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Artículos de revistas sobre el tema "Boston Society of Architects"

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Publicado: 25 de julio de 2024

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1

Kemp, Barry. "A model of Tell el-Amarna". Antiquity 74, n.º 283 (marzo de 2000): 15–16. http://dx.doi.org/10.1017/s0003598x00065996.

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Tell el-Amarna, the short-lived capital built by the pharaoh Akhenaten around 1350 BC, remains the largest ancient city in Egypt which is still above ground. Over the last century a succession of archaeological expeditions has revealed large areas of its plan. During 1999 the Boston Museum of Fine Arts, in connection with a temporary exhibition of Amarna art, commissioned a 1:400-scale model of a major part of the city, based on the survey which, in recent years, the Egypt Exploration Society has carried out. It was designed by Mallinson Architects, with advice from Bany Kemp, field director of the EES expedition to Amarna, and built by a Clapham firm of architectural modelmakers, Tetra (Andy Ingham Associates). The completed model measures 12 x 10 feet (3.7 x 3.0 metres).

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2

Greenberg, Ken. "Toward the green city through revitalizing major obsolescent urban lands". Ekistics and The New Habitat 71, n.º 424-426 (1 de junio de 2004): 30–34. http://dx.doi.org/10.53910/26531313-e200471424-426218.

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The author, an architect and urban designer, has played a leading role on a broad range of assignments in highly diverse urban settings in North America and Europe. Much of his work focuses on the rejuvenation of downtowns, waterfronts, neighborhoods, and campus master planning. His projects include the award-winning Saint Paul on the Mississippi Development Framework, the Brooklyn Bridge Park on the East River in New York, the East River waterfront in Lower Manhattan, the Fan Pier in Boston, the Southwest and Southeast Waterfronts in Washington, DC, the Vision Plan for Washington DC, Kendall Square and North Point/Lechmere Square in Cambridge, the Downtown Hartford Economic and Urban Design Action Strategy and the Downtown Master Plan for Fort Lauderdale. Current efforts include the " Big Picture for the Big Dig": the Rose Kennedy Greenway in Boston, the renewal of Regent Park, a major public housing project in Toronto; the implementation of the Convention District Master Plan in San Juan, P.R., and Urban Design advice for the Cincinnati Center City Development Corp (3CDC). In each city, with each project, his strategic, consensus-building approach has led to coordinated planning and a renewed focus on urban design. The text that follows is an edited and revised version of a paper presented at the international symposion on"The Natural City, " Toronto, 23-25 June, 2004, sponsored by the University of Toronto's Division of the Environment, Institute for Environmental Studies, and the World Society for Ekistics.

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3

Kelman, Ilan. "Architects and architecture serving society". Building Research & Information 35, n.º 5 (octubre de 2007): 588–94. http://dx.doi.org/10.1080/09613210701330131.

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4

Shapiro, L. "Boston CE Society Annual Letter [Society News]". IEEE Consumer Electronics Magazine 2, n.º 2 (abril de 2013): 17–18. http://dx.doi.org/10.1109/mce.2013.2244318.

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5

SEKIYA, Shingo, Arata ENDO, Hidetoshi MAEDA y Yukio NISHIMURA. "REGIONAL CENTER ORGANIZED BY SOCIETY OF ARCHITECTS". Journal of Architecture and Planning (Transactions of AIJ) 76, n.º 667 (2011): 1659–66. http://dx.doi.org/10.3130/aija.76.1659.

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6

Dijokienė, Dalia, Eglė Navickienė y Edita Riaubienė. "Self-Awareness of Soviet Lithuanian Architects in Their Creative Power and Social Significance". Buildings 12, n.º 1 (21 de diciembre de 2021): 1. http://dx.doi.org/10.3390/buildings12010001.

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The field of contemporary Lithuanian architecture is influenced by architects from different periods with different attitudes. This is manifested by increasing miscommunication between generations of architects and a crisis of values. Various tensions in the community of architects triggered the idea to look to the past and examine the self-awareness of professional architects in Soviet society. In this study, we delved into their understanding of the architect’s mission, role, status, and significance in society through their expectations, powers, impact, and perceived responsibility. This study is based on semi-structured in-depth interviews with 9prominent and influential architects who received their professional education in post-war Lithuania and were actively working in the Soviet period (1955–1990) and later. In general, Lithuanian architects managed to withstand Soviet doctrine and remained loyal to Western cultural values. The study’s findings reveal five components of the architect’s self-awareness, which define the dual scope of this field, where architects perform their direct professional tasks and where they express themselves as people of culture. The self-awareness crisis becomes prominent in the main axis of the architect’s choice of art creator vs. service provider, where Lithuanian modernists position themselves as artist–creator’, leading to frustration regarding the current reality.

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7

Candee, Richard M. y Greer Hardwicke. "Early Twentieth-Century Reform Housing by Kilham and Hopkins, Architects of Boston". Winterthur Portfolio 22, n.º 1 (abril de 1987): 47–80. http://dx.doi.org/10.1086/496311.

