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Artículos de revistas sobre el tema "Biography"

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Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2024

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1

Chalupský, Petr. "Dodging the Literary Undertaker – Biographic Metafiction in Hanif Kureishi’s The Last Word". Prague Journal of English Studies 6, n.º 1 (26 de julio de 2017): 105–22. http://dx.doi.org/10.1515/pjes-2017-0007.

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Abstract Hanif Kureishi’s 2014 novel, The Last Word, involves most of the author’s idiosyncratic themes, such as ethnicity, racism, sexual identity, examination of interpersonal relationships and the crucial role of the creative imagination in human life. Its focal concern, however, is to explore the process of writing a literary biography of a living person and the character and dynamics of the relationship between the biographer and his subject - a writer. As such, the novel can be taken as being representative of biographic metafiction, a subcategory of historiographic metafiction, which, following the postmodernist questioning of our ability to know and textually represent historical truth, presents biographic writing critically or even mockingly, rendering its enthusiastic practitioners’ efforts with ironic scepticism. The aim of this article is to present The Last Word as a particular example of biographic metafiction that has all the crucial features of this genre, yet which differs from its predecessors through the complexity and thoroughness of its portrayal of the biographer-biographee relationship.

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2

Grace, Sherrill. "Timothy Findley, His Biographers, and The Piano Man’s Daughter". Text Matters, n.º 8 (24 de octubre de 2018): 413–30. http://dx.doi.org/10.1515/texmat-2018-0024.

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In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used—journals, diaries, archives—and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from fiction, or, as Mauberley says in Famous Last Words, truth from lies. Like many writers, Findley kept journals all his life, and they are a key source of information for his biographer; however, his way of recording information and his creation of fictional journals means that a biographer (like the readers of his fictional auto/biographers) must tread carefully. While not a theoretical study of auto/biography, in this paper Grace will offer insights into the traps that lie in waiting for a biographer, especially when dealing with a biographee who is as self-conscious an auto/biographer as Findley.

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3

Loktevich, Ekaterina V. "ROCK-POET’S PREBIOGRAPHIC IMAGE IN INTERNET-DISCOURSE FOCUS (article two)". Culture and Text, n.º 51 (2022): 70–85. http://dx.doi.org/10.37386/2305-4077-2022-4-70-85.

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On the example of the Internet-discourse dealing with understanding the life and creativity of Konstantin Stupin, the problems associated with formation and approval of the prebiographical image of the Russian rock-poet in the reader’s environment are revealed. Media decoding of different aspects of private life is studied from the standpoint of the confrontation of cultures, moral and aesthetic stances of different recipient groups. The points of contact between the biographed and the biographer as the central subjects of biography are considered. A range of issues is determined, the solution of which is necessary for further theoretical and methodological study of the structure and content of the prebiography and biography of the rock-poet in the context of creative memory of culture.

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4

Kapoor, Dr B. B. S. "Biography". Asian Pacific Journal of Health Sciences 1, n.º 1 (enero de 2014): 48–49. http://dx.doi.org/10.21276/apjhs.2014.1.1.8.

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5

Ganguly, Dr Subha. "Biography". Asian Pacific Journal of Health Sciences 1, n.º 2 (abril de 2014): 139–40. http://dx.doi.org/10.21276/apjhs.2014.1.2.18.

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6

Barman, Roderick J. "Biography as History". Journal of the Canadian Historical Association 21, n.º 2 (10 de mayo de 2011): 61–75. http://dx.doi.org/10.7202/1003088ar.

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Biography has been for the last fifty years the stepchild of history. Drawing on the author’s personal experience as a biographer and a reader of biographies, the article considers the reasons why most historians avoid biography, examines the three unproductive forms of the genre or “no gos” to be avoided by would-be biographers, discusses the five caveats that should guide those writing biographies, and indicates the ways in which biography can be employed to advance our understanding of the past. Despite being a genre abounding in problems, biography is both viable and valuable, a useful but not a major weapon in the historian’s arsenal.

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7

Khan, Muhammad sajid. "Biography: Anees by Nayyar Masood (An Overview of his Sketch writing)". Pakistan Journal of Applied Social Sciences 5, n.º 1 (8 de marzo de 2017): 35–42. http://dx.doi.org/10.46568/pjass.v5i1.473.

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The article aims at exploring and analyzing the sketch-writing in Anees, a biography written by Nayyar Masood. The sketches usually appeared in a biography is little different from a sketch developed as a genre in Urdu literature. The reason to see such sketches is to know how importance given by the biographer to those influencing the life and time of the hero of the biography. A successful biography is what in which the time and life of the hero appeared vividly as it leads readers to understand the era, literary culture of the time, political atmosphere and various linguistic trends. It happens when a biographer focuses the hero and his or her contemporaries. The way contemporaries are focused in a biography it forms a genre in literature. The article gives instances from Anees to suppert his view and paving the way for a new genre in literature. This article also discusses some of the factors relevant to form a genre.

