Bibliografías temáticas / Bern / Burgerbibliothek

Literatura académica sobre el tema "Bern / Burgerbibliothek"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Bern / Burgerbibliothek"

1

Glarner, Nadja. "Deskriptoren – Erschliessungs- und Vermittlungspraxis in der Burgerbibliothek Bern". Informationswissenschaft: Theorie, Methode und Praxis 8, n.º 1 (6 de mayo de 2024): 535–53. http://dx.doi.org/10.18755/iw.2024.25.

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Der Artikel untersucht die manuelle Indexierung im Archivbereich am Fallbeispiel der Deskriptoren in der Burgerbibliothek Bern. Dazu wurden die Mitarbeiter*innen zu ihrer Erschliessungs- und Vermittlungspraxis befragt sowie die Deskriptorendaten und ihre Geschichte analysiert. In einem komparativen Teil wurden mittels einer Umfrage die Erfahrungen anderer Archive mit demselben Archivinformationssystem ermittelt. Es wurde besonders nach dem Kosten-Nutzen-Verhältnis und den Gründen gefragt, warum sich die Institutionen für oder gegen eine Deskribierung entschieden haben. In einem dritten Teil wurden die zukünftigen Entwicklungen im Archivbereich wie etwa die Named Entity Recognition oder Records in Contexts beleuchtet, insbesondere die Vorteile einer Umstrukturierung der Deskriptorendaten nach dem RiC-Standard und die Migration in ein neues System mit flexiblen Darstellungsmöglichkeiten und vermehrter Vernetzung mit externen Ressourcen.
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Bausi, Alessandro. "Renate Würsch (Hrsg.): Die orientalischen Handschriften der Burgerbibliothek Bern". Aethiopica 12 (8 de abril de 2012): 260–63. http://dx.doi.org/10.15460/aethiopica.12.1.116.

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3

Lubich, Gerhard, Theo Kölzer y Marlis Stähli. "Rezension von: Kölzer, Theo; Stähli, Marlis (Hrsg.), Liber ad Honoremm August Sive de Rebus Siculis". Württembergisch Franken 80 (9 de agosto de 2023): 326–27. http://dx.doi.org/10.53458/wfr.v80i.7254.

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Theo Kölzer und Marlis Stähli (Hrsg.), Petrus de Ebulo: Liber ad honorem Augusti sive de rebus Siculis. Codex 120 II der Burgerbibliothek Bern. Eine Bilderhandschrift der Stauferzeit, Sigmaringen (Thorbecke) 1994, 304 S.
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Danovi, Vittorio Remo. "Was the Commentary on Vergil by Aelius Donatus Extant in the Ninth Century? A Reappraisal". Philologus 167, n.º 1 (1 de junio de 2023): 156–72. http://dx.doi.org/10.1515/phil-2023-0116.

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Abstract That the Vergilian commentary by Aelius Donatus – one of the most influential late-antique commentaries that have not survived – was extant in the ninth century and available to some Carolingian scholars is still a widespread belief. The evidence in support of this thesis is said to have been provided by the Harvard Servianist J. J. H. Savage in three articles published between 1925 and 1931. In these articles, Savage claimed that a few marginal notes in one of the ninth-century primary witnesses to the DS scholia, the so-called ‘Vergil of Tours’ (Bern, Burgerbibliothek, Ms. 165), were drawn almost directly from Donatus’ commentary and that a marginal note in a roughly coeval Servian witness (Bern, Burgerbibliothek, Ms. 363) provided information about a place where a copy of the commentary could be found. A re-examination of the two manuscripts shows that the evidence adduced by Savage does not stand scrutiny and that the terminus post quem for the loss of Donatus’ commentary should be antedated by at least one century.
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Meckler, Michael. "Releasing Sins in Vergil’s Margins: a Liturgical Prosa in Bern, Burgerbibliothek MS 167". Journal of Medieval Latin 18 (enero de 2008): 247–56. http://dx.doi.org/10.1484/j.jml.3.15.

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Gwara, Scott. "Un glossario bernense (Bern, Burgerbibliothek, A 91 [18]): Edizione e commento. Paolo Gatti". Speculum 78, n.º 4 (octubre de 2003): 1291–92. http://dx.doi.org/10.1017/s003871340010079x.

