Artículos de revistas: "Bhagbot"

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Das, S. S. "Bhagabat Charan Das". BMJ 348, jan13 5 (13 de enero de 2014): g50. http://dx.doi.org/10.1136/bmj.g50.

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Paramjit Ahluwalia. "Bhagat Singh". Socialist Lawyer, n.º 63 (2013): 32. http://dx.doi.org/10.13169/socialistlawyer.63.0032.

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Elam, J. Daniel. "Bhagat Singh’s Atheism". History Workshop Journal 89 (2020): 109–20. http://dx.doi.org/10.1093/hwj/dbaa007.

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Abstract Of the essays that Indian nationalist Bhagat Singh published in his lifetime, ‘Why I am an Atheist’ has remained especially popular. Bhagat Singh published the essay from jail in 1930, largely as a response to his critics among the revolutionaries, who worried that anticolonial stardom had gone to Bhagat Singh’s head – or alternatively that his anticolonial agitation had been motivated by arrogance and egotism. Quite different from the the Hindustan Socialist Republican Army’s response to M. K. Gandhi – ‘The Philosophy of the Bomb’ – ‘Why I am an Atheist’ marks a different philosophical territory, one that this essay will attempt to explore in detail. This essay demonstrates the productive relationship between religion and interwar philosophy that stands at the centre of Bhagat Singh’s concerns, the global conversation that he thus partakes in, and the relationship, ultimately, between doubt and anticolonialism. Treating this text as philosophical without reducing it to an anti-theological screed reveals the possibilities of an ethics that avoids the transcendent authority of both colonial rule and anticolonial response.

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Moffat, Chris. "Bhagat Singh's Corpse". South Asia: Journal of South Asian Studies 39, n.º 3 (20 de junio de 2016): 644–61. http://dx.doi.org/10.1080/00856401.2016.1184782.

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Garin, Jyoti. "A Sindhi Bhagat Song Associated with Kanvar Ram". Journal of Sindhi Studies 1, n.º 1 (16 de noviembre de 2021): 1–31. http://dx.doi.org/10.1163/26670925-bja10004.

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Abstract This article presents a translation from the Sindhi oral tradition of bhagat. It originates in Sindh, Pakistan. Today it is practiced by Hindu narrators in post-Partition India. The song translated in this paper focuses upon Bhagat Kanvar Ram, who contemporary bhagat narrators mention frequently. This essay exemplifies his influence on the bhagat tradition in the areas of inspiration, authority, and performance style. It offers a glimpse of the dynamics of the live performances of oral texts.

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Prasad, Bhagwat y Saranjit Singh. "Bioanalysis Young Investigator: Bhagwat Prasad". Bioanalysis 3, n.º 12 (junio de 2011): 1319–21. http://dx.doi.org/10.4155/bio.11.123.

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NAIR, NEETI. "Bhagat Singh as ‘Satyagrahi’: The Limits to Non-violence in Late Colonial India". Modern Asian Studies 43, n.º 3 (mayo de 2009): 649–81. http://dx.doi.org/10.1017/s0026749x08003491.

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AbstractAmong anti-colonial nationalists, Bhagat Singh and M.K. Gandhi are seen to exemplify absolutely contrasting strategies of resistance. Bhagat Singh is regarded as a violent revolutionary whereas Gandhi is the embodiment of non-violence. This paper argues that Bhagat Singh and his comrades became national heroes not after their murder of a police inspector in Lahore or after throwing bombs in the Legislative Assembly in New Delhi but during their practice of hunger strikes and non-violent civil disobedience within the walls of Lahore's prisons in 1929–30. In fact there was plenty in common in the strategies of resistance employed by both Gandhi and Bhagat Singh. By labelling these revolutionaries ‘murderers’ and ‘terrorists’, the British sought to dismiss their non-violent demands for rights as ‘political prisoners’. The same labels were adopted by Gandhi and his followers. However, the quality of anti-colonial nationalism represented by Bhagat Singh was central to the resolution of many of the divisions that racked pre-partition Punjab.

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Shukla, Shashwat. "Existential psychotherapy and the Bhagwat Gita." Spirituality in Clinical Practice 5, n.º 2 (junio de 2018): 144–53. http://dx.doi.org/10.1037/scp0000156.

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Elam, J. Daniel. "The Martyr, the Moviegoer: Bhagat Singh at the Cinema". BioScope: South Asian Screen Studies 8, n.º 2 (diciembre de 2017): 181–203. http://dx.doi.org/10.1177/0974927617728140.

