Bibliografías temáticas / Bell music

Literatura académica sobre el tema "Bell music"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 6 de febrero de 2022

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Artículos de revistas sobre el tema "Bell music"

1

Kieffer, Alexandra. "Bells and the Problem of Realism in Ravel’s Early Piano Music". Journal of Musicology 34, n.º 3 (2017): 432–72. http://dx.doi.org/10.1525/jm.2017.34.3.432.

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Early in his career Maurice Ravel composed two pieces that take bells as their subject: “Entre Cloches” from Sites auriculaires, composed in 1897, and “La vallée des cloches,” the final movement of the 1905 work Miroirs. Although these pieces can be contextualized within a nineteenth-century lineage of French piano pieces that depict bell peals, they also set themselves apart by virtue of their heightened attention to the particularities of bell sonorities. Relying heavily on repetitive ostinato patterns, quartal harmonies, and intense dissonances, these pieces play in the nebulous space between transcription and composition. Ravel’s experimentation with bell sonorities in his piano music can be understood in relation to a broader discourse surrounding the sound of bells in nineteenth-century France. A complex sonic object, bell resonance lent itself to different modes of listening: the harmoniousness of bell peals was a common refrain among romantic poets, Catholic clergy, and campanarian historians, but toward the end of the century it became increasingly common for physicists and popular-science publications to complain that bells were inherently discordant. In this context Ravel’s depictions of bells in “Entre cloches” and “La vallée des cloches” suggest a shift in the place of musical listening in nineteenth- and early twentieth-century cultures of aurality. Ravel’s musical listening entailed heightened attentiveness to the empirical qualities of non-musical sound; his pieces negotiate in new ways the boundary between musical composition and the protean sonic world outside of music. This reorientation of musical listening participates in a broader questioning by early twentieth-century modernists of the nature of music and its sonic material.
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Lehr, André. "III. From Theory to Practice". Music Perception 4, n.º 3 (1987): 267–80. http://dx.doi.org/10.2307/40285370.

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Modern digital computation techniques have made it possible to compute a base profile for a bell so that it will have some particular, predetermined eigenfrequencies. Practice has shown that with a combination of these modern techniques and the traditional skills of an experienced bell founder, a carillon bell can be made that contains an unconventional "major-third" partial and is in other respects at least as well-tuned as traditional carillon bells of high quality. An experimental movable carillon with 47 major-third bells was built and was found to be aurally quite distinguishable from a conventional carillon of comparable size. Criticizm on this new instrument comes mostly from professional carillonneurs, whereas other musicians or nonmusicians react generally in a positive way.
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Studwell, William E. "From “Jingle Bells” to “Jingle Bell Rock”". Music Reference Services Quarterly 5, n.º 1 (20 de septiembre de 1996): 1–20. http://dx.doi.org/10.1300/j116v05n01_01.

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Campbell, Patricia Shehan. "Bell Yung on Music of China". Music Educators Journal 81, n.º 5 (marzo de 1995): 39–46. http://dx.doi.org/10.2307/3398855.

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Halsted, Margo. "Tower bell music through the centuries". Journal of the Acoustical Society of America 101, n.º 5 (mayo de 1997): 3073. http://dx.doi.org/10.1121/1.419289.

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LEE, M. OWEN. "Quarterly Quiz Bell-Shaped Tones". Opera Quarterly 10, n.º 4 (1994): 91–94. http://dx.doi.org/10.1093/oq/10.4.91.

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Schoofs, A., F. Van Asperen, P. Maas y A. Lehr. "I. Computation of Bell Profiles Using Structural Optimization". Music Perception 4, n.º 3 (1987): 245–54. http://dx.doi.org/10.2307/40285368.

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This article describes the design of the profile for a major-third bell using structural optimization strategies. First a sequential linear programming method was used to find a prototype of the bell. The necessary analyses were done using the finite element method. Next, a fast analysis model was derived by numerical experimental design techniques. This analysis model led to the final geometry of the major-third bell.
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ILCHUK, LINA. "CONTENTS OF METHODICAL TRAINING OF FUTURE TEACHERS-MUSICIANS FOR THE USE OF BELL RINGING MEANS IN PROFESSIONAL ACTIVITY". Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, n.º 2 (6 de abril de 2021): 60–69. http://dx.doi.org/10.25128/2415-3605.20.2.9.