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Martina, Piero Andrea. "Lecteurs renaissants d’ancien français: Henri Estienne et le ms. Bern, Burgerbibliothek, Cod. 354". Studi Francesi, n.º 188 (LXIII | II) (1 de agosto de 2019): 228–50. http://dx.doi.org/10.4000/studifrancesi.18370.

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Hays, Gregory. "Paolo Gatti, ed. Un glossario bernense (Bern, Burgerbibliothek, A. 91 [18]). Edizione e commento". Journal of Medieval Latin 13 (enero de 2003): 262–64. http://dx.doi.org/10.1484/j.jml.2.304200.

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Gallagher, Robert. "King Alfred and the Sibyl: sources of praise in the Latin acrostic verses of Bern, Burgerbibliothek, 671". Early Medieval Europe 27, n.º 2 (23 de abril de 2019): 279–98. http://dx.doi.org/10.1111/emed.12331.

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Callahan, Christopher. "Collecting Trouvère Lyric at the Peripheries The Lessons of MSS Paris, BnF fr. 20050 and Bern, Burgerbibliothek 389". Textual Cultures 8, n.º 2 (9 de febrero de 2015): 15–30. http://dx.doi.org/10.14434/tc.v8i2.13275.

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In order to offer an argument for the role that material philology should play in future editions of medieval lyric, this article examines the evolution of compilational practices between the earliest and latest trouvère chansonniers, covering the period 1230 to 1310. Though the argument focuses on “peripheral” codices — from geographical and temporal points of view, it touches on pivotal manuscripts that articulate the transition from one set of compilational values to another. The analysis concludes with suggestions for future text editors in their quest for editions that capture the variance and vagaries of trouvère performance and transmission throughout the thirteenth century.
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Tesis sobre el tema "Bern / Burgerbibliothek"

1

Beldon, Valeria. "Edizione delle canzoni religiose anonime dei canzonieri Francesi C (Bern, Burgerbibliothek, 389) e V (Paris, Bibliothèque nationale de France, f. Fr. 24406), con trascrizione delle melodie". Paris, EPHE, 2005. http://www.theses.fr/2005EPHE4014.

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La présente etude est consacrée à l'édition de trente-six chansons pieuses anaonymes transmises en grande partie par des chansonniers français V (Paris, Bibliothèque Nationale de France, fr. 24406) et C (Bern, Burgerbibliothek 389). Plusieurs indices nous ont fait supposer que le même recueil de chansons pieuses a servi de source à V et C, mais que chacun des copistes a eu accès à un représentant différent de la tradition. E. Schwan avait d'ailleurs reconnu la source commune aux deux chansonniers et l'avait indiquée par l'abréviation Vg. L'édition reproduit les chansons selon l'ordre V, qui nous a vraisemblablement transmis le recueil dans l'ordre primitif. C'est aussi V qui a été retenu comme manuscrit de base, car il est plus correct et sa scipta est moins marquée dialectalement que celle de C. L'apparat est négatif ; il est disposé sur deux niveaux : les leçons refusées dans la partie supérieure et les variantes des autres sources manuscrites dans la partie inférieure, en transcription diplomatique. Toutes les variantes graphiques ont été relevées de manière à ce que le lecteur puisse se faire une idée de la scipta de chacun temoin. L'étude des mélodies du corpus nous a permi de confirmer ce que nous avions déjà vérifié lors de cette étude de textes eux-mêmes : nos chansons pieuses reprennent souvent des airs ou des schémas métriques déjà utilisés par des trouvères ou troubadours bien connus, comme Gace Brulé, Thibaut de Champagne, Gautier d'Espinal, Guiot de Provins, Robert de Castel, Jacques de Cambrai, Moniot d'Arras, Jacques le Vinier, Rigault de Berbezilh, Folquet de Marseille
The present study consists in a critical edition of thirty-six anonymous religious French poems mainly transmitted by French chansonniers V (Paris, Bibliothèque nationale de france, fr. 24406) et C (Bern, Burgerbibliothek 389). Several elements made us think that a same collection of religious poems has been the source for V and C, but the two scribes copied from different branches of tradition. E. Schwan already recognised the common source to both manuscripts and indicated it with Vg. The songs of this edition follow ms. V's presentation, which transmitted the collection in the original order. Ms V is also taken as main source for the edition, as it is more correct and its scripta, if compared to C's one contains just few dialectical traces. The melodies's study of the collection confirmed what we had noticed during the texts'analysis: the religious poems are often composed on melodies and metrical schemes which existed and belonged to well known trouvères or troubadours, as Gace Brulé, Thibaut de Champagne, Gautier d'Espinal, Guiot de Provins, Robert de Castel, Jacques de Cambrai, Moniot d'Arras, Jacques le Vinier, Rigaut de Berbezilh, Folquet de Marseille
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2