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This article attempts to rethink Indian anticolonial agitator Bhagat Singh within four alternative lineages, rooted in his often undiscussed love of early Hindi and American cinema. To date, Bhagat Singh has often been confined within the rubrics of a properly political form of revolution, whereby revolution is recognizable to the colonial state. To rethink revolution requires scholars to question the repetition of these colonial logics by moving away from the “recognizably political” to other forms of anti-authorial, anticolonial practices. This article focuses on Bhagat Singh’s viewing and response to the 1927 American iteration of Uncle Tom’s Cabin and the 1927 Hindi film Wildcat of Bombay. The article considers the ways in which Bhagat Singh moved beyond “properly political” forms of agitation in favor of affective, aesthetic, and experiential models of movie-going in the early twentieth century. By doing so, it reorganizes the categories of “world literature” away from the nation-state in favor of worldwide circulation, distribution, and interpretation.

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Kumar, Dinesh. "Religious Philosophy of Bhagat Singh". Journal of Humanities and Education Development 2, n.º 3 (2020): 225–28. http://dx.doi.org/10.22161/jhed.2.3.8.

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Wagh, Atul y N. B. Pawar. "Ethnobotanical Studies of North - East Region from Nashik District (Maharashtra)". Plantae Scientia 4, n.º 2 (22 de marzo de 2021): 125–29. http://dx.doi.org/10.32439/ps.v4i2.125-129.

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The present paper deals with 41 ethnobotanical plants with their common names belonging to 18 families from North East region of Nashik district. The plants were used by local peoples for food, fodder, medicine, religious ceremonies. The information was gathered from Vaidu, Bhagat, Local peoples, Shepherds. The families like Fabaceae, Euphorbiaceae, Apocynaceae, Combretaceae, Apiaceae, Pteridaceae having dominant species. Key words – Ethnobotanical, Religious, Vaidu, Bhagat

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Anjaria, Ulka. "Chetan Bhagat and the New Provincialism". American Book Review 36, n.º 6 (2015): 6–22. http://dx.doi.org/10.1353/abr.2015.0113.

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Mitra, Anirban. "The life and times of Kamala Bhagvat Sohonie". Resonance 21, n.º 4 (abril de 2016): 301–14. http://dx.doi.org/10.1007/s12045-016-0330-8.

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Dhameliya, Dhruvita. "Portrayal of Youth and Their Success Over Life Issues: A Study of Chetan Bhagat’s Works". Vidhyayana 9, si1 (1 de diciembre de 2023): 65–76. http://dx.doi.org/10.58213/vidhyayana.v9isi1.1582.

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Chetan Bhagat is a well-known figure in the world of fiction writing, and he has earned the reputation as a relatable role model for the contemporary Indian youth. His ability to connect with a wide readership sets him apart from many other authors. The themes in his novels often centre around the experiences and challenges faced by young people. Bhagat has an extraordinary ability to discuss very sensitive aspects on human relationships and religion, diversity and integrity, individuality and liberty, commercializing and corrupting the education system and modern themes of love, politics and corruption. This research will use a qualitative approach to examine the prominent themes in the selected novels of Chetan Bhagat. A thematic analysis of Bhagat's novels will be conducted to identify the recurring themes and motifs. The study will also use a descriptive analysis to examine the factors that have contributed to Bhagat's success as a bestselling author in India, including his writing style, use of language, and marketing strategies. This research endeavors to examine the prominent themes in the novels - The Girl In Room No 105 and One Arranged Murder by Chetan Bhagat, providing an intriguing insight from an Indian perspective. Through an in-depth analysis of themes and the, the study aims to shed light on the study of youth and their success over life issues. This research, limited to Bhagat's selected works, is significant in uncovering the secrets behind his literary success.

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Rinehart, Robin. "FROM BHAGAT SINGH, ATHEIST, TO AGNOSTIC KHUSHWANT". Sikh Formations 11, n.º 1-2 (30 de abril de 2015): 160–73. http://dx.doi.org/10.1080/17448727.2015.1023111.

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Habib, S. Irfan. "Shaheed Bhagat Singh and his Revolutionary Inheritance". Indian Historical Review 34, n.º 2 (julio de 2007): 79–94. http://dx.doi.org/10.1177/037698360703400205.

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Najar, Mohammad Asif. "Book review: Chris Moffat, India’s Revolutionary Inheritance: Politics and the Promise of Bhagat Singh". Studies in People's History 10, n.º 2 (26 de noviembre de 2023): 267–68. http://dx.doi.org/10.1177/23484489231199008.

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Sekhon, Jagrup S. "Book review: Irfan Habib (ed.), Inquilab: Bhagat Singh on Religion and Revolution". Sociological Bulletin 69, n.º 2 (7 de mayo de 2020): 293–95. http://dx.doi.org/10.1177/0038022920923243.