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8

Karpinski, Eva C. "Hélène Cixous’s „The Exile of James Joyce”: A Biographical Limit Case". Anglica Wratislaviensia 55 (18 de octubre de 2017): 35–45. http://dx.doi.org/10.19195/0301-7966.55.3.

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This article examines Hélène Cixous’s biographical monograph The Exile of James Joyce as a limit case of biographical praxis. Joyce’s biography is read in the context of Cixous’s own evolving personal motif of exile, revealing her autobiographical investment in becoming a writer through reading Joyce. She pushes the boundaries of the biographical genre at the intersections of autobiography, literary criticism, and biography, defying simple generic classifications and exposing the limits of conventional demarcations between the artist, the work, the biographer, and the critic. As a result, the text becomes a creative-interpretive hybrid project, where the biographical code has been displaced by focus on epistemological, psychological, and textual problems implicit in the relationship between the biographer and the biographical subject. Her approach invites us to consider the following questions: How does she rewrite Joyce through her own multiple experiences of exile that she also shares with Jacques Derrida? What difference does gender make in the construction of the biographical subject as the great modernist “genius”? How does gender marginalization impact her authority as a biographer? The discussion is also framed through some larger questions concerning the aesthetic, epistemological, ethical, and political role of biography in approaching modernist literature and culture: Is biography an art or a craft? What kind of knowledge does biography generate? How far is biography a form of discursive violence and voyeurism? How can attention to affect and intimacy offer new insights into the aesthetics of the biographical genre?

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9

Ware, Susan. "Writing Women's Lives: One Historian's Perspective". Journal of Interdisciplinary History 40, n.º 3 (enero de 2010): 413–35. http://dx.doi.org/10.1162/jinh.2010.40.3.413.

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From the start, biography played a vibrant and significant part in the growth of women's history, especially American women's history, as a well-respected and popular field within the historical profession. The insistence of feminist biographers that the personal is political, and that attention must be paid to the daily lives of their subjects as well as to their more public achievements, continues to ripple through the field of biography as a whole. To talk about biography is also to talk about the biographer, for the precise reason that behind every biography lies autobiography—that special spark that draws the biographer to the subject in the first place and the interaction that unfolds as the project moves forward (or stalls, as often happens). As feminist theory reminds us, the personal element is relevant to the broader intellectual agenda.

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10

Willumsen, Liv Helene. "Om Regine Normanns biografi med påfølgende debatt - slik biografen ser det". Nordlit 2, n.º 1 (1 de enero de 1998): 337. http://dx.doi.org/10.7557/13.2210.

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This essay is written as part of a debate related to the biography as genre, following the publishing of my biography Havmannens datter. Regine Normann - et livsløp [The merman's daughter. Regine Normann - a life story] (1997). On one hand the essay contains arguments related to this specific biography. On the other hand, it contains general points of view related to biography as genre. The author defines biography as a written life-story about a person different from the biographer himself or herself. A biography is a work according to historical methods, as it is based on historical sources and has an explicit claim to documentation inherent. In the specific biography on Regine Normann, which is styled as a story, strict demands to historical references are practiced. Still the biography in its final form is dependant upon interpretation of the sources. As more general points on biography as genre the essay argues that competence within documentation is of uttermost importance for the work, as reliable historical sources are the fundament of any valid biography. The work of reference is emphasized, as the reader should have the possibility to control the factual information given. There is a demand that correct and accurate when referring to sources, and not inventing or adding information which can not be documented.It is further argued for a division line between biography writing and literary analysis, in cases wherein the biography is written on an author. For that reason, literary analysis of fictional works does not have any place in a biography, but should be published as literary research. The interpretative function of the biographer is underlined, even in a text based on historical information. In a text formed along narrative lines, as is the case with Regine Normann's life story, the narrator has the authority and power to interpret documents and formulate the text in his own manner and according to his interpretation. N.B: This article was originaly printed among the reviews of Nordlit nr. 3 and can also be found there, in its chronological place. It has been elevated by request of the author.

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11

Loktevich, Ekaterina V. "ROCK-POET’S PREBIOGRAPHIC FACE IN FOCUS OF INTERNET-DISCOURSE (article one)". Culture and Text, n.º 48 (2022): 19–30. http://dx.doi.org/10.37386/2305-4077-2022-1-19-30.

