durcissement législatif proposé dans les projets de loi, à l’aide de théories de la peine et de principes reliés à la RPM. Ensuite, un deuxième groupe d’opinions émergeant des mémoires se positionne en défaveur des projets de loi, sans toutefois délaisser les principes d’exclusion et d’affliction au fondement de la RPM. Finalement, certains acteurs sociaux parviennent à sortir du cadre conceptual de la RPM pour innover et proposer des modes d’intervention alternatifs aux peines afflictives.
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Cahier, Bernard. "Le devisement de l’homme moderne : dynamique des configurations, domestication de la violence et discours fédérateurs de la modernité". Paris 8, 2007. http://octaviana.fr/document/122015665#?c=0&m=0&s=0&cv=0.
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Norbert Elias s’est laissé enfermer, malgré lui, dans la linéarité de ce qu’il a été contraint de reconnaître comme des mouvements de "décivilisation", tel l’holocauste. Pour le sortir de cette impasse, son outillage méthodologique a été complété, à l’aide d’une notion de discours inspirée de Foucault, en se focalisant sur ce qui se passe lors de la formation même d’une configuration, selon un schéma socio-anthropologique ("négociation" – "plateforme" – "discours"). La façon dont la configuration se met en place ou se défait, par une série de partages, constitue un devisement (mot repris à Marco Polo). Par delà les dispositifs de gouvernementalité (Foucault) qu’elle permet d’appréhender, cette méthode a pour ambition de répondre au problème, récurrent en philosophie, de la permanence et du changement. Répondant ainsi aux difficultés rencontrées par Elias, elle est appliquée, en seconde partie, à l’histoire de l’homme moderne, et aux recompositions qu’il s’impose sans cesse à lui-même"Le Devisement du monde" ("The description of the world") is the title of the book by Marco Polo. This term here covers a socio-anthropological method which combines the notion of "figuration" (Elias) and that of discourse (Foucault). This method is based on an analytical structure ("negotiation" – "platform" – "discourse"), which thus completes the tool bequeathed to us by Norbert Elias, by specifying how a figuration is set up or broken down, by a series of divisions. Allowing us to analyse certain measures of governmentality (Foucault), this approach also answers the problem of permanence and change, recurrent in philosophy. This forms the first part. Applying this tool, the second part reviews the history of modern man up to the recompositions which he applies ceaselessly to himself
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Betria, Nassif María Mercedes. "Penser la politique : la génération de 1837 et l'institution de l'ordre politique moderne (1830-1853) : les regards d'Echeverria et d'Alberdi". Paris 8, 2013. http://octaviana.fr/document/179752065#?c=0&m=0&s=0&cv=0.
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Estudiamos las formas en que la Generación argentina de 1837 pensó la política con el fin de instituir un orden político moderno en el Río de la Plata durante los años 1830- 1853 en Buenos Aires, cuando se origina el “movimiento intelectual” y en Montevideo, espacio del exilio insurreccional donde se buscó propiciar una activa oposición política al rosismo. Reconstruimos los problemas fundamentales de una sociabilidad conceptual generacional a partir de las miradas de Esteban Echeverría y Juan Bautista Alberdi, sin desconocer, sin embargo, los aportes de otros miembros de la Generación del 37 tales como Juan María Gutiérrez, Miguel Cané padre, y de los “espectadores” Domingo F. Sarmiento y José Mármol. Destacamos cuatro ejes de análisis que estructuran dicho discurso generacional: la conciencia histórica colectiva generacional; el lugar de la escritura como modo de gestión del espacio público moderno; el paradigma capacitario de la política como episteme estructuradora de los conceptos y lenguajes de su discurso político y la Representación como principio racional y dinamizador del orden político moderno. Este trabajo surge de un interrogante: ¿cómo se piensa el orden político cuando el Estado nacional es aún una entidad inexistente? y, más específicamente, ¿cómo pensó el orden político la Generación argentina de 1837? ¿Cuáles fueron los conceptos que organizaron su matriz epistemológica para pensar la política durante el período 1830- 1853. Nuestra investigación intenta contribuir desde la historia conceptual y la filosofía política a la pregunta acerca de los modos de pensar la política en el siglo XIX argentino; procura realizar, en términos de Pierre Rosanvallon, una historia conceptual de lo político en nuestro siglo XIX que permita comprender los problemas que constituyeron ese trabajo histórico de las elites letradas que más tarde se materializaría en un orden político estable denominado República ArgentinaWe study the ways argentinian generation of 1837 thought politics for institute modern political order in Rio de la Plata between 1830- 1853 in Buenos Aires at the origins of “intellectual movement” as well as in Montevideo place of insurrectional exile where they intended to build a political opposition to rosism. We reconstruct the fundamental problems of a conceptual and generational sociability with Echeverria’s and Alberdi’s works but without forgetting the contributions of Juan Maria Gutiérrez, Miguel Cané father and the so called “spectators” of Generation of 37 Domingo F. Sarmiento and José Mármol. We underline four themes that estructurate the generational political discourse: the historical and collective conscience; the importance of writing as a way of creating a modern public space; the capacity paradigm of politics as a structure that orders their political language and the Representation as a rational and dynamic principe in political order. These work came up of these first questions: how was that they thought political order when National State didn’t exist and, more specifically, which were the concepts that organized their political discurse to think politics?Our research intents to contribute conceptual history and political philosophy to interpretate the forms of political thought in argentinian’s 19 Century. In terms of Rosanvallon’s works, we hope to contribute to a “conceptual history of politics” that can give answers to the ways that literate élite built a political order called Argentinian Republic
Nous étudions les formes selon lesquelles la Génération argentine de 1837 a pensé la politique afin d'instituer un ordre politique dans le Rio de la Plata, entre 1830 et 1853, à Buenos Aires, où débute ce “mouvement intellectuel" et à Montevideo, espace de l'exil insurrectionnel où elle cherchera à favoriser une opposition politique au rosisme. Nous reconstruisons les problèmes fondamentaux d'une sociabilité conceptuelle générationnelle à partir de la vision de Esteban Echeverría et de Juan Bautista Alberdi, sans ignorer, cependant, les apports d'autres membres de la Génération de 37, tels que Juan Maria Gutiérrez, Miguel Cané père, et de ses “spectateurs”, Domingo F. Sarmiento et José Mármol. Nous avons relevé quatre axes d'analyse qui structurent ce discours générationnel: la conscience historique collective générationnelle ; la place de l'écriture comme mode de gestion de l'espace public moderne ; le paradigme capacitaire de la politique comme épistémè structurant les concepts et les langages de son discours politique et la Représentation comme principe rationnel et dynamisant de l'ordre politique moderne. Ce travail est issu d'une interrogation : comment pense-t-on l'ordre politique lorsque l'Etat national est une entité encore inexistante ? Et, plus spécifiquement, comment la Génération argentine de 1837 a-t-elle pensé la politique ? Quels furent les concepts qui organisèrent sa matrice épistémologique pour penser la politique au cours de la période allant de 1830 à 1853 ? A partir de l'histoire conceptuelle et de la philosophie politique, notre recherche veut contribuer à la question des modes de pensée de la politique au XIXe siècle en Argentine ; dans les termes de Pierre Rosanvallon, elle cherche à réaliser une histoire conceptuelle du politique de notre XIXe siècle permettant de comprendre les problèmes ayant constitué le travail historique des élites lettrées qui, plus tard, se matérialisera dans un ordre politique stable, appelé République Argentine
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Röben, Betsy. "Johann Caspar Bluntschli, Francis Lieber und das moderne Völkerrecht 1861 - 1881 /". Baden-Baden : Nomos Verl.-Ges, 2003. http://www.gbv.de/dms/spk/sbb/recht/toc/360086241.pdf.
