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Literatura académica sobre el tema "Buriat imprints"
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Artículos de revistas sobre el tema "Buriat imprints"
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Roda, Manuel, Maria Iole Spalla, Marco Filippi, et al. "Metamorphic Remnants of the Variscan Orogeny across the Alps and Their Tectonic Significance." Geosciences 13, no. 10 (2023): 300. http://dx.doi.org/10.3390/geosciences13100300.
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Lithospheric slices preserving pre-Alpine metamorphic imprints are widely described in the Alps. The Variscan parageneses recorded in continental, oceanic, and mantle rocks suggest a heterogeneous metamorphic evolution across the Alpine domains. In this contribution, we collect quantitative metamorphic imprints and ages of samples that document Variscan tectonometamorphic evolution from 420 to 290 Ma. Based on age distribution and metamorphic imprint, three main stages can be identified for the Variscan evolution of the Alpine region: Devonian (early Variscan), late Devonian–late Carboniferous (middle Variscan), and late Carboniferous–early Permian (late Variscan). The dominant metamorphic imprint during Devonian times was recorded under eclogite and HP granulite facies conditions in the Helvetic–Dauphinois–Provençal, Penninic, and eastern Austroalpine domains and under Ep-amphibolite facies conditions in the Southalpine domain. These metamorphic conditions correspond to a mean Franciscan-type metamorphic field gradient. During the late Devonian–late Carboniferous period, in the Helvetic–Dauphinois–Provençal and central Austroalpine domains, the dominant metamorphic imprint developed under eclogite and HP granulite facies conditions with a Franciscan field gradient. Amphibolite facies conditions dominated in the Penninic and Southalpine domains and corresponded to a Barrovian-type metamorphic field gradient. At the Carboniferous–Permian transition, the metamorphic imprints mainly developed under amphibolite-LP granulite facies conditions in all domains of the Alps, corresponding to a mean metamorphic field gradient at the transition between Barrovian and Abukuma (Buchan) types. This distribution of the metamorphic imprints suggests a pre-Alpine burial of oceanic and continental crust underneath a continental upper plate, in a scenario of single or multiple oceanic subductions preceding the continental collision. Both scenarios are discussed and revised considering the consistency of collected data and a comparison with numerical models. Finally, the distribution of Devonian to Triassic geothermal gradients agrees with a sequence of events that starts with subduction, continues with continental collision, and ends with the continental thinning announcing the Jurassic oceanization.
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Major, Róbert, Balázs Kósa, and Tamás Molnár. "The Early Christian Burial Sites and The Türbe of Idris Baba." Műszaki Tudományos Közlemények 9, no. 1 (2018): 151–54. http://dx.doi.org/10.33894/mtk-2018.09.33.
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Abstract The city of Pécs was already an important commercial and religious centre in ancient times. Because of the city’s location, it has become one of the most important cultural hubs in Central Europe. In Pécs, in various historical times, many different cultures have flourished and one of the most typical imprints of these cultures are cemeteries and burial buildings. The subject of our research is to compare Idris baba’s türbe with another iconic heritage of Pécs, the Early Christian Cemetery, furthermore as an example of this cemetery’s visitor centre, designing a plan that reattaches the neglected Turkish cemetery to the city’s life.
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Monakhov, Sergey, and Elena Kuznetsova. "Rhodian Amphorae of the 3rd – 2nd Centuries BC from the Krasnodar Museum Collection." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 1 (June 2023): 51–70. http://dx.doi.org/10.15688/nav.jvolsu.2023.1.4.
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This paper presents stamped Rhodian containers from the excavations of ancient monuments of the Kuban river region, stored in the Krasnodar State Historical and Archaeological Museum-Reserve named after E.D. Felitsyn. The greater part of the amphorae was found as a result of excavations of Maeotian burials mainly, which contained other imports: black-glazed or red-glazed ceramics, relief bowls, etc. The first part of the publication focuses on characterizing the complexes. It is noted that in some instances we encounter inconsistencies in the dating of different inventory items originating from the same burial. In the second part of the article, single amphorae, which origin cannot reliably be identified, are analyzed. The stamps imprinted on them are of special significance. There are stamps containing new previously unknown combinations of eponyms and fabricants names on three of the amphorae. In two cases, the commonly accepted period of activity of the fabricants Διονύσιος and ΙΜΑ(-) should be prolonged for 10–15 years. The situation with the fabricant Ζωίλος is different. Traditionally, his name was associated with eponyms of the III period (198–161 BC), however, in our case his stamp is on the amphora in combination with the stamp of the eponym dated to the Vb period (125–121 BC) – Τεισαμένος. It is thought that here the point at issue is a homonym. An indirect proof of this is the different typological affiliation of the fabricants’ stamps. Among the Rhodian stamps, there are rectangular unemblemed imprints with the name Ζωίλος and round imprints with the same name around the rose. In the final part, examples of new combinations of stamps of eponyms and fabricants, whose activities do not have chronological gaps, are given as well as vessels with stamps of previously unknown stamps are considered. The amphora stamped by fabricant Μένων II, who worked in the time of the eponyms of periods II and III, is of special interest; the eponymous stamp is reconstructed as may be supposed. In this case, the vessel itself is of interest, representing a later, previously unknown variety of amphorae of the “koroni” variant.