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Using the example of the biography of a modern Russian rock-poet, the article reveals the theoretical and methodological problems of the genre of biography: genetic potential, a change in the content paradigm, ethical and aesthetic intersections of the biographer, the biographer and the recipient. The relationship between the participants in the biographical discourse is considered in the context of cultural memory, formed in the communicative field of the Internet-environment. In connection with the solution of the indicated problems, the concepts of a prebiographical face , prebiograph , epoch-making interpellative , cultural-dialogical forecast of the recipient are introduced . The question is raised about the influence of the prebiographical face of the rock-poet on the subsequent creation of his biography.

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12

Gera, Judit. "Biography as mirror of the biographer". Neohelicon 23, n.º 1 (marzo de 1996): 251–63. http://dx.doi.org/10.1007/bf02437011.

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13

Van Puymbroeck, Birgit. "Between Genre and Medium: Hilda Tablet , Henry Reed's Fictional Metabiography for Radio". Biography 46, n.º 2 (2023): 313–31. http://dx.doi.org/10.1353/bio.2023.a928374.

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Abstract: In the 1950s, Henry Reed wrote the seven-part series Hilda Tablet , a humorous radio play for the Third Programme, the BBC's cultural channel. The series deals with the fictional biographer Herbert Reeve—Henry Reed's alter ego—who writes a biography of the also fictional author Richard Shewin and later the composer Hilda Tablet. This article analyzes Hilda Tablet in the light of biography studies. It argues that the series "remediates" the genre of biography on radio, and uses techniques associated with fictional metabiography and mockbiography to highlight, question, and satirize genre and media conventions. Through a contextual and audionarratological analysis, it recovers Hilda Tablet for critical analysis, and reflects on the use of audio techniques for biographical construction and interpretation. It contributes to the study of biography in two ways: by focusing on the little-explored hybrid genre of the radio biography, and by paying close attention to aspects of the fictional metabiography and mockbiography.

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14

Kindi, Vasso. "Collingwood’s Opposition to Biography". Journal of the Philosophy of History 6, n.º 1 (2012): 44–59. http://dx.doi.org/10.1163/187226312x625591.

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Abstract Biography is usually distinguished from history and, in comparison, looked down upon. R. G. Collingwood’s view of biography seems to fit this statement considering that he says it has only gossip-value and that “history it can never be”. His main concern is that biography exploits and arouses emotions which he excludes from the domain of history. In the paper I will try to show that one can salvage a more positive view of biography from within Collingwood’s work and claim that his explicit attacks against biography target specifically the sensationalist kind. First, I will show that Collingwood, in his later writings, allowed that, not only thought, but also relevant emotions can be the subject matter of history, which means that even if one takes biography to deal with emotions, it can still qualify as history. Second, I will argue, based mainly on Collingwood’s Principles of Art, that biography can be compared to portrait painting, in which case, it can be redeemed as a work of art and not just craft and, thus, have more than entertainment value. It can also be part of history, and more specifically part of the history of art which Collingwood endorses, if one takes the life of an individual, recounted by a biographer, to be an artistic creation, as Collingwood seems to suggest.

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15

Conci, Marco. "Biographie de l'inconscient [Biography of the Unconscious]". International Journal of Psychoanalysis 89, n.º 4 (agosto de 2008): 894–99. http://dx.doi.org/10.1111/j.1745-8315.2008.00070_3.x.

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16

Więckiewicz, Agnieszka. "(Auto)analityczny opis przypadku. Wspomnienia Izydora Sadgera o Zygmuncie Freudzie". Poznańskie Studia Polonistyczne. Seria Literacka, n.º 35 (5 de noviembre de 2019): 253–76. http://dx.doi.org/10.14746/pspsl.2019.35.12.

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The article presents an analysis of Freud’s early biography written by Isidor Isaak Sadger, one of his earliest students. The author argues that Sigmund Freud. Persönliche Erinnerungen bonds together different literary genres such as biography, autobiography and pathography, thus allowing for studying the impact of life-writing literature on psychoanalysis. The first part of the article is devoted to the relation between introspection, auto-analysis and everyday writing practices of Freud and his students. In the second part, the author presents unknown facts from Sadger’s history in the psychoanalytic movement and reads his biography as an example of a heterogeneous literary genre where he becomes a writer-biographer and a doctor-autobiographer simultaneously.

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17

Samoyault, Tiphaine y Sunil Manghani. "On Barthes' Biography: A Dialogue". Theory, Culture & Society 37, n.º 4 (26 de abril de 2020): 43–63. http://dx.doi.org/10.1177/0263276420910471.

