Artículos de revistas sobre el tema "Ballet – Perception"
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Price, Brena R. y Terry F. Pettijohn. "THE EFFECT OF BALLET DANCE AT IRE ON BODY AND SELF-PERCEPTIONS OF FEMALE DANCERS". Social Behavior and Personality: an international journal 34, n.º 8 (1 de enero de 2006): 991–98. http://dx.doi.org/10.2224/sbp.2006.34.8.991.
Texto completoGutsche-Miller, Sarah. "Parisian Music-Hall Ballet through the Eyes of its Critics". Dance Research 36, n.º 1 (mayo de 2018): 67–90. http://dx.doi.org/10.3366/drs.2018.0221.
Texto completoHORSKA, Veronika y Taras SHIT. "MASCULINE BALLET AS AN EXAMPLE OF A MODERN BALLET ART". Bulletin of the Lviv University. Series of Arts Studies 103 (2021): 39–50. http://dx.doi.org/10.30970/vas.22.2021.12179.
Texto completoPetrushanskaya, E. M. "The Epoch’ Tendencies in Marius Petipa’ Last Ballet The Magic Mirror". Art & Culture Studies, n.º 1 (2021): 142–79. http://dx.doi.org/10.51678/2226-0072-2021-1-142-179.
Texto completoRabasco Aguilar, José Gabriel. "Un fandango de plata: de las relaciones artísticas y nuevas aportaciones en torno a La Argentina y el ballet El fandango del candil". ACCADERE. Revista de Historia del Arte 6 (2023): 43–62. http://dx.doi.org/10.25145/j.histarte.2023.06.03.
Texto completoGoltsman, Maria. "Об общих графических закономерностях восприятия живописи и балета: мнемоническая форма танца [On some graphic regularities of perception in painting and dance: Mnemonic form of dance]". Sign Systems Studies 31, n.º 2 (31 de diciembre de 2003): 393–419. http://dx.doi.org/10.12697/sss.2003.31.2.05.
Texto completoPopović-Bodroža, Ana. "Picasso and the theater: From Harlequin to Pegasus: The modernist fine art and theater turn". Zbornik radova Filozofskog fakulteta u Pristini 53, n.º 4 (2023): 317–33. http://dx.doi.org/10.5937/zrffp53-42003.
Texto completoCarvalho, E., A. Faria, M. H. Loureiro y J. P. Figueiredo. "Food Restriction And Self-Image Perception In Ballet Dancers". Clinical Nutrition ESPEN 54 (abril de 2023): 511. http://dx.doi.org/10.1016/j.clnesp.2022.09.159.
Texto completoKeller, Nicole. "Learning to Dance". Harvard Educational Review 83, n.º 1 (26 de marzo de 2013): 96–97. http://dx.doi.org/10.17763/haer.83.1.n2570781548626w6.
Texto completoOrel, D. "FEATURES OF THE CIRCUS GENRE OF AERIAL GYMNASTICS (FORMS OF SYNTHESIS ON THE EXAMPLE OF A DUET CORDE DE PÉRIL)". Innovative Solution in Modern Science 6, n.º 33 (7 de octubre de 2019): 134. http://dx.doi.org/10.26886/2414-634x.6(33)2019.10.
Texto completoКряжева, И. А. "The Image of Spain in Sergei Diaghilev’s “Russian Seasons”". Музыкальная академия, n.º 1(781) (27 de marzo de 2023): 194–203. http://dx.doi.org/10.34690/298.
Texto completoKim, Naeun y Sunyoung Kim. "A Study on the Differences in Perception between Current Organizational Culture and Preferred Organizational Culture of Professional Ballet Company". Korean Society of Culture and Convergence 45, n.º 6 (30 de junio de 2023): 335–48. http://dx.doi.org/10.33645/cnc.2023.06.45.06.335.
Texto completoCoombes, Timothy F. "The Nursery as Circus: Dancing the Childlike to Fauré's Dolly Suite, 1913". Journal of the Royal Musical Association 142, n.º 2 (2017): 277–325. http://dx.doi.org/10.1080/02690403.2017.1361174.
Texto completoCornell, Katherine y Nadine Saxton. "Reviewing the Role of the Dance Critic in Toronto". Canadian Theatre Review 107 (junio de 2001): 87–89. http://dx.doi.org/10.3138/ctr.107.013.
Texto completoKawano, Yui y Mayumi Kuno-Mizumura. "Rotational Movement of the Upper Limbs Associated with the Aesthetic Appreciation of Ballet". Medical Problems of Performing Artists 37, n.º 1 (1 de marzo de 2022): 44–52. http://dx.doi.org/10.21091/mppa.2022.1006.
Texto completoSalosaari, Paula. "Perception and Movement Imagery as Tools in Performative Acts Combining Live Music and Dance". Nordic Journal of Dance 4, n.º 1 (1 de junio de 2013): 16–27. http://dx.doi.org/10.2478/njd-2013-0003.
Texto completoFomkin, Alexey Viktorovitch. "Peculiarities of using the demonstration principle in ballet pedagogy". Samara Journal of Science 5, n.º 1 (1 de marzo de 2016): 192–96. http://dx.doi.org/10.17816/snv20161314.