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Clavé, Elsa. "La malayisation du Sud philippin (XVe-XIXe siècles) : recherches historiques appuyées sur l'analyse des sources narratives et juridiques des sultanats de Sulu (c. 1450-c. 1900) et de Mindanao (c. 1520-c. 1900)". Paris, EHESS, 2013. http://www.theses.fr/2013EHES0131.
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Cette thèse a pour objet l'étude historique de la malayisation du Sud philippin sur le temps long (XVe - XIXe siècle). Ce processus, par lequel l'islamisation se manifeste dans la sphère culturelle et sociale, accompagne l'émergence et le développement de deux entités politiques modernes : les sultanats de Sulu et de Maguindanao. Fondée sur l'exploitation de textes indigènes sud philippins -narrations historiques et codes -l'étude démontre l'utilisation qui peut être faite de ces sources dans la reconstruction de l'histoire des sultanats. Elle s'attache à dégager une vision chronologique des structures spatiales et des fonctionnements politiques des différentes entités, des espaces côtiers aux marches de l'hinterland. Puis elle se penche sur le cadre législatif et les fondations mythiques du pouvoir royal afin de statuer sur le degré de la malayisation de l'élite. L'étude propose enfin une explication à la situation contemporaine du Sud philippin où l'héritage culturel malais est peu perceptibleThis doctoral dissertation is a historical study on the malayization of the Southern Philippines, in a long term perspective, from the 15th to the 19th century. It focuses on the way by which the islamization influenced culturally and socially the Southern Philippines in the context of the emergence and the growth of two modem political entities : the sultanates of Sulu and Maguindanao. Based on the exploitation of indigenous texts -historical narratives and codes -the study demonstrates the use that can be made of these sources in the reconstruction of the history of the sultanates. It gives a chronological overview of the way the different political entities organized and developed in their ecological envirorunent, from the coastal areas to the hinterland. Then it considers the legislative framework and the mythical foundations of royal power to evaluate the degree of malayization ofthe elite. The study finally provides an explanation for the contemporary situation of the Southem Philippines where the Malay cultural heritage is hardly noticeable
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Haberman-Levy, Smadar. "Le double, Identité empruntée dans l'impasse : le lien entre l'impasse relationnelle et le double en tant que suppléant à un deuil non élaboré". Paris 8, 2011. http://octaviana.fr/document/167616404#?c=0&m=0&s=0&cv=0.
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Cette étude est une réflexion sur la relation triangulaire entre une impasse relationnelle, un deuil non élaboré et la notion psychanalytique du double. L'impasse place le sujet dans une situation de "tout ou rien", dont la signification s’avère être une impossibilité d'accepter la perte, la séparation, et l'altérité. Nous présumons que le deuil non élaboré est la raison pour laquelle quelqu’un s'engage dans l'impasse, tandis que le double joue le rôle de suppléant à ce deuil, jusqu'au moment ou il s'avère illusoire, face à l'impasse. Le double désigne tout ce qui fait référence à une dualité chez l'être humain. Il médiatise les tensions entre les contraires tels que dehors et dedans, extérieur et intérieur, présence et absence. Dans cette optique, il désigne à la fois le clivage et la complétude, et c'est pour cette raison que nous le proposons en tant que solution (vraie ou illusoire) de l'impasse. Nous le montrerons dans cinq œuvres de la littérature hébraïqueThe present study is a reflection on the triangular relationship between a relational impasse, unresolved loss and the psychoanalytic notion of the double. The impasse creates an "all or nothing" situation, the significance of which appears to be the inability to accept the loss, separation and otherness. We assume that denied grief is the reason behind an individual entering an impasse, while the double substitutes this loss even to the point where it becomes illusory. The double refers to everything that pertains to duality in human experience. It mediates the tensions between opposites, both without and within, present and absent. In this context, it refers both to the split and the whole and it is for this the reason that we propose it as a solution (real or illusory) to the deadlock. This is demonstrated by way of five Hebrew literary works
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Journot, Magalie. "Un théâtre socratique ? Essai d'interprétation de la figure de Socrate dans le théâtre occidental moderne : des sources au mythe". Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCC003/document.
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Sûrement parce qu'il n'a rien écrit, Socrate a fait couler beaucoup d'encre. Dès après sa mort en 399 avant J.-C., mort ressentie comme une injustice tragique actant la naissance de la philosophie, ses disciples écrivirent des dialogues pour continuer à le faire vivre. Le genre appelé "dialogues socratiques" fut si florissant qu'il fit entrer la figure dans le monde des mythes littéraires et philosophiques. C'est dans la modernité néanmoins que semble s'épanouir pleinement le mythe de Socrate, saint laïc, concurrent du Christ, héraut d'une morale appelée à se passer de Dieu et de ses ministres, incarnant les idées de justice et de liberté jusqu'au sacrifice. Le théâtre est un des lieux privilégiés, sinon le lieu rêvé, réputé idéal autant que difficile, où s'exprime ce mythe. Héritières des dialogues socratiques qui constituent souvent leur principale source de connaissance au sujet de Socrate, les pièces de théâtre, dont une centaine est ici étudiée, expérimentent, au fil de l'évolution des genres, les différentes façons de mettre en scène la philosophie jusqu'à tenter de retrouver l'inspiration socratique qui fait du dialogue avec Socrate une invitation à accoucher soi-mêmeSurely because he wrote nothing, Socrates is much written about. Immediately after his death in 399 B.C., a death felt as a tragic injustice, his pupils wrote dialogues to keep him alive. The so called "Socratic dialogues" were so flourishing that it makes Socrates go down in the world of litterary and philosophical muths. Modernity is however the time in which blossomed the lyths of Socrates, a secular saint, rival of Christ, herald of a morality called to do without God and priests, embodying the ideas of justice and freedom to the sacrifice. Theater is one of the favourite places, if no the perfect but difficult place where this myth is expressed. Heir of the socratic dialogues, the plays try out to philosophize on stage till finding the socratic inspiration which, trough the art of dialogue, invites each one to find himself
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Lykou, Olga. "Contribution à l’étude des emprunts d’une langue à une autre : le cas du grec moderne et de l’anglais des années 1980 à 2004 : approche psycholinguistique". Paris 8, 2007. http://octaviana.fr/document/124493904#?c=0&m=0&s=0&cv=0.