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Moffat, Chris. "Politics and the Work of the Dead in Modern India". Comparative Studies in Society and History 60, n.º 1 (enero de 2018): 178–211. http://dx.doi.org/10.1017/s0010417517000457.

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AbstractThis article provides a framework for understanding the continuing political potential of the anticolonial dead in twenty-first-century India. It demonstrates how scholars might move beyond histories of reception to interrogate the force of inheritance in contemporary political life. Rather than the willful conjuring of the dead by the living, for a politics in the present, it considers the more provocative possibility that the dead might themselves conjure politics—calling the living to account, inciting them to action. To explicate the prospects for such an approach, the article traces the contested afterlives of martyred Indian revolutionary Bhagat Singh (1907–1931), comparing three divergent political projects in which this iconic anticolonial hero is greeted as interlocutor in a struggle caught “halfway.” It is this temporal experience of “unfinished business”—of a revolution left incomplete, a freedom not yet perfected—that conditions Bhagat Singh's appearance as a contemporary in the political disputes of the present, whether they are on the Hindu nationalist right, the Maoist student left, or amidst the smoldering remains of Khalistani separatism in twenty-first-century Punjab. Exploring these three variant instances in which living communities affirm Bhagat Singh's stake in the struggles of the present, the article provides insight into the long-term legacies of revolutionary violence in India and the relationship between politics and the public life of history in the postcolonial world more generally.

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Joshi, Satyakam. "Book Review: Varsha Bhagat Ganguly. Protest Movements and Citizens’ Rights in Gujarat (1970–2010)". Sociological Bulletin 67, n.º 1 (19 de marzo de 2018): 133–35. http://dx.doi.org/10.1177/0038022917752174.

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Maclean, Kama. "The Portrait's Journey: The Image, Social Communication and Martyr-Making in Colonial India". Journal of Asian Studies 70, n.º 4 (noviembre de 2011): 1051–82. http://dx.doi.org/10.1017/s0021911811001562.

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Bhagat Singh, the revolutionary nationalist executed by the British in 1931, continues to be an enormously popular figure in contemporary India, immediately recognizable in ubiquitous posters, stickers and placards by his distinctive hat. This article uncovers the story behind Bhagat Singh's original ‘hat photograph’ by tracing the portrait's journey from the time it was taken, in 1929, to the early 1930s. The portrait was devised as a tactic of political subversion and intended as revolutionary propaganda, although it became more widely interpreted as an icon of defiant nationalism and a symbol of imperial injustice. The image quickly morphed from its original format, and rapidly circulated in the form of reproductions, paintings and drawings, travelling well beyond the confines of the literate domain, making a decisive impact on the charged political landscape of the early 1930s.

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Vijayalakshmi, Mrs S. "Exploration of Indian Pop culture through parodies in Judy Balan’s Half Boyfriend and Two Fates: The Story of my Divorce." SMART MOVES JOURNAL IJELLH 7, n.º 3 (28 de marzo de 2019): 6. http://dx.doi.org/10.24113/ijellh.v7i3.7338.

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Parody is a cultural spectacle and it is used as a significant factor for creative expression. A Parodist takes another’s material to make their parodying effective and recognizable. In France, Parody is used to evoke laughter. Judy Balan, an Indian writer in English is an ardent blogger and reviewer who has authored an outright comedy titled Two Fates: The Story of My Divorce and Half Boyfriend. Her story parodies the bestseller Two States: The Story of my Marriage and Half Girlfriend by Chetan Bhagat. Through parodies she evokes laughter and explores the Indian Pop Culture which is ignored in the works of Chetan Bhagat. The term Parody is derived from the Greek Parodia which concentrates on the style of the original. It is otherwise called subversive mimicry of the original. The most important parodists in Greek literature are Aristophanes, Plato and Lucian. Aristophanes parodies the tragic style of Euripides. Plato is subtle in Symposium and Lucian parodies the Olympian gods. Just as the greek parodic was passsed on to Rome, Paradic spirit transferred to the Middle Ages from Rome. During Middle Ages, the parody provided path for new literary consciousness. Any holiday or festival was parodied. The Indian writers have also parodied the great works. For example, Shashi Tharoor has parodied the Mahabharata. Judy Balan parodied the works of Chetan Bhagat -Half Girlfriend and Two States: The Story of my Marriage.

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Quraishi, Jawed Husain y Dr Anshu Raj Purohit. "Indian Youth; Reflection in Chetan Bhagat’s Novels". International Journal of Multidisciplinary Research Configuration 2, n.º 1 (28 de enero de 2022): 81–86. http://dx.doi.org/10.52984/ijomrc2108.