Texto completoLiu, Ting. "The interpretative function of singing in the “score” of a modern ballet performance". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, n.º 62 (16 de septiembre de 2022): 79–92. http://dx.doi.org/10.34064/khnum1-62.05.
Texto completoKhokhlova, Daria. "To the problems of difference in interpretations of the plot of D. D. Shostakovich’s ballet “The Limpid Stream”". Человек и культура, n.º 3 (marzo de 2020): 43–51. http://dx.doi.org/10.25136/2409-8744.2020.3.33137.
Texto completoNather, Francisco Carlos y José Lino Oliveira Bueno. "Timing Perception in Paintings and Sculptures of Edgar Degas". Kronoscope 12, n.º 1 (2012): 16–30. http://dx.doi.org/10.1163/156852412x631628.
Texto completoSmith, Jenna y Paul McCarthy. "Gender bias personality perception in stereotypically gendered sport". Sport & Exercise Psychology Review 17, n.º 2 (septiembre de 2022): 76–87. http://dx.doi.org/10.53841/bpssepr.2022.17.2.76.
Texto completoTurner, Alasdair. "Partners in the street ballet: An embodied process of person-space coupling in the built environment". Environment and Planning B: Urban Analytics and City Science 44, n.º 2 (27 de julio de 2016): 294–307. http://dx.doi.org/10.1177/0265813516638185.
Texto completoSimonović, Marija. "Fire As A First Cause Of Phenomenon In Gaston Bachelard's The Psychoanalysis Of Fire And Igor Stravinsky's The Rite Of Spring". Kwartalnik Młodych Muzykologów UJ, n.º 50 (3) (junio de 2022): 43–63. http://dx.doi.org/10.4467/23537094kmmuj.21.006.16100.
Texto completoGuachalla, Adrian. "Social inclusion and audience development at the Royal Opera House: a tourist perspective". International Journal of Culture, Tourism and Hospitality Research 11, n.º 3 (7 de agosto de 2017): 436–49. http://dx.doi.org/10.1108/ijcthr-07-2016-0071.
Texto completoThomson, Kaivo y Anthony Watt. "Investigating cognitive style differences in the perception of biological motion associated with visuospatial processing". Polish Psychological Bulletin 44, n.º 1 (1 de marzo de 2013): 50–55. http://dx.doi.org/10.2478/ppb-2013-0006.
Texto completoJang, Seon Hee y Frank E. Pollick. "Experience Influences Brain Mechanisms of Watching Dance". Dance Research 29, supplement (noviembre de 2011): 352–77. http://dx.doi.org/10.3366/drs.2011.0024.
Texto completoDryburgh, Anne y Sylvie Fortin. "Weighing in on surveillance: perception of the impact of surveillance on female ballet dancers’ health". Research in Dance Education 11, n.º 2 (junio de 2010): 95–108. http://dx.doi.org/10.1080/14647893.2010.482979.
Texto completoYang, Youngeun. "Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)". Dance Research 40, n.º 1 (mayo de 2022): 61–84. http://dx.doi.org/10.3366/drs.2022.0358.
Texto completoXavier, Joelma Rezende. "Sobre bailados de Corpo de Baile: uma análise comparativa entre literatura e dança no texto rosiano." O Eixo e a Roda: Revista de Literatura Brasileira 27, n.º 3 (21 de diciembre de 2018): 221–47. http://dx.doi.org/10.17851/2358-9787.27.3.221-247.
Texto completoTodi, Cristina. "The Metamorphosis of Performing Arts". Theatrical Colloquia 9, n.º 1 (1 de junio de 2019): 173–86. http://dx.doi.org/10.2478/tco-2019-0004.
Texto completoSalzano, Annamaria, Fabiana Camuso, Mario Sepe, Maha Sellami, Luca P. Ardigò y Johnny Padulo. "Acute Effect of Toe Cap Choice on Toe Deviation Angle and Perceived Pain in Female Professional Ballet Dancers". BioMed Research International 2019 (10 de abril de 2019): 1–8. http://dx.doi.org/10.1155/2019/9515079.
Texto completoRahardjo, Dian Kusmawati y Haryadi Sarjono. "Tinjauan pustaka sistematis: Studi kritis pementasan budaya di era pandemi Covid-19 pada pertunjukan sendratari Ramayana secara online". Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 6, n.º 1 (28 de abril de 2022): 180–90. http://dx.doi.org/10.22219/satwika.v6i1.18275.
Texto completoChristensen, Julia F., Anna Lambrechts y Manos Tsakiris. "The Warburg Dance Movement Library—The WADAMO Library: A Validation Study". Perception 48, n.º 1 (17 de diciembre de 2018): 26–57. http://dx.doi.org/10.1177/0301006618816631.
Texto completoGrutsynova, Anna P. "The Ballet “Les Noces de Pelée et de Thetis” (1653) Preserved in Visual Images". ICONI, n.º 1 (2021): 75–89. http://dx.doi.org/10.33779/2658-4824.2021.1.075-089.