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The urgency of improving the professional training of future music teachers in connection with the growing public demand for the professional qualities of teachers is substantiated. It is established that the teacher’s search for a new content of education, in particular among ethnopedagogical bell ringing means, the use of non-traditional methods and forms of teaching will promote creative development of an individual, the formation of value attitude to the traditions and customs of his/her nation. The necessity of formation of methodical readiness of future teachers-musicians for the use of bell-ringing means in professional activity is defined. The development of students’ motives for studying bell ringing will be more effective by directing the educational process of art and pedagogical faculties to the development of future music teachers’ bell ringing competencies. The purpose of the article is to highlight the author’s contribution to the content of academic disciplines included in the cycle of professional training of future music teachers, information about bell ringing, as well as to present the methodological content of lectures and practical classes. Among the vectors of innovative adjustments, making changes to the work programs of educational components, the organization of independent extracurricular activities of music students have been defined. The author’s system of semantic additions to the disciplines of the professional cycle of training future teachers of music has been presented. Instructional and methodical materials for lectures, seminars and practical classes, organization of independent work have been developed. The practical value of the paper lies in the presentation of creative, didactic tasks that will contribute to the formation of students’ skills and abilities to use the bell-ringing means in professional activities. Cognitive and research work, excursions, expedition and on field collection of materials about bell-ringing of the region, production of photomontages, slide compositions, video materials, presentations of the developed creative projects have been suggested as extracurricular forms of work. Thus, the introduction of bell-ringing material in the normative and practical component of higher education will make it possible to eliminate contradictions between students’ acquisition of theoretical knowledge and their practical application.
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9

Irving, David R. M. "‘For whom the bell tolls’: Listening and its Implications". Journal of the Royal Musical Association 135, S1 (2010): 19–24. http://dx.doi.org/10.1080/02690400903414798.

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ABSTRACTThis response highlights the cultural specificity of the ‘work-concept’ and questions the tripartite scheme of listening proposed by John Butt. It offers an alternative set of listening categories, and makes reference to the issues of early-modern class structures and the role of music in religious devotions. The argument is supported by critiques of historical vignettes that include the story of Wolfgang Amadeus Mozart's transcription of Gregorio Allegri's Miserere and Jean Joseph Marie Amiot's demonstration of French music to a Chinese audience in the mid-eighteenth century.
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Gibbs, Alan. "The Music of Jane Joseph". Tempo, n.º 209 (julio de 1999): 14–18. http://dx.doi.org/10.1017/s0040298200014637.

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In a photograph reproduced in A Scrap-book for the Holst Birthplace Museum, the leading lights of the 1928 Whitsun Festival at Canterbury Cathedral are pictured. Posing in the sunshine after a performance of The Coming of Christ, Masefield's modern mystery play with music by Gustav Holst, are 30-odd participants with the Dean, Dr George Bell, and Holst in the centre. Between Holst and Mrs Bell, and taller than either, sits an efficient-looking lady in her early thirties, clearly of some importance to the festival. This was Jane Marian Joseph, who first came under Holst's spell as a pupil at St Paul's Girls' School and had gone on to act out the principles for which he stood, not least in her meticulous organization of these festivals, and as a composer. After her untimely death, he was to describe her as ‘the best girl pupil I ever had’ in an assessment of her compositions.
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Tesis sobre el tema "Bell music"

1

Kaminski, Jason. "Kolokol : spectres of the Russian bell". University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2006. http://hdl.handle.net/2100/421.