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8

Shapiro, L. Dennis. "Boston CE Society?SSCS 2015 Spring Meeting [Society News]". IEEE Consumer Electronics Magazine 4, n.º 3 (julio de 2015): 18–20. http://dx.doi.org/10.1109/mce.2015.2435191.

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9

Marynowski, Margaret. "Materials Research Society Meets in Boston". Physics Today 39, n.º 11 (noviembre de 1986): 70–73. http://dx.doi.org/10.1063/1.2815203.

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10

Hart, Richard y Margaret Marynowski. "Materials Research Society Meets in Boston". Physics Today 40, n.º 11 (noviembre de 1987): 57–59. http://dx.doi.org/10.1063/1.2820265.

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11

Siegel, Matt. "Materials Research Society Meets in Boston". Physics Today 43, n.º 10 (octubre de 1990): 61–62. http://dx.doi.org/10.1063/1.2810714.

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12

Siegel, Matthew. "Materials Research Society Meets in Boston". Physics Today 41, n.º 11 (noviembre de 1988): 67–69. http://dx.doi.org/10.1063/1.2811621.

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13

Shapiro, L. "Boston Chapter Is Born [Society News]". IEEE Consumer Electronics Magazine 1, n.º 3 (julio de 2012): 11–13. http://dx.doi.org/10.1109/mce.2012.2193446.

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14

McParland, Edward. "A bibliography of Irish architectural history". Irish Historical Studies 26, n.º 102 (noviembre de 1988): 161–212. http://dx.doi.org/10.1017/s0021121400009640.

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What follows is a list — covering items published between 1900 and 1986 — of serious accounts of the history of important architectural projects undertaken in Ireland between the late seventeenth and early twentieth centuries. It is intended to be comprehensive in respect of monographs, collective works and articles in non-Irish periodicals, but in respect of Irish periodicals it is a supplement to Richard J. Hayes, Sources for the history of Irish civilisation: articles in Irish periodicals (9 vols, Boston, 1970). None of the above definitions is rigidly adhered to: much is included which falls outside their limits, but an attempt has been made to include everything that falls within them. The following have not been comprehensively included: (1) Monographs on non-resident architects whose careers, notwithstanding Irish commissions, were mainly abroad, e.g. Robert Adam, G.E. Street, Edwin Lutyens. This is partly because such architects are so numerous (there is evidence of over a hundred British architects having professional contacts with Ireland between 1750 and 1850) and partly because they are already well served bibliographically, e.g. by Howard Colvin, A biographical dictionary of British architects, 1600–1840 (London, 1978); (2) studies of the foreign careers of Irish architects, e.g. James Hoban, Eileen Gray; (3) studies of vernacular architecture (but see entry under this heading in the index); (4) contemporary reviews or criticism of buildings; (5) reviews of books; (6) printed primary sources, such as J.T. Gilbert, Calendar of ancient records of Dublin… (19 vols, Dublin, 1889–1944).

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15

Shanken, Andrew M. "Breaking the Taboo: Architects and Advertising in Depression and War". Journal of the Society of Architectural Historians 69, n.º 3 (1 de septiembre de 2010): 406–29. http://dx.doi.org/10.1525/jsah.2010.69.3.406.

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Breaking the Taboo: Architects and Advertising in Depression and War chronicles the fall of a professional interdiction in architecture, precipitated by the Second World War. For much of the history of their profession in the United States, architects——unlike builders and engineers, their main competition——faced censure from the American Institute of Architects if they advertised their services. Architects established models of professional behavior intended to hold them apart from the commercial realm. Andrew M. Shanken explores how the Great Depression and the Second World War strained this outdated model of practice, placing architects within consumer culture in more conspicuous ways, redefining the architect's role in society and making public relations an essential part of presenting the profession to the public. Only with the unification of the AIA after the war would architects conduct a modern public relations campaign, but the taboo had begun to erode in the 1930s and early 1940s, setting the stage for the emergence of the modern profession.

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16

Kato, Hiroharu. "Centennial of the society of naval architects of Japan". Journal of Marine Science and Technology 2, n.º 4 (diciembre de 1997): 191–92. http://dx.doi.org/10.1007/bf02491525.

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17

Lee, Jong Woo. "Cases from the Greater Boston Epilepsy Society". Epilepsy & Behavior Case Reports 2 (2014): 90. http://dx.doi.org/10.1016/j.ebcr.2014.02.001.

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18

Keller, Márkus. "Professionalization in Socialism : Architects and Architecture after 1945 in Hungary". socio.hu 10, Special Issue (2020): 95–107. http://dx.doi.org/10.18030/socio.hu.2020en.95.