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Ce travail traite de l’influence de l’anglais sur le grec des années 1980 à 2004. Le corpus de l’étude (333 000 mots) concerne différents types de discours : d’une part des textes écrits financiers, scientifiques et politiques ; d’autre part des productions orales provenant de la publicité radiophonique, des arts et du discours politique. Ce travail évalue d’une part si l’ingérence de l’anglais dans la langue grecque a évolué au cours de la période considérée, d’autre part si cette ingérence est généralisée dans cette langue ou bien si elle n’affecte que certains types de discours. Deux outils de mesure ont été utilisés : les emprunts du grec à l’anglais et les alternances codiques relevés dans les types de discours en question. Le multilinguisme, le mélange des langues, l’analyse psycholinguistique de ces phénomènes, l’étude des emprunts et des alternances codiques, la relation entre langue et pensée resteront encore longtemps des domaines de recherche ouverts et prometteursThe present dissertation concerns the influence of English on the Greek language in the years 1980-2004. The corpus of the study (333 000 words) is based on different types of discourse: on the one hand financial, scientific and political written texts; on the other hand oral speech from radio advertising, arts and politics. The present study investigates whether the influence of English onto Greek has evolved during that period; it also investigates if such influence has generalized to the whole Greek language or if it limits itself to particular discourse types. Two measure instruments were used: the number of borrowings from English and that of code-witches found in the various types of utterances. Multilingualism, language-mixing, the psycholinguistic analysis of such phenomena, the study of loanwords and code-switching, the relationship between language and thought will remain open and fairly promising research fields for quite a long time to come
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Timmermans, Benoît. "Les origines romantiques de la pensée abstraite: histoire et enjeux de l'algèbre moderne". Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210698.
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Huchet, Marie-Madeleine. "De la Vieille de jean Le Fèvre : traduction versifiée du De Vetula attribué à Richard de Fournival : étude et édition". Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4045.
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De vetula, poème pseudo-ovidien du XIIIe siècle attribué au chancelier de l’église d’Amiens Richard de Fournival, a pour particularité de mêler à une intrigue amoureuse de longs développements sur la chasse, les jeux, l’astrologie et l’astronomie, dont l’apport scientifique est loin d’être négligeable. Un siècle plus tard, le procureur Jean Le Fèvre décide de traduire le texte en lui conservant une forme versifiée. L’édition et l’étude de cette traduction, qui nous a été transmise par trois manuscrits, mettent en évidence les difficultés rencontrées par un écrivain du XIVe siècle pour transposer d’une langue dans l’autre une écriture poétique recherchée, vulgariser des notions scientifiques parfois complexes et faire face à la création d’un lexique spécialiséDe Vetula, pseudo-Ovidian poem from the 13th century, attributed to Richard de Fournival, Chancelor of the Church of Amiens, is unique insofar as it blends a romantic plot with long developments about hunting, games, astrology, and astronomy, the scientific contribution of which is quite significant. One century later, Prosecutor Jean Le Fèvre decided to translate the text retaining a versified form. The edition and the study of this translation – passed on through three manuscripts – highlight the difficulties and obstacles a 14th century writer had to face while trying to transpose a poetic and elaborate writing from one language to another, popularize somewhat complex scientific notions, and create a specific vocabulary
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Gambino, Ulrika Susanna. "Savoir de la nature et poésie des choses : Lucrèce et Epicure à la Renaissance". Paris, EHESS, 1999. http://www.theses.fr/1999EHESA038.
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A partir de la redecouverte humaniste du de rerum natura la recherche entend cerner les diverses roles que lucrece et epicure ont joue, entre le xve et le xvie siecles. La premiere partie de la these analyse les grands themes historiques et philosophiques dans l'etude de la fortune d'un auteur. Lucrece y est confronte a la philologie et aux problemes de la transmission des textes anciens (chapitre i). On s'attache ensuite a l'analyse de la grande saison de l'ethique epicurienne et de l'integration dans la pensee ethique de certains humanistes de l'hedonisme epicurien (chapitre ii). On tente d'etablir la veritable place de l'epicurisme au sein du pretendu atheisme de la renaissance (chapitre iii). Enfin, on examine un phenomene plus inattendu, la facon ou lucrece et epicure interviennent pour 'corriger' la physique aristotelicienne (chapitre iv). La seconde partie est consacree a l'influence de lucrece comme modele rhetorique et litteraire et a l'utilisation qu'en font certains ecrivains et theoriciens de la litterature dans le debat autour de la poetique d'aristote. L'analyse porte sur la poesie scientifique neo-latine et son emploi du modele de lucrece. Celui-ci entraine des procedes comme l'usage des metaphores, de la mythologie et le pathos de la poesie cosmologique (examines au chapitre i). Des themes plus specifiquement litteraires, exercent une influence considerable sur la poesie renaissante et transmettent l'ideologie et l'image lucretiennes de la nature (examines au chapitre ii). Enfin, on a essaye de comprendre le theme de lucrece-modele en confrontant des traites qui affichent deliberement le de rerum natum comme modele a imiter, avec la declinaison de la figure de lucrece lui-meme, le poete fou et melancolique. L'etude se conclut sur la tentative reussie, operee par la culture de la contre-reforme, de neutraliser lucrece et l'epicurisme.
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Ogien, Ruwen. "La faiblesse de la volonté : (Aristote, Davidson)". Paris 1, 1991. http://www.theses.fr/1991PA010648.
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Trois types d'explication de l'action humaine sont soumis au test aristolecien de l'acrasia (faiblesse de la volonté ou action intentionnelle contraire au meilleur jugement de l'agent) : causal, logique (le syllogisme pratique) et mixte (la théorie aristotélicienne de la phorésies et la théorie davidsonnienne du raisonnement pratique). La conclusion est sceptique ou négative nous ne disposons d'aucune explication convaincante ou d'aucune justification rationnelle de nos façons ordinaires de parler du pouvoir de nos croyances et de nos désirs dans la production et l'orientation de nos actionsThree types of esplanation of human action are submitted to the aristotelician test of acrasia (weakness of will, intentional action aginst one's own better judgement) : the causal, the logical (the so-called practical syllogism) and the mixed (the aristotelician theory of phronesis or the davidsonian theory of practical reasoning). The conclusion is sceptical or negative. We don't have any convincing explantation or any good rational justification for our ordinary talk about the power of our desires and beliefs in the production and orientation of our actions
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Sumner, Natasha D. E. "The Fenian Narrative Corpus, c.600–c.2000: A Reassessment". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467373.
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This dissertation traces the historical development of the Fenian narrative tradition—i.e. the vast body of story and song, some of it well over a millennium old, about the Gaelic hero, Fionn Mac Cumhaill and his roving warrior band. The first chapter traces the history of the tradition from the early medieval period up to Macpherson’s monumental publications. The nature of the literary manifestations of Fenian topics and such evidence as there is for an oral tradition prior to modern attestations are discussed. In a demonstration of the cultural relevance of the tradition, the ways in which socially and politically relevant meanings may have been woven into the extant texts are also explored. The focus then shifts in the second chapter to a consideration of the approaches taken to Fenian literature and lore in the Macphersonic period. Macpherson’s cultural milieu, motivations, and creative process are investigated, and his adaptations are situated in their national and international contexts. Their influence and sociopolitical import within a trans-Gaelic sphere in the century after their publication are then addressed. The third and final chapter examines the Fenian tradition in the post-Macphersonic period, with a particular focus on the sociopolitical significance of modern approaches to the Fenian tradition. This is the period of folklore collection, and of primary importance are the motivations and activities of folklore collectors in the Gaelic regions. Also explored are modern publications, adaptations, and overt politicizations of Fenian material, particularly in Ireland. The image of the Fenian tradition that emerges from this tripartite consideration is one of a dynamic and multifaceted body of story and song that has remained relevant over the centuries due to constant adaptation.Celtic Languages and Literatures
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Gale, Michael. "Learning the lute in early modern England, c.1550 - c.1640". Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/366434/.