Beldon, Valeria <1975&gt. "Edizione delle canzoni religiose anonime dei canzonieri francesi C (Bern, Burgerbibliothek, 389) e V (Paris, Bibliothèque nationale de France, F. Fr. 24406), con trascrizione delle melodie". Doctoral thesis, Università Ca' Foscari Venezia, 2005. http://hdl.handle.net/10579/564.

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Daintree, David Charles Campbell. "Scholia Bernensia : an edition of the scholia on the Eclogues of Virgil in Bern Burgerbibliothek manuscript 172". Thesis, 1993. https://eprints.utas.edu.au/19578/1/whole_DaintreeDavidCharlesCampbell1994_thesis.pdf.

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The central feature of this dissertation is an edition of the marginal notes, or glosses, on the Eclogues of Virgil, to be found in Bern Stadtbibliothek MS 172, a ninth-century manuscript written in carolingian minuscules and known as the 'floriacensis' after its place of origin, the monastery of Fleury. Together with a clearly related set of glosses in MSS 165 and 167 of the same Library, these commentaries have long borne the collective name Scholia Bernensia. Central to my thesis is the proposition that commentaries were not copied and transmitted with the same type of 'reverence' that was accorded to classical literary works, but that they were constantly subjected to modification, deletion and interpolation at the discretion of the scholar or scribe who copied them, in accordance with the perceived needs of those for whom they were intended. It follows, then, that the established methods of textual criticism, by which an ancient and original literary work is restored or established from the extant manuscripts, cannot be employed in the handling of commentaries and glosses, for no single antique original may ever have existed. To put it another way, each commentary may indeed be derived largely from original sources, and they may well be legion, but it is itself a new and unique composition assembled from a diversity of sources of varying age and value, at the compiler's discretion. It further follows from all that has been said above that the final printed edition of a commentary ought to reflect something of the character of the manuscript (or family of manuscripts) from which it is derived, that the often composite nature of the manuscript version ought not to be obscured, and that the modern editor ought to resist the temptation to fabricate a coherent and integrated commentary by padding it out with borrowings from such as Servius, whenever echoes of the older and respected commentator fall upon the ear. The modern edition should, then, be closer in character to a diplomatic version, for the precise nature of the text as transmitted through the ages is of very much more importance to the modern student of commentaries than to the scholar whose primary interest lies in the classics themselves; to the latter the actual process of transmission will only ever be incidental. This dissertation will also assess the evidence for an Irish 'interlude' in the tradition of the Scholia Bernensia and related commentaries, and in particular for the now well-established proposition that an immediate precursor of our commentary was one compiled by Adamnan, Abbot of Iona (ob. 704), incorporating a body of material which he in turn derived from Filargirius (or Philargyrius), an otherwise unknown pagan commentator of the putative Milan school.
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Libros sobre el tema "Bern / Burgerbibliothek"

1

Mathias, Bäbler, ed. Die Burgerbibliothek Bern: Archiv, Bibliothek, Dokumentationsstelle. [Bern]: Burgerbibliothek Bern, 2002.

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2

Renate, Würsch y Bretfeld Sven, eds. Die orientalischen Handschriften der Burgerbibliothek Bern. Wiesbaden: Harrassowitz, 2007.

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Franz-Klauser, Olivia. Die hebräischen Handschriften: Verzeichnis mit Einleitung. Bern: Burgerbibliothek Bern, 1999.