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In my study, I investigate architects’ search for their place in the new society and the history of their profession after 1945 in Hungary with the help of professionalization theories. Through statistics, memoirs, interviews, archival documents, laws and decrees, I seek to discover what kind of role architecture and architects played in the dictatorship of the 1950s and how that role changed in the Kádár system. In addition to external analysis, I place particular emphasis on how this change of role is reflected in the lifestory interviews and in the identity of the architects of the era.

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19

Golden, Saul Manuel, Ian Montgomery y Taina M. Rikala. "Public Intentions for Private Spaces: Exploring Architects’ Tactics to Shape Shared Space in Private-Led Residential Development". International Journal of Architectural Research: ArchNet-IJAR 9, n.º 2 (13 de julio de 2015): 170. http://dx.doi.org/10.26687/archnet-ijar.v9i2.644.

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From the late 20th into the 21st centuries, the private market increasingly gained control from public authorities over strategic decisions affecting the quality of, and accessibility to, new urban development. This paper argues for architects to act more explicitly to promote greater open-ness and use-value, rather than more objectified and controlled exchange-value approaches to the public domain in private-led development. The paper analyses two London-based residential case studies and interviews with the architects about perceptions of, and approaches to, private-led development decision-making processes. It compares the individual practitioner’s experiences of architecture practice with explicit intentions to influence better quality shared city space, examining professional norms vis-à-vis commercial clients and wider society. The paper concludes that greater awareness of architects’ knowledge, skills, and a range of tactics to influence future shared environments can contribute to improved professional practice frameworks for more effective engagement in an increasingly globalised and privatised urban society.

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20

Navarro Catalán, David Miguel. "Los arquitectos de las fundaciones jesuitas valencianas". VLC arquitectura. Research Journal 3, n.º 2 (27 de octubre de 2016): 83. http://dx.doi.org/10.4995/vlc.2016.3664.

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The remarkable collection of buildings constructed by the Society of Jesus in the old Kingdom of Valencia was completed over the course of an extensive process that began in the 16<sup>th</sup> century. The purpose of this article is to examine the different historical phases of this process and reveal some previously unknown aspects with the aid of unpublished documentation. A great number of craftsmen took part in these works, including a group of architects who were members of the Society whose activity has been disregarded until now. The writings of Fathers Gaspar Alfonso and Diego Olcina on the construction of the Valencian foundations have added to our knowledge of new architects who were members of the Society in the ambit of the old Jesuit province of Aragón. The article also presents the activity of largely unknown craftsmen external to the order, especially Gaspar Martínez, who participated in the construction of numerous Society buildings.

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21

Kenney, Alison. "Catalogue of the archives of the Manchester Society of Architects". Bulletin of the John Rylands Library 74, n.º 2 (junio de 1992): 37–64. http://dx.doi.org/10.7227/bjrl.74.2.2.

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22

KOMARA, ANN E. "The Glass Wall: Gendering the American Society of Landscape Architects". Studies in the Decorative Arts 8, n.º 1 (octubre de 2000): 22–30. http://dx.doi.org/10.1086/studdecoarts.8.1.40662757.

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23

Cosson, Camille. "From Emergency Shelter towards Disaster-relief Housing — Tōhoku’s Reconstruction Case Study". Budownictwo i Architektura 20, n.º 1 (9 de febrero de 2021): 035–46. http://dx.doi.org/10.35784/bud-arch.1587.

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This paper presents the post-disaster reconstruction of the Tōhoku region. Although Japan has always been one of the most prepared countries because of its long history with natural disasters, the 2011 Great East Japanese Earthquake and tsunami might be one of the most significant disasters recorded in the country’s modern history. This unprecedented disaster that has shaken Japan is a decisive turning point for the entire society as well as for architects and urban planners. Almost ten years later, reconstruction work is still ongoing. This paper introduces specifically Japanese architects’ involvement during the three phases of recovery: emergency shelter, temporary accommodation and permanent housing. After the first stage of perplexity and doubt, architects gradually stepped up and started initiatives to resolve the disaster victims’ precarious situation. This article outlines some of the architects’ actions through the three phases of recovery since the 3.11 disaster. Each of these temporalities has its issues and challenges which the urban planners, architects and designers tried to solve using their know-how to help rebuild devastated communities.

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24

Lounsbury, Carl R. "Beaux-Arts Ideals and Colonial Reality: The Reconstruction of Williamsburg's Capitol, 1928-1934". Journal of the Society of Architectural Historians 49, n.º 4 (1 de diciembre de 1990): 373–89. http://dx.doi.org/10.2307/990566.