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This study explores the popularity of lute instruction in late sixteenth- and early seventeenth-century England and the ways in which this accomplishment was used in constructions of social status. The opening chapter outlines the functions of the lute in early modern English culture and surveys previous research on the instrument and its repertory. Chapter 2 provides an overview of the hierarchical structure of Elizabethan society, highlighting shifting conceptions of “gentle” status during the sixteenth century. The complex position of music within early modern discourses on elite identity is discussed, alongside the potential of lute-playing skills to contribute towards social advancement. Four case studies follow, each exploring the uses of lute-playing amongst practitioners located on the hazily defined boundaries between “gentle” and lower-class status. Chapter 3 uses the autobiography of Thomas Whythorne as a focal point in order to examine the ambiguous role of musicians in household service. By teaching coveted “courtly” skills to their social superiors, these music tutors were in an advantageous position to secure further rewards and enhance their status. Chapter 4 reassesses the Mynshall lutebook, highlighting the roles of music-making and literary production amongst a circle of mercantile-class men in provincial England. It reveals how lute-playing and poetic exchange facilitated social interaction and consolidated kinship bonds within this group as they sought to forge a collective identity grounded in the cultural practices of more elite circles. The role of recreational music-making amongst university men is examined in Chapter 5 through a reappraisal of the Dallis lutebook, showing how playing and collecting lute music could form a strand in the fashioning of a distinctively learned “scholarly” identity. My final case study assesses the printed tutor books marketed from the 1560s onwards, paying close attention to the material forms of extant copies (as evidence of their usage) and their paratextual materials. A close reading of Thomas Robinson’s Schoole of Musicke (1603) reveals how this publication was designed to appeal simultaneously to two very different markets: aspirant middle-class autodidacts, and wealthier “gentleman” readers who could provide further patronage and career advancement to the author.
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Cardinali, Giacomo. "Les lectures de Marc-Antoine de Muret et la genèse du Iulius Caesar (1544 - 1545) : nouvelles perspectives". Electronic Thesis or Diss., Metz, 2008. http://www.theses.fr/2008METZ008L.
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Notre travail porte sur la genèse d’une des premières grandes tragédies latines de la Renaissance : le Iulius Cæsar de Marc-Antoine de Muret. Nous adoptons une perspective relevant de l’histoire des textes : nous essayons, à partir des données qu’on peut tirer du Iulius Cæsar, de reconstituer la bibliothèque de Marc-Antoine de Muret et d’expliquer les raisons qui ont conduit l’auteur à s’inspirer de certains textes et non pas d’autres. S’il est, en effet, possible de proposer un catalogue des sources anciennes où Muret a puisé ses informations à propos de l’assassinat de César, s’il est également possible d’opérer une distinction entre sources majeures et mineures selon qu’elles ont fourni à Muret le matériel historique pour tisser la trame tragique ou seulement des détails, il est tout aussi déterminant de se demander dans quelles éditions Muret a consulté ces sources. Nous interrogeant sur la diffusion, dans les années 1540, des éditions des classiques grecs et latins, nous avons formulé l’hypothèse que Muret avait essentiellement emprunté son inspiration aux Annotationes in L. Florum de Joannes Camers (le père Giovanni Ricuzzi). Nous avons donc consacré notre étude dans un premier temps à la transmission et à la réception des textes de l’Antiquité apportant des témoignages sur l’assassinat de Jules César et à leur influence sur l’inspiration de Muret et dans un second temps aux commentaires sur la nature de la tragédie qui ont pu guider Muret dans la composition de l’intrigue tragiqueOur work concerns the genesis of one of the first famous Latin tragedies of the Renaissance: Marc-Antoine de Muret’s Iulius Cæsar. We adopt a perspective recovering from the history of texts: we indeed try, from the data which we can pull of Iulius Cæsar, to reconstitute the library of Marc-Antoine de Muret and to explain the reasons which led the author to be inspired by certain texts and not by the others. If it is, indeed, possible to propose a catalog of the former sources where Muret drew its informations about Caesar’s murder, if it is also possible to operate a distinction between major and minor sources as they supplied in Muret the historic material to weave the tragic weft or only details, he is also determining to wonder in which editions Muret consulted these sources. Analysing the spread of the editions of the Greek and Latin Classics in the 1540s, we have formulated the hypothesis that Muret was inspired by the Annotationes in L.Florum by Joannes Camers (father Giovanni Ricuzzi). At first our studies have concentrated upon the transmission and the reception of the ancient texts giving testimonies to Julius Caesar’s murder, then upon the commentaries on the nature of the tragedy which influenced Muret and led him into the composition of the tragic plot
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Walkden, Michael Lee. "Digestion and emotion in early modern medicine and culture, c.1580-c.1740". Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21031/.
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This thesis presents an overview study of the relationship between digestion and emotion in seventeenth- and early eighteenth-century English medicine and culture between the approximate dates of 1580 and 1740. By placing a wide range of medical and non-medical writings side by side, this study aims to reconstruct a former way of being in the world which might be termed ‘embowelled emotion,’ in which affective states were perceived and at times explicitly described as having their origins in the digestive tract. It argues that the belly and bowels should be accorded a central role in accounts of early modern emotion, challenging recent trends in Renaissance studies which have sought instead to emphasise the ‘immaterial’ dimensions of affective experience. As such, it presents a contribution to a large and ever-growing body of work on embodiment in early modern England, furthering current interdisciplinary debates over the relationship between body and emotion in early modern culture.
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Durbin, Charles A. "Fundamentals of Modern Nonprofit 501 (c)(3) Organizations". University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1271864791.
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Laimé, Arnaud. "La poétique de Nicolas Petit (c. 1497-1532) un renouveau de l'écriture poétique néo-latine à Paris et à Poitiers, dans le cercle de François Rabelais". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040162.