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It seems significant to note that Chetan Bhagat is an imperishable name in the arena of postmodern fiction along with that a symbol of new India. He has captured his deep concern about the youth today i.e. the problems and despairs, hopes and aspirations of the youth in all his works, he has written six fictions and two nonfictions. He specifically deals with the harsh realities of life and also manages to retain the sense of pure humour in his works. His works have striking similarities with parables in offering moral messages, spiritual guidance and technical suggestions; his works can better be defined as postmodern projection of parables. The present paper is based on those issues that deals with the victories and defeats of the youth, finely observed in Chetan’s stories. Keywords: Chetan Bhagat, Fiction, Non Fiction, Postmodern, Parable, Message.

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MACLEAN, KAMA. "The History of a Legend: Accounting for Popular Histories of Revolutionary Nationalism in India". Modern Asian Studies 46, n.º 6 (16 de febrero de 2012): 1540–71. http://dx.doi.org/10.1017/s0026749x12000042.

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AbstractNarratives about the revolutionary movement have largely been the preserve of the popular domain in India, as Christopher Pinney has recently pointed out. India's best-known revolutionary, Bhagat Singh—who was executed by the British in 1931 for his role in the Lahore Conspiracy Case—has been celebrated more in posters, colourful bazaar histories and comic books than in academic tomes. These popular formats have established a hegemonic narrative of his life that has proved to be resistant to subsequent interventions as new materials, such as freshly-declassified intelligence reports and oral history testimonies, come to light. This paper accounts for why Bhagat Singh's life story has predominantly prevailed in the domain of the popular, with special reference to the secrecy of the revolutionary movement and the censure and censorship to which it was subjected in the 1930s.

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Et.al, Mr S. Venkateswara Rao. "Youth Psychology, the Impact of Identity Crisis in shaping future in Chetan Bhagat’s Five Point Someone". Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, n.º 3 (11 de abril de 2021): 3389–94. http://dx.doi.org/10.17762/turcomat.v12i3.1601.

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The crisis of identity is one of the major issues of mankind.It does not confine to any single country, region, religion or ethnic group. Identity crisis prevails all over the world. It is also not confined to any particular age group people though the identity problem is predominantly visible in the life of younger generation. When we concentrate on the crisis of identity in Indian context, it has become the major problem of current educated youth. So far, many writers of fiction have focused on the identity problem and Chetan Bhagat is no exception on this list. Since identity crisis, mostly, seems to be the major problem of the age group people between 18 to 30, Bhagat has appropriately dealt with it in his fiction. The educated younger generation, in general, face problems to get well settled in life after completion of their education.The students, now-a-days, have been facing numerous problems in their academic career itself to beat the crisis. Chetan Bhagat as a young entertainer, attempts to depict all their problems in his fiction. The problems include Mindless mugging (No room for creativity and Innovativeness), lack of Disciplinary Ethics, Rigidity, Monotony in Academic work, Students’ Unrest, Fear, Insecurity, Controlled Stress and Suicide under Parental and Academic Pressure etc. For the purpose of my paper, I have chosen to study the identity problem crisis in youth of contemporary Indian Society and its portrayal in Chetan Bhagat’s maiden novel, Five Point Someone-What not to do at IIT.

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Sharma, Prof Vikas y Sadma. "ETHICO-SOCIAL VIEWS OF CHETAN BHAGAT: A CRITICAL ANALYSIS". Research Journal of English 05, n.º 02 (2021): 01–11. http://dx.doi.org/10.36993/rjoe.2020.0111.

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Radha, Dr y Dr Premalatha C . "Post- Modern elements in the novels of Chetan Bhagat". SMART MOVES JOURNAL IJELLH 6, n.º 8 (10 de agosto de 2018): 11. http://dx.doi.org/10.24113/ijellh.v6i8.4570.

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Postmodernism is a Western philosophy, a late 20th-century movement characterized by broad skepticism, subjectivism, or relativism; a general suspicion of reason; and an acute sensitivity to the role of ideology in asserting and maintaining political and economic power”.Post-Modernists are independent while expressing their ideas, they never drop their statements and theory. It is more personal than identify with some other categories. The post-modernism was started in America around 16th century later it extended to Europe and other countries.Post-modern civilization fails to accept the modification between high and low class. There is a little place for modernism, originality or individual thinking. Bhagat has concentrated on the preconceptions of toppers, however there is more to life than these things your family, your friends, your internal desires and goals and the grades you get in dealing with each of these areas will define you as a person.The post-modernism has defused the difference between good and bad, moral and immoral, right and wrong. If there is a choice to select modern generation would not hesitate to go for one which is traditionally named as bad. Bhagat imbibed all these qualities in his writing. His characters go against the traditional customs and values. Bhagat represents intricate, deeply engrained socio-cultural complications of multicultural India, light-heartedly. He wishes readers to giggle at themselves, at their stupidities, their partialities, and their wrong-actions; not as a member but as a distant observer. He doesn’t bout them directly, but through fiction he attempts to understand their errors and gives a chance to rectify in the real life. Bhagat’s linking story telling method and the funny situations appeal readers.