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The design principles associated with the Ecole des Beaux-Arts subtly shaped the manner in which a generation of architects viewed the architectural heritage of America's colonial past. Trained to appreciate and emulate the classical detailing, proportion, symmetrical balance, and axiality that they saw in the Georgian architecture of early America, they failed to understand fully the cultural context and social and economic circumstances that produced these buildings. A conflict between fundamental classical ideals and historical reality arose when architects became involved in the restoration and reconstruction of colonial houses and public buildings in the early part of the 20th century. This is clearly illustrated in one of the largest restoration projects ever undertaken in America: the task of restoring and recreating hundreds of early structures in the colonial city of Williamsburg, Virginia. Executing this project was the Boston firm of Perry, Shaw, & Hepburn. In reconstructing the first capitol building in the late 1920s and early 1930s, they ran up against historical evidence that challenged many of their preconceived notions of colonial design. Although the final result is a testament to the architects' skills in handling 18th-century detailing, the capitol now stands as a monument to the near past and tells us as much about the influence of Beaux-Arts design principles on the restoration of Williamsburg as about the architecture of the colonial period.

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25

Numan, Ibrahim y Revianto Budi Santosa. "Educating Architects in Turkish Culture, Gains and Loses: A Historical Perspective". SHS Web of Conferences 41 (2018): 02004. http://dx.doi.org/10.1051/shsconf/20184102004.

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Ottoman and Turkish architecture have exhibited a constancy and change in the course of history. Nevertheless these changes can only be understood by taking architectural education into account. Here it will be tried to discuss the gains and losses between the increase in the degree of architectural education/specialized knowledge and the blindness to the value judgements of the society and their reflection on the Turkish architecture. The edifice can not be separated from the architect, architect from the society; society and education from the idea. An architect is educated by society. Architect in turn is the product of the common idea of the civilisation he or she is affiliated to. Even a small diversity in the depth of belief or change in the approach in life style brings a deviation in the understanding of arts and architecture consequently architectural education also experience gains and losses along with it.

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26

McGeehin, Peter. "1987 November meeting, materials research society, Boston, USA". Materials & Design 9, n.º 3 (mayo de 1988): 169–70. http://dx.doi.org/10.1016/0261-3069(88)90162-8.

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27

Johnson, J. W. "Complete Proceedings - Single PDF Download". Coastal Engineering Proceedings 1, n.º 3 (1 de enero de 2000): 0. http://dx.doi.org/10.9753/icce.v3.0.

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This conference was sponsored jointly by the Council on Wave Research and the Massachusetts Institute of Technology, with support also being given by the Northeastern Section of the American Society of Civil Engineers, the Boston Society of Civil Engineers and the Boston Section of the American Society of Mechanical Engineers. Appreciation is expressed to the New England Division of the Corps of Engineers for photographs supplied to illustrate the cover and the section titles of this publication.

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28

Brzuszek, Robert F., Richard L. Harkess y Eric Stortz. "Perceptions of the Importance of Plant Material Knowledge by Practicing Landscape Architects in the Southeastern United States". HortTechnology 21, n.º 1 (febrero de 2011): 126–30. http://dx.doi.org/10.21273/horttech.21.1.126.

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This study evaluates the attitudes and perceptions of practicing landscape architects in the southeastern United States with regards to the importance of horticultural knowledge for their profession. A 20-question survey instrument was mailed to 120 landscape architects who were listed as members of the American Society of Landscape Architects. The survey included various questions related to education and experience of the respondents and their peers with plants. The response rate was 52.5% (n = 63) and the majority of respondents were seasoned landscape architects in the states of Louisiana, Mississippi, Arkansas, Tennessee, Alabama, Georgia, and Florida that primarily served residential and commercial markets. The results from this study showed that the population of respondents strongly felt that plant knowledge is an important part of their professional skills, and recent graduates of landscape architecture and the profession as a whole appear more distanced from having strong plant expertise. Despite the increasing challenges for more formal plant education, there continues to be a need for both formal and informal extended education classes.

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29

Rabbat, Nasser. "Architects and Artists in Mamluk Society: The Perspective of the Sources". Journal of Architectural Education 52, n.º 1 (septiembre de 1998): 30–37. http://dx.doi.org/10.1111/j.1531-314x.1998.tb00253.x.

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30

Burford, Gale. "Families: Their Role as Architects of Civil Society and Social Inclusion". Practice 17, n.º 2 (junio de 2005): 79–88. http://dx.doi.org/10.1080/09503150500148081.

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31

Roche, Emily. "Building through the flames: Polish-Jewish architects and their networks, 1937–1945". Studia Rossica Posnaniensia 49, n.º 1 (11 de junio de 2024): 71–87. http://dx.doi.org/10.14746/strp.2024.49.1.5.