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Yanshina, Oksana. "The age and cultural affiliation of the Ekven burial ground through the analysis of its ceramic collection." Camera Praehistorica 11, no. 2 (2023): 96–115. http://dx.doi.org/10.31250/2658-3828-2023-2-96-115.
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One of the main problems in studying the Ekven burial ground is determining its age and cultural affiliation. From the very first years of its research to the present, the typology of harpoon tips and the stylistic analysis of ornaments on bone items constitute the basis for solving the corresponding range of issues. This approach allowed defining that the burial ground belongs to the early phase of the sequence of the Neo-Eskimo cultures, namely the Old Bering Sea culture. Meanwhile, an analysis of the ceramic collection of the Ekven burial ground shows that the site contains only ceramics typical of the late Birnirk culture, characterized by circular and arched ornamental patterns. This differentiate the Ekven burial ground from other reference sites of the ancient Bering Sea culture located on the American side of the Bering Strait and containing ceramics that preserve the ancient traditions of Paleo-Eskimo ceramics, characterized by linear and “checked” imprints on the vessels surfaces. Such situation is rather contradictory and requires some explanation. Apparently, the materials from the Ekven burial ground have not yet been fully understood, and research to determine its cultural affiliation needs to be continued. The article provides a brief overview of the materials related to the establishment of cultural and chronological affiliation of the burial ground, summarizes the data on its absolute dating and the results of the analysis of its ceramics. Several possibilities for resolving the contradictions that arose after studying the Ekven ceramic collection are discussed.
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Jamwal, Monika, S. K. Pandita, Meera Sharma, and G. M. Bhat. "Petrography, Provenance And Diagenesis Of Murree Group Exposed along Basohli- Bani Road, Kathua District, Jammu and Kashmir." Journal of The Indian Association of Sedimentologists 37, no. 2 (2020): 15–26. http://dx.doi.org/10.51710/jias.v37i2.79.
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Sandstones of Murree Group of rocks exposed along Bani- Basohli road, Kathua District in Jammu were analyzed for petrography, petrofacies and provenance. These sandstones are classified as sublithic arenites and have been derived from mixed provenance including plutonic basement, sedimentary and metasedimentary rocks. Different types of quartz grains and other constituent minerals suggest the source from lower and middle and upper rank metamorphic terrains of the continental block-recycled orogen and subduction zone complex. The imprints of shallow burial diagenesis suggest low mechanical compaction probably just before cementation leading to moderate packing and reduction of porosity.
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Uliakhin, A. V., A. G. Sennikov, and I. V. Novikov. "The First Artropod Trackways in the Lower Triassic of Eastern Europe from the New Locality Mansurovo, Orenburg Region." Палеонтологический журнал, no. 5 (September 1, 2023): 41–53. http://dx.doi.org/10.31857/s0031031x23050100.
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A description is given of trace fossils from the Lower Triassic Gostevskaya Formation of the Mansurovo locality, Orenburg Region, represented by counterimpressions on the lower contact of sandstone with wave ripples. The ichnological characteristics of the trackways and their individual imprints are similar to the ichnospecies Diplichnites triassicus (Linck, 1943), which is widespread in fluvial and lake sediments of the Carboniferous-Triassic of Europe and North America. For D. triassicus most likely the trace maker from the group of branchiopod arthropods Notostraca, which moved in the aquatic environment. Most likely, the microbial mat developed on the surface of the sand substrate acted as a trace carrier, and the subsequent preservation and burial of arthropod trackways took place with the direct participation of the microbial mat.
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Bolotov, R. E. "Keeper of Buryat Identity: The Phenomenon of Dashi Namdakov." Concept: philosophy, religion, culture 7, no. 1 (2023): 109–20. http://dx.doi.org/10.24833/2541-8831-2023-1-25-109-120.
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The article examines the work of the famous Russian sculptor and architect Dashi Namdakov. It is suggested that the origins of his talent lie in the depths of Buryat traditional art. The roots of Buryat art date back to the Paleolithic era, which is confirmed by the images of female figurines that were found by A. P. Okladnikov during the excavations of the prehistoric sites of the Baikal region. On the small sculptures made of mammoth bone, the lines of the face are finely worked out and the faces are framed in hair in the form of rays and snakes. Hats and clothes in these figurines are decorated with animal elements, which are considered to denote the native archaic culture which later appeared in a shamanic worldview. The basis of ancient art was syncretic and synthesized religious cult and myths. Later on ancient art, beliefs and ideas about the universe were incorporated in the cult images of the Buryat Mongols and today are communicated in a combination of archaic beliefs and esotery. This peculiarity of Buryat art leaves an original and unique imprint on modern art culture. Visitors of Dashi Namdakov's exhibitions get the feeling of an amazing connection between modernity and mythological antiquity. The article includes a short interview with the master jeweler Dashi Namdakov, in which he speaks about his work, about its origins and his future expectations.