Texto completoMANTOROVA, ANNA. "TEODOR CURRENTZIS IN PERM CULTURAL LIFE IN 2011-2022". Культурный код, n.º 2023-2 (2023): 42–52. http://dx.doi.org/10.36945/2658-3852-2023-2-42-52.
Texto completoBurganova, Maria A. y Nikolai Tsiskaridze. "INTERVIEW WITH NIKOLAI TSISKARIDZE — A MEMBER OF THE COUNCIL FOR CULTURE AND ART UNDER THE PRESIDENT OF THE RUSSIAN FEDERATION, RECTOR OF THE VAGANOVA ACADEMY OF RUSSIAN BALLET". Scientific and analytical journal Burganov House. The space of culture 17, n.º 4 (10 de noviembre de 2021): 10–13. http://dx.doi.org/10.36340/2071-6818-2021-17-4-10-13.
Texto completoGuachalla, Adrian. "The Royal Opera House and Covent Garden: A symbiotic and complex touristic relationship". Tourism and Hospitality Research 19, n.º 2 (6 de noviembre de 2017): 225–37. http://dx.doi.org/10.1177/1467358417738309.
Texto completoHuschka, Sabine. "Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe". Dance Research Journal 42, n.º 1 (2010): 61–72. http://dx.doi.org/10.1017/s0149767700000838.
Texto completoOrel, Barbara. "The World of Odour in the Slovenian Performing Arts". Amfiteater 9, n.º 2021-2 (5 de diciembre de 2021): 92–98. http://dx.doi.org/10.51937/amfiteater-2021-2/92-98.
Texto completoHysa, Oksana. "Olena Berehova, ‘Dialoh kul’tur: obraz inshoho v muzychnomu universumi’ [Dialogue of Cultures: The Image of the Other in the Musical Universe], Kyiv 2020". Muzyka 67, n.º 3 (9 de noviembre de 2022): 178–83. http://dx.doi.org/10.36744/m.1412.
Texto completoВолкова, Е. А., Н. М. Волков y Е. В. Фролова. "NATIONAL IDENTITY OF THE RUSSIAN PEOPLE IN THE PERCEPTION OF F.M. DOSTOEVSKY". Актуальные вопросы современной филологии и журналистики, n.º 3(46) (26 de septiembre de 2022): 130–34. http://dx.doi.org/10.36622/aqmpj.2022.87.21.021.
Texto completoSUSLOV, I. V. "SYMBOLIC INTERACTIONISM: PRE-REVOLUTIONARY AND SOVIET ARCHITECTURE AS MEDIA IN THE PERCEPTION OF NEW GENERA-TIONS OF YOUTH". Central Russian Journal of Social Sciences 17, n.º 5 (2022): 15–30. http://dx.doi.org/10.22394/2071-2367-2022-17-5-15-30.
Texto completoSteorn, Patrik. "Med popkultur i kroppen - Benny Nemerofsky Ramsays videoverk från tidigt 2000-tal". Tidskrift för genusvetenskap 32, n.º 1 (13 de junio de 2022): 111–25. http://dx.doi.org/10.55870/tgv.v32i1.3574.
Texto completoKrasnovа, Nataliia. "Technologies of Aesthetic Education of Personality by Means of Theatrical Art". Bulletin of Luhansk Taras Shevchenko National University 1, n.º 6 (344) (2021): 78–92. http://dx.doi.org/10.12958/2227-2844-2021-6(344)-1-78-92.
Texto completoPickard, Angela. "Ballet body belief: perceptions of an ideal ballet body from young ballet dancers". Research in Dance Education 14, n.º 1 (abril de 2013): 3–19. http://dx.doi.org/10.1080/14647893.2012.712106.
Texto completoKellermann, Mariana Marques. "LUDICIDADE: O JOGO E A BRINCADEIRA NA LINGUAGEM DA DANÇA". @rquivo Brasileiro de Educação 3, n.º 6 (12 de septiembre de 2016): 106. http://dx.doi.org/10.5752/p.2318-7344.2015v3n6p106.
Texto completoAlegre, Luisa, Margarida Moura y Maria João Alves. "The “Spontaneous 40” of Lisbon: A Dance Experience for Mature Participants". Congress on Research in Dance Conference Proceedings 2012 (2012): 1–11. http://dx.doi.org/10.1017/cor.2012.1.
Texto completoMyroslav, Yatsiv. "THE PHENOMENON OF LIGHT IN SCENOGRAPHIC SOLUTIONS YEVHENA LYSYKA". Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, n.º 1 (15 de junio de 2021): 140–54. http://dx.doi.org/10.23939/sa2021.01.140.
Texto completoDerbentseva, L. V. "Poet of light tonality (study of A.T. Tvardovsky’s poem “The House by the Road” in high school)". Literature at School, n.º 4, 2020 (2020): 92–105. http://dx.doi.org/10.31862/0130-3414-2020-4-92-105.
Texto completoMorrison, Simon. "Still in Search of Satanilla". 19th-Century Music 46, n.º 1 (2022): 3–38. http://dx.doi.org/10.1525/ncm.2022.46.1.3.
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