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Before 1939, Jewish architects were active members of their profession, participating in domestic and international architectural networks and contributing to the built environment of Polish cities. From the mid-1930s, however, intensifying antisemitism and far-right political forces pressured architectural networks to exclude Jews from professional unions. The start of the Second World War and the German occupation in 1939 strained professional architectural networks but led to the formation of underground workshops, cooperatives, and other groups, whose connections extended from Warsaw through the camps and ghettos of occupied Poland. This article presents the history of Jewish-Polish architects from 1937 to 1945. Demonstrating how architectural networks reacted to changing conditions of war, occupation, and genocide, it emphasizes architectural networks as sites of political engagement, ranging from prewar antisemitic attacks on Jews and their removal from the Society of Polish Architects (SARP) to underground architectural networks that hid Jews and allowed them to work. Although the fate of Jewish architects depended largely on their relationships with their professional networks, they also actively decided how to utilize those networks to resist the Nazis and to ensure their survival. This research shows that interpersonal relationships and wartime networks were consequential in determining the wartime fates of Jewish architects and also shaped the profession’s post-war structure.

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32

Farjami, Ghazal y Guita Farivarsadri. "LATEST ATTEMPTS IN CONTEMPORARY IRANIAN ARCHITECTURE IN SEARCH FOR AUTHENTICITY". JOURNAL OF ARCHITECTURE AND URBANISM 44, n.º 2 (27 de noviembre de 2020): 176–87. http://dx.doi.org/10.3846/jau.2020.12165.

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The conflictions between homogeneity and universal values suggested by Modernism and traditional values resulted in a variety of ideas generated as a search for authenticity all over the world. Iran is known as one of the countries which imported the modern ideas directly to a society, which was still living with and respecting the traditional values. This challenge between the two seemingly conflicting poles of tradition and modernism resulted in three periods in the history of contemporary Iranian architecture. Now, it seems that Iranian architecture has entered to a new period regarding the interpretation of authenticity. Since novelty and relation with the past are known as the main indicators of the concept of authenticity, in this research it is tried to explore the ideas of seven pioneers of the new generation of architects in Iran around these concepts. These architects are amongst the most well-known young architects of Iran who have won more than 3 prizes in Memar (Architect) competition which is the most prestigious architectural competition in the country. To find out the interpretation of these architects about the concept of authenticity, inclusive interviews have been realized with these architects. Then, using recursive abstraction method, it is tried to find out the main points in definition of the concept of authenticity by each architect. In addition, some of the completed projects of theses architects have been visited and analyzed to find out the reflection of their ideas related to authenticity in their projects.

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33

Добровольська, Вікторія. "ACTIVITY OF THE ARCHITECTURE DEPARTMENT OF THE ODESA BRANCH OF THE IMPERIAL RUSSIAN TECHNICAL SOCIETY IN THE SECOND HALF OF THE 19th - THE BEGINNING OF THE 20th CENTURY". КОНСЕНСУС, n.º 4 (2023): 105–23. http://dx.doi.org/10.31110/consensus/2023-04/105-123.

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The article analyzes the process of creation and operation of the architectural department of the Odesa branch of the Imperial Russian Technical Society (OBIRTS). It has been determined that in 1864, one of the first technical societies in the Russian Empire, the Odesa Society of Engineers, Technicians, and Architects, was established in Odesa. This society became the basis for the organization of the regional branch of the Russian Technical Society in 1871, and Odesa architects were able to create a separate architecture department within the OBIRTS. The aim of the article is to study and highlight the process of the origin, development and functioning of the architecture department of the OBIRTS and its role in the social and cultural life of the city of Odesa and the Southern Region of Ukraine. The source base of this scientific article consists of archival and printed materials. The principles of objectivity, historicism and systematicity, using general scientific methods of analysis, synthesis, and generalization in the unity of logical and historical aspects, the study of phenomena in specific-historical conditions, the transition from the particular to the abstract, and from the abstract to the particular using general scientific methods have become the methodological foundation of the research. Scientific novelty of the publication. One of the most extensive projects of organizing scientific and technical activities of the architects of the city of Odesa in the second half of the 19th to the beginning of the 20th century, their contribution to the creation of a voluntary public society of professional orientation, ensuring its functioning, which contributed to convergence of science and practical activity, interaction with government institutions, city administrations, and private individuals aiming to properly organize urban development have been studied for the first time. The role of the members of the architecture department of the OBIRTS in creating significant landmarks in the city of Odesa is determined. Conclusions. The activity of the architects of the city of Odesa during the second half of the 19th to the beginning of the 20th century, which showed significant engagement in the professional organization of their activity, demonstrated the formation of the scientific and technical intelligentsia in Ukraine, which became the driving force of modernization transformations. The creation of a separate architecture department within the OBIRTS played a significant role in engaging professionals to solve the important scientific and practical problems related to the development of the city of Odesa and the Southern Region.

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34

Virnyk, Olga. "FIVE SYLLABIC POETS: ARCHITECTS OF A NEW COUNTRY". Scientific Journal of Polonia University 63, n.º 2 (8 de julio de 2024): 107–11. http://dx.doi.org/10.23856/6313.