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Nicolas Petit (c. 1497-1532), originaire de Normandie, étudia et enseigna au collège de Montaigu à Paris (c. 1510-c. 1522). Ce collège avait mauvaise réputation auprès des humanistes qui le disaient hostile au Bonae Literae, mais la modernité de sa poésie (Elegiae de redemptione humana, Paris, Jean Petit, 1517, en collaboration avec Jean Des Fossés ;Sylvae. Arion, Gornais, Barbaromachia cum aliquot hymnis, Paris, Jean de Gourmont, 1522)contredit ces représentations traditionnelles. Petit partit ensuite à Poitiers étudier le droit ; il yfréquenta les cercles littéraires et devint ami du poète rhétoriqueur Jean Bouchet et du jeune François Rabelais.Cette thèse consiste d’une part en l’édition, l’annotation, la traduction des Sylvae et des Elegiae de redemptione humana (1er volume). Un second volume contient une étude du contexte intellectuel du collège de Montaigu qui s’appuie sur la lecture des oeuvres produites dans et autour de ce collège ; j’entame ensuite une étude littéraire des Sylvae (imitation deStace, influence d’Ange Politien, nature pré-rabelaisienne des textes de Petit) ; je termine en analysant l’influence de la poésie de Petit sur les oeuvres de J. Bouchet et F. Rabelais. Dans chacune de ces parties, j’appuie ma réflexion sur un panorama général de la littérature néo-latine du temps, pour mieux situer Petit dans son contexte intellectuel et littéraireNicolas Petit (c. 1497-1532), from Normandy, studied and taught in the college of Montaiguin Paris (c. 1510-C. 1522). This college had bad reputation among the Humanists who said itwas hostile to Bonae Literae, but the modernity of Petit’s poetry (Elegiae de redemptionehumana, Paris, Jean Petit, 1517, in collaboration with Jean Des Fossés ; Sylvae. Arion,Gornais, Barbaromachia cum aliquot hymnis, Paris, Jean de Gourmont, 1522) contradictsthose traditional representations. Afterwards, Petit went to Poitiers (c. 1522-1532) to studylaw ; there, he frequented the literary circles and became friend with the Rhetoriqueur poetJean Bouchet and the young François Rabelais.This Ph. D. consists in the edition, annotation and traduction of the Sylvae and of the Elegiaede redemptione humana (1st volume). A second volume contains a study of the intellectualbackground of the college of Montaigu which bases on a reading of the texts written in andaround this college ; then I begin a literary study of the Sylvae (imitation of Stace, influenceof Angelo Poliziano, pre-rabelaisian nature of Petit’s texts) ; in the last part, I analyze theinfluence of Petit’s poetry on Jean Bouchet’s works and also on Rabelais’s ones. In each partof my study, I base my reflection on a general overview of neo-latine literature of the time, inorder to insert Petit in his intellectual and literary background
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Mann, Alastair. "The book trade and public policy in early modern Scotland c.1500-c.1720". Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/2200.
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Few historians would question the importance of national literature to the understanding of national history. Less frequently, especially in Scottish history, is equal attention given to the print medium. Publishing and the book trade represent a complex cocktail of conscience and commerce, of ideology and industry, and one of the tensions within the study of publishing, especially in the turmoil of the early modern period, is the assessment of motive underpinning the act of publication. Two objectives are sought in this research of the book trade of Scotland c1500 to c1720. The degree, scale, structure and financial basis of the book trade are considered. In particular, data obtained from a large number of existing and new references to individual booksellers and printers has been accumulated in order to establish the extent, development, and general pattern of commerce. Secondly, the interaction of public policy and the book trade is explored with separate chapters on the policy of the burghs, the church and the government. As part of government control close scrutiny is given to the law of publishing with chapters devoted to copyright and censorship, two themes for which adequate Scottish study is long overdue. In addition, a bridging chapter is included dealing with trade links between Scotland and the Low Countries, and this reflects vividly the conflicting demands of permission and prohibition for book merchants and book regulators. The research comes to two apparently contrasting conclusions. The book trade of early modern Scotland was in many respects similar to those of other European nations at this time, especially England and the Low Countries. The desire for profit and intellectual improvement, but also adequate controls, were common to all literate societies. Equally, although the beaches of Scottish print culture were battered by the influences of Dutch and English commercial, legal and administrative conventions, Scotland developed its own unique relationship to the printed word - a Scottish tradition.
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Anderson, Caroline Corisande. "The material culture of domestic religion in early modern Florence, c.1480 - c.1650". Thesis, University of York, 2007. http://etheses.whiterose.ac.uk/14205/.
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Expósito, Amagat Ricard. "Informació i persuasió: en els orígens de la premsa catalana (c. 1500-1720)". Doctoral thesis, Universitat de Girona, 2014. http://hdl.handle.net/10803/403989.
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The main objective of this thesis is to analyse public information in Early Modern Catalonia: its production, circulation and consumption from the end of the Middle Ages until the end of the War of the Spanish Succession and the War of the Quadruple Alliance. To this end, after examining the various information media (printed, manuscript and oral), the thesis concentrates on a case study: the press manufactured in the Principality of Catalonia from the points of view of its benefits for its ‘editors’ (printers and booksellers) and of the wishes (or needs) of the authorities. Single event newsletters (often entitled avisos, cartes, noves or relacions), as well as a periodical press (gazette-type pamphlets and gazettes), were distributed throughout the Principality and beyond. This press – which we have placed within the European context of the time – was read, and heard read aloud, by readers and audiences who were hungry for news, both in the cities and in the countryside. At the same time, we have examined questions of literacy and the creation of a primitive “public sphere”. All of which has enabled us to speak of an “information era” that existed long before the current era of excessive information.L’objectiu principal d’aquesta tesi és analitzar la informació pública a la Catalunya moderna: la seva producció, la circulació i el seu consum des de la darreria de l’edat mitjana fins al desenllaç de la Guerra de Successió i els anys del conflicte de la Quàdruple Aliança. Per això, una vegada examinats els diferents gèneres informatius (impresos, manuscrits i orals), hem escollit un estudi de cas: la premsa manufacturada al Principat, tant per al benefici dels seus “editors” (estampers i llibreters) com per voluntat (o necessitat) de les autoritats. Avisos, cartes, noves i relacions, així com la premsa periòdica (relacions tipus gaseta i gasetes), es difonien arreu del territori i a l’exterior. Aquesta premsa (que hem situat en el context coetani europeu) era llegida i escoltada llegir per uns públics àvids de notícies, a la ciutat i al camp. Paral·lelament, també hem revisat els nivells d’alfabetització i hem tractat la formació d’una primitiva “esfera pública”. Tot això ens ha permès referir-nos a una “era de la informació” molt abans de la present “era de la (sobre)informació”.
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Gulliver, Katrina. "Creating the modern woman in Asia, c.1920-1940". Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/252087.
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Bell, Karl Graham. "The magical imagination and modern urbanisation, c. 1780-1850". Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435978.
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Hauswedell, Hannes Peer [Verfasser]. "SeqAn3 – Sequence Analysis and Modern C++ / Hannes Peer Hauswedell". Berlin : Freie Universität Berlin, 2021. http://d-nb.info/1236572920/34.
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Crogg, Tyler. ""Common Plowmen's Children": The Frontiers of Ulster Catholicism, c.1680-c.1830". OpenSIUC, 2009. https://opensiuc.lib.siu.edu/dissertations/115.