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Kolokol: Spectres of the Russian Bell, submitted by Jason Kaminski in fulfilment of the requirements of PhD (Humanities and Social Sciences) candidature at the University of Technology, Sydney, is an interpretative history of Russian bells (kolokola) and bell music (zvon). As a cultural object and sign, the Russian bell is associated with ideas of transcendence, and ideological and creative ‘vision.’ This interpretation of the signification of the kolokol as a sign arises directly from the perception that the bell is essentially a physical (anthropomorphic) body that is capable of ‘projecting’ or ‘transcending’ itself in the form of a spectrum. This essential ‘spectrality’ defines a history of the Russian bell as an instrument of magical, spiritual and religious ritual, as a cultural artefact associated with changing ideological movements (paganism, Christianity and communism) and as a sign represented synaesthetically in image, sound and text. Ethnographic and campanological studies observe that the kolokol ‘reflects Russian social history like a mirror’, representing the ‘voice of God’ or Logos as an aural or ‘singing’ icon, pointing to the primordial origins of language. This dissertation further investigates the idea that the kolokol acts as an ‘acoustical mirror’ and ‘ideological apparatus’: a medium or spectre through which Russian history and culture is interpellated and reflected. The various logical streams (storytelling, legend, script, text, song, cultural theory, philosophy and ethnography) that contribute to this dissertation form a textual ‘polyphony’ through which the essential meanings and ‘personae’ of the kolokol as a cultural object are interpreted. The bell is regarded as presenting an enigma of signification that must be resolved through investigation and definition. The thesis concludes that the kolokol acts as an iconic sign of the creative ‘Word’ (Logos) and as a symbolic sign that implies a ‘bridge’, copula or psychic ‘hook’, articulating the relationship between the cosmos and consciousness, the material and spiritual, the real and imaginary. Keywords: Russia, Russian History, Russian Arts, Russian Music, Russian Poetry, Russian Political History, Russian Orthodoxy, Russian Revolution, Bell-founding, Bell Music, Bell-ringing, Campanology, Iconology, Kolokol, Zvon. Word-count: 82,250 (excluding endnotes) 98,300 (including endnotes).
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2

Lee, Riley. "Yearning for the bell a study of transmission in the shakuhachi honkyoku tradition /". Connect to full text, 1992. http://hdl.handle.net/2123/1742.

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Thesis (Ph. D.)--University of Sydney, 1994.
Title from title screen (viewed Oct. 8, 2009). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Music, Faculty of Arts. Degree awarded 1994; thesis submitted 1992. Vol. 2 chiefly consists of musical examples. Includes tables. The thesis consists of 2 vol. Includes bibliographical references. Also available in print form.
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Botha, Alison. "A survey of the development of pitch perception theories, their application to bell sounds and an investigation of perceived differences between ringing and chiming bells". Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002296.

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A brief overview of the workings of the human auditory system is followed by a review of literature concerning both the theories and experimental investigations of human pitch perception. The application of these theories to the inharmonic complex tones produced by bells is discussed, and further experiments using bell sounds are reviewed. A methodology for psychoacoustic experiments with specific reference to those investigating pitch perception of inharmonic complex tones is presented. This methodology is then implemented in an experimental investigation of pitch perception of ringing and chiming bell sounds. A pitch matching experiment using ringing and chiming sounds from four bells aimed to determine perceived pitch differences between ringing and chiming bells. This experiment was inconclusive because insufficient data was collected. Known experimental results, such as the inability of non-musicians to match the pitches of sounds with different timbres were confirmed. Spectral analyses of the stimuli were performed. The presentation of stimuli at a low level of sensation is questioned, as this might have prevented pseudo high frequency noise resulting from stronger upper partials in the ringing sound from being audible, and hence the pitch differences between ringing and chiming bells would not be observed.
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Stein, Edward Garret. "An examination of major works for wind band, and chamber ensemble : "Pantomime" by Pierre Mercure, "From chaos to the birth of a dancing star" by Allan Gordon Bell, and "Tafelmusik" by Godfrey Ridout". Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/290.

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Olivieri, Catanzaro Tatiana. "La musique spectrale face aux apports technoscientifiques". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040118.

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La naissance de la musique spectrale et du modèle compositionnel qui la sous-tend a été conditionnée par un contexte technoscientifique spécifique, au carrefour de disciplines aussi diverses que la physique, la psychoacoustique, l’électronique, l’informatique ou la philosophie. Le présent travail de thèse en retrace certaines des étapes. Tout en remontant jusqu’à l’avènement de la science moderne au XVIIe siècle, elle aboutit à une caractérisation de ce courant esthétique comme un exemple de révolution non-cartésienne dans le sens que Bachelard donna au terme dans son Nouvel Esprit Scientifique. Parallèlement, elle reprend les acquis musicaux antérieurs et montre comment la musique spectrale s’est constituée en thématisant les tentatives de systématisation du son complexe comme élément porteur de forme apparus tout au long du XXe siècle
The rise of spectral music and of the compositional model that lies at its base has been conditioned by a specific technoscientific context, at a crossroads between disciplines as diverse as physics, psychoacoustics, electronics, computer sciences and philosophy. The present thesis retraces some of its stages. While going back to the advent of modern science in the 17th century, it leads to a characterization of this aesthetic movement as an example of a non- Cartesian revolution in the sense that Bachelard gave the term in The New Scientific Spirit. At the same time, it considers previous musical advances and shows how spectral music has formed itself by ‘thematizing’ attempts from throughout the 20th century to systematize complex sounds as form-bearing elements
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6

Pérez, Arquillo Julia. "Experiencing Bel Canto : Getting deep into the style". Thesis, Stockholms konstnärliga högskola, Institutionen för opera, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-922.

