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Libros sobre el tema "Berber poems"

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Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 28 de julio de 2024

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1

Billouch, Abderrahman. Tag̳uri: Timdyazin. Rabat]: Institut royal de la culture amazighe, 2013.

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2

Mubārak, Ḥājj Bilʻīd Ibn. Azawān n al-Ḥājj Balʻīd. al-Rabāṭ: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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3

Elmounadi, Ahmed. Tawada tasklant n umdyaz: Εtman Ublεid. Rabat]: Institut royal de la culture amazighe, 2012.

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4

Roth, Alfred G. J.C. Hobhouse mit Lord Byron im Berner Oberland, 1816. Bern: P. Haupt, 2000.

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5

Sumyah, Naffāʻ, ed. Poésie marocaine feminine: Al-Shiʻr al-nisāʼī al-Maghribī. Rabat: La Source, 2008.

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6

1883-1963, Tāzrūt Muḥammad al-Saʻīd, ed. al-Ḥājj Muḥammad al-Saʻīd Tāzrūt: Iṭlālah ʻalá al-shiʻr al-ṣūfī al-Amāzīghī. [Algiers?]: Dār al-Amal lil-Ṭibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2011.

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7

al-Mubdiʻūn bi-al-Amāzīghīyah fī al-Dār al-Bayḍāʼ: Al-fannān Aḥyā namūdhajan. [al-Rabāṭ]: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2008.

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8

Tazdug̳t n imdyazn: Ḥmmu Muεmmu. [Rabat]: Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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9

Tazdug̳t n imdyazn: Dris Alman. Rabat]: Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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10

Bollig, Benjamin. Music for Unknown Journeys by Cristian Aliaga. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348097.001.0001.

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What is the purpose of travel in an age when millions are displaced against their will or have no home to speak of in the first place? How can we travel without being tourists, without erasing the stories of those who live where we visit? These are some of the questions addressed in Cristian Aliaga’s compelling collection of prose poems, Music for Unknown Journeys. This collection contains Aliaga’s “travelling sketches,” in the tradition of Matsuo Bashō, John Berger, or W.G. Sebald. Each prose poem is geographically situated in his travels across Patagonia or his more recent journeys around the edge-lands of Europe. His work is politically acute, exploring struggles over territory, resources, and culture, in the places he visits. There is an intense emotional charge as he records the stories of those who globalization and contemporary capitalism have used and left behind. This volume brings together a generous selection of Aliaga’s prose poems, the majority previously unseen in English, as well as a substantial introduction to the author’s work and its context, both literary and political, by the editor and translator. Cristian Aliaga (b. 1962, Tres Cuervos, Province of Buenos Aires) is one of Argentina’s foremost contemporary poets. His work has been highly praised in the TLS and elsewhere. “No poet has been as intrepid as Aliaga in exploring that outer edge of modern consciousness at which the individual mind and the macroeconomic order meet,” Michael Kerrigan, TLS.

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11

Mubārak ū Masʻūd Bin Zīdah. Mubārak ū Masʻūd (Bin Zīdah): Dhākirat shāʻir. al-Rabāṭ, al-Maghrib : al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghiyah, Markaz al-Dirāsāt al-Fannīyah wa-al-Taʻābīr al-Adabīyah wa-al-Intāj al-Samʻī al-Baṣarī, 2015.

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12

Berger, John. Long White Thread of Words: Poems for John Berger. Smokestack Books, 2016.

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13

Berger, Harry. Resisting Allegory. Editado por David Lee Miller. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823285631.001.0001.

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Resisting Allegory gathers essays from the final two decades of Harry Berger, Jr.’s lifelong engagement with Spenser’s great poem The Faerie Queene, making clear the scope and coherence of the critical vision elaborated in a series of seminal and still-challenging critical arguments. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices—those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigorous questioning. No one writes the way Berger does; no one can combine theoretical scope with close reading the way he can. His distinctive voice, style, and attention to method offer a model to students and younger scholars and should command attention in courses on the method and theory of criticism.

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14

Imārīran: Mashāhīr shuʻarāʼ Aḥawwāsh fī al-qarn al-ʻishrīn. Rabat]: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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15

Imārīran: Mashāhīr shuʻarāʼ aḥwāsh fī al-qarn al-ʻishrīn. al-Rabāṭ: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, Markaz al-Dirāsāt al-Fannīyah wa-al-Taʻābīr al-Adabīyah wa-al-Intāj al-Samʻī al-Baṣarī, 2011.

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16

Poésie traditionnelle féminine de Kabylie: Typologie et textes. Alger: ENAG editions, 2011.

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17

Czapla, Ralf Georg, ed. „Weltpoesie allein ist Weltversöhnung“. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783956508530.

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The Franconian Friedrich Rückert is not only one of the most productive German-language poets of the 19th century, but also one of the most important mediators between the literatures of the Orient and the Occident in Europe because of his numerous translations. He was able to read a total of 44 languages. In the study of languages, he discovered a way to open up foreign cultures. Until now, literary studies have paid little at-tention to this enormous cultural achievement. This volume, which summarises the results of the Schweinfurt Symposium 2016, therefore addresses a research desideratum. With contributions by Hannah Berner, Ralf Georg Czapla, Sabine Gruber, Reinhard Gruhl, Lutz Hagestedt, Iris Hermann, Arne Klawitter, Karl Josef Kuschel, Stephan Lesker, Sascha Monhoff, Reinhold Münster, Peter-Arnold Mumm, Gunnar Och, Karin Rhein, Jessica Riemer, Torsten Voß, Claudia Wiener and Klaus Wolf.

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18

al-Islām wa-al-Amāzīghīyah: Naḥwa fahm wasaṭī lil-qaḍīyah al-Amāzīghīyah. [Casablanca]: Afrīqyā al-Sharq, 2008.

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