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Dasgupta, Sangeeta. "Reordering a World: The Tana Bhagat Movement, 1914-1919". Studies in History 15, n.º 1 (febrero de 1999): 1–41. http://dx.doi.org/10.1177/025764309901500101.

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Geeta Sharma y Ramakant Sharma. "Evincement of Custom Conflicts in Interstates Nuptials Chetan Bhagat’s 2 States". Creative Launcher 5, n.º 6 (28 de febrero de 2021): 157–63. http://dx.doi.org/10.53032/tcl.2021.5.6.21.

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In modern age custom conflicts is the cause of various hazardous problems taking place in contemporary society. The purpose of the present research paper is to portrait the evincement of custom conflicts in Inter states nuptials through Chetan Bhagat’s 2 States or the Story of My Marriage. India is a secular country where people following different custom reside. These distinct cultures and customs prevailing in India somewhere create differences in opinion. Bhagat is known youth’s icon for dealing modern issues in his writing, and as a famous screen writer of contemporary age for film adaptations. He has presented a realistic portraiture of custom conflict between two contrary states Delhi and Tamil. In India inter religion marriage are not accepted, if there is the matter of interstate nuptials love birds have to face great obstacles to win their parents and relatives consent. Bhagat has given an autobiographical touch to this novel. He has portrait a vibrant view of custom conflict and diversities.

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Habib, Irfan. "Book review: S. Irfan Habib, ed., Indian Nationalism: The Essential Writings and Inquilab: Bhagat Singh on Religion and Revolution". Studies in People's History 6, n.º 1 (31 de mayo de 2019): 97–98. http://dx.doi.org/10.1177/2348448919834810.

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S. Irfan Habib, ed., Indian Nationalism: The Essential Writings (New Delhi: Aleph Book Company), 2017, 285 pp., ₹499 (Hb). ISBN 97893-528-0837-3. S. Irfan Habib, ed., Inquilab: Bhagat Singh on Religion and Revolution (New Delhi: SAGE Publications), 2018, 192 pp., ₹295 (Pb). ISBN 978-93-86021-05-2.

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Kiran, Shashi. "From militant nationalism to scientific socialism: evolution of bhagat singh". ACADEMICIA: An International Multidisciplinary Research Journal 11, n.º 7 (2021): 244–48. http://dx.doi.org/10.5958/2249-7137.2021.01732.8.

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McCORMACK, JEN. "An Atlas of Radical Cartographyby Lize Mogel and Alexis Bhagat". Antipode 41, n.º 3 (junio de 2009): 587–89. http://dx.doi.org/10.1111/j.1467-8330.2009.00688_2.x.

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Srinivasan, Ragini Tharoor. "“English like Hindi”: Chetan Bhagat, Popular Fiction, and India’s Voice". Comparative Literature 76, n.º 1 (1 de marzo de 2024): 20–43. http://dx.doi.org/10.1215/00104124-10897094.

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Abstract This essay examines the rise of Chetan Bhagat, an icon of the New India “after English” who ironically writes his best-selling popular fictions in English. When Bhagat’s demotic English travels outside India, it is taken up by readers and critics whose responses to his work reveal the persistence of the fantasy of accessing India’s unmediated voice. The essay reads the extant Anglo-American critical discourse on Bhagat, with special attention to the postcritical and post-postcolonial turns in contemporary literary scholarship. It argues that Bhagat’s anointment as a global Anglophone literary icon with purchase on the “real” India lays bare a problem endemic to English literary studies—namely, the problem of enacting comparative literary analysis within English itself. It also raises a number of questions at the intersections of world literature and the global Anglophone, which are rival strategies for the teaching of non-Western literatures in English in US academe. In its concluding sections, the essay considers whether it is possible to teach Bhagat’s “English like Hindi” without allowing it to masquerade as a conduit to a supposedly authentic Indian vernacular sphere.

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Deshmukh, Rakhi y Jaya Dwivedi. "Reinterpretation of Amish Tripathi's Shiva Triology with Selected Verses of Bhagwat Gita". Rupkatha Journal on Interdisciplinary Studies in Humanities 8, n.º 4 (14 de enero de 2017): 148–56. http://dx.doi.org/10.21659/rupkatha.v8n4.17.