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Gatti, Paolo. Un glossario bernense: Bern, Burgerbibliothek, A 91, 18 : edizione e commento. Trento: Dipartimento di scienze filologiche e storiche, 2001.

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Gatti, Paolo. Un glossario bernense: (Bern, Burgerbibliothek, A 91, (18)) : edizione e commento. Trento: Dipartimento di scienze filologiche e storiche, 2001.

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6

Andrist, Patrick. Les manuscrits grecs conserves a la Bibliotheque de la Bourgeoisie de Berne - Burgerbibliothek Bern: Catalogue et histoire de la collection. Dietikon-Zurich: Urs Graf, 2007.

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7

Münger, Rudolf. Rudolf Münger und sein Künstlerkreis: Schöne Welt im Kornhauskeller. Editado por Engler Claudia y Burgerbibliothek Bern. Bern: Burgerbibliothek, 2011.

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8

Vadianus, Joachim. Vom Mönch- und Nonnenstand und seiner Reformation, 1548: Manuskript 138 der Burgerbibliothek Bern. St.Gallen: VGS Verlagsgemeinschaft, 1988.

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1929-, Fast Heinold, Rothkegel Martin y Seebass Gottfried 1937-, eds. Briefe und Schriften oberdeutscher Täufer, 1527-1555: Das "Kunstbuch" des Jörg Probst Rotenfelder gen. Maler (Burgerbibliothek Bern, Cod. 464). [Gütersloh]: Gütersloher Verlagshaus, 2007.

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10

Bern, Stadt und Universitätsbibliothek, ed. Machs na: Fac-simile : Berner Gemeinschaftsausstellung zu Buchkunst und Faksimilertechnik, 7. bis 22. Dezember 1985 und 3. bib 11. Januar 1986, Stadt- und Universitätsbibliothek Bern, Burgerbibliothek Bern, Schweizerisches Gutenbergmuseum Bern, Deutsches Seminar der Universität Bern. Bern: Stadt- und Universitätsbibliothek Bern, 1985.

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Capítulos de libros sobre el tema "Bern / Burgerbibliothek"

1

Hahn, Cynthia. "8. Speaking without Tongues: The Martyr Romanus and Augustine's Theory of Language in Illustrations of Bern Burgerbibliothek Codex 264". En Images of Sainthood in Medieval Europe, editado por Timea Szell, 161–80. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501745508-010.

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"Burgerbibliothek Bern. Faksimile des Physiologus Bernensis". En Christus in natura, 195–228. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110494143-019.

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Mittenhuber, Florian. "The Trouvère Manuscripts of the Burgerbibliothek Bern". En A Medieval Songbook, traducido por Henry Hope, 13–19. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv24tr7vj.11.

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"2. Der Codex A 53 der Burgerbibliothek Bern". En Regelbuch und Observanz. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110448573-003.

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Mittenhuber, Florian. "1 The Trouvère Manuscripts of the Burgerbibliothek Bern". En A Medieval Songbook, 13–19. Boydell and Brewer, 2022. http://dx.doi.org/10.1515/9781800103764-010.

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"Appendix 3: The Bern Burgerbibliothek ms. 113 (F24)". En The <i>Chronique d’Ernoul</i> and the <i>Colbert-Fontainebleau Continuation</i> of William of Tyre (Volume 1), editado por Peter Edbury y Massimiliano Gaggero, 552–67. BRILL, 2023. http://dx.doi.org/10.1163/9789004543164_008.

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"Appendix 3 Independent conclusion to the Second Continuation in the Bern manuscript (Burgerbibliothek 113)". En The Complete Story of the Grail, 569–70. Boydell and Brewer, 2015. http://dx.doi.org/10.1515/9781782044758-147.

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"39. Pensis, loing de ceu ke je veul (R/S 1003)". En Le chansonnier français de la Burgerbibliothek de Berne, 102–4. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110263459.102.

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"40. Por la belle ke m’ait s’amor donee (R/S 508)". En Le chansonnier français de la Burgerbibliothek de Berne, 104–7. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110263459.104.

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"41. Pensis d’amors et ma[i]s (R/S 377)". En Le chansonnier français de la Burgerbibliothek de Berne, 107–9. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110263459.107.

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