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One of the styles that has influenced opera the most through history has been Bel canto. This work is a recompilation of personal research about its history, characteristics and one of its major exponents, G. Rossini. At the same time, it includes a personal approach on the topic of how to create and perform a character and some exercises aimed to improve the singing in the mentioned style.
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7

Williams, Evan Michael. "Prelude in Tempore Belli". Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260.

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Lower, Jonathan. "Lead Belly: Race and Social Activism in Blues Music". Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1405422192.

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Koch, Klaus-Peter. "Vladimír Čížik und Jana Lengová (Hg.), Exegi monumentum. Ján Levoslav Bella (1843-1936). Život a dielo v obrazových dokumentoch [Ján Levoslav Bella. Leben und Werk in Bilddokumenten], Banská Bystrica 1992, slowakisch und deutsch; Jana Lengová (Hg.), Ján Levoslav Bella v kontexte európskej hudobnej kultúry [Ján Levoslav Bella im Kontext der europäischen Musikkultur], Konferenzbericht Banská Bystrica 1993 (= Bibliotheca musicae Neosoliensis I), Banská Bystrica 1993, slowakisch und deutsch.; Jana Lengová (Hg.), Duchovná hudba v 19. storočí [Geistliche Musik im 19. Jahrhundert], Konferenzbericht Banská Bystrica 1994 (= Bibliotheca musicae Neosoliensis II), Banská Bystrica 1995, slowakisch und deutsch; Tradície európskej hudby 15. - 18. storočia [Traditionen der europäischen Musik des 15. - 18. Jahrhunderts], Konferenzbericht Bratislava 1995 (= Slovenská hudba [Slowakische Musik] XXII, Heft 3/4), Bratislava 1996 [Rezension]". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222681.

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Sparling, Heather. "Puirt-a-beul an ethnographic study of mouth music in Cape Breton /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ56204.pdf.

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Libros sobre el tema "Bell music"

1

Griffin, Patty. Silver bell. Santa Monica, CA: A&M/Universal, 2013.

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McCue, Lisa. Jingle bell mice. [Mahwah, NJ]: WhistleStop, Troll, 1997.

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3

Adrian, Karlo. Edison Bell Winner Records. 2a ed. Bournemouth, England: E. Bayly, 1989.

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Chavers, Nicky. Klinkenschnell the Christmas bell: A children's Christmas musical. Greenville, S.C: Majesty Music, 1995.

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5

Word like a bell: John Keats, music and the romantic poet. Kent, Ohio: Kent State University Press, 1992.

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6

Marclay, Christian. The bell and the glass. Philadelphia, PA: 1000 Islands Phota Art, 2004.

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Art, Philadelphia Museum of y Relâche--The Ensemble for Contemporary Music., eds. The bell and the glass. Philadelphia, Pa: Philadelphia Museum of Art and Relâche, 2003.

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One man's music: The life and times of Texas songwriter Vince Bell. Denton, Tex: University of North Texas Press, 2009.

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9

Wales, Tony. Ballads, bands and bell-ringers: Singers, musicians and story tellers in old Sussex. Horsham: Fieldand Furrow Books, 1985.

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Ballads, bands, and bell-ringers: Singers, musicians, and story-tellers in old Sussex. Horsham, West Sussex: Field and Furrow Books, 1985.

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Capítulos de libros sobre el tema "Bell music"

1

Dvurečenskij, Anatolij. "Bell-Type Inequalities and Orthomodular Lattices". En Language, Quantum, Music, 209–18. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2043-4_19.

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Karagouni, Villy. "“Key Clacks and Bell Dings and Slamming Platens”: The Historical and Narrative Function of Music in E. L. Doctorow’s Homer and Langley". En 21st Century US Historical Fiction, 111–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_7.

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Zotter, Astrid. "Bells, auspiciousness and the god of music". En Worship Sound Spaces, 122–39. New York : Routledge, 2020. | Series: [Research in architecture]: Routledge, 2019. http://dx.doi.org/10.4324/9780429279782-8.

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Magnard, Pierre. "La grâce plus belle encore que la beauté". En Musica corporis, 301–8. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00212.