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L., MARSADOLOV, and Savko I. "ABOUT ONE VESSEL OF THE ANDRONOVO CULTURE FROM THE “KRASNY YAR” VILLAGE IN THE FOOTHILLS OF ALTAI (FORM, TECHNOLOGY AND SEMANTICS)." Preservation and study of the cultural heritage of the Altai Territory 29 (2023): 181–90. http://dx.doi.org/10.14258/2411-1503.2023.29.28.
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The article is devoted to a complex analysis of the vessel from the burial site of the Andronovo (Fedorovo) culture located near the village of Krasny Yar in the Sovetsky district of the Altai Territory. The vessel was found by the expedition of S.M. Sergeev in 1930 during the excavations of a child’s burial from barrow No 1, the materials of which are currently held in the State Hermitage funds. This vessel has traditional for the majority of Andronovo pot-shaped forms ways of shaping, surface treatment, firing of products, as well as the form and size of the ornamentation. However, in the form and in the stylistics there are not typical features - medium/low proportions of the brachium and body, asymmetry of the imprints of the ornament. The non-standard form and ornamental composition could be due to the fact that the potter at the time of molding the vessel had not yet formed stable ideas about the classic form and ornamentation of pot-shaped products, or the person who made the vessel, was a bearer of some other tradition different from the rest of the population. The main idea, which was invested in the ornamentation of this vessel - to help the child in the subsequent Renaissance, also with the help of astronomical knowledge.
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K., KIRYUSHIN, and KIRYUSHIN Yu. "CERAMICS OF THE PESTRYAKOVO LAKE SETTLEMENT (SOUTH OF WESTERN SIBERIA)." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 205–12. http://dx.doi.org/10.14258/2411-1503.2021.27.32.
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The article is devoted to the publication of finds of fragments of ceramic dishes discovered at the settlement of Pestryakovo Lake (Zavyalovsky district of Altai Territory). A group of ceramics which belongs to the early Iron Age and the Middle Ages, is pointed out. Single fragments find analogies in the materials of the sites of the Early and Late Bronze Age. The ceramic collection of the Pestryakovo Lake settlement includes groups of ceramics that belong to the Neolithic or Eneolithic. These are fragments of vessels ornamented with prints of a “string”, pricks, imprints of a short comb stamp, a dingle-dingle stamping. Linear-pricked and receding-pricked ceramics are quite informative. On the outer and inner surfaces, as well as in the fractures, traces of burnt-out organic matter (animal hair) are recorded. Such ceramics are widely represented in the south of Western Siberia and are associated with various settlement and burial complexes from the Ob to the Irtysh and various cultural formations of the Neolithic and Eneolithic. Keywords: settlement, ceramics, ornamentation technique, comparative typological analysis, neolithic, eneolithic
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R, Arjun. "Understanding the Stability of Early Iron Age folks of South India with Special Reference to Krishna-Tungabhadra- Kaveri, Karnataka; Their Past-Present-Future." Artha - Journal of Social Sciences 13, no. 4 (2014): 47. http://dx.doi.org/10.12724/ajss.31.4.
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There are about 1933 Early Iron Age Megalithic sites spread across South India. The Early Iron Age of South India is implicit either in the form of burial sites, habitation sites, habitation cum burial sites, Iron Age rock art sites, and isolated iron smelting localities near a habitation or burials. This paper is an attempt to take a rough computation of the potentiality of the labour, technology and quantity of artifact output that this cultural phase might have once had, in micro or in macro level. Considering the emergence of technology and its enormous output in Ceramics, Agriculture, Metallurgy and Building up Burials as industries by themselves, that has economic, ethnographic and socio-technique archaeological imprints. This helps in understanding two aspects: one, whether they were nomadic, semi settled or settled at one location; two, the Diffusion versus Indigenous development. A continuity of late Neolithic phase is seen into Early Iron Age and amalgamation of Early Iron Age with the Early Historic Period as evident in the sites like Maski, Brahmagiri, Sanganakallu, Tekkalakota, T-Narasipur. In few cases, Iron Age folks migrated from one location to the other and settled on the river banks in large scale like that in Hallur and Koppa. In rare cases, they preferred to climb up the hill and stay on the rocky flat surface for example Aihole and Hiere Bekal– sites which are located close to or on the banks of the river or its tributaries of Krishna-Tungabhadra- Kaveri.Keywords: Labour, Industry, Production, Megaliths, Nomadic, Semi Settled, Early Iron Age.