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The study is devoted to the Five Syllabic Poets who were active in the early twentieth century, during the transformation of the Ottoman Empire into the Turkish Republic. This period was marked not only by important political and social changes, but also by dramatic transformations in the cultural sphere, including literature. The Five Syllabic Poets, also known as the “Five Silabists”, aimed to create a new, authentic Turkish poetry that reflected the spirit and needs of modern Turkish society. They made a significant contribution to Turkish literature, noting their approach to poetry and their desire to make it accessible to a wide audience. The Five Syllabic Poets sometimes made use of the materials of folk literature, which were used in a decorative style. The beauties of the country, the realities of Anatolia with its people and landscapes, their personal feelings, especially the national and historical. The fact that all five poets express a number of folk literature motifs in the treatment of these subjects shows their sensitivity to this issue. The poetry of these poets also reflects the impact of Mustafa Kemal Ataturk’s reforms on the literary process, indicating important changes in the consciousness of Turkish society during the period of transformation. The analysis of the works of the Five Syllabic Poets allows us to better understand and evaluate the historical context and cultural transformations in Turkey at the turn of the century.

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35

Liu, Yimo y Junyuan Ye. "Frank Gehry, Zaha Hadid and the value of Deconstructivism". Highlights in Science, Engineering and Technology 10 (16 de agosto de 2022): 204–8. http://dx.doi.org/10.54097/hset.v10i.1255.

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The paper aims to compare and discuss the value of deconstructivism in today's society by choosing two famous architects, Zaha Hadid and Frank Gehry. From Zaha's Guangzhou Opera House, some relationships with the buildings around can be found, and their association largely illustrates the importance of flexible and unusual buildings. Moreover, Gehry has a strong inspiration for everything that happens horizontally, which is a perfect illustration of Zaha and deconstructivism. By analyzing his architecture philosophy and aesthetics, the indispensable part of deconstructivism can be understood with a clear view of how modern architects apply it to their designs.

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36

Karydis, Nikolaos. "Discovering the Byzantine Art of Building: Lectures at the RIBA, the Royal Academy and the London Architectural Society, 1843–58". Architectural History 63 (2020): 171–90. http://dx.doi.org/10.1017/arh.2020.9.

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ABSTRACTAlthough British architects played a major role in the rediscovery of the Byzantine monuments of Greece in the late nineteenth and early twentieth centuries, earlier interest in the subject has remained obscure. Four lectures, read at the Royal Institute of British Architects, the Royal Academy and the London Architectural Society from 1843 to 1857, reflect a lively interest in Byzantine church architecture in the mid-nineteenth century. Delivered by Charles Robert Cockerell (1843), Edwin Nash (1847), Thomas Leverton Donaldson (1853) and John Louis Petit (1858), these lectures constitute some of the earliest attempts in England to explore both well-known monuments such as Hagia Sophia and lesser-known churches in Greece, Turkey and elsewhere. The manuscript records of these lectures show that influential British architects were not only familiar with Byzantine monuments, but were also able to look at them from the viewpoint of the designer and the builder. Emphasising the potential of Byzantine architecture to inform new design, they paved the way for the Byzantine revival, half a century later, and for the systematic investigation of Byzantine architecture from the late nineteenth century onwards.

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37

Caramellino, Gaia. "“You and Your Neighborhood”: Neighborhood, Community, and Democracy as New Paradigms in Wartime American Architecture". Urban Planning 7, n.º 1 (31 de marzo de 2022): 369–84. http://dx.doi.org/10.17645/up.v7i1.4828.

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This article argues that a radical reconceptualization of the notion of neighborhood was introduced by architects in the United States during WWII in response to the new political, cultural, and economic conditions of the war. The efforts of architects and planners like Oskar Stonorov and Louis Kahn contributed to reconfiguring the organizational principle of the “neighborhood unit” model envisioned by Clarence Perry during the 1920s, transferring the discourse from the domain of urban sociology and technical planning to the realm of the American profession. This article revolves around the unexplored and intense period of architectural experimentation during WWII, when the neighborhood emerged as a vibrant platform for the efforts of professional circles to question the values of American democracy and introduce new participative practices in neighborhood and community design, fostering new forms of collaboration between citizens, governmental agencies, and speculative builders under the leadership of architects. Neighborhood design appeared as the testing ground to renegotiate the role and social responsibility of American architects and a foundational value of post-war American society, while its new meanings were to be renegotiated in post-war city planning and built communities.

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38

Saini, Anurag, Suraj Suresh Daddera, Devjanee Mondal, Rohin Sikka y Shruti S. Nagdeve. "Architect’s Role under the Real Estate Regulation and Development Act, 2016". International Journal of Students' Research in Technology & Management 9, n.º 4 (30 de diciembre de 2021): 16–26. http://dx.doi.org/10.18510/ijsrtm.2021.942.