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This article presents an interview with Tiphaine Samoyault, author of Roland Barthes, Biographie (2015). There is always a difficulty in approaching the biography of Roland Barthes, who famously gave us the thesis of the ‘death of the author’. Nonetheless, Samoyault’s lengthy study can be considered the closest thing to an ‘official’ biography. Unlike other biographers, she was given access to and granted permission to cite from a wide range of private papers and materials. This inside view has not stopped her from detailing some of the more sensitive sides of Barthes’ life and, importantly, she has been able to reassess aspects of his writings and relationship to other key thinkers of the time and the wider politics. As part of the interview, various extracts from the biography are woven into the dialogue, allowing those unfamiliar with it to gain more direct access to the book itself.

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18

Mansor Dadaei Najad. "Exploring the doctrinal method for investigators in how to rely on the biography of the messenger of Allah (peace be upon him)". Al-Muhaqqiq 4, n.º 8 (15 de junio de 2022): 61–90. http://dx.doi.org/10.62745/muhaqqiq.v4i8.102.

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The biography of the messenger of Allah (peace be upon him)in additionto make use of them in various fields such as ethics and history ، has alsobenefited from them in science of jurisprudence and reliable in the jurisprudentialdeductions.The balance of considering the reports including in the biography of juristsand rules of their way of relying on the biography reports is a subjectthat investigators have said little about To coincide with the study of thecases of the adoption Al- Hille investigator(dead in 676 AH) on the biographyof the messenger of Allah(peace be upon him) This article seeks toclarify his doctrinal approach in taking advantage of the laws of Islam andconsidered ، It will extract cases of dependence on the biography of theprophet and make it the subject of systematic analysis Al- Hilli investigatorin his study of discerning to the decision of the history of the messenger ofAllah(peace be upon him) evaluation investigator considered reliable andrely on only some of this because of what was considered by doubts in theissuance of novels and the balance of significance and was considering whatwas put forward that the biography of the prophet so that it is difficult forhim to accept much of what was known Its approach in a few accepted bybiography reports is worthy of analysis but evolution from this side.Keywords: Jurisprudence curriculum biography of the prophet ،

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19

Matteson, John. "Narrating the Human and Singing the Sacred Song: Notes toward an Aesthetic of Biography". Er(r)go. Teoria - Literatura - Kultura, n.º 43 (30 de diciembre de 2021): 9–21. http://dx.doi.org/10.31261/errgo.11682.

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Drawing upon the theoretical writings of Tzvetan Todorov and Georg Lukács on the subject of the novel, this essay argues for more widespread recognition of the biography as a literary genre. It frames the genre of biography as a genre of radical incompleteness, discussing the search for verisimilitude and the tendency toward fragmentation in the biographer’s pursuit — a quality that describes not only the biographer’s sources, but also the contingent, broken nature of the intellectual and emotional space that both the biographical subject and the biographer herself inhabit.

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20

Matteson, John. "Narrating the Human and Singing the Sacred Song: Notes toward an Aesthetic of Biography". Er(r)go. Teoria - Literatura - Kultura, n.º 43 (30 de diciembre de 2021): 9–21. http://dx.doi.org/10.31261/errgo.11682.

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Drawing upon the theoretical writings of Tzvetan Todorov and Georg Lukács on the subject of the novel, this essay argues for more widespread recognition of the biography as a literary genre. It frames the genre of biography as a genre of radical incompleteness, discussing the search for verisimilitude and the tendency toward fragmentation in the biographer’s pursuit — a quality that describes not only the biographer’s sources, but also the contingent, broken nature of the intellectual and emotional space that both the biographical subject and the biographer herself inhabit.

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21

Antin, David. "Biography". Representations 16, n.º 1 (octubre de 1986): 42–49. http://dx.doi.org/10.1525/rep.1986.16.1.99p0155l.

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22

Singh, R. B. "BIOGRAPHY". Open Nutraceuticals Journal 3, n.º 2 (1 de febrero de 2010): 17–19. http://dx.doi.org/10.2174/1876396001003020017.

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Antin, David. "Biography". Representations 16 (1986): 42–49. http://dx.doi.org/10.2307/2928512.

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24

Grundke-Iqbal, Inge. "Biography". Journal of Alzheimer's Disease 37, n.º 3 (24 de septiembre de 2013): 467. http://dx.doi.org/10.3233/jad-130492.

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25

Ugi, Ivar. "Biography". HETEROCYCLES 73, n.º 1 (2007): 13. http://dx.doi.org/10.3987/com-07-s(u)biography.

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Al Battani, Abu Abdullah. "Biography". Qatar Medical Journal 2010, n.º 2 (junio de 2010): 4. http://dx.doi.org/10.5339/qmj.2010.2.4.