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The dissertation argues that Ulster Catholic laity inhabited a social and cultural "frontier" through the early modern period. This mentality shaped how Ulster Catholics perceived and conceived their place and community in the rapidly changing religious, socio-economic and political situation in early modern Ulster (c.1680-1830). Though sectarian attitudes and violence are viewed as inherent in Ulster and Irish history generally, this dissertation explores the social and cultural connections between Ulster Catholics and Anglo-Scot Protestant settlers, and the social and cultural world of Ulster Catholics and Catholic converts. By examining several locales and specific Catholic families in the province, a nuanced portrait of interdenominational relationships and Catholic culture and society is forwarded. Additionally, the concerns of daily life and social connections are explored to register the amount of adaptation or resistance to the changing socio-economic and political conditions in Ulster. Moreover, the attempted Tridentine reforms of Ulster Catholic practice by the Catholic upper clergy during the seventeenth and eighteenth centuries was another "frontier" that was alternately adapted and resisted by the Ulster Catholic laity. Analysis of Catholic diocesan letters, Gaelic poetry and songs, family and estate papers, official state papers, and other contemporary works demonstrates the complexities of local interdenominational relationships and the diverse constructions of a "Catholic community" early modern Ulster.
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Cardinali, Giacomo. "Les lectures de Marc-Antoine de Muret et la genèse du Iulius Caesar (1544 - 1545) : nouvelles perspectives". Thesis, Metz, 2008. http://www.theses.fr/2008METZ008L.
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Notre travail porte sur la genèse d’une des premières grandes tragédies latines de la Renaissance : le Iulius Cæsar de Marc-Antoine de Muret. Nous adoptons une perspective relevant de l’histoire des textes : nous essayons, à partir des données qu’on peut tirer du Iulius Cæsar, de reconstituer la bibliothèque de Marc-Antoine de Muret et d’expliquer les raisons qui ont conduit l’auteur à s’inspirer de certains textes et non pas d’autres. S’il est, en effet, possible de proposer un catalogue des sources anciennes où Muret a puisé ses informations à propos de l’assassinat de César, s’il est également possible d’opérer une distinction entre sources majeures et mineures selon qu’elles ont fourni à Muret le matériel historique pour tisser la trame tragique ou seulement des détails, il est tout aussi déterminant de se demander dans quelles éditions Muret a consulté ces sources. Nous interrogeant sur la diffusion, dans les années 1540, des éditions des classiques grecs et latins, nous avons formulé l’hypothèse que Muret avait essentiellement emprunté son inspiration aux Annotationes in L. Florum de Joannes Camers (le père Giovanni Ricuzzi). Nous avons donc consacré notre étude dans un premier temps à la transmission et à la réception des textes de l’Antiquité apportant des témoignages sur l’assassinat de Jules César et à leur influence sur l’inspiration de Muret et dans un second temps aux commentaires sur la nature de la tragédie qui ont pu guider Muret dans la composition de l’intrigue tragiqueOur work concerns the genesis of one of the first famous Latin tragedies of the Renaissance: Marc-Antoine de Muret’s Iulius Cæsar. We adopt a perspective recovering from the history of texts: we indeed try, from the data which we can pull of Iulius Cæsar, to reconstitute the library of Marc-Antoine de Muret and to explain the reasons which led the author to be inspired by certain texts and not by the others. If it is, indeed, possible to propose a catalog of the former sources where Muret drew its informations about Caesar’s murder, if it is also possible to operate a distinction between major and minor sources as they supplied in Muret the historic material to weave the tragic weft or only details, he is also determining to wonder in which editions Muret consulted these sources. Analysing the spread of the editions of the Greek and Latin Classics in the 1540s, we have formulated the hypothesis that Muret was inspired by the Annotationes in L.Florum by Joannes Camers (father Giovanni Ricuzzi). At first our studies have concentrated upon the transmission and the reception of the ancient texts giving testimonies to Julius Caesar’s murder, then upon the commentaries on the nature of the tragedy which influenced Muret and led him into the composition of the tragic plot
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Simpson, Margo Lee. "The anti-modern imagination: C. S. Lewis and "The Cosmic Trilogy"". Thesis, University of Ottawa (Canada), 1999. http://hdl.handle.net/10393/8592.
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This thesis examines how in his essays and fiction C. S. Lewis voiced opposition to a tendency to idolatry of science and scientific method in the modern world. Accused of being against science and scientists, Lewis was actually opposed to misguided thinking in any realm, most especially "thought about nothing," as he muses in "Meditation in a Toolshed". This thesis attempts a reading of the three science fiction texts of The Cosmic Trilogy, focusing on Lewis's arguments against a variety of fashionable "isms", including scientism, developed discursively in his popular and academic essays. Choosing to write in the science fiction genre, enriching the genre with the addition of a spiritual quest, Lewis highlights weaknesses in earlier examples of the genre, and points to the danger to human dignity that arises from unbalanced thinking that reduces human beings to mechanistic ghosts in machines.
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Roddan, Hector. "Defining differences : the religious dimension of early modern English travel narratives, c.1550 - c.1800". Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/88387/.
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Laos, Pontus y Alexander Libot. "Comparing Conventional- and Modern Programming Languages for Developing a File System". Thesis, Malmö universitet, Institutionen för datavetenskap och medieteknik (DVMT), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43451.
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Most of the software stack is built upon C today. C is a very flexible language, but the flexibility also brings some safety risks, particularly when handling memory through pointers. Rust is a new programming language which can guarantee memory safety without performance-heavy runtime services such as garbage collection. In this article, two partial file systems are implemented based on the design of EXT2. One system is implemented in C — Nafs — and one system is implemented in Rust — Rufs. A number of benchmarks are also developed, with the purpose of testing the most common features of a file system. After running the benchmarks, the results showed that Nafs provided better performance for all but one feature. There could be many reasons for this, and some hypotheses are discussed. Aspects like different compiler optimizations, the use of pointer dereferencing vs. data structure representation, using dynamic memory, and using system calls are considered. Some optimizations to Rufs are also implemented, and their impact analyzed. Earlier research has shown that Rust can guarantee memory safety while still providing good performance. It has also shown that Rust can be used to implement system programs, such as operating system kernels. Over the course of this article, it is shown that safe Rust can be used to implement a file system — thereby guaranteeing a memory safe program. It is also shown that a file system implemented in safe Rust provides worse performance than a similar system written in C. Future work will have to tell whether a file system can be as performant in Rust as in C, by using different implementation methods or unsafe Rust for some of the most performance critical parts of the system.
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Rouintree, Kevin Paul. "Virtues, pluralism, and human nature : prospects for an integration of virtue ethics and modern moral theory /". Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
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Newton, Hannah Claire. "The sick child in early modern England, c. 1580-1720". Thesis, University of Exeter, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508370.
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The thesis explores medical perceptions and treatments of children, and argues that a concept of 'children's physic' existed amongst doctors, medical authors, and the literate laity. 'Children's physic' denotes the idea that children were physiologically distinct beings, whose medicines needed to be adapted to suit their unique temperaments. The thesis also examines the family's experience of the child's illness, demonstrating that parents devoted considerable time and energy to the care of their sick offspring. The illness or death of a child was one of the saddest occasions in parents' lives, eliciting feelings of profound grief, fear, and guilt. It is shown that gender did not have much impact on the nature of parents' experiences: both mothers and fathers were involved in the practical tasks of tending their ill offspring, and both parties recorded emotions of extreme anguish at this time. Finally, the thesis attempts to reconstruct the experiences of the ailing children themselves, exploring what it was like being ill, in pain, and near death. It asserts that children's experiences were characterised by striking ambivalence: on the one hand, children were often tormented by feelings of guilt, the fear of hell, and physical pain, but on the other hand, illness could be emotionally and spiritually uplifting.