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Ahlawat, Rashmi. "Chetan Bhagat’s 2 States : A Study of Cultural Contradictions". IJOHMN (International Journal online of Humanities) 2, n.º 6 (15 de diciembre de 2016): 1–10. http://dx.doi.org/10.24113/ijohmn.v2i6.23.

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This paper deals with the culture issues in Chetan Bhagat 2 States – the story of my marriage. He is one of the most popular contemporary Indian novelists in Indian English Literature. He has represented young ,modern Indian youth and culture. Different characters and incidents portrayed in the novel gives us a vibrant picture about the different culture and tradition prevailing in India. Chetan Bhagat’s novel 2 States focusses on how a particular phenomenon, the notion of love and marriage related to the concept of culture and society with its customs. The novel 2 States deals with the cross-cultural encounters and deals with different experiences . A simple but realistic novel, brilliantly explores the encounter of 2 States, Punjab and TamilNadu. 2 States: The Story of My Marriage is partly an autobiographical novel. The story is about a couple, Krish and Ananya, who hail from two different states of India, Punjab and Tamil Nadu respectively, are deeply in love and want to get married. The novelist while talking about marriage also explores the social issues like dowry in traditional marriages and the shifting paradigms of matrimonial alliances in multicultural and multinational societies. Chetan Bhagat also expresses the cultural diversities.

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Rexly, S. Mijo. "Psyche of the Modern Youth: A Critical Study on Chetan Bhagat’s Half Girlfriend." SMART MOVES JOURNAL IJELLH 7, n.º 3 (28 de marzo de 2019): 7. http://dx.doi.org/10.24113/ijellh.v7i3.7818.

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The research article focuses on the Psyche of the Modern Youth in Half girlfriend as presented by the Indian writer Chetan Bhagat. The psyche of the modern youth analyses the factors like social condition, education, aspiration and behavioural pattern that influence the youth. It also highlights the positive and negative characteristics of modern youth in India. The generation gap between the old and young is clearly explained in this novel. Westernization exposes its impact on the younger generation who are influenced to a western life style, because of their education and choice of profession. The modern youth easily adopt the western ways of life as it symbolises success and social status. The modern youth expect a world full of creative challenges and opportunities. Still the world remains unchanged. A country’s destiny is the hands of youngsters as they ignore advice. Chetan Bhagat skilfully explores the psyche of modern youth with their aspirations, anger, hope and empowerment in his novel. The purpose of the paper is to unfold the mindset of modern generation by focusing on the impact of westernization and social issues that challenges them.

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A, Vimal y Subramania Pillai R. "The Study of Educational System: A Thematic Study in Select Works of Chetan Bhagat". Migration Letters 21, S1 (22 de diciembre de 2023): 835–40. http://dx.doi.org/10.59670/ml.v21is1.6411.

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The prime thing for every people in their life is education. Education can change a person and help each and every part of his life. There are some conflicts and unethical things happening in the education sector. The young generation is facing numerous conflicts and hurdles in the educational system. Some of the conflicts and prime issues in the Indian educational system are shown by Chetan Bhagat through his novels. His writings throw light on how the younger generation gets pressure and expectations from their family and how they overcome the current educational system. This paper shows the thematic evolution of the education system and how the younger generation overcomes the traditional system of learning in the select works Five Point Someone, Half Girlfriend, and Revolution 2020. There are some flaws in the education system such as learning methods, lack of innovation and creativity, deciding the student's ability by grade points, and language problems. In the educational sector, corruption also takes place to obtain permissions and approvals. Bhagat also gives some career advice and solution for the conflicts faced by the younger generation through his works.

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Jadhav, SainathAshok y AbhinaySunil Bhagat. "VEGETARIAN CAPSULES: A LOGICO-ETHICAL SUBSTITUTE.Sainath Ashok Jadhav*, Abhinay Sunil Bhagat*." International Journal of Advanced Research 4, n.º 6 (30 de junio de 2016): 713–18. http://dx.doi.org/10.21474/ijar01/812.

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39

Tiwari, Sapna. "Religious and Cultural Differences and Youth of India in The Novels of Chetan Bhagat". SMART MOVES JOURNAL IJELLH 1, n.º 1 (17 de junio de 2013): 5. http://dx.doi.org/10.24113/ijellh.v1i1.2.

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“Chetan Bhagat” is the writer of five bestselling novels in Indian writing in English. He is the writer of young generation and he has raised problems of youth through his novels.This paper attempts the differences of the various cultures and different religion existing in India being portrayed in his novels. The research shows the actual picture of the society where vividness and then unity has come up in a shape.