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27

Hou, Xiandeng. "Biography". Spectroscopy Letters 38, n.º 2 (16 de marzo de 2005): 97–98. http://dx.doi.org/10.1081/sl-200049559.

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Tanner, Peter A. "Biography". Spectroscopy Letters 38, n.º 3 (mayo de 2005): 209–10. http://dx.doi.org/10.1081/sl-200062304.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 109, n.º 6 (junio de 2004): 468. http://dx.doi.org/10.1111/j.1600-0047.2004.00317.x.

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Munk-Jorgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 110, n.º 2 (agosto de 2004): 160. http://dx.doi.org/10.1111/j.1600-0047.2004.00387.x.

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DICID. "Biography". Religions: A Scholarly Journal, n.º 1 (diciembre de 2014): 18. http://dx.doi.org/10.5339/rels.2014.family.18.

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Fabbri, Renaud. "Biography". Religions: A Scholarly Journal 2016, n.º 1 (mayo de 2016): 18. http://dx.doi.org/10.5339/rels.2016.women.18.

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Tansella, Professor Michele. "Biography". Acta Psychiatrica Scandinavica 101, n.º 4 (abril de 2000): 337. http://dx.doi.org/10.1034/j.1600-0447.2000.101004337.x.

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Vestergaard MD DrMedSc, Per. "Biography". Acta Psychiatrica Scandinavica 101, n.º 5 (mayo de 2000): 409. http://dx.doi.org/10.1034/j.1600-0447.2000.101005409.x.

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Clarke, Dr Mike. "Biography". Acta Psychiatrica Scandinavica 102, n.º 4 (octubre de 2000): 318. http://dx.doi.org/10.1034/j.1600-0447.2000.102004318.x.

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Rosenberg, Raben. "Biography". Acta Psychiatrica Scandinavica 102, n.º 5 (noviembre de 2000): 395. http://dx.doi.org/10.1034/j.1600-0447.2000.102005395.x.

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Maes, Michael. "Biography". Acta Psychiatrica Scandinavica 103, n.º 3 (marzo de 2001): 237. http://dx.doi.org/10.1034/j.1600-0447.2001.00105.x.

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Saraceno, Benedetto. "Biography". Acta Psychiatrica Scandinavica 103, n.º 2 (febrero de 2001): 157. http://dx.doi.org/10.1034/j.1600-0447.2001.00106.x.

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Munk-Jørgenson, Povl. "Biography". Acta Psychiatrica Scandinavica 104, n.º 2 (agosto de 2001): 157. http://dx.doi.org/10.1034/j.1600-0447.2001.t01-1-00004.x.

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Merikangas, Kathleen. "Biography". Acta Psychiatrica Scandinavica 105, n.º 1 (enero de 2002): 79–80. http://dx.doi.org/10.1034/j.1600-0447.2002.01008.x.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 108, n.º 4 (10 de enero de 2003): 320. http://dx.doi.org/10.1034/j.1600-0447.2002.t01-1-01442.x-i1.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 107, n.º 1 (enero de 2003): 80. http://dx.doi.org/10.1034/j.1600-0447.2003.00046.x.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 107, n.º 3 (10 de enero de 2003): 240. http://dx.doi.org/10.1034/j.1600-0447.2003.00046.x-i2.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 107, n.º 4 (10 de enero de 2003): 318. http://dx.doi.org/10.1034/j.1600-0447.2003.00046.x-i3.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 107, n.º 5 (10 de enero de 2003): 400. http://dx.doi.org/10.1034/j.1600-0447.2003.00046.x-i4.

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46

Okasha, Ahmed. "Biography". Acta Psychiatrica Scandinavica 107, n.º 2 (17 de enero de 2003): 159. http://dx.doi.org/10.1034/j.1600-0447.2003.03001.x.

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47

Winter, Max. "Biography". Iowa Review 30, n.º 2 (octubre de 2000): 146. http://dx.doi.org/10.17077/0021-065x.5288.

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48

Batten, F. E. "BIOGRAPHY". Developmental Medicine & Child Neurology 3, n.º 6 (12 de noviembre de 2008): 527–28. http://dx.doi.org/10.1111/j.1469-8749.1961.tb10414.x.

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Sancar, Aziz. "Biography". Photochemistry and Photobiology 93, n.º 1 (enero de 2017): 7–14. http://dx.doi.org/10.1111/php.12731.

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Munk-Jørgensen, Povl. "Biography". Acta Psychiatrica Scandinavica 109, n.º 1 (enero de 2004): 79. http://dx.doi.org/10.1046/j.1600-0447.2003.00265.x.

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