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Saunders, Austen Grant. "Marked books in early modern English society (c.1550-1700)". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648630.
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Busfield, Lucy. "Protestant epistolary counselling in Early Modern England, c.1559-1660". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e3986912-1c91-4d8b-a93c-2f02b55b96b7.
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My thesis argues for the significance of individual spiritual counselling within post-Reformation English Protestantism. In particular, it demonstrates the prevalence of pastoral letter-writing and explores the purpose and dynamics of these networks. This research represents the first large-scale, comparative examination of a frequently neglected topic. It draws on many little-known letter collections and a number of unexplored manuscripts, alongside some more familiar epistolary sources. Chapter one situates my research in relation to existing literature on individual spiritual counselling and confession. As a counterpoint to the scholarly claim that contemporary accounts of the post-Reformation ministry emphasise the centrality of preaching at the expense of almost all other pastoral functions, I demonstrate the importance which many divines attributed to directing individual consciences, as well as highlighting contemporary thought on the role of the laity as providers of religious counselling. Chapter two uses Nehemiah Wallington's manuscript volume of exemplary spiritual correspondence to demonstrate the importance of epistolary counselling in the ministries of several early modern clergymen. The second section of the chapter argues that Wallington's own engagement with epistolary counselling ultimately served to uphold ministerial authority. Chapter three investigates the spiritual letter-writing relationships of early seventeenth-century Protestant ministers and their gentry patrons and demonstrates the significant potential which existed for clergymen to exercise religious agency and influence with pious elites. Chapter four explores the authoritative and spiritually intimate correspondences in which Richard Baxter engaged with laypeople from across the social spectrum during the 1650s. Current knowledge of his counselling of the Derbyshire gentlewoman, Katherine Gell, is extended through an original reflection on the significance of networks of pastoral direction in early modern English Protestantism. Chapter five explores the nature of religious advice-giving amongst the laity and uncovers its pious motivations. This characteristically 'godly' activity is both compared and contrasted with contemporary clerical counselling.
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Pullin, Naomi Rebecca. "Female friends and the transatlantic Quaker community : 'the whole family and household of faith', c.1650 – c.1750". Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/66726/.
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This thesis explores the lives and social interactions of Quaker women in the British Isles and American colonies between c.1650 and c.1750. The radical behaviour of women in the early years of Quakerism has been heavily researched. Historians, however, fail to give sufficient credit to those women who did not travel and preach as a way of life, but who used Quaker values and beliefs to organise their daily lives and give meaning to their experiences. This thesis offers a more accurate and comprehensive picture of early Quakerism, by examining how both ministering and non-itinerant women’s identities were redefined as a result of their Quaker membership. The chapters are structured around the relationships that women developed both within and without the Quaker community with the lens of focus shifting outwards from the family, to the local meeting system, then to the connections and friendships that Quaker women formed with other members of the Society, and finally, to their relationship with the non-Quaker world. In arguing that Quaker women’s domestic identities helped shape both their ministerial careers and the wider outlook of the movement, it counters the view that the originality of Quakerism stemmed from women’s ability to transcend their gender. Domesticity has greater historical dimensions than previously imagined, and the thesis shows how the private domain of the household could become entwined in the public concerns of the movement. The period under discussion was one of enormous change in terms of how Friends were viewed and understood in wider society. It was also dramatically altered by the establishment of Quaker communities within the American colonies, especially in Pennsylvania. Utilising a broad source base within a transatlantic context, which includes correspondence, official epistles, Meeting minutes, and spiritual autobiographies, the thesis maps how women contributed to a ‘cultural exchange’ through their work within both the ‘whole family and Household of faith’ and early modern society more generally.
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De, Zuani Laura. "Bartolomeo Montagna (1450 c.- 1523)". Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3423973.
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This essay presents, in form of a classical monograph, the painter Bartolomeo Montagna founder of the Renaissance vicentine school of painting. He was born in Orzinuovi (a small town near Brescia, in Lombardia) and he lived in Vicenza. This essay strarts from his early production side by side with Gianfrancesco Somaio, to the direct comparison with venetian innovation, carried on by Giovanni Bellini. Bartolomeo Montagna faced with the venetian master during two journeys in Venice between 1469 and 1483. Looking at his eighties production, boundend to the venetian experience and to Antonello da Messina’s heritage, the monograph faces the complex connections among Bartolomeo Montagna, the inlayer Pierantonio degli Abati and the architect Lorenzo da Bologna. The collaboration within these three artists started with the great construction of the vicentine church of San Bartolomeo and then it went on thanks to the most important artistic workshops in Padua at the end of the Century. The first years of the painter in Padua are examined through archive documents and stylistic analysis, trying to make new hypothesis on his patrons. After explaining the complex cultural contributions matched by the painter, this dissertation takes care of the nineties production, touching connections with milanese figurative culture. The artist must have known it thanks to a journey to Lombardia, due to the chartusian patronage in Pavia (1490). Mature production is later examined, showing connections between prestigious commissions in Verona and Padua, when Montagna had the chance to compare with Mantegnesque culture. During the hard Cambrai war the artist, probably looking for a shelter in Padua, set one of his most famous works: the fresco representing the Recognition St. Anthony’s mortal remains (1512). The new raising star Titian, who had worked in the same Scoletta, affected Montagna’s production from his mature vicentine to his later provincial commissions (in Cologna Veneta). Paintings and drawings catalogue complete this monograph, in addition to a substantial historical document apparatus.Nell’elaborato si affronta in forma di classica monografia la figura del pittore Bartolomeo Montagna, caposcuola della pittura vicentina rinascimentale. L’opera giovanile del pittore, nato ad Orzinuovi (BS) ma vissuto a Vicenza, è affrontata dagli esordi vicentini probabilmente svoltisi al fianco del poco noto Gianfrancesco Somaio, al successivo confronto con le novità veneziane di Giovanni Bellini, conosciute nel corso di almeno due soggiorni lagunari avvenuti tra il 1469 ed il 1483. Percorrendo la produzione degli anni Ottanta, fortemente legata all’esperienza di Venezia ed all’eredità di Antonello da Messina, la dissertazione affronta i complessi legami instaurati tra il pittore, l’intarsiatore Pierantonio degli Abati e l’architetto emiliano Lorenzo da Bologna. Iniziata all’interno della chiesa vicentina di San Bartolomeo, la collaborazione dei tre artisti continuò in alcuni fra i cantieri più importanti della Padova di fine secolo. I primi anni del pittore sono scandagliati attraverso la lettura dei documenti d’archivio e l’analisi stilistica delle opere, cercando di fornire un nuovo punto di vista per l’individuazione della committenza. Chiarita la complessa congerie di apporti culturali incontrata negli anni giovanili, il lavoro affronta la produzione pittorica degli anni Novanta impostando un possibile rapporto con la cultura artistica milanese attraverso l’analisi della scultura vicentina di ascendenza lombarda, giungendo ad ipotizzare un possibile viaggio del pittore nella città di Pavia occasionato dalla committenza certosina per Pavia del 1490. Il lavoro maturo di Montagna è in seguito indagato nelle nuove prestigiose commissioni ricevute tra Padova e Verona, foriere di un rinato interesse per la cultura mantegnesca. Durante i difficili anni della Guerra di Cambrai il pittore, rifugiatosi probabilmente a Padova, poneva le basi per la prestigiosa commissione ricevuta dalla Scuola del Santo, l’affresco raffigurante la Ricognizione delle spoglie mortali di Sant’Antonio (1512), occasione di un fruttuoso confronto con l’allora nascente astro del giovane Tiziano, destinato ad influenzare le sorti della pittura montagnesca sino alle ultime prove di committenza vicentina e provinciale (Cologna Veneta). Il catalogo delle opere pittoriche e dei disegni attribuiti a Bartolomeo Montagna conclude la monografia accanto ad un consistente apparato documentario.