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Christoforidis, Michael. "Belle époque primitivism, Igor Stravinsky and El amor brujo (1915)". En Manuel de Falla and Visions of Spanish Music, 88–102. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315142135-6.

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Yonezawa, Tomoko, Shota Yanagi, Naoto Yoshida y Yuki Ishikawa. "Accelerating the Physical Experience of Immersive and Penetrating Music Using Vibration-Motor Array in a Wearable Belt Set". En Entertainment Computing - ICEC 2016, 173–86. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46100-7_15.

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Queiroz, Kevin de, Philip D. Cantino y Jacques A. Gauthier. "Musci A. L. Jussieu 1789. [B. D. Mishler, A. E. Newton, N. Bell, B. Crandall-Stotler, and R. Stotler], converted clade name". En Phylonyms, 219–22. Boca Raton : CRC Press, [2019]: CRC Press, 2020. http://dx.doi.org/10.1201/9780429446276-52.

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"bell". En Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.01181.

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"alarum-bell". En Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.00545.

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"The Bell". En Music in Films on the Middle Ages, 44–62. Routledge, 2013. http://dx.doi.org/10.4324/9780203385470-9.

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Actas de conferencias sobre el tema "Bell music"

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Bie, Zhian. "Research on the Music Performance of the Sheep Horn-bell". En 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.77.

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Van, Kesin. "Bel Canto's Influence on the Development of Modern Chinese Opera Singing". En All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98545.

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Since the emergence of bel canto in China, traditional Chinese singing has been greatly influenced. Modern Chinese opera not only inherits the essence of Chinese national music, but also includes the unique vocal abilities of bel canto. It is thanks to Chinese national music and bel canto, which give Chinese opera singing in modern opera a whole new artistic experience that makes contemporary Chinese opera singing aimed at diversified development. The article analyzes the direction of development of bel canto in the field of Chinese art and the influence of bel canto on the direction of development of Chinese opera singing. Clarify the direction of development of the Chinese operatic art.
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Loureiro, Maurício, Tairone Magalhaes, Davi Mota, Thiago Campolina y Aluizio Oliveira. "A retrospective of the research on musical expression conducted at CEGeME". En Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10440.

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CEGeME - Center for Research on Musical Gesture and Expression is affiliated to the Graduate Program in Music of the Universidade Federal de Minas Gerais (UFMG), hosted by the School of Music, Belo Horizonte, Brazil, since 2008. Focused on the empirical investigation of music performance, research at CEGeME departs from musical content information extracted from audio signals and three-dimensional spatial position of musicians, recorded during a music performance. Our laboratories are properly equipped for the acquisition of such data. Aiming at establishing a musicological approach to different aspects of musical expressiveness, we investigate causal relations between the expressive intention of musicians and the way they manipulate the acoustic material and how they move while playing a piece of music. The methodology seeks support on knowledge such as computational modeling, statistical analysis, and digital signal processing, which adds to traditional musicology skills. The group has attracted study postulants from different specialties, such as Computer Science, Engineering, Physics, Phonoaudiology and Music Therapy, as well as collaborations from professional musicians instigated by specific inquiries on the performance on their instruments. This paper presents a brief retrospective of the different research projects conducted at CEGeME.
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Barta, Judit. "A kiegészítő nyugdíjpillér ezen belül a magánnyugdíjpénztári rendszer aktuális helyzete és értékelése". En MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.079.

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Ding, Shuyue. "The Application of Bel Canto in National Vocal Music". En 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.51.

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Kovács, József y Andrei Andras. "Reliability Analysis of the Belt Conveyors at Vulcan Mine Plant, Jiul Valley, Romania". En MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.032.

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Um, Eunkyung y Yunfei Zheng. "Misunderstanding Analysis and Countermeasure Research in Vocal Music Teaching of Bel Canto". En Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.153.

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"A Study on Shaanxi Colleges and Universities of Music Serving the Belt and Road Initiative". En 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.089.

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Wang, Li. "Reform and Thinking of One's "One Belt, One Road" Development Strategy in Inner Mongolia Minority Music Teaching". En IPEC 2021: 2021 2nd Asia-Pacific Conference on Image Processing, Electronics and Computers. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3452446.3452698.

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"Study on Development of the Trans-Boundary Group Music in Yunnan Province under “The Belt and Road” Initiative". En 2018 International Conference on Social Sciences, Education and Management. Francis Academic Press, 2018. http://dx.doi.org/10.25236/socsem.2018.177.

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