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Libros sobre el tema "Ballet – Perception"

Autor: Grafiati
Publicado: 13 de abril de 2024

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1

ill, Ichikawa Satomi, ed. Presenting Tanya, the Ugly Duckling. New York: Philomel Books, 1999.

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2

Gauch, Patricia Lee. Presenting Tanya, the Ugly Duckling. New York: Philomel Books, 1999.

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3

On pointe. New York: Margaret K. McElderry Books, 2004.

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4

Listening to music. London: M. Cavendish, 1989.

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5

1952-, Ahmad Mohiuddin y Community Development Library (Dhaka, Bangladesh), eds. Voice through ballot: Election and people's perception. Dhaka: Community Development Library, 2001.

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6

Flammiger, Francesca. Perceptions of ballet: A research study to investigate ballet's identity, its status as a creative genre and its role and value as a technical training. Roehampton: Roehampton University, 2004.

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7

Mirroring and attunement: Self realization in psychoanalysis and art. Hove, East Sussex, England: Routledge, 2009.

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8

J, Skolnick Neil y Warshaw Susan C, eds. Relational perspectives in psychoanalysis. Hillsdale, NJ: Analytic Press, 1992.

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9

1958-, Busch Fredric, ed. Mentalization: Theoretical considerations, research findings, and clinical implications. New York: Analytic Press, 2008.

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10

Grover, Lorie Ann. On Pointe. Simon & Schuster, Limited, 2013.

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11

Grover, Lorie Ann. On Pointe. McElderry Books, Margaret K., 2008.

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12

Souza, Chris De y Chris De Souze. Listening to Music (Exploring the Arts). Marshall Cavendish Corp, 1994.

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13

David, Ann R. Ram Gopal. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350166226.

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Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s. Almost single-handedly, Gopal changed the perception of Indian dance abroad, introducing a global audience to specificity of movement, classically trained dancers, live musicians and exquisitely detailed costumes, modelled from Indian iconography. In this much-needed study of an often-neglected figure, the author unearths a fascinating narrative about Ram Gopal, the individual and the dancer, drawing on interviews with his remaining family, costume-makers, friends, dance partners, fellow dancers and audience members. More broadly, we come to understand the culture of Indian dance at the time, including the politics of the nomenclature and of the nationalist and orientalist discourses, the rapid changes created by the demise of colonialism and the influence of Western styles of dance, such as ballet and modern, in its development.
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14

Creighton, Breen, Catrina Denvir, Richard Johnstone, Shae McCrystal y Alice Orchiston. Strike Ballots, Democracy, and Law. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198869894.001.0001.

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The purpose of the research upon which this book is based was empirically to investigate whether the ballot requirements in the Fair Work Act do indeed impose a significant obstacle to the taking of industrial action, and whether those provisions are indeed impelled by a legitimate ‘democratic imperative’. The book starts from the proposition that virtually all national legal systems, and international law, recognise the right to strike as a fundamental human right. It acknowledges, however, that in no case is this recognition without qualification. Amongst the most common qualifications is a requirement that to be lawful strike action must first be approved by a ballot of workers concerned. Often, these requirements are said to be necessary to protect the democratic rights of the workers concerned: this is the so-called ‘democratic imperative’. In order to evaluate the true purpose and effect of ballot requirements the book draws upon the detailed empirical study of the operation of the Australian legislative provisions noted above; a comparative analysis of law and practice in a broad range of countries, with special reference to Canada, South Africa, the United Kingdom and the United States; and the jurisprudence of the supervisory bodies of the International Labour Organisation. It finds that in many instances ballot requirements – especially those relating to quorum – are more concerned with curtailing strike activity than with constructively responding to the democratic imperative. Frequently, they also proceed from a distorted perception of what ‘democracy’ could and should entail in an industrial context. Paradoxically, the study also finds that in some contexts ballot requirements can provide additional bargaining leverage for unions. Overall, however, the study confirms our hypothesis that the principal purpose of ballot requirements – especially in Australia and the United Kingdom – is to curtail strike activity rather than to vindicate the democratic imperative, other than on the basis of a highly attenuated reading of that term. We believe that the end-result constitutes an important study of the practical operation of a complex set of legal rules, and one which exposes the dichotomy between the ostensible and real objectives underpinning the adoption of those rules. It also furnishes a worked example of multi-methods empirical, comparative and doctrinal legal research in law, which we hope will inspire similar approaches to other areas of labour law.
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15

Hartley, Julia Caterina. Iran and French Orientalism. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780755645626.

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New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France’s perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran’s history and culture remained a constant source of inspiration across different generations and artistic movements, from the ‘Oriental’ poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier’s strategic citation of Persian poetry to his daughter Judith Gautier’s full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David’s opera Lalla Roukh, and ominous, as in Massenet’s Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers’ pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.
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16

Skolnick, Neil J. y Susan C. Warshaw. Relational Perspectives in Psychoanalysis. Taylor & Francis Group, 2015.

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17

Skolnick, Neil J. y Susan C. Warshaw. Relational Perspectives in Psychoanalysis. Taylor & Francis Group, 2015.

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18

Mentalization: Theoretical Considerations, Research Findings, and Clinical Implications (Psychoanalytic Inquiry Book). Analytic Press, 2008.

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19

Mentalization: Theoretical Considerations, Research Findings, and Clinical Implications (Psychoanalytic Inquiry Book). Analytic Press, 2008.

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