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Sakai, Aya. "Open spaces and the modern metropolis : evolution and preservation in London and Tokyo (c.1830-c.1930)". Thesis, Royal Holloway, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416782.
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Wright, Martin. "Wales and socialism : political culture and national identity c. 1880-1914". Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/26969/.
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Thesis examines the spread of socialist ideas and the growth of the socialist movement in Wales in the period 1880-1914. It pays particular attention to the way in which socialists related to Welsh national identity, and analyses the processes through which the universalist ideals of socialism were related to the particular and local conditions of Wales. It examines the interplay between Wales and the wider world that occurred through the medium of the socialist movement, and balances this against the internal dynamic and organic growth of socialism within Wales itself. Having surveyed and commented upon existing British and Welsh labour historiography, the thesis opens with a discussion of the first „modern‟ socialists to undertake propaganda in Wales in the 1880s. It then examines the way in which socialist societies began to put down roots in the 1890s, through case studies of the Fabian Society in Cardiff and the Social Democratic Federation in south Wales. The central part of the thesis is concerned with the rise of the most important of the socialist organisations, the Independent Labour Party. Attention is given to the way in which the ILP used the south Wales coal strike of 1898 to gain its ascendancy in Welsh socialist politics, and the nature of the political culture that was created by the party in south Wales. The remainder of the thesis discusses the nature of socialist growth beyond south Wales, and pays particular attention to indigenous Welsh forms of socialism. The thesis concludes with an examination of the rapid growth of the socialist movement in Wales after 1906, and the consequent debate that occurred about the relationship of socialism, Welsh nationalism and the Welsh language.
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Stoneman, Robert James. "The reformed British militia, c.1852-1908". Thesis, University of Kent, 2014. https://kar.kent.ac.uk/48735/.
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This thesis aims to provide a comprehensive investigation of the reformed British militia between its reconstitution in 1852 and its abolition (and replacement by the Special Reserve) in 1908, addressing one of the major remaining gaps in our understanding of the auxiliary forces of this period. The post-1852 militia has generally been overshadowed by its eighteenth and early nineteenth century predecessor, and of the few major works that do examine the force after its reform, most do so as part of broader studies examining it from the point of view of the regular army, or as an epilogue to a much broader study of the militia of the earlier period, or the wider amateur military tradition as a whole. Therefore, the aim of this thesis is to provide the first dedicated study of the reformed British militia in recent years. It will move beyond the limited ‘top-down’ approach characteristic of many works examining the wider Victorian army and instead tap into a more recent methodological trend which utilises a range of national and local archival material to examine the nuances of what remained a locally organised force. It will examine not just the role of the militia and the way in which it was organised, but also study the nature and composition of its officer corps, its rank and file, and will investigate areas which have been hitherto largely ignored such as the way discipline was maintained in what remained an amateur force. It will conclude with an examination of the militia’s unprecedented service during the South African War before going onto examine the process by which the militia was ultimately abolished and replaced by the Special Reserve (and ask whether or not this represented a moment of continuity, or an outright break with the past.) This study rejects the idea that during this period the militia largely became ‘an anachronistic auxiliary’ to the regular army. There can be no doubt that it became increasingly centralised under the control of the War Office and that it also provided a vital role as a source of both officers and men for the regular army. Yet by looking at a mix of both national and local archival material, a more nuanced picture emerges. Several units managed to retain a degree of organisational independence and a social distinctiveness from the wider army. Furthermore, many of the reforms which altered the organisation of the force had important benefits. Compared to the 1850s and 1860s, during which the newly reconstituted force was forced to yield to the exigencies of the regular army, the militia of the 1870s, 1880s and 1890s was arguably better trained, better equipped and quantitatively stronger than during the preceding decades.
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Tolley, Rebecca. "Review of The Modern Language Association Language Map". Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/5628.
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Thackeray, David Alan. "Popular politics and the making of modern Conservatism, c.1906-1924". Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608531.
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Parsons, Sarah. "Religion and the sea in early modern England, c. 1580-1640". Thesis, University of Exeter, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535903.
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Merritt, Julia Frances. "Religion, government and society in early modern Westminster, c. 1525-1625". Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1992. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.301399.
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Field, Anna Louise. "'Intimate crime' in Early Modern England and Wales, c.1660-1760". Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/110597/.
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Intimacy was essential to criminal activity in the early modern period. The uses and abuses of intimacy – in physical, local, and emotional terms – are located firmly within the criminal record. Historians of crime, gender, social relations, emotion, sexuality, and the body have illustrated the wider social and cultural contexts in which intimacy would have been understood and transacted, yet their questions have not explicitly addressed intimacy as a practice. The present thesis brings intimacy to the fore and develops a suitable analytical framework for discussing its contemporary significance. I consider the textual content of both original and familiar source material, namely depositional evidence from the Welsh Great Sessions, informations sworn before the warden of the London Mint, along with printed trial summaries, crime pamphlets, and broadside ballads. Such a diverse source base stands the thesis in stark contrast to other histories of emotion that have considered ‘emotional communities’. Instead, I explore the vibrant ‘social worlds’ of contemporaries who desired to seek the truth, gain closure, or even distance themselves from the shocking and tragic events that often accompanied serious criminal offences. The ambitious geographical and chronological breadth of the present study expands on recent historiography of crime in early modern Wales. Not only do I herein provide cultural analyses of male-male homicide and coinage offences – topics not before considered in a similar depth by scholars of early modern and eighteenth-century Wales – I have also consulted cases from all three Welsh circuits over the period of an entire century. Throughout, I re-imagine the boundaries of family, friendship, and community in the light of their flexibility as contemporary categories, from metropolitan London to rural Merionethshire.
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Toeroek, Elisabeth. "Neuroprotektion durch moderate Hypothermie (33°C) nach experimenteller Subarachnoidalblutung". Diss., Ludwig-Maximilians-Universität München, 2015. http://nbn-resolving.de/urn:nbn:de:bvb:19-182368.
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