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Purpose: In 2016 the Indian society was introduced with the regulation and development act for real eastate (RERA) to bring transparency in the dealing of real estate in terms of deals between developers and consumers taking into consideration the wellfare of the consumers. This research aims to identify and understand the extent of Arhitects role in the act focussing on punishments and arbitration for various offenses. Methodology: An online survey was conducted with practicing architects to understand their perspective and viewpoints to identify what they feel are the biggest positives and negatives of the act. Main Findings: The results show that 17% of the architects have faced disputes related to RERA and 60% of respondents were not satisfied with RERA's duration to resolve any of the cases, which were not resolved until the date. From the data gathered through the online survey, most of the respondents were unaware of their role they are required to perform as mentioned in the act. Implications: To perform Architects' tasks correctly, awareness of the RERA, 2016 Act is necessary. The survey shows that many respondents thought that the act had nothing to do with architects and was solely for builders.

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39

Shapiro, L. Dennis. "Boston Chapter Attuned to Hearing Health Care [Society News]". IEEE Consumer Electronics Magazine 8, n.º 3 (mayo de 2019): 5–6. http://dx.doi.org/10.1109/mce.2019.2892271.

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40

Wheeler, H. Brownell. "The 1996 Bigelow Award of the Boston Surgical Society". Annals of Surgery 226, n.º 2 (agosto de 1997): 146–52. http://dx.doi.org/10.1097/00000658-199708000-00005.

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41

Epstein, S. H. "History of the Boston Society of Psychiatry and Neurology". Archives of Neurology 42, n.º 4 (1 de abril de 1985): 391–92. http://dx.doi.org/10.1001/archneur.1985.04060040105023.

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42

Williams, David. "Materials Research Society, Boston, USA, 3–6 December, 1985". Biomaterials 7, n.º 2 (marzo de 1986): 158–59. http://dx.doi.org/10.1016/0142-9612(86)90077-3.

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43

Bogula, Ewa. "Ewa Bogula 85. doroczna konferencja American Musicological Society Boston". Studia Chopinowskie 4, n.º 2 (14 de diciembre de 2019): 76–81. http://dx.doi.org/10.56693/sc.67.

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44

Hendri, Hendri, Rahma Evita Chaniago, Robihtho Dhia Shidqi, Dianny Putri Ramli y Rahdiansyah Rahdiansyah. "PENGATURAN PRAKTEK LAYANAN PROFESI ARSITEK ATAS ARSITEK ILEGAL DI PROVINSI RIAU". Mizan: Jurnal Ilmu Hukum 12, n.º 2 (6 de diciembre de 2023): 144. http://dx.doi.org/10.32503/mizan.v12i2.4476.

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The primary objective of this research is to examine the role of the architectural professional organization, namely the Indonesian Architects Association (IAI), in supervising the practices and services of the architectural profession in Riau Province. This research also aims to understand the problems related to illegal architects that occur in Riau Province and analyze the application of sanctions and solutions by IAI Riau Province to this problem. This research uses a normative juridical method which examines the implementation of positive legal provisions in each specific legal event that occurs in society, data obtained from interviews with related parties. IAI Riau has taken various efforts to supervise and develop professional architect service practice providers. This effort includes preventive and curative measures. To provide education to prospective architects regarding the applicable legal rules of the architectural profession. Apart from that, curative efforts are carried out by providing sanctions for violations of the professional code of ethics. Apart from that, IAI Riau Province also took a persuasive approach to the Provincial Government and the PUPR Service. This approach aims to align common goals and ensure that Undang-Undang No 6 of 2017 concerning architects can be fully enforced in the Riau Province Region. It is hoped that this research will provide better insight into how the regulation of architectural professional service practices can deal with the problem of illegal architects in Riau Province and optimize the role of IAI in overcoming this challenge.

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45

Sattrup, Peter Andreas. "Documenting Value Creation: A Business Opportunity for Architects, Their Clients and Society". Architectural Design 90, n.º 4 (julio de 2020): 22–29. http://dx.doi.org/10.1002/ad.2586.

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46

Jeffrey, Julie Roy. "The Liberty Women of Boston: Evangelicalism and Antislavery Politics". New England Quarterly 85, n.º 1 (marzo de 2012): 38–77. http://dx.doi.org/10.1162/tneq_a_00156.

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When the Boston Female Anti-Slavery Society collapsed in 1841, evangelical women established the Massachusetts Female Emancipation Society. Although scholars have suggested that their conservatism soon caused MFES women to abandon abolitionism, an examination of non-Garrisonian newspapers reveals not only their undiminished commitment to moral suasion but their enthusiastic embrace of the Liberty Party and political action.

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47

Davidi, Sigal. "By women for women: modernism, architecture, and gender in building the new Jewish society in Mandatory Palestine". Architectural Research Quarterly 20, n.º 3 (septiembre de 2016): 217–30. http://dx.doi.org/10.1017/s1359135516000452.