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Niroula, Khagendra Bahadur. "Self-management: A Tool for Positive Psychology". Journal of Management 3, n.º 1 (28 de agosto de 2020): 63–72. http://dx.doi.org/10.3126/jom.v3i1.30913.

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Happiness is the ultimate goal of human life which can be achieved through positivity. Positivity fosters internal strengths, provides happiness and wellbeing. This article aims to deal about self-management as a tool of positive psychology. It highlights the components of self-management which provides the sense of positivity in achieving individuals working and life goal. It focuses on understanding the factors for making the human life worthy. It attempts to define the positive psychology and establishes connection between positive psychology and self-management. It has taken some quotations from the holy book Bhagvat Gita to justify the content of self-management.

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Lone, Parvaize Ahmad. "The Hyper real Educational System: A study of Chetan Bhagat’s Novel “Five Point Someone”". SMART MOVES JOURNAL IJELLH 7, n.º 5 (28 de mayo de 2019): 9. http://dx.doi.org/10.24113/ijellh.v7i5.8521.

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The novel Five point someone argues about the grade point averages (GPAs) of the IIT students in India. Chetan Bhagat criticizes the conviction of IIT in particular and the whole technical educational system in India in general. The three friends Ryan, Hari and Alok exhibit psychological trauma which the majority of the students go through due to tight IIT schedule. This paper aims to underline the faulty education system in India and its remedies.

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Eshqulova, Kibriyo. "MAZKUR MAQOLA CHETAN BHAGATNING QALAMIGA MANSUB “HAYOTIMDAGI UCH XATO” ASRIDAGI ANTROPONIMLARNI INGLIZ TILIDAN O’ZBEK TILIGA TARJIMA QILISHDAGI MUAMMOLARNI TAHLIL QILADI". МЕЖДУНАРОДНАЯ НАУЧНАЯ КОНФЕРЕНЦИЯ: "СОВРЕМЕННЫЕ ФИЛОЛОГИЧЕСКИЕ ПАРАДИГМЫ: ВЗАИМОДЕЙСТВИЕ ТРАДИЦИЙ И ИННОВАЦИЙ II" 2, n.º 18.03 (7 de abril de 2022): 110–15. http://dx.doi.org/10.47100/nuu.v2i18.03.51.

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Mazkur maqola Chetan Bhagat tomonidan yozilgan ”Hayotimdagi uch xato” turkumidagi romanlar seriyasining tarkibidagi antroponimlarning ingliz tilidan o‘zbek tiliga tarjimasi va ularning mohiyatiga lingvitik nuqtai nazardan o‘quvchi uni anglashi uchun ta‘sir qiluvchi omillarni hisobga olgan holda tahlil qilingan. Obyekt sifatida tanlangan ismlar to‘qima bo‘lgani tufayli personajlarning ismlaridan oldin ularning asardagi vazifasi hamda xarakteri o‘ylab topilgani, so‘ngra uni lingvistik qoliplarga solingan. Shu tufayli maqolada tarjimon ularni o‘zbek tiliga o‘girishdan oldin etimologik, leksikologik, semantik va fonetik tahlil qilishi uchun qoliplar taklif qilingan.

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Goel, Apoorv, Shalabh Gupta, Ayush Agarwal, Tripta S. Bhagat y Atul K. Gupta. "Porcelain Gallbladder". Euroasian Journal of Hepato-Gastroenterology 7, n.º 2 (2017): 181–82. http://dx.doi.org/10.5005/jp-journals-10018-1244.

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ABSTRACT Porcelain gallbladder or calcified gallbladder is a rare entity and is considered as the end stage of chronic cholecystitis. This disease is rarely diagnosed preoperatively and usually mimics carcinoma gallbladder. Hereby, we present a rare and interesting case of porcelain gallbladder that was diagnosed preoperatively and managed by cholecystectomy. How to cite this article Goel A, Agarwal A, Gupta S, Bhagat TS, Kumar G, Gupta AK. Porcelain Gallbladder. Euroasian J Hepato-Gastroenterol 2017;7(2):181-182.

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Sabeena, D. y P. Parthiban. "The Ethics and Aesthetics of Love and Marriage in Chetan Bhagat’s 2 States". Shanlax International Journal of English 11, n.º 4 (1 de septiembre de 2023): 15–18. http://dx.doi.org/10.34293/english.v11i4.6506.

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Chetan Bhagat writes novels for the youth. His works target the problems, confusions, and lack of guidance which exists in the Indian society. As a writer and as a person he believes that the youth of the nation must be aware of what they want in life. He wants to show that life is a series of struggles and hence one has to conquer it to win over. Bhagat has a strong conviction that life is not a bed of roses and hence he wishes to create in the minds of his readers, more humorously that they need to sweat it out to achieve something in their lives. The novel, Two States : The Story of My Marriage is itself self explanatory and enlivening. When a lay reader gets to browse the title, one is reminded of the variant cultures which India has been carrying over under the tag of unity and diversity. When it comes to marriage, in a country like India, it is always a big fat wedding. The paper looks at the facets of love and marriage in the eyes of culture and acceptance. Although the country boasts of modernity and development in all the spheres of life, there is still a lack and a pitfall when it comes to marriage. Caste and family still play a very prominent role in deciding the fate of marriages.

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Deol, Amrit. "“Gilded Cages”". Ethnic Studies Review 46, n.º 1-2 (2023): 12–34. http://dx.doi.org/10.1525/esr.2023.46.1-2.12.

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In 1923, the landmark Supreme Court case, United States v. Bhagat Singh Thind determined that Bhagat Singh Thind and all other “Hindus” were ineligible for citizenship because they did not meet the “common understanding” of white. This article explores the debates surrounding the question “who is the ‘Hindu?’” in the United States in the early 1900s. The article depicts how the racialized category of “Hindu” was fabricated and constantly curated throughout the early twentieth century to protect the Anglo-American claim to whiteness. This challenges the idea that the category of “Hindu” was labeled as “non-white” following the United States v. Thind decision in 1923 and instead, highlights how the “Hindu” was always made to be “non-white.” Here, the article showcases the leading discourses in written media, labor, and immigration policies surrounding the racial classification of South Asian men in the United States, also known as “Hindu/Hindoos,” from 1906 to 1923. The question posed by these three American sources of discourse was not an ontological one set to explore the essence or being of “Hindu,” but rather a brutal effort to place the “Hindu” in a position to fail in American racial politics. This article examines the development of the racial category of “Hindu” in labor and immigration discourse and how it became embedded within the American “common sense.”

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46

Singh, Rajendra. "A Contastive analysis of the Confucian ethical dimension and thelt;emgt; Bhagwat Gitalt;/emgt;". International Journal of Humanities and Arts 1, n.º 2 (1 de julio de 2019): 27–28. http://dx.doi.org/10.33545/26647699.2019.v1.i2a.12.

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Lance, Ria. "A Comparative Study of the Ideals of P.B. Shelley and Bhagat Singh". Motifs : An International Journal of English Studies 3, n.º 2 (2017): 113. http://dx.doi.org/10.5958/2454-1753.2017.00016.2.

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Tiwari, Sapna. "Inter Caste Marriage and Indian society in the Novels of Chetan Bhagat". SMART MOVES JOURNAL IJELLH 1, n.º 1 (17 de junio de 2013): 1. http://dx.doi.org/10.24113/ijellh.v1i1.5.

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“Chetan Bhagat” is the writer of young generation. He is the writer of modern India and he has put up many problems of youth through his novels. This research paper attempts the differences of the cultures and inter caste marriages in India being portrayed in his novels. The research shows the actual picture of North and South India where the parents of the hero and the heroine think more about the society and its custom and rituals instead of the happiness of their children.

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Elam, J. Daniel. "Commonplace Anti-Colonialism: Bhagat Singh's Jail Notebook and the Politics of Reading". South Asia: Journal of South Asian Studies 39, n.º 3 (13 de junio de 2016): 592–607. http://dx.doi.org/10.1080/00856401.2016.1193796.

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Chadha, Manoj, Nikhil M. Bhagwat, Premlata K. Varthakavi, Parimal Subhash Tayde, Pradip P. Dalwadi, Bharat R. Sharma, Jagdish Chavhan, Pratibha Pawal y Ameya Joshi. "Solitary Thyroid Nodule: A Clinical Approach". An International Journal of Otorhinolaryngology Clinics 6, n.º 1 (2014): 23–29. http://dx.doi.org/10.5005/jp-journals-10003-1146.

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ABSTRACT Thyroid nodule is a commonly encountered clinical problem. The detection rate of solitary thyroid nodule has increased with better imaging techniques. The causes are multiple and malignancy is an usual concern, although uncommon. The evaluation begins with taking a history, performing the physical examination, and then choosing appropriate investigations to arrive at a diagnosis. This article discusses important issues related to evaluation of a solitary thyroid nodule. How to cite this article Tayde PS, Dalwadi PP, Sharma BR, Chavhan J, Pawal P, Joshi A, Bhagwat NM, Chadha M, Varthakavi PK. Solitary Thyroid Nodule: A Clinical Approach. Int J Otorhinolaryngol Clin 2014;6(1):23-29.

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