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This article explores issues of gender and modern architecture in Mandatory Palestine in the context of 1920s and 1930s modernism. Women architects, newly immigrated from Germany, collaborated with WIZO, Women's International Zionist Organisation, in building Domestic Science and Agriculture training schools for Jewish immigrant women in the country. WIZO adopted the concept of the modern domestic sphere, particularly the rational kitchen, believing that a modern and efficient household will benefit women and society as a whole. Thus, their planned schools were to be modern both in appearance and in their built-up space: rational, airy and full of light. The women architects who studied and worked in Germany prior to their immigration, emphasised these modernist concepts in their design. These early ambitious architectural achievements by women for women were unique in the context of modernism and helped structure the national identity of the ‘New re-formed domestic woman’ in Mandatory Palestine.

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48

Butvilaitė, Rasa. "Architektas XVIII amžiaus Lietuvos Didžiosios Kunigaikštystės visuomenėje". Lietuvos Didžioji Kunigaikštystė Luomas. Pašaukimas. Užsiėmimas, T. 5 (1 de enero de 2021): 254–70. http://dx.doi.org/10.33918/23516968-005012.

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ARCHITECT IN THE SOCIETY OF THE 18TH CENTURY GRAND DUCHY OF LITHUANIA The article deals with the problem of professional field of activity of an architect, the place of his profession in the system of crafts, sciences and arts, architects’ position in the society of the eighteenth century. Before the education reform undertaken by the Education Commission, architecture had not been developed into a separate subject that provided professional training in the schools of the Grand Duchy of Lithuania. The course in architecture was only a part of general education in Vilnius Jesuit Academy, in nobility schools of a military type, and Jesuit and Piarist Collegium Nobilium. There was not enough focus on architectural studies in these most important educational institutions of the Grand Duchy of Lithuania: a short course of up to two years provided only general and technical basis of the theory of architecture based on classical orders, and it was not capable of training high ranked professionals-practitioners. Until the eighties of the 18th century, to become an independent professional architect one had to continue his studies abroad. It is argued that the Enlightenment concept of a creator serving to the state and society as well as representing them has provided an important impetus to the growth of the value of the architect’s profession and its social status. While many eighteenth-century artists were still very close to craftsmen in terms of social status (it was considered, that they used to do specific tasks and earn a living by employing manual / physical, not intellectual / mental powers), architects, due to the specifics of their education – studies at the university and military careers (they were mostly employed as engineers) were granted titles of nobility. In the eighteenth century, the social and material position of the architect-creator, who had been liberated from the crafts guild system, had evolved considerably and created conditions for privileges and for the establishment in the rank of nobility. The nobilitation of architects, who usually also had the rank of an officer and executed significant orders in large estates, intensified especially during the period of the partitions of the Polish–Lithuanian Commonwealth. Experienced architects were desired and welcome guests in the manors of the nobles. Successful architects used to invest accumulated funds in real estate and manors with land. The architect was no longer just a hired employee but became a patron himself – the one who was initiating and partly financing construction. Keywords: architect, engineer, social status of an architect, Enlightenment, nobilitation.

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Zavadskas, Edmundas Kazimieras. "BOOK REVIEWS". Journal of Business Economics and Management 9, n.º 4 (31 de diciembre de 2008): 335–37. http://dx.doi.org/10.3846/1611-1699.2008.9.335-337.

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OPTIMIZATION METHODS FOR A STAKEHOLDER SOCIETY Reviewed book: Willem K. Brauers. Optimization Methods for a Stakeholder Society: A Revolution in Economic Thinking by Multi‐objective Optimization. Boston / Dordrecht / London: Kluwer Academic Publishers, 2004.

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50

Broyles, Michael. "Music and Class Structure in Antebellum Boston". Journal of the American Musicological Society 44, n.º 3 (1991): 451–93. http://dx.doi.org/10.2307/831646.

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The division of American musical culture into a cultivated and vernacular tradition may be traced in large measure to developments in antebellum Boston. It was there that American writers first argued fervently for the association of Platonic idealism with secular instrumental music, and some of these same individuals established the symphony orchestra as the musical medium most capable of realizing their ideals. Musical developments in antebellum Boston were affected by the class structure, which was closely related to religious preference. The upper class, mostly Unitarian, did not participate significantly in music until the late 1830s. The middle class, mostly congregational, favored religious, amateur performing ensembles. The socioeconomic elite began to support music in the 1830s. Led by Samuel A. Eliot, three-time Mayor of Boston, they wrested control of the Boston Academy of Music from the Congregational evangelicals and made it the premier secular musical institution of the city. The Academy featured the first successful symphony orchestra in Boston and one of the first in the country. Ironically, however, Eliot's motivations, which were articulated in several important articles, harked back to early federal Republican concepts of creating a homogeneous society through a commonly shared culture. They contrasted sharply with the more insular goals of the nineteenth-century socioeconomic elite, who wished to use music as a means of distancing themselves from other segments of society. Eliot's vision ultimately was not realized, but his efforts did much to establish the symphony orchestra in American society as well as the notion of high musical culture itself. As such Eliot is an major, although hitherto ignored, figure in American musical history.

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